This book analyses articulations of cultural identity in the work of the twentieth-century Polish poet Jerzy Harasymowicz, concentrating on the ways in which his shifting perspectives on the Carpathian Lemko Region are used to address the dilemmas of power, hybridity and interethnic contact. Set against the background of communist Poland, the poems examined here challenge official narratives of identity, while exploring the possibilities and limits of self-creation in poetry. Constituting the first post-1989 reading of Harasymowicz's verse, free from the constraints imposed by political censorship, this book provides a reinterpretation of the poet's work and reconsiders his contested legacy. By framing the discussion within the context of postcolonial studies, the author explores the usefulness of this approach in reassessing cultural representations of Polish national identity and raises broader questions about the ability of postcolonial theory to redefine the established notions of national literature and culture.

The historian Polybius (ca. 200 118 BCE) was born into a leading family of Megalopolis in the Peloponnese (Morea) and served the Achaean League in arms and diplomacy for many years, favoring alliance with Rome. From 168 to 151 he was held hostage in Rome, where he became a friend of Lucius Aemilius Paulus and his two sons, especially Scipio Aemilianus, whose campaigns, including the destruction of Carthage, he later attended. Late in his life he became a trusted mediator between Greece and the Romans; helped in the discussions that preceded the final war with Carthage; and after 146 was entrusted by the Romans with the details of administration in Greece.

Polybius overall theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264 146 BCE, describing the rise of Rome, her destruction of Carthage, and her eventual domination of the Greek world. It is a great work: accurate, thoughtful, largely impartial, based on research, and full of insight into customs, institutions, geography, the causes of events, and the character of peoples. It is a vital achievement of the first importance despite the incomplete state in which all but the first five of its original forty books have reached us.

For this edition, W. R. Paton s excellent translation, first published in 1922, has been thoroughly revised, the Buttner-Wobst Greek text corrected, and explanatory notes and a new introduction added, all reflecting the latest scholarship.

Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay's search for an original form of literary expression that started in Jamaica and continued in his subsequent travels abroad. Newly found research pertaining to his presence in several Russian periodicals, magazines, and literary diaries brings new light to the writer's contribution to the Soviet understanding of African American and Caribbean issues and his possible influence on Yevgeny Zamyatin, the writer he met during his 1922 - 1923 visit to Russia. The primary focus of this book is Claude McKay and his positive reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who influenced his literary career and enabled him to find a solution to his dilemma of a dual Caribbean identity. The secondary focus of this book is the analysis of McKay's affinity with his Russian literary predecessors and with C.L.R. James and Ralph de Boissiere, his Trinidadian contemporaries, who also acknowledged the importance of Russian writers in their artistic development. The book discusses McKay as a precursor of Russian and Anglophone Caribbean links and presents a comparative analysis of cross-racial, cross-national, and cross-cultural alliances between these two distinct yet similar types of literature. Claude McKay's Liberating Narrative is highly recommended for undergraduate and graduate courses in Caribbean and comparative literature at North American, European, Caribbean, and African universities.

From Stephen Mitchell, the renowned translator whose "Iliad "was named one of "The New Yorker"'s Favorite Books of 2011, comes a vivid new translation of the "Odyssey," complete with textual notes and an illuminating introductory essay.
The hardcover publication of the" Odyssey "received glowing reviews: "The New York Times" praised "Mitchell's fresh, elegant diction and the care he lavishes on meter, which] brought me closer to the transfigurative experience Keats describes on reading Chapman's Homer"; "Booklist," " "in a starred review, said that "Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force"; and John Banville, author of "The Sea," " "called this translation "a masterpiece."
The" Odyssey" is the original hero's journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart's desire--to return to his home and family after ten years of war--the "Odyssey" now speaks to us again across 2,600 years.
In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell's language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this "Odyssey" carries you along in a fast stream of action and imagery. Just as Mitchell "re-energised the "Iliad" for a new generation" ("The Sunday Telegraph"), his "Odyssey" is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.

An industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once Queen, watches as her remaining family are taken from her one by one. The city burns around them. Euripides' great anti-war tragedy is published in Don Taylor's translation to coincide with the National Theatre's production directed by Katie Mitchell in the Lyttelton auditorium. This edition of the play features an introduction by the translator setting the play in its historical and dramaturgical context.

In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window into his experience as a landowner, a traveler through Roman Italy, and a man coping with the onset of old age. They describe the roar of the arena, the festival of Saturnalia, and the perils of the Adriatic Sea, and they explain his thoughts about political power, the treatment of slaves, the origins of civilization, and the key points of Stoic philosophy. This selection of fifty of his letters brings Seneca to readers in a fresh modern voice and shows how, as a philosopher, he speaks to our time. Above all, these letters explore the inner life of the individual: from the life of heedless vanity to the first interest in philosophy, to true friendship, self-determination, and personal excellence.

This study examines ancient dialogue as a genre, and its 17 essays explore the relationship between its form, content, and function, with a focus on the literary aspects of dialogue. The contributions address the development of the genre over time as well as the formal aspects of dialogue.

Im Jahre 2000 erschien die grundlegende Bibliographie zu den Sermones ad populum Augustins. Inzwischen wurden mehr als 450 weitere Titel dazu publiziert, die hier erganzend prasentiert werden als Arbeitsinstrument der immer mehr aufbluhenden Forschung zu Augustinus als Prediger. Die Einleitung stellt den neuesten Forschungsstand vor sowie eine umfassende Liste des gegenwartig anerkannten Bestandes an authentischen Predigten. Die ausfuhrlichen Indices bieten vor allem eine detaillierte Aufschlusselung aller Publikationen (Editionen - UEbersetzungen - Studien) fur jede einzelne der 567 Predigten.

The edition presents the previously unpublished theological and religious writings of Paracelsus (1493a '1541) in eight volumes. After Luther and Melanchthon, Paracelsus was one of the most prolific Early High German writers, yet the Theologika were only partially accessible until today. The Zurich edition offers a reliable, critical edition of these writings, as well as word indices, introductions to the groups of works, etc. Paracelsusa (TM) non-medical writings comprise a first-class document of the intellectual history of the sixteenth century and are of great importance for language and literature historians, as well as for theologians and philosophers. Key features: presents the first complete edition of Paracelsusa (TM) theological and religious writings after Luther, Paracelsus was one of the most prolific Early High German Writers

Confronting Patriarchy: Psychoanalytic Theory in the Prose of Cristina Peri Rossi examines three works of the contemporary Uruguayan author who lives in exile as she dialogues with the psycho-analytic discourse endemic to patriarchal society. Peri Rossi's prose, structured like unconscious productions that give free expression to desire and passion as emanating from the forbidden recesses of the psyche, powerfully reveals the message as a treatment for an «ill society. The language in the three works studied facilitates and reveals the male protagonist's interaction with the desired female object as a regression to a semiotic, pre-oedipal state in a type of «return of the repressed of consuming desire that has been written out of mainstream patriarchy and that serves to challenge its rational, symbolic order. It is from this vantage point that the author attempts to re-write the conclusions obtained through Lacanian and patriarchal discourse so that woman can emerge as a subject in her own right.

Writing Tangier discusses an array of topics relating to the literature on Tangier from the seventeenth century to the present. Major questions include: Why has Tangier come to play an important role in contemporary world literary history as a signifier in the literary imagination; what is the nature of the inter-textual output produced through Paul Bowles' translations of the oral tales of a circle of uneducated storytellers (including Mohammed Mrabet and Larbi Layachi) and the text (For Bread Alone) brought to Bowles by the literate Mohamed Choukri; how do academics, artists, and writers who have been based in the city or who have written about it assess the various socio-economic, political, and cultural factors that have shaped its cultural production and the relationship of this production to the celebrated hybrid aspects of its identity; does the success of the literature of Tangier reflect a truly new multicultural cosmopolitanism, or does it stem from the fact that this literature is congenial to Westerners, that it is understood in terms that they themselves define, and that much of it (including productions in Arabic prepared with the expectation of translation) has even been «written to measure for them?

Though it wasn't successful at its first performance, in the centuries since then, Euripides's Medea has established itself as one of the most powerful and influential of the Greek tragedies. The story of the wronged wife who avenges herself upon her unfaithful husband by murdering their children is lodged securely in the popular imagination, a touchstone for politics, law, and psychoanalysis and the subject of constant retellings and reinterpretations. This new translation of Medea by classicist Oliver Taplin, originally published as part of the acclaimed third edition of Chicago's Complete Greek Tragedies, brilliantly replicates the musicality and strength of Euripides's verse while retaining the play's dramatic and emotional power. Medea was made to be performed in front of large audiences by the light of the Mediterranean sun, and Taplin infuses his translation with a poetry, color, and movement suitable to that setting. By highlighting the contrasts between the spoken dialogues and the sung choral passages, Taplin has created an edition of Medea that is particularly suited to performance, while not losing any of the power it has long held as an object of reading or study. This edition is poised to become the new standard, and to introduce a new generation of readers to the moving heights of Greek tragedy.

The central character of Vergil's "Aeneid" seems to elude readers. To some, he is unlikable; to others, he seems unreal, a figure on which to hang a plot. "Aeneas" discovers a tragic figure whose defining virtue depends on a past that has been stripped from him, and whose destiny blocks him from the knowledge of the future that gives meaning to his life. His choices, silences, tears, and anger reflect an existential struggle that, in the end, he loses. Aeneas is a hero of the Trojan War, a time as distant from Vergil as Vergil is from us, but he is also a literary character created in response to political chaos and civil strife as the Roman Republic gave way to the Augustan empire. Lee T. Pearcy's book creates an Aeneas for our time: an age of liquid modernity, when identities seem fungible and precarious, amid a moment of political conflict and collapsing institutions. This volume gives readers new translations and close readings of important passages, and it restores Aeneas to the center of Rome's most important poem.

Antigone is one of the most influential and thought-provoking of all Greek tragedies. Set in a newly victorious society, where possibilities seem boundless and mankind can overcome all boundaries except death, the action is focussed through the prism of Creon, a remarkable anti-hero - a politician who, in crisis, makes a reckless decision, whose pride (or insecurity) prevents him from backing down until it is too late, and who thereby ends up losing everything. Not just the story of a girl who confronts the state, Antigone is an exploration of inherent human conflicts - between men and women, young and old, power and powerlessness, civil law and the 'unwritten laws' of nature. Lauded in Antiquity, it has influenced drama and philosophy throughout history into the modern age. With an introduction discussing the nature of the community for which Antigone was written, this collection of essays by 12 leading academics from across the world draws together many of the themes explored in Antigone, from Sophocles' use of mythology, his contemporaries' reactions and later reception, to questions of religion and ritual, family life and incest, ecology and the environment. The essays are accompanied by David Stuttard's performer-friendly, accurate and easily accessible English translation.

This is a book about language and education in one of the smallest European Union member-states, Luxembourg. It presents the results of an ethnographic study of code-switching and language ideologies among transnational, luso-descendant youngsters attending a number of youth centres in Luxembourg city. It offers a comprehensive description of the processes of construction and negotiation of new, emergent identities and ethnicities. The author considers the implications of these results for language-in-education policy, including the EU policy of multilingualism. He criticizes mother-tongue education and advocates instead the use of "literacy bridges." Clearly argued and widely applicable, this book is essential reading for students and researchers interested in multilingualism, migration and education.

Die in der hellenistischen Zeit entstandenen utopischen Romane fristen in der Forschung eher eine Randexistenz, obwohl sie sich in der Antike grosser Beliebtheit erfreut und auch in der Neuzeit viele Autoren (Th. Morus, T. Campanella) inspiriert haben. Diese fachliterarische Lucke will die Studie schliessen: Der Verfasser beschaftigt sich mit verschiedenen utopischen Schriften im Detail; jedoch beschrankt sich die Untersuchung keineswegs allein auf deren Analyse, sondern eroertert daruber hinaus ihren philosophischen, religionswissenschaftlichen, historischen, ethnografischen und geografischen Kontext.

The Thesaurus linguae Latinae is not only the largest Latin dictionary in the world, but also the first to cover all the Latin texts from the classical period up to about 600 A.D. 27 academise from different countries, and scholarly societies from three continents support the work of the Bayerische Akademie (Thesaurus-Buro Munchen). Two thirds of the dictionary have now been completed.

Thema des Bandes ist die Kontinuitat antiker Traditionen in der europaischen Literatur des Mittelalters und der Neuzeit. Ein Schwerpunkt liegt dabei auf der produktiven Aufnahme und Weiterentwicklung mythologischer Stoffe in verschiedenen nationalsprachlichen Literaturen Europas, ein weiterer auf der ideengeschichtlichen und literarischen Tradition, insbesondere auf Fragen der Poetologie und AEsthetik sowie der Aufnahme von Gattungsmustern. Dabei wird nachgezeichnet, in welchen Formen die Antike auf die Literatur des Mittelalters und der Neuzeit einwirkte. Die leitende Frage gilt der Konstitution, Vergewisserung oder auch Neubestimmung der eigenen Identitat in der bewussten und produktiven Auseinandersetzung mit dem antiken Erbe.

The theory of the translation of ancient literature has to date mostly been discussed in connection with the work of translation itself, or in the context of broader questions, for example the philosophy of language. Research was generally restricted to the few texts of prominent authors such as Schleiermacher, Humboldt, Wilamowitz and Schadewaldt. This volume goes further in presenting numerous lesser-known documents, so succeeding in contextualising the canonical texts, rendering the continuity of the debate more comprehensible, and providing a sound foundation for the history of theory.