This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

In the last year of his life, Ted Hughes completed translations of three major dramatic works: Racine's Phedre, Euripedes' Alcestis, and the trilogy of plays known as at The Oresteia, a family story of astonishing power and the background or inspiration for much subsequent drama, fiction, and poetry.

The Oresteia--Agamemnon, Choephori, and the Eumenides--tell the story of the house of Atreus: After King Agamemnon is murdered by his wife, Clytemnestra, their son, Orestes, is commanded by Apollo to avenge the crime by killing his mother, and he returns from exile to do so, bringing on himself the wrath of the Furies and the judgment of the court of Athens.

Hughes's "acting version" of the trilogy is faithful to its nature as a dramatic work, and his translation is itself a great performance; while artfully inflected with the contemporary, it has a classical beauty and authority. Hughes's Oresteia is quickly becoming the standard edition for English-language readers and for the stage, too.

Although Antiquity itself has been intensively researched, together with its reception, to date this has largely happened in a compartmentalized fashion. This series presents for the first time an interdisciplinary contextualization of the productive acquisitions and transformations of the arts and sciences of Antiquity in the slow process of the European societies constructing a scientific system and their own cultural identity, a process which started in the Middle Ages and has continued up to the Modern Age. The series is a product of work in the Collaborative Research Centre "Transformations of Antiquity" and the "August Boeckh Centre of Antiquity" at the Humboldt University of Berlin. Their individual projects examine transformational processes on three levels in particular - the constitutive function of Antiquity in the formation of the European knowledge society, the role of Antiquity in the genesis of modern cultural identities and self-constructions, and the forms of reception in art, literature, translation and media.

Wisdom in Classical and Biblical Tradition begins with the recognition that modern culture emerged from a synthesis of the legacies of ancient Greek civilization and the theological perspectives of Jewish and Christian scriptures. Part of what made this synthesis possible was a shared outlook: a common aspiration toward wholeness of understanding that refused to separate knowledge from goodness, virtue from happiness, cosmos from polis, and divine authority from human responsibility. This wholeness of understanding, or wisdom, features prominently in both classical and biblical literatures as an ultimate good. Wisdom in Classical and Biblical Tradition has two central aims. The first is to explain in formal terms what wisdom is. Though wisdom involves matters of practical judgment affecting the life of the individual and the social sphere, it has also been identified with an understanding of the world and of the ultimate realities that give meaning to human thought and action. Michael Legaspi explains how, in its traditional form, wisdom was understood to govern intellectual, social, and ethical endeavors. Legaspi's second aim is to analyze figures and texts that have yielded and shaped the traditional understanding of wisdom. This book examines accounts of wisdom from foundational texts that range from the period of Homer to the destruction of the Second Temple, and explains why the search for wisdom remains an important but problematic endeavor today.

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Cicero's Pro Cluentio, sections 1-7 and 10-11, and the A-Level (Group 2) prescription of sections 27-32 and 35-37, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed poems to be read in English for A Level. In 66 BC, Aulus Cluentius Habitus was tried for the attempted murder of Statius Albius Oppianicus the Elder. The prosecutor was Sassia, Cluentius' own mother. Marcus Tullius Cicero, the famous statesman, orator and lawyer, defended Cluentius in his Pro Cluentio, a persuasive oratorical tour de force. The selections in this edition prove that Cicero was not above using character assassinations in his speeches, first attacking Oppianicus the Elder, then Sassia in a vivid, melodramatic narrative which distracts and diverts the jury from Cluentius' alleged crimes. Resources are available on the Companion Website.

This is the first translation of the Progymnasmata of Severos of Alexandria (indentified here as Severos, Patriarch of Antioch) into a modern language, including a philological commentary and detailed essays on rhetoric and style, as well as the language.

A highly-illustrated retelling of the Brontë sisters life in Haworth in the Yorkshire Dales told from Charlotte Brontë's point of view.

Produced to coincide with 200th anniversary of the birth of Charlotte Brontë, this book introduces the three extraordinary Brontë sisters: Charlotte, Emily and Anne. We also meet their brother Branwell. With a mix of strong story-telling and wonderful illustration, Mick Manning and Brita Granström relate the sister's tragically short lives in the remote village of Haworth in the Yorkshire Dales. They explore how the girls were inspired to become writers and the sensation their books caused when people realised they had been written by women.

Each of the sister's greatest novels, Jane Eyre (Charlotte), The Tenant of Wildfell Hall (Anne) and Wuthering Heights (Emily), are simply retold in engaging comic-strip form.

The illustrations and text of this book really capture the life of the children of the moors and how the magic and wildness of their surroundings inspired their work. It is perhaps not surprising as Mick Manning was born and brought up in Haworth and, as a child, even played a shepherd boy in a BBC adapation of Wuthering Heights.

The story of Jason and the Argonauts is one of the best known of ancient Greek myths and has captivated people for over two and a half thousand years. Focusing on Medea's attempts to resist her love for Jason, Book 7 of Valerius Flaccus' Argonautica presents one of the most attractive and engaging episodes in all of Greco-Roman epic: the key moment when Jason and Medea fall in love and when Jason, with Medea's help, yokes the king's fire-breathing bulls, sows the dragon's teeth, and compels the earthborn men to destroy themselves. Although versions of the story of the Argo's journey from Greece to the Black Sea had been told by many earlier poets, this Roman account of the myth differs from its predecessors in important ways. First, Valerius presents the Argo as the first ship and the voyage as a decisive turning point in human history: the Argo's breaking down of natural barriers will lead to interchange between human communities and to a sequence of empires, culminating of course in that of the Romans. Second, Valerius constantly foreshadows other parts of Medea's myth, most notably the explosion of violence in Corinth well known to Valerius' audience and to us from the Medea tragedies of Euripides and Seneca. Third, and most important, Valerius concentrates attention on the inner workings of Medea's mind as she fights against the combined efforts of two goddesses who ultimately compel her to betray her father and help Jason to win the golden fleece. This new edition of Argonautica 7 offers the first detailed commentary on this book of the poem in English, as well as a substantial introduction intended to be as accessible to as many readers as possible, a new Latin text, and a facing-page prose translation. The commentary is primarily literary, emphasizing Valerius' engagement with the epic tradition and with earlier treatments of the Medea story, as well as the elegance and power of his poetry, and is intended to be of use to scholars and students at all levels of study

Virgil's masterpiece and one of the greatest works in all of literature, now in a beautiful clothbound edition designed by Coralie Bickford-Smith Virgil's Aeneid, inspired by Homer and the inspiration for Dante and Milton, is an immortal poem that sits at the heart of Western life and culture. Virgil took as his hero Aeneas, legendary survivor of the fall of Troy and father of the Roman race. In telling a story of dispossession and defeat, love and war, he portrayed human life in all its nobility and suffering, in its physicality and its mystery.

The OCR-endorsed publication from Bloomsbury for the Greek AS and A-Level set text prescriptions for examination in 2017-2019, giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS Thucydides, Histories, Book IV: 11-14, 21-23, 26-28 Plato, Apology, 18a7 to 24b2 Homer, Odyssey X: 144-399 Sophocles, Antigone, lines 1-99, 497-525, 531-581, 891-928 A-level Thucydides, Histories, Book IV: 29-40 Plato, Apology, 35e-end Xenophon, Memorabilia, Book 1.II.12 to 1.II.38 Homer, Odyssey IX: 231-460 Sophocles, Antigone, lines 162-222, 248-331, 441-496, 998-1032 Aristophanes, Acharnians, 1-203, 366-392

The Goettinger Forum was founded in 1998 as a free, electronic publication and alternative to conventional journals. The GFA contains multi-disciplinary contributions on Greek and Latin Philology, Ancient History and Classical Archaeology. The Beihefte are conceived as historical-philological supplements to the journal and comprehensive monographs on topics from Ancient History and Classical Archaeology.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Confessions describes Saint Augustine's conversion to Christianity and is the basis for his reputation as one of Christianity's most influential thinkers.

This volume contains testimonia and fragments of Cicero's speeches that circulated in antiquity but which have since been lost. This edition includes the fragmenta incertae sedis and an appendix on falsely identified oratorical fragments.

It has been a century since the first publication of the Apokritikos extracts, which were written by a Greek philosopher of the 3rd century (Adolf von Harnack, 1911). One hundred years later, as part of the same series, there now follows a complete bilingual edition of the entire Apokritikos. Along with a German translation, this volume includes a newly reconstructed Greek text with critical commentary. The Apokritikos contains one of the three most sweeping anti-Christian polemics preserved from classical philosophy, together with Makarios s refutation from the Christian side."

Between 1821 and 1891, the Optina Pustyn Monastery of Konzel'sk, in Russia's Kaluga Government, was the site of an unprecedented - and as yet unequaled - period of religious and literary flowering. Optina Pustyn was a mecca for many of Russia's most prominent writers and thinkers. Distinguished visitors included Ivan Kireevsky, Nikolai Gogol, Fyodor Dostoevsky, and Lev Tolstoy. This study explains why Optina and its renowned elders held a special attraction to Russia's literary giants. It reveals how the elders' use of language was rooted in the iconic vision of Optina's fifteen-hundred-year-old tradition of contemplative monasticism. It is the first study to examine Optina's social gravity against the broad background of nineteenth-century institutions of Church and Intelligentsia.

'Thus she was decapitated, and this was the end to which she was brought by her unbridled lusts.' For over two centuries after Boccaccio's groundbreaking Decameron, the Italian novella exercised a crucial influence over European prose fiction. With thirty-nine stories by nineteen authors, many translated for the first time, this anthology presents tales from the whole genre and period. Here we meet a rich cast of humble peasants and shrewd craftsmen, frustrated wives, libidinous friars, ill-fated lovers, and vengeful nobles. These works had a considerable impact in English, and the selection includes tales that have provided sources for Chaucer, Shakespeare, Webster, Marston, Dryden, Byron and Keats. The typical novella is situated in a precise time and place and features people who either existed historically or are presumed to have done so. The subject-matter, whether ribald or sentimental, comic or tragic, often reflects the social and economic conditions of its age and thus the novella has been seen as a crucial stage in the development of fictional realism and the emergence of the novel

Language is in large part about the description of events occurring in the world around us. Relationships of different sorts between those events can be expressed by specific verb forms - or by syntactic constructions involving specific verb forms. The present study examines this facet of the Egyptian and Coptic verbal systems in isolation, singling out three types of relationships between events and the linguistic means by which they are expressed. This book comprises three chapters on the grammar of hieroglyphic Egyptian and its linear descendant, Coptic, covering more than 3000 years of language history. The initial chapter studies the verb form called "conjunctive", asserting that the function of the conjunctive is to "con-join" a chain of two or more events into a single - though compound - notion. The second chapter shows how a certain syntactic construction can be used to refer to events that are contiguous - that is, events that succeed one another rapidly in time. The final chapter examines verb forms that refer to events whose occurrence is contingent on the occurrence of other events implied or explicitly mentioned in the context. The three grammatical phenomena are respectively labeled conjunction, contiguity, and contingency. The first work in which the expression of relationships between events is studied in isolation as an important characteristic of the Egyptian and Coptic verbal systems, this study constitutes a significant advancement in our understanding of the ancient language of Egypt. It will be of interest to scholars in the fields of Egyptology, Coptology, and the Ancient Near East, as well as linguists, Byzantinists, and classicists.

The volume focuses on the evidence of scenic art present in Quintilian s Institutio oratoria to verify its influence on the education of the speaker. The enquiry will also make reference to all Greek and Latin sources useful in highlighting the mutual dependence between oratory and theater from the fifth century B.C. to the second century A.D."