'Times and their reasons, arranged in order through the Latin year, and constellations sunk beneath the earth and risen, I shall sing.' Ovid's poetical calendar of the Roman year is both a day by day account of festivals and observances and their origins, and a delightful retelling of myths and legends associated with particular dates. Written in the late years of the emperor Augustus, and cut short when the emperor sent the poet into exile, the poem's tone ranges from tragedy to farce, and its subject matter from astronomy and obscure ritual to Roman history and Greek mythology. Among the stories Ovid tells at length are those of Arion and the dolphin, the rape of Lucretia, the shield that fell from heaven, the adventures of Dido's sister, the Great Mother's journey to Rome, the killing of Remus, the bloodsucking birds, and the murderous daughter of King Servius. The poem also relates a wealth of customs and beliefs, such as the unluckiness of marrying in May. This new prose translation is lively and accurate, and is accompanied by a contextualizing introduction and helpful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Lush Diodorus sets the lads on fire, But now another has him in his net - Timarion, the boy with wanton eyes . . . Meleager, AP 12.109 Encompassing four thousand short poems and more, the ramshackle classic we call the Greek Anthology gathers up a millennium of snapshots from ancient daily life. Its influence echoes not merely in the classic tradition of the English epigram (Pope, Dryden) but in Rudyard Kipling, Ezra Pound, Virgina Woolf, T. S. Eliot, H.D., and the poets of the First World War. Its variety is almost infinite. Victorious armies, ruined cities, and Olympic champions share space with lovers' quarrels and laments for the untimely dead - but also with jokes and riddles, art appreciation, potted biographies of authors, and scenes from country life and the workplace. This selection of more than 600 epigrams in verse is the first major translation from the Greek Anthology in nearly a century. Each of the Anthology's books of epigrams is represented here, in manuscript order, and with extensive notes on the history and myth that lie behind them.

This volume contains testimonia and fragments of Cicero's speeches that circulated in antiquity but which have since been lost. This edition includes the fragmenta incertae sedis and an appendix on falsely identified oratorical fragments.

Language is in large part about the description of events occurring in the world around us. Relationships of different sorts between those events can be expressed by specific verb forms - or by syntactic constructions involving specific verb forms. The present study examines this facet of the Egyptian and Coptic verbal systems in isolation, singling out three types of relationships between events and the linguistic means by which they are expressed. This book comprises three chapters on the grammar of hieroglyphic Egyptian and its linear descendant, Coptic, covering more than 3000 years of language history. The initial chapter studies the verb form called "conjunctive", asserting that the function of the conjunctive is to "con-join" a chain of two or more events into a single - though compound - notion. The second chapter shows how a certain syntactic construction can be used to refer to events that are contiguous - that is, events that succeed one another rapidly in time. The final chapter examines verb forms that refer to events whose occurrence is contingent on the occurrence of other events implied or explicitly mentioned in the context. The three grammatical phenomena are respectively labeled conjunction, contiguity, and contingency. The first work in which the expression of relationships between events is studied in isolation as an important characteristic of the Egyptian and Coptic verbal systems, this study constitutes a significant advancement in our understanding of the ancient language of Egypt. It will be of interest to scholars in the fields of Egyptology, Coptology, and the Ancient Near East, as well as linguists, Byzantinists, and classicists.

Exploring the place of women in the socioeconomic system formulated in the Mishnah, a book of legal rules with a spiritual basis compiled by Jewish sages in second-century Palestine, this study reveals a fundamental ambiguity in the role of women. Both the property and the peers of men, in some circumstances women were considered to possess no powers, rights, or duties in law, and in others were judged morally, practically, and intellectually fit to own property, conduct business, engage in lawsuits, and manage their own personal affairs. Wegner spells out in detail these variations in status, analyzes them, and isolates the factors that account for differential treatment of different classes of women in the private domain and for differential treatment of men and women in the public domain of mishnaic culture, relating her findings to recent developments in feminist analyses of the status of women in patriarchy.

The four late plays of Euripides collected here, in beautifully crafted translations by Cecelia Eaton Luschnig and Paul Woodruff, offer a faithful and dynamic representation of the playwright's mature vision.

The dialogue begins with a playful discussion of erotic passion, then extends the theme to consider the nature of inspiration, love and knowledge. The centerpiece is the myth of the charioteer - the famous and moving account of the vision, fall and incarnation of the soul. Professor Hackforth here translates the dialogue for the student and general reader. There is a running commentary on the course of the argument and the meaning of the key Greek terms, and a full intoduction to explain the philosophical background and the place of this work among Plato's writings.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 1) prescription of Tacitus Annals XII, 25-26, 41-43, 52-53, 56-59, 64-69, giving full Latin text, commentary and vocabulary, with a detailed introduction. It is AD 48 and the emperor Claudius marries his 4th wife Agrippina. Little does he know that over the next six years she will build her power and destroy her opponents, until she is ready for her greatest crime - the murder of Claudius himself to enable the accession of her son Nero. Tacitus creates a gripping account of the struggle for power under a weak princeps, involving family rivals, scheming freedmen and servile senators. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Spotlighting an endless cycle of bloodshed that consumes a royal family, "Elektra" masterfully explores the causes of hatred and the consequences of revenge - both for those who bear the brunt of violence and for those consumed by its influence. Orestes has returned to his homeland intent on exacting a bloody vengeance upon its rulers: his mother Klytemnestra and his step-father Aegisthus, who together murdered Orestes' father, Agamemnon. The prince's sister, Elektra, has long awaited his return, fueding constantly with Klytemnestra over her mother's moral justifications for killing Agamemnon - an act that, Klytemnestra insists, was itself a retaliation for an earlier wrong. The more they debate the validity of Agamemnon's murder, however, the more Elektra herself becomes overwhelmed by an obsession with revenge. Finally, as Orestes sets his plan into motion, the cycle of bloodshed will renew itself once more, claiming the lives of some and the very humanity of others before the drama is complete. This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original that is suited for reading, teaching, or performing. Sure to strike a chord with contemporary audiences, this is Sophocles for a new generation.

Dazzling modern lyrical poems from Catullus - by turns smutty, abusive, romantic and deeply moving. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Catullus (c.84-54 BCE). Catullus's The Poems is available in Penguin Classics.

'Still remarkably vivid. It is easier to read this for pure pleasure than just about any other ancient text' Nicholas Lezard, Guardian Ovid's sensuous and witty poem begins with the creation of the world and brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into extraordinary new beings. Including the well-known stories of Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy, the Metamorphoses has influenced writers and artists from Shakespeare and Chaucer to Picasso and Ted Hughes. This translation by David Raeburn is in hexameter verse, which brilliantly captures the energy and spontaneity of the original. Translated by DAVID RAEBURN with an Introduction by DENIS FEENEY

As a speechwriter, orator, and politician, Demosthenes captured, embodied, and shaped his time. He was a key player in Athens in the twilight of the city's independence, and is today a primary source for its history and society during that period. The Oxford Handbook of Demosthenes sets out to explore the many facets of his life, work, and time, giving particular weight to elucidating the settings and contexts of his activities, as well as some of the key themes dealt with in his speeches, and thereby illustrating the interplay and mutual influence between his rhetoric and the environment from which it emerged. The volume's thirty-five chapters are authored by experts in the field and offer both comprehensive coverage and an up-to-date reference point for the issues and problems encountered when approaching the speeches in particular: they not only showcase how Demosthenes' rhetoric was profoundly influenced by Athenian reality, but also explore its reception from Demosthenes' own day right up until the present and how his presentation of his world has subsequently shaped our view of it. The wide range of expertise and the different scholarly traditions represented are a vivid demonstration of the richness and diversity of current Demosthenic studies and the contribution the volume makes to enriching our knowledge of the life and work of one of the most prominent figures of ancient Greece will be of significance to a wide readership interested in Athenian history, society, rhetoric, politics, and law.

Aeschylus (ca. 525-456 BCE), the dramatist who made Athenian tragedy one of the world's great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once.

Of his total of about eighty plays, seven survive complete. The second volume contains the complete Oresteia trilogy, comprising "Agamemnon," "Libation-Bearers," and "Eumenides," presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother's avenging Furies, his trial and acquittal at Athens, Athena's pacification of the Furies, and the blessings they both invoke upon the Athenian people.