Los poderes de la palabra: El improperio en la cultura hispanica del Siglo de Oro es una obra interdisciplinar, fruto del encuentro de areas cientificas diversas, que aborda el estudio de las manifestaciones de la violencia verbal en la Espana de los siglos XVI y XVII. Desde la autenticidad de los libelos infamatorios, o desde la oralidad cotidiana recogida en procesos legales, la perspectiva historica recupera denuestos, blasfemias y maldiciones, e interpreta su valor sociohistorico en los entresijos de la sociedad aurisecular. El analisis literario se adentra en la rica y variada produccion de este tiempo para analizar las manifestaciones de la agresion verbal (pullas, motes, insultos, burlas, acusaciones) y gestual que ofrecen autos sacramentales, comedias, villancicos, poesias cancioneriles, satiricas o religiosas; o bien descubre, en las relaciones verbales entre figuras literarias del Siglo de Oro espanol, los testimonios mas ingeniosos del improperio. El examen lingueistico reconoce, a partir de fuentes literarias y no literarias, los ambitos conceptuales del insulto en espanol clasico, y describe los recursos lexicos, morfosintacticos y pragmaticos empleados para la ofensa, los procedimientos intensificadores y los modos de insertar voces injuriosas y expresiones maldicientes.

Dieses Lehrbuch versteht sich als eine fachubergreifende Literaturgeschichte und stellt in den mehr als acht Jahrhunderten, die es umspannt - von den biblischen Apokryphen bis zu Isidor von Sevilla, Johannes von Damaskus und den orientalischen christlichen Literaturen - alle Literaturgattungen samtlicher grossen Autoren der Periode vor, eingebettet in ihren literarischen, historischen, kirchlichen und theologischen Kontext. Es bietet dem Studierenden eine erste Einfuhrung in alle wichtigen Phanomene der fruhchristlichen Literatur sowie dem Fachgelehrten ein erstes Referenz- und Nachschlagewerk. Die zu jedem Autor und Werk nach Bibliographien, Texteditionen, UEbersetzungen, Hilfsmitteln und Studien gegliederten Spezialbibliographien sind grundlegend fur ein vertieftes Weiterstudium. Karten und Tafeln erganzen den didaktischen Aufbau des Buches.

One of the most diverse books in the Iliad, Book III moves between intimate scenes in the heart of Troy and scenes serious and comic on the battlefield. It describes a major ritual in an elaborate oath-swearing, assigns a major role to divine intervention, introduces and characterises the main Trojan actors and reveals more about their Greek counterparts. The commentary discusses the styles of Homeric narrative, illustrating especially its economy and sophisticated handling of different time-scales. It situates the Iliad in its broad cultural and historical contexts, through consideration of the relationships between Greece and the Anatolian, Mesopotamian and ancient Indian cultures, particularly regarding shared story-patterns and ritual activity. An account is given of Troy's relationships with the Hittite empire and the vexed question of the historicity of the Trojan War. Also provided is a full historical account of Homeric language. The edition will be indispensable for students and instructors.

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeshylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Tourians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Will Britain take him in... or mark him as its enemy?'A brilliantly realised world of Imperial ambition and native resistance' Simon Scarrow'Wonderful, distinct characters' Conn IgguldenFaustus Valerianus is the son of a Roman father and a British mother, a captive sold among the spoils after Claudius's invasion. Now both parents have died within a month of each other, and so he sells the family farm and enlists, joining legendary general Agricola's campaign to conquer the entirety of the British Isles culminating in a devastating battle amongst Caledonia's dark mountains. But Faustus will have to contend with more than ferocious British warriors and whip-cracking elements. For the bonds of blood can weigh heavy on one's soul. The call of his mother's true people. His father's restless shadow. Faustus must carry them with him... A deeply moving, gripping, epic historical drama, perfect for fans of Rosemary Sutcliff, Ben Kane and Simon Scarrow. Praise for Shadow of the Eagle 'Faustus is a fascinating character and it's a treat to see how he negotiates the challenges he faces. His duties in the service of Rome comprise a truly Faustian pact!' Simon Scarrow 'I adored Faustus and Constantia in particular. Great sense of humour throughout. This is a terrific read' Conn Iggulden 'I only need one word to describe this stunning novel: masterful' Anthony Riches, Sunday Times bestselling author of Wounds of Honour 'Blood, steel, honour, and a deep and gripping tale of the Roman army on the frontier of the empire. Hunter has created an instant classic' S J A Turney, author of the Marius' Mules series 'A haunting, historical epic' Gordon Doherty, author of Sons of Rome 'Enthralling and authentic historical roman fiction, that brings the period alive and keeps you turning the page' Alex Gough, author of Emperor's Sword

In Hexametrical Genres from Homer to Theocritus, Christopher Faraone discusses a number of short hexametrical genres such as oracles, incantations and laments that do not easily fit the generic models provided by the extant poetry of Hesiod and Homer. In the process, he gives us new insight into their ritual performance, their early history, and how poets from Homer to Theocritus embedded or imitated these genres to enrich their own hexametrical poems-by playing with and sometimes overturning the generic expectations of their audiences or readers. Christopher Faraone combines literary and ritual studies to produce a rich and detailed picture of hexametrical genres performed publicly for gods, such as hymns or laments for Adonis, or other that were performed more privately, such as epithalamia, oracles, or incantations. This volume deals primarily with the recovery of lost or under-appreciated hexametrical genres, which are often left out of modern taxonomies of archaic hexametrical poetry, either because they survive only in fragments or because the earliest evidence for them dates to the classical period.

Aeschylus (ca. 525-456 BCE), the dramatist who made Athenian tragedy one of the world's great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once.

Of his total of about eighty plays, seven survive complete. The third volume of this edition collects all the major fragments of lost Aeschylean plays.

Demosthenes, as an emerging political leader in fourth-century Athens, delivered a series of fiery speeches to the citizens in the democratic Assembly, attacking the Macedonian king Philip II as an aggressive imperialist bent on destroying the city's independence. This volume presents the Greek text of five of these speeches with full introduction and detailed commentary. They show how the foremost politician of the day argued his case before the people who made policy decisions in the Assembly, and how he eventually persuaded them to support his doomed militaristic position in preference to the more pragmatic stance of accommodation advocated by his political opponents. These speeches are unique sources for the ideology and political history of this crucial period, and the best specimens of persuasive rhetoric in action from democratic Athens. This edition takes account of recent studies of fourth-century Athens and showcases Demosthenes as a master of Greek prose style.

A highly-illustrated retelling of the Brontë sisters life in Haworth in the Yorkshire Dales told from Charlotte Brontë's point of view.

Produced to coincide with 200th anniversary of the birth of Charlotte Brontë, this book introduces the three extraordinary Brontë sisters: Charlotte, Emily and Anne. We also meet their brother Branwell. With a mix of strong story-telling and wonderful illustration, Mick Manning and Brita Granström relate the sister's tragically short lives in the remote village of Haworth in the Yorkshire Dales. They explore how the girls were inspired to become writers and the sensation their books caused when people realised they had been written by women.

Each of the sister's greatest novels, Jane Eyre (Charlotte), The Tenant of Wildfell Hall (Anne) and Wuthering Heights (Emily), are simply retold in engaging comic-strip form.

The illustrations and text of this book really capture the life of the children of the moors and how the magic and wildness of their surroundings inspired their work. It is perhaps not surprising as Mick Manning was born and brought up in Haworth and, as a child, even played a shepherd boy in a BBC adapation of Wuthering Heights.

Book VII of Lucan's De Bello Ciuili recounts the decisive victory of Julius Caesar over Pompey at the Battle of Pharsalus on 9 August 48 BCE. Uniquely within Lucan's epic, the entire book is devoted to one event, as the narrator struggles to convey the full horror and significance of Romans fighting against Romans and of the republican defeat. Book VII shows both De Bello Ciuili and its impassioned, partisan narrator at their idiosyncratic best. Lucan's account of Pharsalus well illustrates his poem's macabre aesthetic, his commitment to paradox and hyperbole, and his highly rhetorical presentation of events. This is the first English commentary on this important book for more than half a century. It provides extensive help with Lucan's Latin, and seeks to orientate students and scholars to the most important issues, themes and aspects of this brilliant poem.

The volumes of the Symposium Aristotelicum have become essential reference works for the study of Aristotle. In this twentieth volume, ten renowned scholars of ancient philosophy offer a running commentary on Aristotle's De motu animalium. It is in this text, one of his most intriguing works, that Aristotle sets out the general principles of animal locomotion. A philological and a philosophical introduction sketch the current state of research on this treatise, situating current thought in the context of three decades of scholarly debates. The nine contributed essays together comment on each chapter of the Aristotelian text, discussing in detail the philosophical issues that are raised across the different sections of the text. Comprehensive analyses of Aristotle's doctrines and arguments, as well as critical discussion of rival interpretations, make this volume a valuable resource for scholars of Aristotle. The present volume also includes a newly reconstructed Greek text with a facing English translation by Benjamin Morison.

From the perspective of the townspeople and the queen, Clytemnestra, Agamemnon follows the emotional journey of grief, rage, and revenge. Agamemnon had dedicated much of his life to a war that his brother started. He vowed to do whatever it takes to win-committing war crimes and killing innocents. But, even in victory, Agamemnon feels unsatisfied and plagued by the bloodshed he caused. Because of this, he decides to perform a ritual to clear his conscience and regain the gods' approval. After he fought for ten years in the Trojan war, Clytemnestra eagerly awaited the return of her husband, King Agamemnon. However, upon his arrival, she learns that he has sacrificed one of her loved ones to the gods, in order to win their favor. Though Agamemnon expressed slight remorse, he felt resolute in his actions, as he viewed the sacrifice as a necessity. Already devastated, Clytemnestra is driven to pure rage when she finds that Agamemnon also brought back a "spoil of war", Cassandra, a Trojan princess and prophetess, who has been punished by the god Apollo for refusing his advances. Though she is able to see the future, she is cursed to be never believed. Considered as Agamemnon's war prize, Cassandra is trapped in the kingdom, especially hopeless when she receives a vision of unescapable doom. Meanwhile, as Clytemnestra settles in her grief and rage, she creates a plot for vengeance, and much like her husband at war, is unconcerned about any collateral damage. As the first installment of the sole surviving Greek trilogy, Agamemnon is both a stand-alone piece and a compliment to later plays. With symbolism and precise prose, Agamemnon by Aeschylus depicts the consequences of warfare-both abroad and domestic. Featuring strong, dynamic, and well-developed characters and an emotional, dramatic plot, Agamemnon is an enthralling perspective on the fates of famous heroes from Greek mythology. This edition of Aeschylus' acclaimed tragedy, Agamemnon features a new, eye-catching cover and is reprinted in a modern, readable font. With these accommodations, contemporary readers are encouraged to revisit this classic and enthralling tale of revenge.

El criminal imaginado: Estetica, etica y politica en la ficcion latinoamericana (1990-2010) analiza peliculas y novelas donde los personajes principales son o se vuelven criminales. El protagonismo del delincuente en la cultura latinoamericana contemporanea desplaza al detective en su rol estelar del clasico policial ingles o estadounidense. Estas ficciones no buscan restablecer la ley y el orden, ya que el criminal imaginado indica el deseo de cambiar su entorno; por ello, transgrede las limitaciones de su genero, raza o clase social. Ahora bien, la produccion cultural reciente dista de ser uniforme. Por ello, este texto propone un espectro que comienza con objetos culturales sobre el narcotrafico, donde el criminal reune caracteristicas del criminal corporativo, el ganster y el noble bandido. En este retrato del narcotraficante, quien manda es el consumo y la circulacion de mercancias y capital. La gama de criminales imaginados continua con ficciones donde los delitos se deben principalmente a motivos politicos y culturales; es decir, el transgresor no intenta integrarse al capitalismo como el ganster ni sigue las leyes del mercado. Por el contrario, se trata de ladrones, secuestradores o prostitutas que prefieren relaciones de poder horizontal y construyen su propia etica. La gama estudiada en este trabajo termina con representaciones de crimenes politicos que buscan cambiar un sistema politico o economico, especificamente, ficciones sobre anarquistas y movimientos de liberacion nacional del siglo XX. En pocas palabras, la cultura visual y narrativa es un espejo que refleja algunas tendencias politicas, eticas y esteticas en Latinoamerica desde 1990.

The great work of Welsh literature, translated in full for the first time in over 100 years by two of its country's foremost poets Tennyson portrayed him, and wrote at least one poem under his name. Robert Graves was fascinated by what he saw as his work's connection to a lost world of deeply buried folkloric memory. He is a shapeshifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the British Isles; a bridge between old Welsh mythologies and the new Christian theology; a 6th-century Brythonic bard; and a legendary collective project spanning the centuries up to The Book of Taliesin's compilation in 14th-century North Wales. He is, above all, no single 'he'. The figure of Taliesin is a mystery. But of the variety and quality of the poems written under his sign, of their power as exemplars of the force of ecstatic poetic imagination, and of the fascinating window they offer us onto a strange and visionary world, there can be no question. In the first volume to gather all of the poems from The Book of Taliesin since 1915, Gwyneth Lewis and Rowan Williams's accessible translation makes these outrageous, arrogant, stumbling and joyful poems available to a new generation of readers.

In den hier vereinigten BeitrAgen kommen Aoeberlegungen der Alten zur Sprache, die seinerzeit Epoche gemacht und das Denken auf den Weg rationalen Argumentierens gebracht haben. Sie fA1/4hren von Hesiod, dessen mythologisch-genealogische Spekulation mehr a žPhilosophiea enthAlt, als von einem frA1/4hen Epiker zu erwarten ist, A1/4ber Xenophanes, Parmenides und Protagoras bis hin zu Platon. Die neun BeitrAge, die ihm gewidmet sind, ergAnzen die vor einigen Jahren erschienenen 'Wege zu Platon'.

This prose translation of the The Odyssey is so successful that is has taken its place as on the few really outstanding version of Homer's famous epic poem. It is the story of the return of Odysseus from the siege of Troy to his home in Ithaca, and of the vengeance he takes on the suitors of his wife Penelope. Odysseus' account of his adventures since leaving Troy includes his encounter with the huntress Circe, his visit to the Underworld, and the lure of the Sirens as he sails between Scylla and Charybdis.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Czech Avant-Garde Literary Movement Between the Two World Wars tells the little-known story of the renaissance of Czech literary arts in the period between the two world wars. The avant-garde writers during this period broke down the barrier between the elite literary language and the vernacular and turned to spoken language, substandard forms, everyday sources such as newspapers and detective stories, and forms of popular entertainment such as the circus and the cabaret. In his analyses of the writings of this period, Thomas G. Winner illuminates the aesthetic and linguistic characteristics of these works and shows how poetry and linguistics can be combined. The Czech Avant-Garde Literary Movement Between the Two World Wars is essential reading for courses on modern Czech literature, comparative literature, and Slavic literature.

Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire--a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the "Aeneid," he wrote two other collections of poems: the "Georgics" and the "Bucolics," or "Eclogues."The "Eclogues" were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the "Georgics" and culminates in the "Aeneid," they are no less elegant in style or less profound in insight than the later, more extensive works. These intricate and highly polished variations on the idea of the pastoral poem, as practiced by earlier Greek poets, mix political, social, historical, artistic, and moral commentary in musical Latin that exerted a profound influence on subsequent Western poetry.Poet Len Krisak's vibrant metric translation captures the music of Virgil's richly textured verse by employing rhyme and other sonic devices. The result is English poetry rather than translated prose. Presenting the English on facing pages with the original Latin, "Virgil's Eclogues" also features an introduction by scholar Gregson Davis that situates the poems in the time in which they were created.

This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

Tacitus' account of Nero's principate is an extraordinary piece of historical writing. His graphic narrative (including Annals XV) is one of the highlights of the greatest surviving historian of the Roman Empire. It describes how the imperial system survived Nero's flamboyant and hedonistic tenure as emperor, and includes many famous passages, from the Great Fire of Rome in AD 64 to the city-wide party organised by Nero's praetorian prefect, Tigellinus, in Rome. This edition unlocks the difficulties and complexities of this challenging yet popular text for students and instructors alike. It elucidates the historical context of the work and the literary artistry of the author, as well as explaining grammatical difficulties of the Latin for students. It also includes a comprehensive introduction discussing historical, literary and stylistic issues.

The Lokaprakasa by well-known Kashmirian author Ksemendra (fl. 1050 CE) is a unique Sanskrit text that deals with details of public administration, from the king down to the village level. It includes private sale and mortgage documents as well as marriage contracts-documents that are little attested outside medieval Kashmir. In the first decade of the 20th century, famous explorer and Kashmiri specialist Sir M. Aurel Stein asked his friend, learned Kashmiri Pandit Sahaja Bhatta, to prepare an edition of this significant text with commentary explaining many otherwise obscure terms. The manuscript was originally projected to be published by Stein and Charles Lanman in the early 1930s, in a facsimile edition. Long lost, the manuscript has been recovered in the Societe Asiatique in Paris and is now published here. The text fills a large gap in our knowledge of private life and public administration in medieval India and will greatly interest Sanskritists and historians alike.

This novella, first published in 1888, was the final and arguably the finest work by German writer, Theodor Storm. Combining both realism and the supernatural, The Rider on the White Horse is full of symbolism and superstition. Here, humankind must battle against the forces of nature, a struggle embodied by the image of the phantom-like rider and his white horse galloping into the waves. This is a tale of a man from the North German fenlands who tries to tame not only the natural world but also the reactionary ideas and ingrained superstitions of his neighbors. Storm uses narrative framing, stories within stories, to move across time and conventional boundaries to explore different aspects of how we see ourselves, each other, and our relationship with our environment. The main narrative focuses on Hauke Haien, his dramatic encounters with the sea and his obsessive mission to protect the low-lying land, a quest that leads him into the realm of science and mathematics. There is a sense that superstition is under scrutiny by reason, yet an underlying uneasiness remains in the imagery that permeates the text: the incessant screaming and shrieking of the gulls, the roar of the waves, the constant reference to eyes with the "burning eyes" of the white-horse rider, and the inquiring gaze of the old schoolteacher. Nature is portrayed as wild, unpredictable, and disconcerting, while the community is always mindful of its destructive powers.