A soaring new translation of Sophocles' final masterpiece in which blind and homeless Oedipus reclaims his stature as Athenian drama's greatest hero

Produced after his death, Oedipus at Kolonos is Sophocles' final play and the last play in the Oedipus cycle. In it he explores anew the meaning of guilt and innocence, family loyalty and love, Athens' greatness, a hero's value after death, and the power of inscrutable gods to enhance all aspects of human life, including a hero's dying moments.

Oedipus finds his way, guided by his daughter Antigone, to the grove of the Furies near Athens, where Apollo has promised he will meet an extraordinary fate. As war brews in Thebes between his two sons, King Theseus befriends and welcomes Oedipus to Athens. Suddenly his daughter Ismene arrives with alarming news: the Thebans plan to abduct him. Treacherous Kreon tries just that. Then his desperate son Polyneikes, who earlier betrayed his father, begs Oedipus to bless him so he may defeat his brother and recapture Thebes. Oedipus and Theseus repulse both villains. The voice of Zeus then resoundingly summons Oedipus into the Furies' grove to meet his gentle and mysterious death, described by Sophocles in soaring and uncanny poetry.

This compelling new translation by Robert Bagg, modern in idiom while faithful to the original, brings Sophocles to a new generation.

One of the most celebrated plays of ancient Athens in a vivid and dynamic new translation by award-winning poet James Scully

Fate, free will, and the sacredness of the social bond are all challenged and reassessed in this tale torn from the midst of the Trojan War.

The soldier Philoktetes was abandoned with a festering, god-inflicted foot wound on the desolate island of Lemnos by the Greeks under Odysseus, who could no longer stand the stench or the soldier's screams of pain. Now, ten years later, the Greeks realize they will never take Troy without Philoktetes and the bow given to him by Herakles. But Philoktetes refuses to rejoin the Greek army, vowing to kill his enemy Odysseus instead--so Neoptolemos, son of the slain hero Achilles, is dispatched to trick Philoktetes into returning. Philoktetes and Neoptolemos, however, are constantly at sea, their minds shifting and re-shifting amid mixed feelings, deceptions, suspicions, and qualms as they struggle with themselves and their strangely evolving relationship.

James Scully's remarkable translation of Sophocles' classic Philoktetes achieves an accurate yet accessibly idiomatic rendering of the Greek original, suited for reading, teaching, or performing. This is Sophocles for a new generation, certain to strike a powerful chord with contemporary audiences everywhere.

Sophocles Oedipus Tyrannus is one of the best-known and most influential ancient tragedies. As the plot develops, Oedipus, King of Thebes, comes to the realization that he has unknowingly murdered his father and married his mother, and thereupon blinds himself. The drama is presented in this edition as a critically revised Greek text with a new German translation, and includes a comprehensive introduction and continuous commentary, for which no knowledge of Ancient Greek is assumed. Additional information is provided for readers who are conversant with Greek."

Book XXII recounts the climax of the Iliad: the fatal encounter between the main defender of Troy and the greatest warrior of the Greeks, which results in the death of Hector and Achilles' revenge for the death of his friend Patroclus. At the same time it adumbrates Achilles' own death and the fall of Troy. This edition will help students and scholars better appreciate this key part of the epic poem. The introduction summarises central debates in Homeric scholarship, such as the circumstances of composition and the literary interpretation of an oral poem, and offers synoptic discussions of the structure of the Iliad, the role of the narrator, similes and epithets. There is a separate section on language, which provides a compact list of the most frequent Homeric characteristics. The commentary offers up-to-date linguistic guidance, and elucidates narrative techniques, typical elements and central themes.

Book XXII recounts the climax of the Iliad: the fatal encounter between the main defender of Troy and the greatest warrior of the Greeks, which results in the death of Hector and Achilles' revenge for the death of his friend Patroclus. At the same time it adumbrates Achilles' own death and the fall of Troy. This edition will help students and scholars better appreciate this key part of the epic poem. The introduction summarises central debates in Homeric scholarship, such as the circumstances of composition and the literary interpretation of an oral poem, and offers synoptic discussions of the structure of the Iliad, the role of the narrator, similes and epithets. There is a separate section on language, which provides a compact list of the most frequent Homeric characteristics. The commentary offers up-to-date linguistic guidance, and elucidates narrative techniques, typical elements and central themes.

Galen of Pergamum (129-?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, medical historian, theoretician, and practitioner who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society. His treatise Hygiene, also known as "On the Preservation of Health" (De sanitate tuenda), was written during one of Galen's most prolific periods (170-180) and ranks among his most important and influential works, providing a comprehensive account of the practice of preventive medicine that still has relevance today. Also included in this two-volume edition are two shorter treatises on the relationship between health and wellness. Thrasybulus explores the theoretical question of whether hygiene is part of medicine or gymnastics, and in so doing delineates the interrelated roles of doctors and physical therapists. On Exercise with a Small Ball strenuously advocates that activity's superiority to all other forms of exercise.

David Balme's major critical edition of Aristotle's largest and perhaps least studied treatise is based on a collation of the 26 known extant manuscripts and a study of the early Latin translations. Begun in 1975, with his work towards the Loeb editio minor of books VII-X, this edition of all ten books, including a very full apparatus criticus, was largely complete by 1989 when Professor Balme died, but it needed extensive work to put it in publishable form. This work has been carried out by Allan Gotthelf, Balme's friend and associate. Volume I of the edition contains the complete text of the Historia Animalium, the critical apparatus, and Balme's introduction to the manuscripts, expanded and updated with the assistance of Friederike Berger, and in consultation with the editors of forthcoming editions of the extant medieval translations. A substantial index to the text has been provided by Liliane Bodson in collaboration with Professor Gotthelf.

Jane Eyre is a vivid and powerful novel, and tells the story of Jane, a cruelly abused orphan who is cast out by her aunt, and sent to a charity school. When she becomes a governess, in an austere mansion owned by Mr Rochester, Jane's life begins to change as she discovers the terrible secret her employer is hiding. This novel is one of the most read classic novels. This edition is retold by John Kennett, and contains the key elements of the story using the author's language.

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Christoph Martin Wieland war einer der umstrittensten Autoren des 18. Jahrhunderts. Fand er bei den Zeitgenossen zunachst uberwiegend Akzeptanz, geriet er unter den Angriffen der Klassiker und mehr noch der Romantiker als "frivol", "unmannlich" und vor allem als "undeutsch" zunehmend in Verruf. Diese fruhe Kritik marginalisierte den Autor, ehe ein groesseres Publikum ihn wirklich gelesen hatte. Die Studie rekonstruiert den Hauptstrom der vorurteilsgesattigten Wieland-Rezeption, der die Literaturgeschichten der Berichtszeit durchzieht, legt aber anhand vieler bislang unbeachteter Zeugnisse - etwa zur Aufnahme des Agathon-Romans - auch einen breiten Gegenstrom in der Literaturgeschichtsschreibung des 19. Jahrhunderts frei, der die hohe Anerkennung bezeugt, die Wieland, teils wohl gegen die Absicht der Kritiker selbst, auch im 19. Jahrhundert gezollt worden ist.

'. . . the more honourable animals have been allotted a more honourable soul. . . ' What is the nature of the soul? It is this question that Aristotle sought to answer in De Anima (On the Soul). In doing so he offers a psychological theory that encompasses not only human beings but all living beings. Its basic thesis, that the soul is the form of an organic body, sets it in sharp contrast with both Pre-Socratic physicalism and Platonic dualism. On the Soul contains Aristotle's definition of the soul, and his explanations of nutrition, perception, cognition, and animal self-motion. The general theory in De Anima is augmented in the shorter works of Parva Naturalia, which deal with perception, memory and recollection, sleep and dreams, longevity, life-cycles, and psycho-physiology. This new translation brings together all of Aristotle's extant and complementary psychological works, and adds as a supplement ancient testimony concerning his lost writings dealing with the soul. The introduction by Fred D. Miller, Jr. explains the central place of the soul in Aristotle's natural science, the unifying themes of his psychological theory, and his continuing relevance for modern philosophy and psychology.

A classical scholar from the University of Oxford, Henry Furneaux (1829 1900) specialised in the writings of the Roman historian Tacitus. This work acquired the name of Annals for the style of history it presents, dealing with events year by year, rather than thematically. The Annals cover the reigns of four Roman emperors, beginning after the death of Augustus. The work originally consisted of sixteen books dealing with a period of 54 years, but several of them are incomplete or have not survived at all. This volume contains the text of Books 13 to 16 (the final book being incomplete), and covers the reign of Nero, a subject which brought out to the full Tacitus' famous style of condemnation through cutting irony. This reissue is taken from Pitman's 1904 edition, abridged 'to serve the needs of students requiring a less copious and advanced commentary' than that supplied by Furneaux.

Written over two thousand years ago, The Art of War contains penetrating insights into the nature of power, inter-state rivalry, realpolitik and military success, relevant to any age. It was first translated into English in the early 20th century. Sun Tzu's short lines of argument and pithy aphorisms are highly accessible to modern readers, and his text has almost achieved cult status. He is quoted everywhere 'from divorce courts to Facebook', and has something to offer anyone interested in honing leadership skills and achieving in any competitive environment 'from the boardroom to the bedroom'. Sun Tzu's advice is shrewd and pragmatic - he does not glory in slaughter and prefers to win battles off the battlefield if possible; he is a strong supporter of the use of deception, of varying your shots and above all, of doing your research: knowing your enemy is key; but of little use if you do not also 'know yourself'. Features a brilliant new translation by Peter Harris. The iconic text in its original 13 short chapters printed unencumbered by notes The text repeated, this time interspersed with selected extracts from the canon of traditional Chinese commentators who have explained Sun Tzu's wisdom over the centuries; each chapter ending with an explanatory note from Peter Harris

Ostensibly a discussion about love, the debate in the Phaedrus also encompasses the art of rhetoric and how it should be practised. This new edition contains an introductory essay outlining the argument of the dialogue as a whole and Plato's arguments about rhetoric and eros in particular. The Introduction also considers Plato's style and offers an account of the reception of the dialogue from its composition to the twentieth century. A new Greek text of the dialogue is accompanied by a select textual apparatus. The greater part of the book consists of a Commentary, which elucidates the text and makes clear how Plato achieves his philosophical and literary objectives. Primarily intended for advanced undergraduates and graduate students of ancient Greek literature and philosophy, it will also benefit scholars who want an up-to-date account of how to understand the text, argument, style and background of the work.

Timaeus and Critias is a Socratic dialogue in two parts. A response to an account of an ideal state told by Socrates, it begins with Timaeus's theoretical exposition of the cosmos and his story describing the creation of the universe, from its very beginning to the coming of man. Timaeus introduces the idea of a creator God and speculates on the structure and composition of the physical world. Critias, the second part of Plato's dialogue, comprises an account of the rise and fall of Atlantis, an ancient, mighty and prosperous empire ruled by the descendents of Poseidon, which ultimately sank into the sea.

A new edition of the most widely known and popular collection of Japanese poetry. The best-loved and most widely read of all Japanese poetry collections, the Ogura Hyakunin Isshu contains 100 short poems on nature, the seasons, travel, and, above all, love. Dating back to the seventh century, these elegant, precisely observed waka poems (the precursor of haiku) express deep emotion through visual images based on a penetrating observation of the natural world. Peter MacMillan's new translation of his prize-winning original conveys even more effectively the beauty and subtlety of this magical collection. Translated with an introduction and commentary by Peter MacMillan.

Compiled during the Song dynasty (960--1279) at the behest of Emperor Taizong, the Taiping Guangji anthologized thousands of pages of unofficial histories, accounts, and minor stories from the Tang dynasty (618--907). The twenty-two tales translated in this volume, many appearing for the first time in English, reveal the dynamism and diversity of society in Tang China. A lengthy Introduction as well as introductions to each selection further illuminate the social and historical contexts within which these narratives unfold. This collection offers a wealth of information for anyone interested in medieval Chinese history, religion, or everyday life.

Crowning six decades of literary, rhetorical, and historical scholarship, Harry Berger, Jr., offers readers another trenchant reading. Berger subverts the usual interpretations of Plato's kalos kagathos, showing Socrates to be trapped in a double ventriloquism, tethered to his interlocutors' speech acts even as they are tethered to his. Plato's Republic and Protagoras both reserve a small but significant place for a poet who differs from Homer and Hesiod: the lyric poet Simonides of Ceos. In the Protagoras, Socrates takes apart a poem attributed to Simonides and uses this to finish off the famous and supposedly dangerous sophist, Protagoras. Couch City is a close reading of the comic procedures Socrates deploys against Protagoras as he reduces him to silence. But it also shows that Socrates takes the danger posed by Protagoras and his fellow sophists seriously. Even if they are represented as buffoons, sophists are among the charismatic authority figures-poets, rhapsodes, seers, orators, and lawgivers-who promote views harmful to Athenian democracy. Socrates uses Simonides's poem to show how sophists not only practice misinterpretation but are unable to defend against it. Berger ports his roots as a pioneering literary theorist into this rhetorical discussion, balancing ideas such as speech-act theory with hard-nosed philology. The result is a provocative and counterintuitive reassessment of Plato's engagement with democracy.

One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. Renowned scholar and acclaimed translator Peter Green captures the Iliad in all its surging thunder for a new generation of readers. Featuring an enticingly personal introduction, a detailed synopsis of each book, a wide-ranging glossary, and explanatory notes for the few puzzling in-text items, the book also includes a select bibliography for those who want to learn more about Homer and the Greek epic. This landmark translation specifically designed, like the oral original, to be read aloud will soon be required reading for every student of Greek antiquity, and the great traditions of history and literature to which it gave birth.