'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.

'. . . the more honourable animals have been allotted a more honourable soul. . . ' What is the nature of the soul? It is this question that Aristotle sought to answer in De Anima (On the Soul). In doing so he offers a psychological theory that encompasses not only human beings but all living beings. Its basic thesis, that the soul is the form of an organic body, sets it in sharp contrast with both Pre-Socratic physicalism and Platonic dualism. On the Soul contains Aristotle's definition of the soul, and his explanations of nutrition, perception, cognition, and animal self-motion. The general theory in De Anima is augmented in the shorter works of Parva Naturalia, which deal with perception, memory and recollection, sleep and dreams, longevity, life-cycles, and psycho-physiology. This new translation brings together all of Aristotle's extant and complementary psychological works, and adds as a supplement ancient testimony concerning his lost writings dealing with the soul. The introduction by Fred D. Miller, Jr. explains the central place of the soul in Aristotle's natural science, the unifying themes of his psychological theory, and his continuing relevance for modern philosophy and psychology.

'Muse, tell me of a man: a man of much resource, who was made to wander far and long, after he had sacked the sacred city of Troy. Many were the men whose lands he saw and came to know their thinking: many too the miseries at sea which he suffered in his heart, as he sought to win his own life and the safe return of his companions.' Recounting the epic journey home of Odysseus from the Trojan War, "The Odyssey" - alongside its sister poem "The Iliad" - stands as the well-spring of Western Civilisation and culture, an inspiration to poets, writers and thinkers for thousands of years since. This authoritative prose translation by Martin Hammond brings Homer's great poem of homecoming to life as Odysseus battles through such familiar dangers as the cave of the Cyclops, the call of the Sirens and his hostile reception back in his native land of Ithaca.

Simonides of Ceos, one of the nine lyric poets enshrined in what is conventionally thought of as the Hellenistic Lyric Canon, is a relatively mysterious figure despite his renown in the classical world. Few historical and biographical facts about him have survived, and only fragments of his non-epigrammatic poetry. This volume is intended to complement Orlando Poltera's full-scale text and commentary on Simonides' lyrics (Schwabe, 2008), offering an up-to-date edition and commentary covering, for the most part, those poems in elegiac distichs now called epigrams and elegies. In addition to these forms, Simonides wrote in a few other non-lyric metrical patterns involving dactyls and iambs: these are also included for the sake of completeness, since they are properly absent from Poltera's edition. As authenticity is in question for all but a very few of the epigrams ascribed to Simonides, the volume's scope extends to cover every poem ascribed to him in antiquity, including some poems that are surely not by him: these poems have never before been treated in such detail and the large body of scholarship generated by the corpus as a whole is taken into account here for the first time. Each poem and fragment is accompanied by a new English translation, where applicable, and detailed exegetic line-by-line commentary; a comprehensive general Introduction sets Simonides and his works into their historical context and provides a thorough examination of the textual transmission of the elegies and epigrams.

This book is the first large-scale study of the Metaphrasis Psalmorum since the middle of the twentieth century. It provides a revised critical text and complete modern translation of the poem, as well as an extensive introduction, which explores in detail critical questions such as authorship and the poet's engagement with early Christian exegesis. On the basis of a thorough re-examination of the poem's theology, its relationship to other late antique poetry, and relevant external evidence, it is argued, contrary to received opinion, that the Metaphrasis Psalmorum is a genuine work of Apollinaris of Laodicea, the influential if controversial bishop of the 4th century. It is also demonstrated that the poet interacts in a more wide-reaching and intentional way with early Christian exegesis on the Psalms than has previously been recognized, including the exegesis of Origen's newly discovered Homilies on the Psalms. The introduction includes broader discussion of the tradition of early Christian classicizing poetry, the poet's engagement with the Hellenic tradition, and his paraphrastic technique. The revised text and translation make more accessible a poorly known and understudied poem, which is nevertheless a major and important poetic work of late antiquity. The book aims to promote greater awareness of the Metaphrasis Psalmorum and act as a catalyst for future work on the paraphrase.

Oedipus the King is the best-known play we have from the pen of Sophocles and was recognized as a masterpiece in Aristotle's Poetics, which cites the play more often than any other as an example of how to write tragedy. The principal character is the king of a city ravaged by a mysterious plague, who consults Apollo at Delphi and is told that the plague will end only when those who killed the previous king, Laius, are found and punished. He launches an investigation, in the course of which he learns not only that he is himself the killer, but that Laius was his father and Laius' widow, whom he married, his own mother. As a result of this revelation Oedipus changes from being a respected king and conscientious investigator into a polluted and self-blinded outcast. This volume presents a highly-polished English verse translation of Sophocles' powerful play which renders both the beauty of his language and the horror of the events being dramatized. A detailed introduction and notes clearly elucidate how the plot is constructed and the meaning this construction implies, as well as how Sophocles ably concealed the fact that his characters act in ways which differ from what we expect in real life. It also addresses influential misinterpretations, thereby offering an accessible and authoritative introduction to the play that will be of benefit to a wide range of readers.

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Ovid's Heroides, giving full Latin text, commentary and vocabulary for Heroides I lines 1-68, and Heroides VII lines 1-140, with a detailed introduction that also covers the prescribed text to be read in English. Ovid's Heroides is a unique collection of poetry, in which famous mythological heroines write letters to the men who have abandoned them. They offer a new perspective on the otherwise male-centred mythological tradition. Heroides I (from Penelope) and VII (from Dido) respond to the most famous Classical epics, Homer's Odyssey and Virgil's Aeneid, by presenting a new, less positive, angle on the two famous epic heroes. Through his heroines' unique voices, Ovid plays with literary tradition, inviting us all to take a side: epic heroism or loyalty in love? Resources are available on the Companion Website.

The greatest classic of Sindhi literature presented here in an authoritative and vivid modern English translation. Shah Abdul Latif's Risalo is acknowledged across Pakistan and the wider diaspora as the greatest classic of Sindhi literature. In this collection of short Sufi verses, originally composed for musical performance, the poet creates a vast imaginative world of interlocking references to traditional Islamic themes of mystical and divine love and the scenery, society, and legends of the Sindh region. Latif (1689-1752), a contemporary of the Panjabi poet Bullhe Shah, belonged to the class of Sufi saints whose shrines remain prominent features of the Sindhi landscape. The Risalo reflects Latif's profound engagement with the fundamental literature of Islam as well as his openness to varied local traditions, including notable poems praising the spiritual devotion of local Hindu yogis. This edition presents, alongside the original text in the Sindhi Naskh script, the first translation of the Risalo into modern English prose, offering a new readership access to the writings of one of the masters of Sufi poetry.

Este libro recoge estudios monograficos en homenaje al profesor Emilio Suarez de la Torre, sobre religiosidad y supersticion -en particular la magia, pero tambien la astrologia- en la Grecia Antigua. Un grupo de ellos se centran en el estudio de los dioses y heroes griegos, desde la perspectiva mitica y literaria y la cultual. El ultimo apartado se dedica a la cuestion de la religiosidad y el ateismo en la filosofia y la religion.

Quintus Ennius (239-169 BC), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity and inspired major developments in Roman religion, social organization, and popular culture. Brought in 204 to Rome in the entourage of Cato, Ennius took up residence on the Aventine and, fluent in his native Oscan as well as Greek and Latin, became one of the first teachers to introduce Greek learning to Romans through public readings of Greek and Latin texts. Best known for domesticating Greek epic and drama, Ennius also pursued a wide range of literary endeavors and found success in almost all of them. His tragedies were long regarded as classics of the genre, and his Annals gave Roman epic its canonical shape and pioneered many of its most characteristic features. Other works included philosophical works in prose and verse, epigrams, didactic poems, dramas on Roman themes (praetextae), and occasional poetry that informed the later development of satire. This two-volume edition of Ennius, which inaugurates the Loeb series Fragmentary Republican Latin, replaces that of Warmington in Remains of Old Latin, Volume I and offers fresh texts, translations, and annotation that are fully current with modern scholarship.

This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. An introduction surveys the play, its possible date, features of the original production, the background of Theban myth, the general problem of interpolation, and the textual tradition. The commentary treats the constitution of the text, noteworthy features of diction and style, dramatic technique and structure, and the controversies over possible later additions to the text.

Plato challenges his readers by depicting an elderly Socrates as an enthusiastic student of rhetoric who has learned from his teacher Aspasia to recite an inspiring funeral oration, an oration that conspicuously refers to events occurring after the deaths of Socrates and Aspasia, an oration that Aspasia, as a woman and a non-Athenian, was not eligible to deliver over the Athenians who died in war. This commentary, the first in English in over 100 years, assists the modern reader in confronting Plato's challenge. The Introduction sets the dialogue in the context of the traditional Athenian funeral oration and of Plato's ongoing critique of contemporary rhetoric. The Commentary, which is well suited to the needs and interests of intermediate students of Classical Greek, provides guidance on grammatical and historical matters, while allowing the student to appreciate Plato's mastery of Greek prose style and critique of democratic ideology.

Plato challenges his readers by depicting an elderly Socrates as an enthusiastic student of rhetoric who has learned from his teacher Aspasia to recite an inspiring funeral oration, an oration that conspicuously refers to events occurring after the deaths of Socrates and Aspasia, an oration that Aspasia, as a woman and a non-Athenian, was not eligible to deliver over the Athenians who died in war. This commentary, the first in English in over 100 years, assists the modern reader in confronting Plato's challenge. The Introduction sets the dialogue in the context of the traditional Athenian funeral oration and of Plato's ongoing critique of contemporary rhetoric. The Commentary, which is well suited to the needs and interests of intermediate students of Classical Greek, provides guidance on grammatical and historical matters, while allowing the student to appreciate Plato's mastery of Greek prose style and critique of democratic ideology.

Quintus Ennius (239-169 BC), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity and inspired major developments in Roman religion, social organization, and popular culture. Brought in 204 to Rome in the entourage of Cato, Ennius took up residence on the Aventine and, fluent in his native Oscan as well as Greek and Latin, became one of the first teachers to introduce Greek learning to Romans through public readings of Greek and Latin texts. Best known for domesticating Greek epic and drama, Ennius also pursued a wide range of literary endeavors and found success in almost all of them. His tragedies were long regarded as classics of the genre, and his Annals gave Roman epic its canonical shape and pioneered many of its most characteristic features. Other works included philosophical works in prose and verse, epigrams, didactic poems, dramas on Roman themes (praetextae), and occasional poetry that informed the later development of satire. This two-volume edition of Ennius, which inaugurates the Loeb series Fragmentary Republican Latin, replaces that of Warmington in Remains of Old Latin, Volume I and offers fresh texts, translations, and annotation that are fully current with modern scholarship.

Giovanni Boccaccio escribe la biografia de Dante Alighieri, conocida como Trattatello in laude di Dante, --autografo Toledano 104.6-- a mediados del siglo XIV, biografia que reescribe y resume anos mas tarde --autografo Chigiano L.V.176--. De ambos textos se ofrece la traduccion. El culto por Dante, que se condensa en esta obra, no se limita solo a su deseo y preocupacion por difundir en el mejor modo posible, a los contemporaneos y futuros lectores, la figura del poeta como iniciador de un nueva forma de componer sino que Boccaccio aspira, sobre todo, a dejar testimonio del hombre, ofreciendo datos concretos sobre su origen, su vida publica y privada, y sus obras; disenando al tiempo un retrato fisico y moral del protagonista que, a la postre, se ha convertido en un canon. El Trattatello es el elemento tangible de un proyecto mas ambicioso en el cual Boccaccio se presenta a si mismo como biografo, pero tambien como exegeta y divulgador de la obra del poeta florentino en el contexto de la historia literaria contemporanea.

"This is a superb new translation that is remarkably accurate to Plato's very difficult Greek, yet clear and highly readable. The notes are more helpful than those in any other available translation of the Laws since they contain both the information needed by the beginning student as well as analytical notes that include references to the secondary literature for the more advanced reader. For either the beginner or the scholar, this should be the preferred translation." -- Christopher Bobonich, Clarence Irving Lewis Professor of Philosophy, Stanford University

This is the first new critical edition of De beneficiis in almost 100 years, based on a fresh examination of the extant archetype (N) and on more extensive familiarity with the later medieval and humanist manuscripts than any previous edition. Each work in the edition is provided with a critical apparatus that is both informative and economical. The apparatus fontium et testium standing between the text and the critical apparatus on each page provides full references to the texts Seneca himself cites and extensive cross-references among the three works in the edition and between those works and Seneca's other prose writings, along with many parallel passages beyond the Senecan corpus. An appendix critica to De beneficiis contains much information on the text's documentary basis and critical history that future editors should find useful to have at hand even if it was not judged worthy of inclusion in this edition's critical apparatus.

As a result of great popularity and continuous demand, Moreschini's "Boethius" has been revised in a second edition. The new edition features improvements and corrections in nearly 200 passages of the "praefatio," text, and "apparatus criticus."

PLEASE NOTE that due to the previous text options being set for an extra exam year (summer 2021 for AS; summer 2022 for A Level) the dates given in the title, on the cover and inside this book are incorrect. An errata slip has been included. ----- The only exam-board approved book for OCR's Greek AS and A-Level set text prescriptions for 2022-24 giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS and A Level Groups 1&3 Thucydides, Histories, Book 6, 19 to 6.32 Plato, Symposium, 189c2 to 194e2 Homer, Odyssey 1, lines 213-444 Sophocles, Ajax, lines 1-133, 284-347, 748-783 A Level Groups 2&4 Thucydides, Histories, Book 6, 47 to 50.1 and 53 to 61 Plato, Symposium, 201d to end of 206b Plutarch, Alcibiades, X.1.1 to XVI.5 Homer, Odyssey 6, lines 85-331 Sophocles, Ajax, lines 430-582, 646-692, 815-865 Aristophanes, Clouds, lines 1-242 Resources are available on the Companion Website.

One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. Renowned scholar and acclaimed translator Peter Green captures the Iliad in all its surging thunder for a new generation of readers. Featuring an enticingly personal introduction, a detailed synopsis of each book, a wide-ranging glossary, and explanatory notes for the few puzzling in-text items, the book also includes a select bibliography for those who want to learn more about Homer and the Greek epic. This landmark translation specifically designed, like the oral original, to be read aloud will soon be required reading for every student of Greek antiquity, and the great traditions of history and literature to which it gave birth.

Este livro tem como tema principal o exame critico-analitico de textos que representam o que de mais significativo existe na tradicao literaria misogina Ocidental. Ja desde a sua introducao, e na extensao de cinco magistrais capitulos, estuda o que ha de mais exponencial para a questao da difamacao da mulher no mundo Antigo e no periodo medieval. Num percuciente esforco seletivo de fontes, prima por colocar em evidencia Aristoteles, Ovidio e Juvenal, autores do mundo Antigo que influenciaram a Patristica representada por escritos de Sao Jeronimo e Santo Agostinho, antecedidos por Tertuliano, Santo Ambrosio e Sao Joao Crisostomo. Passando por Graciano, chega-se a Abelardo e Heloisa, ao lado de outros autores visitados de forma mais sintetica, como Godofredo de Estrasburgo, o anonimo Ancrene Riwle e Guido delle Colonne. Marbodo de Rennes, Walter Map e Andre Capelao, da tradicao misogina satirica no latim medieval, e adaptacoes vernaculas na Idade Media tardia, com os nomes de Jean de Meun, Giovanni Boccaccio, Jehan Le Fevre e Geoffrey Chaucer comparecem no livro. Certamente elaborado de forma nao so de interesse academico, mas tambem didatico e de apelo popular, o livro muito contribuira para os estudos das questoes de Genero, da Idade Media, da Religiao, da Etica, entre outros. E, para alem da instrucao e informacao que podera proporcionar, a sua proposta principal e de valor indubitavelmente etico, de combate aos preconceitos, a misoginia que tao duramente malsaos e perversos, ainda nos dias atuais, atingem as pessoas e a nossa sociedade.

Este livro tem como tema principal o exame critico-analitico de textos que representam o que de mais significativo existe na tradicao literaria misogina Ocidental. Ja desde a sua introducao, e na extensao de cinco magistrais capitulos, estuda o que ha de mais exponencial para a questao da difamacao da mulher no mundo Antigo e no periodo medieval. Num percuciente esforco seletivo de fontes, prima por colocar em evidencia Aristoteles, Ovidio e Juvenal, autores do mundo Antigo que influenciaram a Patristica representada por escritos de Sao Jeronimo e Santo Agostinho, antecedidos por Tertuliano, Santo Ambrosio e Sao Joao Crisostomo. Passando por Graciano, chega-se a Abelardo e Heloisa, ao lado de outros autores visitados de forma mais sintetica, como Godofredo de Estrasburgo, o anonimo Ancrene Riwle e Guido delle Colonne. Marbodo de Rennes, Walter Map e Andre Capelao, da tradicao misogina satirica no latim medieval, e adaptacoes vernaculas na Idade Media tardia, com os nomes de Jean de Meun, Giovanni Boccaccio, Jehan Le Fevre e Geoffrey Chaucer comparecem no livro. Certamente elaborado de forma nao so de interesse academico, mas tambem didatico e de apelo popular, o livro muito contribuira para os estudos das questoes de Genero, da Idade Media, da Religiao, da Etica, entre outros. E, para alem da instrucao e informacao que podera proporcionar, a sua proposta principal e de valor indubitavelmente etico, de combate aos preconceitos, a misoginia que tao duramente malsaos e perversos, ainda nos dias atuais, atingem as pessoas e a nossa sociedade.

One of the most diverse books in the Iliad, Book III moves between intimate scenes in the heart of Troy and scenes serious and comic on the battlefield. It describes a major ritual in an elaborate oath-swearing, assigns a major role to divine intervention, introduces and characterises the main Trojan actors and reveals more about their Greek counterparts. The commentary discusses the styles of Homeric narrative, illustrating especially its economy and sophisticated handling of different time-scales. It situates the Iliad in its broad cultural and historical contexts, through consideration of the relationships between Greece and the Anatolian, Mesopotamian and ancient Indian cultures, particularly regarding shared story-patterns and ritual activity. An account is given of Troy's relationships with the Hittite empire and the vexed question of the historicity of the Trojan War. Also provided is a full historical account of Homeric language. The edition will be indispensable for students and instructors.