Angelo Poliziano (1454-1494) was one of the great scholar-poets of the Renaissance and a leading figure in Florence during the Age of the Medici. His poetry, composed in a variety of meters, includes epigrams, elegies, and verse epistles, as well as translations of Hellenistic Greek poets. Among the first Latin poets of the Renaissance to be inspired by Homer and the poems of Greek Anthology, Poliziano's verse also reflects his deep study of Catullus, Martial, and Statius. It ranges from love songs to funeral odes, from prayers to hymns, from invectives directed against his rivals to panegyrics of his teachers, artists, fellow humanists, and his great patron, Lorenzo de' Medici, "il Magnifico." The present volume includes all of Poliziano's Greek and Latin poetry (with the exception of the Silvae, published in 2004 as ITRL 14), all translated into English for the first time.

This volume contains four essays by Lennart Hakanson written between 1976 and 1982 that were never published because of his death. Hakanson offers a general presentation of the argumenta in the Pseudo-Quintilian Declamationes maiores, investigates their most important literary models (Cicero, Seneca, Declamationes minores), and explores the history of their transmission."

Dracontius' work covers religious and profane poetry, including some short epics, which stand out from better-known versions of the myths, due to their variations, which are difficult to interpret. The relationship between the groups of works is disputed. Using the religious poetry, these studies initially deal with the main features of his worldview and ethics as well as his concepts of gods and myths, and examine in detail the extensive use of myths in the Laudes Dei. Using this as a basis and referring to the mythical traditions, the short epic Medea and De raptu Helenae are thoroughly analysed and interpreted. During this process the remaining profane poetry is considered and perspectives for its interpretation are demonstrated. Dracontius' approach to myth is no longer influenced by Christian rejection, allegorical appropriation or uncritical reverence of tradition, rather it is based on his new interpretations of the myths in religious and profane poetry as a synthesis of Christian world view and pagan culture. They bear witness to the altered relationship of Christians to these traditions in the late Classical period.

Declamationes, das sind Aoebungsreden A1/4ber fiktive Themen im Rhetorikunterricht, durch die der SchA1/4ler auf seine etwaige spAtere RednertAtigkeit in der Politik, vor allem aber auch vor Gericht vorbereitet werden soll. Musterbeispiele solcher Reden konnten der Unterhaltung eines grAAeren Publikums dienen. In dieser Form rA1/4ckten sie in die NAhe anderer Prunkreden, die z.B. der Feier einer besonderen Gelegenheit oder WA1/4rdigung einer zu ehrenden Person diesen sollten. Der vorliegende Sammelband dokumentiert den aktuellen Forschungsstand zu verschiedenen Mustern der "klangvollen Rede" von der Antike bis zur Neuzeit und ist somit ein Beitrag fA1/4r eine fAcherA1/4bergreifende Diskussion zum Gattungsbegriff der declamatio, aber auch zur Geschichte der Rhetorik insgesamt.

For anyone approaching the Encheiridion of Epictetus for the first time, this book provides a comprehensive guide to understanding a complex philosophical text. Including a full translation and clear explanatory commentaries, Epictetus’s ‘Encheiridion’ introduces readers to a hugely influential work of Stoic philosophy. Scott Aikin and William O. Stephens unravel the core themes of Stoic ethics found within this ancient handbook. Focusing on the core themes of self-control, seeing things as they are, living according to nature, owning one’s roles and fulfilling the responsibilities that those roles entail, the authors elucidate the extremely challenging ideas in Epictetus’s brisk chapters. Divided into five distinct parts, this book provides readers with: - A new translation of the Encheiridion by William O. Stephens. - A new introduction to ancient Stoicism, its system of concepts, and the ancient figures who shaped it. - A fresh treatment of the notorious and counter-intuitive ‘Stoic paradoxes’. - An accessible overview of the origin and historical context of the Encheiridion. - Detailed commentaries on each chapter of the Encheiridion that clarify its recurring themes and highlight their interconnections. - Careful attention to the presentation of the arguments embedded in Epictetus’s aphoristic style. - A thoughtful discussion of serious criticisms of Epictetus’s Stoicism and replies to these objections. Written with clarity and authority, Epictetus’s ‘Encheiridion’ provides a foundation from which readers can understand this important text and engage with the fundamental questions of Stoic philosophy and ethics. This guide will aid teachers of Epictetus, students encountering Stoicism for the first time, and readers seeking a greater understanding of Stoic ethics.

Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice - usually detached, often ironic, always humane - reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odesby situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.

This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

Aristotle (384-322 BC), the great Greek thinker, researcher, and educator, ranks among the most important and influential figures in the history of philosophy, theology, and science. He joined Plato's Academy in Athens in 367 and remained there for twenty years. After spending three years at the Asian court of a former pupil, Hermeias, he was appointed by Philip of Macedon in 343/2 to become tutor of his teenaged son, Alexander. After Philip's death in 336, Aristotle became head of his own school, the Lyceum at Athens, whose followers were known as the Peripatetics. Because of anti-Macedonian feeling in Athens after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died in 322. Aristotle wrote voluminously on a broad range of subjects analytical, practical, and theoretical. Rhetoric, probably composed while he was still a member of Plato's Academy, is the first systematic approach to persuasive public speaking based in dialectic, on which he had recently written the first manual. This edition of Aristotle's Rhetoric, which replaces the original Loeb edition by John Henry Freese, supplies a Greek text based on that of Rudolf Kassel, a fresh translation, and ample annotation fully current with modern scholarship.

The Steinepigramme aus dem griechischen Osten (Stone epigrams from the Greek East) contains material from Asia Minor and the Orient, and provide texts carved in stone in an edition which includes translations, critical apparatus, commentary and bibliography. In volumes 1-4, 2122 Greek and Latin texts from Asia Minor and the Orient, of the period up to the 7th century A.D., have been reproduced, translated, annotated, and illustrated (approximately 700 illustrations). The index volume contains indexes of places, poems, poem beginnings, subjects, a concordance and above all, a list of personal names (pages 202 - 309) - Inscriptions are the best source of names (approximately 8000 occurring in our epigrams). Volume 5 also contains Addenda et Corrigenda (pages 17-49) with 29 new epigrams and an index of all additions and corrections (pages 1-16) with short additions.

This edition of Neidhart's lieder is not only a popular and widely-accepted reader much used in classes on the author, it also presents the text in its standard form, i.e. the form in which it is usually cited today. The revisions of this long-established edition since 1984 have all contained a critical apparatus notable for its elucidation of the relationship of the text to Aoeberlieferung R crucial for our image of Neidhart, and the extant melodies. This is the fifth revised edition. The text has been re-examined, the bibliography updated and errors removed.

Aristotle of Stagirus (384 322 BCE), the great Greek philosopher, researcher, logician, and scholar, studied with Plato at Athens and taught in the Academy (367 347). Subsequently he spent three years in Asia Minor at the court of his former pupil Hermeias, where he married Pythias, one of Hermeias' relations. After some time at Mitylene, he was appointed in 343/2 by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip's death in 336, Aristotle became head of his own school (of Peripatetics ), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died the following year.

"Problems," the third-longest work in the Aristotelian corpus, contains thirty-eight books covering more than 900 problems about living things, meteorology, ethical and intellectual virtues, parts of the human body, and miscellaneous questions. Although "Problems" is an accretion of multiple authorship over several centuries, it offers a fascinating technical view of Peripatetic method and thought. "Rhetoric to Alexander," which provides practical advice to orators, was likely composed during the period of Aristotle s tutorship of Alexander, perhaps by Anaximenes, another of Alexander s tutors. Both "Problems" and "Rhetoric to Alexander" replace the earlier Loeb edition by Hett and Rackham, with texts and translations incorporating the latest scholarship.

Lysistrata is the most notorious of Aristophanes' comedies. First staged in 411 BCE, its action famously revolves around a sex strike launched by the women of Greece in an attempt to force their husbands to end the war. With its risque humour, vibrant battle of the sexes, and themes of war and peace, Lysistrata remains as daring and thought-provoking today as it would have been for its original audience in Classical Athens. Aristophanes: Lysistrata is a lively and engaging introduction to this play aimed at students and scholars of classical drama alike. It sets Lysistrata in its social and historical context, looking at key themes such as politics, religion and its provocative portrayal of women, as well as the play's language, humour and personalities, including the formidable and trailblazing Lysistrata herself. Lysistrata has often been translated, adapted and performed in the modern era and this book also traces the ways in which it has been re-imagined and re-presented to new audiences. As this reception history reveals, Lysistrata's appeal in the modern world lies not only in its racy subject matter, but also in its potential to be recast as a feminist, pacifist or otherwise subversive play that openly challenges the political and social status quo.

The two poems Descriptio S. Sophiae and Descriptio Ambonis of Paul the Silentiary, composed for the inauguration (562 AD) of the church of St. Sophia (Istanbul) after its partial rebuilding, are an invaluable source for the history of Byzantine arts and a beautiful piece of late Greek poetry. Silentiary's poems respectively describe the church and its (now lost) pulpit. The Descriptio S. Sophiae also contains a lavish praise of emperor Justinian and of the patriarch Eutichius. De Stefani s edition is based on a collation of the witness of the text, Heid. Pal. gr. 23, and takes into account all previous bibliography. Some corrupted passages of the poems have been emendated, thefew false readings still present in the text printed by the last, authoritative editor, P. Friedlander (1912), have been corrected."

The greatest classic of Sindhi literature presented here in an authoritative and vivid modern English translation. Shah Abdul Latif's Risalo is acknowledged across Pakistan and the wider diaspora as the greatest classic of Sindhi literature. In this collection of short Sufi verses, originally composed for musical performance, the poet creates a vast imaginative world of interlocking references to traditional Islamic themes of mystical and divine love and the scenery, society, and legends of the Sindh region. Latif (1689-1752), a contemporary of the Panjabi poet Bullhe Shah, belonged to the class of Sufi saints whose shrines remain prominent features of the Sindhi landscape. The Risalo reflects Latif's profound engagement with the fundamental literature of Islam as well as his openness to varied local traditions, including notable poems praising the spiritual devotion of local Hindu yogis. This edition presents, alongside the original text in the Sindhi Naskh script, the first translation of the Risalo into modern English prose, offering a new readership access to the writings of one of the masters of Sufi poetry.

Five Modes of Scepticism examines the argument forms that lie at the heart of Pyrrhonian scepticism as expressed in the writings of Sextus Empiricus. These are the Agrippan modes of disagreement, hypothesis, infinite regression, reciprocity and relativity; modes which are supposed to bring about that quintessentially sceptical mental state of suspended judgement. Stefan Sienkiewicz analyses how the modes are supposed to do this, both individually and collectively, and from two perspectives. On the one hand there is the perspective of the sceptic's dogmatic opponent and on the other there is the perspective of the sceptic himself. Epistemically speaking, the dogmatist and the sceptic are two different creatures with two different viewpoints. The book elucidates the corresponding differences in the argumentative structure of the modes depending on which of these perspectives is adopted. Previous treatments of the modes have interpreted them from a dogmatic perspective; one of the tasks of the present work is to reorient the way in which scholars have traditionally engaged with the modes. Sienkiewicz advocates moving away from the perspective of the sceptic's opponent - the dogmatist - towards the perspective of the sceptic and trying to make sense of how the sceptic can come to suspend judgement on the basis of the Agrippan modes.