This is the first new critical edition of this text since 1908, and the first to appear in the Oxford Classical Texts series. The edition is informed by a comprehensive analysis of the entire tradition of Lucullus and Academicus Primus, and by a thorough rethinking of the text documented in the accompanying commentary volume. Lucullus and Academicus Primus are a key body of evidence for the development of Academic scepticism, one of the two varieties of scepticism in antiquity. The texts also shed light on the re-emergence of dogmatic Platonic philosophy in the first century BC.

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeshylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Tourians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Este livro tem como tema principal o exame critico-analitico de textos que representam o que de mais significativo existe na tradicao literaria misogina Ocidental. Ja desde a sua introducao, e na extensao de cinco magistrais capitulos, estuda o que ha de mais exponencial para a questao da difamacao da mulher no mundo Antigo e no periodo medieval. Num percuciente esforco seletivo de fontes, prima por colocar em evidencia Aristoteles, Ovidio e Juvenal, autores do mundo Antigo que influenciaram a Patristica representada por escritos de Sao Jeronimo e Santo Agostinho, antecedidos por Tertuliano, Santo Ambrosio e Sao Joao Crisostomo. Passando por Graciano, chega-se a Abelardo e Heloisa, ao lado de outros autores visitados de forma mais sintetica, como Godofredo de Estrasburgo, o anonimo Ancrene Riwle e Guido delle Colonne. Marbodo de Rennes, Walter Map e Andre Capelao, da tradicao misogina satirica no latim medieval, e adaptacoes vernaculas na Idade Media tardia, com os nomes de Jean de Meun, Giovanni Boccaccio, Jehan Le Fevre e Geoffrey Chaucer comparecem no livro. Certamente elaborado de forma nao so de interesse academico, mas tambem didatico e de apelo popular, o livro muito contribuira para os estudos das questoes de Genero, da Idade Media, da Religiao, da Etica, entre outros. E, para alem da instrucao e informacao que podera proporcionar, a sua proposta principal e de valor indubitavelmente etico, de combate aos preconceitos, a misoginia que tao duramente malsaos e perversos, ainda nos dias atuais, atingem as pessoas e a nossa sociedade.

Este livro tem como tema principal o exame critico-analitico de textos que representam o que de mais significativo existe na tradicao literaria misogina Ocidental. Ja desde a sua introducao, e na extensao de cinco magistrais capitulos, estuda o que ha de mais exponencial para a questao da difamacao da mulher no mundo Antigo e no periodo medieval. Num percuciente esforco seletivo de fontes, prima por colocar em evidencia Aristoteles, Ovidio e Juvenal, autores do mundo Antigo que influenciaram a Patristica representada por escritos de Sao Jeronimo e Santo Agostinho, antecedidos por Tertuliano, Santo Ambrosio e Sao Joao Crisostomo. Passando por Graciano, chega-se a Abelardo e Heloisa, ao lado de outros autores visitados de forma mais sintetica, como Godofredo de Estrasburgo, o anonimo Ancrene Riwle e Guido delle Colonne. Marbodo de Rennes, Walter Map e Andre Capelao, da tradicao misogina satirica no latim medieval, e adaptacoes vernaculas na Idade Media tardia, com os nomes de Jean de Meun, Giovanni Boccaccio, Jehan Le Fevre e Geoffrey Chaucer comparecem no livro. Certamente elaborado de forma nao so de interesse academico, mas tambem didatico e de apelo popular, o livro muito contribuira para os estudos das questoes de Genero, da Idade Media, da Religiao, da Etica, entre outros. E, para alem da instrucao e informacao que podera proporcionar, a sua proposta principal e de valor indubitavelmente etico, de combate aos preconceitos, a misoginia que tao duramente malsaos e perversos, ainda nos dias atuais, atingem as pessoas e a nossa sociedade.

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

The Aeneid - thrilling, terrifying and poignant in equal measure - has inspired centuries of artists, writers and musicians. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by J. W. Mackail and has an afterword by Coco Stevenson. Virgil's epic tale tells the story of Aeneas, a Trojan hero, who flees his city after its fall, with his father Anchises and his young son Ascanius - for Aeneas is destined to found Rome and father the Roman race. As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

Marta Jimenez presents a novel interpretation of Aristotle's account of the role of shame in moral development. Despite shame's bad reputation as a potential obstacle to the development of moral autonomy, Jimenez argues that shame is for Aristotle the proto-virtue of those learning to be good, since it is the emotion that equips them with the seeds of virtue. Other emotions such as friendliness, righteous indignation, emulation, hope, and even spiritedness may play important roles on the road to virtue. However, shame is the only one that Aristotle repeatedly associates with moral progress. The reason is that shame can move young agents to perform good actions and avoid bad ones in ways that appropriately resemble not only the external behavior but also the orientation and receptivity to moral value characteristic of virtuous people. Through an analysis of the different cases of pseudo-courage and the passages on shame in Aristotle's ethical treatises, Jimenez argues that shame places young people on the path to becoming good by turning their attention to considerations about the perceived nobility and praiseworthiness of their own actions and character. Although they are not yet virtuous, learners with a sense of shame can appreciate the value of the noble and guide their actions by a genuine interest in doing the right thing. Shame, thus, enables learners to perform virtuous actions in the right way before they possess practical wisdom or stable dispositions of character. This proposal solves a long-debated problem concerning Aristotle's notion of habituation by showing that shame provides motivational continuity between the actions of the learners and the virtuous dispositions that they will eventually acquire

The Clarendon Aristotle Series is designed for both students and professionals. It provides accurate translations of selected Aristotelian texts, accompanied by incisive commentaries that focus on philosophical problems and issues. The volumes in the series have been widely welcomed and favourably reviewed. Important new titles are being added to the series, and a number of well-established volumes are being reissued with revisions and/or supplementary material. Lindsay Judson provides a rigorous translation of the twelfth book (Lambda) of Aristotle's Metaphysics and a detailed philosophical commentary. Lambda is an outline for a much more extended work in metaphysics - or more accurately, since Aristotle does not use the term 'metaphysics', in what he calls 'first philosophy', the inquiry into 'the principles and causes of all things'. Aristotle discusses the principles of natural and changeable substances, which include form, matter, privation and efficient cause; he argues that principles of this sort are, at least by analogy, the principles of non-substantial items as well. In the second half of the book he turns to unchanging, immaterial substances, first arguing that there must be at least one such substance, which he calls 'God', to act as the 'prime unmoved mover', the source of all change in the natural world. He then explores the nature of God and its activity of thinking (it is the fullest exposition there is of Aristotle's extraordinary and very difficult conception of his supreme god, its goodness, and its activity), and in the course of arguing for a plurality of immaterial unmoved movers he provides important evidence for the leading astronomical theory of his day (by Eudoxus) and for his own highly impressive cosmology. The commentary on each chapter or pair of chapters is preceded by a Prologue, which sets the scene for Aristotle's often very compressed discussion, and explores the general issues raised by that discussion. The Introduction discusses the place of Lambda in the Metaphysics, and offers a solution to the problem of the unity of Aristotle's project in the book.

PLEASE NOTE that due to the previous text options being set for an extra exam year (summer 2021 for AS; summer 2022 for A Level) the dates given in the title, on the cover and inside this book are incorrect. An errata slip has been included. ----- The only exam-board approved book for OCR's Greek AS and A-Level set text prescriptions for 2022-24 giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS and A Level Groups 1&3 Thucydides, Histories, Book 6, 19 to 6.32 Plato, Symposium, 189c2 to 194e2 Homer, Odyssey 1, lines 213-444 Sophocles, Ajax, lines 1-133, 284-347, 748-783 A Level Groups 2&4 Thucydides, Histories, Book 6, 47 to 50.1 and 53 to 61 Plato, Symposium, 201d to end of 206b Plutarch, Alcibiades, X.1.1 to XVI.5 Homer, Odyssey 6, lines 85-331 Sophocles, Ajax, lines 430-582, 646-692, 815-865 Aristophanes, Clouds, lines 1-242 Resources are available on the Companion Website.

A scholarly edition of a work by Cicero. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

In Hexametrical Genres from Homer to Theocritus, Christopher Faraone discusses a number of short hexametrical genres such as oracles, incantations and laments that do not easily fit the generic models provided by the extant poetry of Hesiod and Homer. In the process, he gives us new insight into their ritual performance, their early history, and how poets from Homer to Theocritus embedded or imitated these genres to enrich their own hexametrical poems-by playing with and sometimes overturning the generic expectations of their audiences or readers. Christopher Faraone combines literary and ritual studies to produce a rich and detailed picture of hexametrical genres performed publicly for gods, such as hymns or laments for Adonis, or other that were performed more privately, such as epithalamia, oracles, or incantations. This volume deals primarily with the recovery of lost or under-appreciated hexametrical genres, which are often left out of modern taxonomies of archaic hexametrical poetry, either because they survive only in fragments or because the earliest evidence for them dates to the classical period.

Die Autorin untersucht die Predigten Johannes Taulers in Bezug auf konzeptionelle Mundlichkeit und unter Berucksichtigung der handschriftlichen UEberlieferungen seit dem 14. bis zu den Drucken aus dem fruhen 17. Jahrhundert. Ihre Ergebnisse zeigen, dass konzeptionelle Schriftlichkeit das Ergebnis prozesshaften Wandels ist. Dieser findet Ausdruck in dem zunehmenden Versuch, durch Sprachverwendung, Text- und Buchgestaltung das situative Defizit von Schrift auszugleichen. So kann die Autorin aufzeigen, dass der UEbergang zur Drucklegung im Verschriftlichungsprozess der Predigten Taulers als weiterer Schritt der Abloesung vom sprechenden Koerper reflektiert wurde, und dass der Prediger dabei umso starker auf verschiedenen Ebenen in den Text zuruckkehrt.

In den hier vereinigten BeitrAgen kommen Aoeberlegungen der Alten zur Sprache, die seinerzeit Epoche gemacht und das Denken auf den Weg rationalen Argumentierens gebracht haben. Sie fA1/4hren von Hesiod, dessen mythologisch-genealogische Spekulation mehr a žPhilosophiea enthAlt, als von einem frA1/4hen Epiker zu erwarten ist, A1/4ber Xenophanes, Parmenides und Protagoras bis hin zu Platon. Die neun BeitrAge, die ihm gewidmet sind, ergAnzen die vor einigen Jahren erschienenen 'Wege zu Platon'.

Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.

Meineck and Woodruff's new annotated translations of Sophocles' Ajax , Women of Trachis , Electra , and Philoctetes combine the same standards of accuracy, concision, clarity, and powerful speech that have so often made their Theban Plays a source of epiphany in the classroom and of understanding in the theatre. Woodruff's Introduction offers a brisk and stimulating discussion of central themes in Sophoclean drama, the life of the playwright, staging issues, and each of the four featured plays.

This volume takes as its subject one of the most important Greek poems of the Hellenistic period: the Alexandra attributed to Lykophron, probably written in about 190 BC. At 1474 lines and with a riddling narrative and a preponderance of unusual vocabulary it is a notoriously challenging prospect for scholars, but it also sheds crucial light on Greek religion (in particular the role of women) and on foundation myths and myths of colonial identity. Most of the poem purports to be a prophecy by the Trojan princess, Kassandra, who foretells the conflicts between Europe and Asia from the Trojan Wars to the establishment of Roman ascendancy over the Greek world in the poet's own time. The central section narrates in the future tense the dispersal of returning Greek heroes throughout the Mediterranean zone, and their founding of new cities. This section culminates in the Italian wanderings and foundational activity of the Trojan refugee Aineias, Kassandra's own kinsman. Following Simon Hornblower's detailed full-length commentary on the Alexandra (OUP 2015; paperback 2017), this monograph asserts the poem's importance as not only a strongly political work, but also as a historical document of interest to cultural and religious historians and students of myths of identity. Divided into two Parts, the first explores Lykophron's geopolitical world, paying special attention to south Italy (perhaps the bilingual poet's own area of origin), Sicily, and Rhodes; it suggests that the recent hostile presence of Hannibal in south Italy surfaces as a frequent yet indirectly expressed concern of the poem. The thematic second Part investigates the Alexandra's relation to the Sibylline Oracles and to other apocalyptic literature of the period, and argues for its cultural and religious topicality. The Conclusion puts the case for the 190s BC as a turning-point in Roman history and contends that Lykophron demonstrates a veiled awareness of this, especially of certain peculiar features of Roman colonizing policy in that decade.

The historian Polybius (ca. 200 118 BCE) was born into a leading family of Megalopolis in the Peloponnese (Morea) and served the Achaean League in arms and diplomacy for many years, favoring alliance with Rome. From 168 to 151 he was held hostage in Rome, where he became a friend of Lucius Aemilius Paulus and his two sons, especially Scipio Aemilianus, whose campaigns, including the destruction of Carthage, he later attended. Late in his life he became a trusted mediator between Greece and the Romans; helped in the discussions that preceded the final war with Carthage; and after 146 was entrusted by the Romans with the details of administration in Greece.

Polybius overall theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264 146 BCE, describing the rise of Rome, her destruction of Carthage, and her eventual domination of the Greek world. It is a great work: accurate, thoughtful, largely impartial, based on research, and full of insight into customs, institutions, geography, the causes of events, and the character of peoples. It is a vital achievement of the first importance despite the incomplete state in which all but the first five of its original forty books have reached us.

For this edition, W. R. Paton s excellent translation, first published in 1922, has been thoroughly revised, the Buttner-Wobst Greek text corrected, and explanatory notes and a new introduction added, all reflecting the latest scholarship.

This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience. This elegant Macmillan Collector's Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith. With an afterword by publisher and editor Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Public speech was a key aspect of politics in Republican Rome, both in theory and in practice, and recent decades have seen a surge in scholarly discussion of its significance and performance. Yet the partial nature of the surviving evidence means that our understanding of its workings is dominated by one man, whose texts are the only examples to have survived in complete form since antiquity: Cicero. This collection of essays aims to broaden our conception of the oratory of the Roman Republic by exploring how it was practiced by individuals other than Cicero, whether major statesmen, jobbing lawyers, or, exceptionally, the wives of politicians. It focuses particularly on the surviving fragments of such oratory, with individual essays tackling the challenges posed both by the partial and often unreliable nature of the evidence about these other Roman orators-often known to us chiefly through the tendentious observations of Cicero himself-and the complex intersections of the written fragments and the oral phenomenon. Collectively, the essays are concerned with the methods by which we are able to reconstruct non-Ciceronian oratory and the exploration of new ways of interpreting this evidence to tell us about the content, context, and delivery of those speeches. They are arranged into two thematic Parts, the first addressing questions of reception, selection, and transmission, and the second those of reconstruction, contextualization, and interpretation: together they represent a comprehensive overview of the non-Ciceronian speeches that will be of use to all ancient historians, philologists, and literary classicists with an interest in the oratory of the Roman Republic.