Written shortly after the capture of the Inca Atahualpa at Cajamarca, Peru, True Account of the Conquest of Peru by Francisco de Jerez, Francisco Pizarro's secretary and notary, is the most influential of the early accounts of the conquest of the Andean region. This fascinating text brings to life Pizarro and his men's arrival in the central Andes of South America and their capture of Inca Atahualpa, the ruler of one of the continent's largest and most powerful civilizations. Injured during the massacre that took place immediately after the capture of Atahualpa but wealthy thanks to his share of the ransom offered by Atahualpa for his freedom, Jerez published his account of the events just months after arriving in Seville in 1534. The present edition is based on the English translation Reports on the Discovery of Peru published by Clement Markham in London in 1872 and also includes his translations of the Letter from Hernando Pizarro to the Royal Audience of Santo Domingo and the Report on the Distribution of the Ransom of Atahualpa by Pedro Sancho. This volume is an invaluable tool for scholars, professors, and students of Latin American studies and students of history and literature interested in the history of the conuest of the Andean region as well as a must read for those fascinated by the history, civilization, and culture of Peru and the Andean region in particular and the Americas in general.

Grattius' Cynegetica, a Roman didactic poem on hunting with dogs, is the author's only surviving work, though it reaches us now in an incomplete form. Thanks to a passing reference by Ovid in his Epistulae ex Ponto it can confidently be dated to the Augustan period, and yet while his literary contemporaries have been and continue to be subjects of academic scrutiny, Grattius is seldom read and remains almost completely unappreciated in classical and literary scholarship. This volume is the first book-length study of Grattius in English or any other language and sets out to rehabilitate the neglected poet by making him and his work accessible to a wide audience. Prefaced by an introduction to the poet and his work, as well as the Latin text of Cynegetica and a new English translation, it presents a broad collection of interpretive essays from an international team of scholars. These essays explore the poem within its literary, intellectual, and socio-political contexts and look forward to Grattius' (more charitable) posthumous reception in Europe in the sixteenth to eighteenth centuries. As a whole they aim to reveal his enduring relevance for the tradition of didactic poetry and the study of other Augustan poetry and culture, and to provide an impetus for future discussions.

This collection of papers contains some 60 articles selected from the works of the philologist Ernst Vogt. They dealwith a variety of very different aspects of the study of ancient languages, for example the history of literary forms and genres, Greek literature of the Hellenistic and Roman imperial periods, the history of transmission and reception, or the history of classical philology. All of the texts have been checked and additions or amendments made.

The letters of Seneca are uniquely engaging among the works that have survived from antiquity. They offer an urgent guide to Stoic self-improvement but also cast light on Roman attitudes towards slavery, gladiatorial combat and suicide. This selection of letters conveys their range and variety, with a particular focus on letters from the earlier part of the collection. As well as a general introduction, it features a brief introductory essay on each letter, which draws out its themes and sets it in context. The commentary explains the more challenging aspects of Seneca's Latin. It also casts light on his engagement with Stoic (and Epicurean) ideas, on the historical context within which the letters were written and on their literary sophistication. This edition will be invaluable for undergraduate and graduate students and scholars of Seneca's moral and intellectual development.

This book analyses articulations of cultural identity in the work of the twentieth-century Polish poet Jerzy Harasymowicz, concentrating on the ways in which his shifting perspectives on the Carpathian Lemko Region are used to address the dilemmas of power, hybridity and interethnic contact. Set against the background of communist Poland, the poems examined here challenge official narratives of identity, while exploring the possibilities and limits of self-creation in poetry. Constituting the first post-1989 reading of Harasymowicz's verse, free from the constraints imposed by political censorship, this book provides a reinterpretation of the poet's work and reconsiders his contested legacy. By framing the discussion within the context of postcolonial studies, the author explores the usefulness of this approach in reassessing cultural representations of Polish national identity and raises broader questions about the ability of postcolonial theory to redefine the established notions of national literature and culture.

Ammianus is regarded as the greatest historian of late antiquity. Yet his geographic and ethnographic digressions were long underestimated as examples offeigned eruditionand as undue interruptions to the historical narrative. The author of this volume believes that the key to understanding Ammianus s work as a whole lies in his teaching of classical rhetoric, his metaphoric reading of landscapes, and the creation of spaces for memory and counterworlds to the Imperium Romanum. In this way, historical understanding and digressions concerning geographic knowledge must be viewed as interdependent features of the text. The author thus casts a new light on Ammianus s literary achievements."

Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay's search for an original form of literary expression that started in Jamaica and continued in his subsequent travels abroad. Newly found research pertaining to his presence in several Russian periodicals, magazines, and literary diaries brings new light to the writer's contribution to the Soviet understanding of African American and Caribbean issues and his possible influence on Yevgeny Zamyatin, the writer he met during his 1922 - 1923 visit to Russia. The primary focus of this book is Claude McKay and his positive reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who influenced his literary career and enabled him to find a solution to his dilemma of a dual Caribbean identity. The secondary focus of this book is the analysis of McKay's affinity with his Russian literary predecessors and with C.L.R. James and Ralph de Boissiere, his Trinidadian contemporaries, who also acknowledged the importance of Russian writers in their artistic development. The book discusses McKay as a precursor of Russian and Anglophone Caribbean links and presents a comparative analysis of cross-racial, cross-national, and cross-cultural alliances between these two distinct yet similar types of literature. Claude McKay's Liberating Narrative is highly recommended for undergraduate and graduate courses in Caribbean and comparative literature at North American, European, Caribbean, and African universities.

An industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once Queen, watches as her remaining family are taken from her one by one. The city burns around them. Euripides' great anti-war tragedy is published in Don Taylor's translation to coincide with the National Theatre's production directed by Katie Mitchell in the Lyttelton auditorium. This edition of the play features an introduction by the translator setting the play in its historical and dramaturgical context.

In this first introduction to Plautus' Trinummus, students and non-specialists alike are guided through the themes, context, and enduring humor of this Roman comedy. The play portrays the story of an elaborate game of keep-away involving a hidden treasure, a hot-blooded spendthrift youth, his pious sister, her would-be fiancee, a con-artist, and the most unlikely of comic schemers-a group of overly pious old men. The conflict of the plot focuses on whether a pair of old men can help their absent friend Charmides by getting a dowry to his daughter without Charmides' wastrel son Lesbonicus first spending the money on the usual comic debauchery. The money is taken from a treasure hidden by Charmides when he left and a sycophant is hired to pretend to bring letters from Charmides along with the cash for the dowry. Comic confusion ensues when Charmides returns from abroad just in time to intercept the con-artist and overturn the scheming of his friends. Long neglected, Trinummus is one of many Plautine plays that is experiencing a resurgence. This volume elucidates the humor of the play, which is largely based on parody and clever inversions of typical characters and situations from Roman comedy. This discussion is accompanied by an examination of the religious, social, and historical context of the play, as well as its modern reception. The genuine humor of Trinummus has something to say to modern readers, as it showcases how parody can skewer those engaged in pompous moral posturing and presents readers with a playwright who astutely views issues of imperialism and moral justification through a comic lens.

'Who would you say knows himself?' In 399 BCE Socrates was tried in Athens on charges of irreligion and corruption of the young, convicted, and sentenced to death. Like Plato, an almost exact contemporary, in his youth Xenophon (c. 430-c. 354 BCE) was one of the circle of mainly upper-class young Athenians attracted to Socrates' teaching. His Memorabilia is both a passionate defence of Socrates against those charges, and a kaleidoscopic picture of the man he knew, painted in a series of mini-dialogues and shorter vignettes, with a varied and deftly characterized cast-entitled and ambitious young men, atheists and hedonists, artists and artisans, Socrates' own stroppy teenage son Lamprocles, the glamorous courtesan Theodote. Topics given Socrates' characteristic questioning treatment include education, law, justice, government, political and military leadership, democracy and tyranny, friendship, care of the body and the soul, and concepts of the divine. Xenophon sees Socrates as above all a supreme moral educator, coaxing and challenging his associates to make themselves better people, not least by the example of how he lived his own life. Self-knowledge, leading to a reasoned self-control, was for Socrates the essential first step on the path to virtue, and some found it uncomfortable. The Apology is a moving account of Socrates' behaviour and bearing in his last days, immediately before, during, and after his trial.

This study examines ancient dialogue as a genre, and its 17 essays explore the relationship between its form, content, and function, with a focus on the literary aspects of dialogue. The contributions address the development of the genre over time as well as the formal aspects of dialogue.

Full Length, Tragedy

Characters: 7 male, 4 female

Various sets

This incisive translation of the classic drama is by the noted British playwright, translator and director.

In 399 BC Socrates was prosecuted, convicted, sentenced to death and executed. These events were the culmination of a long philosophical career, a career in which, without writing a word, he established himself as the figure whom all philosophers of the next few generations wished to follow. The Apologies (or Defence Speeches) by Plato and Xenophon are rival accounts of how, at his trial, Socrates defended himself and his philosophy. This edition brings together both Apologies within a single volume. The commentary answers literary, linguistic and philosophical questions in a way that is suitable for readers of all levels, helping teachers and students engage more closely with the Greek texts. The introduction examines Socrates himself, the literature generated by his trial, Athenian legal procedures, his guilt or innocence of the crimes for which he was executed, and the rivalry between Xenophon and Plato.

The Arabic culinary tradition burst onto the scene in the middle of the tenth century, when al-Warraq compiled a culinary treatise titled al-Kitab al-Tabikh (The Book of Dishes), containing over 600 recipes. However, it would take another three centuries for cookery books to be produced in the European continent. For centuries to come, gastronomic writing would remain the sole preserve of the Arab-Muslim world, with cooking manuals and recipe books being produced from Baghdad, Aleppo and Egypt in the East, to Muslim Spain, Morocco and Tunisia in the West. A total of nine complete cookery books have survived from this time, containing a total of nearly four thousand recipes. The Sultan's Feast by the Egyptian Ibn Mubarak Shah in the fifteenth century is one such book. Reflecting the importance of gastronomy in Arab culture, this culinary treatise features more than 330 recipes - from bread-making and omelettes, to sweets, pickling and aromatics - and tips on a range of topics, from essentials a cook should know to how to distil drinkable water. Available in English for the first time, this critical bilingual volume offers a sophisticated insight into the world of medieval Arabic gastronomic writing.

Volume XXXI contains the editio princeps of the first group of Aramaic texts (4Q529-549) from Cave 4 which were originally assigned to Père Jean Starcky. They are primarily parabiblical and pseudepigraphical compositions reflecting the interest in biblical themes characteristic of Second Temple Judaism. The commentary is in French.

"Dew on the Grass": The Poetics of Inbetweenness in Chekhov is the first comprehensive and systematic study to focus on the poetic dimensions of Anton Chekhov's prose and drama. Using the concept of "inbetweenness", this book reconceptualizes the central aspects of Chekhov's style, from his use of language to the origins of his artistic worldview. Radislav Lapushin offers a fresh interpretive framework for the analysis of Chekhov's individual works and his oeuvre as a whole.