This edition of Neidhart's lieder is not only a popular and widely-accepted reader much used in classes on the author, it also presents the text in its standard form, i.e. the form in which it is usually cited today. The revisions of this long-established edition since 1984 have all contained a critical apparatus notable for its elucidation of the relationship of the text to Aoeberlieferung R crucial for our image of Neidhart, and the extant melodies. This is the fifth revised edition. The text has been re-examined, the bibliography updated and errors removed.

Helen who has always been faithful to her husband Menelaus; who never went to Troy, but was carried off to Egypt, where she remains throughout the Trojan War, waiting faithfully for her husband Menelaus to rescue her. Meanwhile, Helen of Troy - a mere phantom fashioned by the gods - has blighted the real Helen's life with undeserved hatred. Helen plays with this premise in ways that make it by turns amusing and disturbing, playful and full of serious quandaries. The real Helen did not commit the deeds for which she is famous, and yet she cannot escape a reputation based on what the world believes her to be, rather than on what she is. And yet, with the disappearance of the phantom Helen, Menelaus does reclaim his wife at last and the real Helen plots a brilliant deception that will bring them both home again in triumph. Helen is an extraordinary performance that has disturbed critics because it refuses to conform to their expectations. Whether understood as a tragedy or something more like aphilisophical divertissement or romantic comedy, Helen has increasingly been recognized as an intellectually challenging and emotionally satisfying dramatic masterpiece. Greek text with facing translation

The two poems Descriptio S. Sophiae and Descriptio Ambonis of Paul the Silentiary, composed for the inauguration (562 AD) of the church of St. Sophia (Istanbul) after its partial rebuilding, are an invaluable source for the history of Byzantine arts and a beautiful piece of late Greek poetry. Silentiary's poems respectively describe the church and its (now lost) pulpit. The Descriptio S. Sophiae also contains a lavish praise of emperor Justinian and of the patriarch Eutichius. De Stefani s edition is based on a collation of the witness of the text, Heid. Pal. gr. 23, and takes into account all previous bibliography. Some corrupted passages of the poems have been emendated, thefew false readings still present in the text printed by the last, authoritative editor, P. Friedlander (1912), have been corrected."

Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice - usually detached, often ironic, always humane - reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odesby situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.

For anyone approaching the Encheiridion of Epictetus for the first time, this book provides a comprehensive guide to understanding a complex philosophical text. Including a full translation and clear explanatory commentaries, Epictetus’s ‘Encheiridion’ introduces readers to a hugely influential work of Stoic philosophy. Scott Aikin and William O. Stephens unravel the core themes of Stoic ethics found within this ancient handbook. Focusing on the core themes of self-control, seeing things as they are, living according to nature, owning one’s roles and fulfilling the responsibilities that those roles entail, the authors elucidate the extremely challenging ideas in Epictetus’s brisk chapters. Divided into five distinct parts, this book provides readers with: - A new translation of the Encheiridion by William O. Stephens. - A new introduction to ancient Stoicism, its system of concepts, and the ancient figures who shaped it. - A fresh treatment of the notorious and counter-intuitive ‘Stoic paradoxes’. - An accessible overview of the origin and historical context of the Encheiridion. - Detailed commentaries on each chapter of the Encheiridion that clarify its recurring themes and highlight their interconnections. - Careful attention to the presentation of the arguments embedded in Epictetus’s aphoristic style. - A thoughtful discussion of serious criticisms of Epictetus’s Stoicism and replies to these objections. Written with clarity and authority, Epictetus’s ‘Encheiridion’ provides a foundation from which readers can understand this important text and engage with the fundamental questions of Stoic philosophy and ethics. This guide will aid teachers of Epictetus, students encountering Stoicism for the first time, and readers seeking a greater understanding of Stoic ethics.

This monograph provides a review of the history of praise of rulers composed in hexameters (so-called panegyric epic) from the fourth to the sixth century A.D. Panegyric epic is a form of literature that only came to be of particular importance in Late Antiquity, although it drew upon and adapted a variety of Graeco-Roman literary traditions. Following a general description of the literary and historical-cultural preconditions for the development of Late Antique panegyric, this study presents its most important practitioners and their works, as well as detailing the development of the various traditions of Late Antique verse panegyric.

Five Modes of Scepticism examines the argument forms that lie at the heart of Pyrrhonian scepticism as expressed in the writings of Sextus Empiricus. These are the Agrippan modes of disagreement, hypothesis, infinite regression, reciprocity and relativity; modes which are supposed to bring about that quintessentially sceptical mental state of suspended judgement. Stefan Sienkiewicz analyses how the modes are supposed to do this, both individually and collectively, and from two perspectives. On the one hand there is the perspective of the sceptic's dogmatic opponent and on the other there is the perspective of the sceptic himself. Epistemically speaking, the dogmatist and the sceptic are two different creatures with two different viewpoints. The book elucidates the corresponding differences in the argumentative structure of the modes depending on which of these perspectives is adopted. Previous treatments of the modes have interpreted them from a dogmatic perspective; one of the tasks of the present work is to reorient the way in which scholars have traditionally engaged with the modes. Sienkiewicz advocates moving away from the perspective of the sceptic's opponent - the dogmatist - towards the perspective of the sceptic and trying to make sense of how the sceptic can come to suspend judgement on the basis of the Agrippan modes.

Lysistrata is the most notorious of Aristophanes' comedies. First staged in 411 BCE, its action famously revolves around a sex strike launched by the women of Greece in an attempt to force their husbands to end the war. With its risque humour, vibrant battle of the sexes, and themes of war and peace, Lysistrata remains as daring and thought-provoking today as it would have been for its original audience in Classical Athens. Aristophanes: Lysistrata is a lively and engaging introduction to this play aimed at students and scholars of classical drama alike. It sets Lysistrata in its social and historical context, looking at key themes such as politics, religion and its provocative portrayal of women, as well as the play's language, humour and personalities, including the formidable and trailblazing Lysistrata herself. Lysistrata has often been translated, adapted and performed in the modern era and this book also traces the ways in which it has been re-imagined and re-presented to new audiences. As this reception history reveals, Lysistrata's appeal in the modern world lies not only in its racy subject matter, but also in its potential to be recast as a feminist, pacifist or otherwise subversive play that openly challenges the political and social status quo.

From the award-winning translator of "The Iliad" and "The Odyssey" comes a brilliant new translation of Virgil's great epic
With his translations of Homer's classic poems, Robert Fagles gave new life to seminal works of the Western canon and became one of the preeminent translators of our time. His latest achievement completes the magnificent triptych of Western epics. A sweeping story of arms and heroism, "The Aeneid" follows the adventures of Aeneas, who flees the ashes of Troy to embark upon a tortuous course that brings him to Italy and fulfills his destiny as founder of the Roman people. Retaining all of the gravitas and humanity of the original, this powerful blend of poetry and myth remains as relevant today as when it was first written.

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http://www.saur.de/index.cfm?lang=EN&ID=0000007757 .

Homer s Iliad has influenced European literature and art to this day. In the last 30 years, researchers have made significant progress in illuminating this epic. In this study, a leading Homer scholar engages in dialogue with the international research community to reflect on today s most significant questions, among them the Iliad s origins, language and style, structure, historical context, and after-effects."

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http://www.saur.de/index.cfm?lang=EN&ID=0000007757 .

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http://www.saur.de/index.cfm?lang=EN&ID=0000007757 .

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on Homer's Iliad. A full commentary, presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http: //www.saur.de/index.cfm?lang=EN&ID=0000007757 .

Herman Alexander Diels (1848 1922) published Doxographi Graeci in 1879. In many ways this work established the critical discipline of doxography - the editing, cataloguing, and analysing of extracts of extant classical texts that contain references to the ideas and arguments of lost authors and schools. In Doxographi Graeci Diels analyses passages from the extant work of authors such as Plutarch, Arius Didymus, Diogenes La rtius, Ps-Plutarch, Hippolytus, Ps-Galen, Stobaeus, Theodoret and Eusebius and uses them to uncover information about the Presocratic philosophers and schools whose written treatises are no longer extant. Diels' method of filiation of extant sources, based on the critical methods of his teacher, Herman Karl Usener (1834 1905), allowed critical judgements to be made regarding the reliability and usefulness of extant authors and their references. Diels' magisterial work represented a profound breakthrough in the study of the Presocratic philosophers. It is a monument of classical scholarship.

Plato of Athens, who laid the foundations of the Western philosophical tradition and in range and depth ranks among its greatest practitioners, was born to a prosperous and politically active family circa 427 BC. In early life an admirer of Socrates, Plato later founded the first institution of higher learning in the West, the Academy, among whose many notable alumni was Aristotle. Traditionally ascribed to Plato are thirty-five dialogues developing Socrates' dialectic method and composed with great stylistic virtuosity, together with the Apology and thirteen letters. The three works in this volume, though written at different stages of Plato's career, are set toward the end of Socrates' life (from 416) and explore the relationship between two people known as love (eros) or friendship (philia). In Lysis, Socrates meets two young men exercising in a wrestling school during a religious festival. In Symposium, Socrates attends a drinking party along with several accomplished friends to celebrate the young tragedian Agathon's victory in the Lenaia festival of 416: the topic of conversation is love. And in Phaedrus, Socrates and his eponymous interlocutor escape the midsummer heat of the city to the banks of the river Ilissus, where speeches by both on the subject of love lead to a critical discussion of the current state of the theory and practice of rhetoric. This edition, which replaces the original Loeb editions by Sir Walter R. M. Lamb and by Harold North Fowler, offers text, translation, and annotation that are fully current with modern scholarship.