Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

The Posthomerica, a Greek epic by Quintus of Smyrna believed to have been written in the third century AD, tells the story of the Trojan War beginning with the events immediately following the end of the narrative of the Iliad. Valued as one of the few surviving detailed poetic accounts of this period, Book 14, the final book of the poem, covers the events that take place the day after the sack of Troy, from Helen's return to Menelaus and the sacrifice of Polyxena, to the homeward journey of the victorious Greeks, which is abruptly interrupted by a divine storm. This detailed commentary divides the text of Posthomerica 14 into smaller narrative units, introducing each with an overview of the relevant literary tradition and a discussion of Quintus' possible direct models. There follows a line-by-line commentary addressing points of literary, stylistic, lexicographic, and textual-critical interest, and providing readers with a range of notes on background and vocabulary. The aim throughout is to illuminate the main features of Quintus' poetry and to offer as full an interpretation as possible of Posthomerica 14 within its literary context and in dialogue with the earlier tradition, in particular the diction, motifs, and narrative and literary techniques of the Homeric poems and the epic tradition more generally. For readers new to the Posthomerica, the volume also includes a thorough and up-to-date introduction offering an accessible overview of the poem's content, dates, context, models, and possible sources, including both the Epic Cycle and Latin literature.

In Hexametrical Genres from Homer to Theocritus, Christopher Faraone discusses a number of short hexametrical genres such as oracles, incantations and laments that do not easily fit the generic models provided by the extant poetry of Hesiod and Homer. In the process, he gives us new insight into their ritual performance, their early history, and how poets from Homer to Theocritus embedded or imitated these genres to enrich their own hexametrical poems-by playing with and sometimes overturning the generic expectations of their audiences or readers. Christopher Faraone combines literary and ritual studies to produce a rich and detailed picture of hexametrical genres performed publicly for gods, such as hymns or laments for Adonis, or other that were performed more privately, such as epithalamia, oracles, or incantations. This volume deals primarily with the recovery of lost or under-appreciated hexametrical genres, which are often left out of modern taxonomies of archaic hexametrical poetry, either because they survive only in fragments or because the earliest evidence for them dates to the classical period.

The Oresteia is the only trilogy of tragedy plays to survive from Ancient Greece. Agamemnon, Libation Bearers, and Eumenides have established the enduring themes of Greek tragedy--the inexorable nature of Fate, the relationship between justice, revenge, and religion. In this family history, Fate and the gods decree that each generation will repeat the crimes and endure the suffering of their forebears. When Agamemnon is murdered by his wife, Clytemnestra, their son Orestes must avenge his father's death. Only Orestes' appeal to the goddess Athena saves him from his mother's Furies, breaking the bloody chain; together gods and humans inaugurate a way of just conduct that will ensure stable families and a strong community.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Oresteia is majestic as theater and as literature, and this new translation seeks to preserve both these qualities. The introduction and notes emphasize the relationship between the scenes, ideas, and language that distinguishes this unique work.

Este livro tem como tema principal o exame critico-analitico de textos que representam o que de mais significativo existe na tradicao literaria misogina Ocidental. Ja desde a sua introducao, e na extensao de cinco magistrais capitulos, estuda o que ha de mais exponencial para a questao da difamacao da mulher no mundo Antigo e no periodo medieval. Num percuciente esforco seletivo de fontes, prima por colocar em evidencia Aristoteles, Ovidio e Juvenal, autores do mundo Antigo que influenciaram a Patristica representada por escritos de Sao Jeronimo e Santo Agostinho, antecedidos por Tertuliano, Santo Ambrosio e Sao Joao Crisostomo. Passando por Graciano, chega-se a Abelardo e Heloisa, ao lado de outros autores visitados de forma mais sintetica, como Godofredo de Estrasburgo, o anonimo Ancrene Riwle e Guido delle Colonne. Marbodo de Rennes, Walter Map e Andre Capelao, da tradicao misogina satirica no latim medieval, e adaptacoes vernaculas na Idade Media tardia, com os nomes de Jean de Meun, Giovanni Boccaccio, Jehan Le Fevre e Geoffrey Chaucer comparecem no livro. Certamente elaborado de forma nao so de interesse academico, mas tambem didatico e de apelo popular, o livro muito contribuira para os estudos das questoes de Genero, da Idade Media, da Religiao, da Etica, entre outros. E, para alem da instrucao e informacao que podera proporcionar, a sua proposta principal e de valor indubitavelmente etico, de combate aos preconceitos, a misoginia que tao duramente malsaos e perversos, ainda nos dias atuais, atingem as pessoas e a nossa sociedade.

Este livro tem como tema principal o exame critico-analitico de textos que representam o que de mais significativo existe na tradicao literaria misogina Ocidental. Ja desde a sua introducao, e na extensao de cinco magistrais capitulos, estuda o que ha de mais exponencial para a questao da difamacao da mulher no mundo Antigo e no periodo medieval. Num percuciente esforco seletivo de fontes, prima por colocar em evidencia Aristoteles, Ovidio e Juvenal, autores do mundo Antigo que influenciaram a Patristica representada por escritos de Sao Jeronimo e Santo Agostinho, antecedidos por Tertuliano, Santo Ambrosio e Sao Joao Crisostomo. Passando por Graciano, chega-se a Abelardo e Heloisa, ao lado de outros autores visitados de forma mais sintetica, como Godofredo de Estrasburgo, o anonimo Ancrene Riwle e Guido delle Colonne. Marbodo de Rennes, Walter Map e Andre Capelao, da tradicao misogina satirica no latim medieval, e adaptacoes vernaculas na Idade Media tardia, com os nomes de Jean de Meun, Giovanni Boccaccio, Jehan Le Fevre e Geoffrey Chaucer comparecem no livro. Certamente elaborado de forma nao so de interesse academico, mas tambem didatico e de apelo popular, o livro muito contribuira para os estudos das questoes de Genero, da Idade Media, da Religiao, da Etica, entre outros. E, para alem da instrucao e informacao que podera proporcionar, a sua proposta principal e de valor indubitavelmente etico, de combate aos preconceitos, a misoginia que tao duramente malsaos e perversos, ainda nos dias atuais, atingem as pessoas e a nossa sociedade.

A stunning set of Homer's epics, brilliantly translated by a leading ancient world scholar. Hailed by reviewers and readers alike, Peter Green's landmark translations of Homer's timeless epics are now available for the first time in this striking and sleekly designed collector-worthy set. With the verve and pathos of the original oral tradition, Green captures the beauty and complexity, the surging thunder and quiet lyricism, of the Iliad and the Odyssey for a new generation of readers. The translations are vivid and careful, accurate without being out of reach, while the detailed synopses and notes include perceptive observations about Homer's characters and themes. This widely acclaimed, must-have collection will be a treasured addition to every reader's bookshelf.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Clarendon Aristotle Series is designed for both students and professionals. It provides accurate translations of selected Aristotelian texts, accompanied by incisive commentaries that focus on philosophical problems and issues. The volumes in the series have been widely welcomed and favourably reviewed. Important new titles are being added to the series, and a number of well-established volumes are being reissued with revisions and/or supplementary material. Lindsay Judson provides a rigorous translation of the twelfth book (Lambda) of Aristotle's Metaphysics and a detailed philosophical commentary. Lambda is an outline for a much more extended work in metaphysics - or more accurately, since Aristotle does not use the term 'metaphysics', in what he calls 'first philosophy', the inquiry into 'the principles and causes of all things'. Aristotle discusses the principles of natural and changeable substances, which include form, matter, privation and efficient cause; he argues that principles of this sort are, at least by analogy, the principles of non-substantial items as well. In the second half of the book he turns to unchanging, immaterial substances, first arguing that there must be at least one such substance, which he calls 'God', to act as the 'prime unmoved mover', the source of all change in the natural world. He then explores the nature of God and its activity of thinking (it is the fullest exposition there is of Aristotle's extraordinary and very difficult conception of his supreme god, its goodness, and its activity), and in the course of arguing for a plurality of immaterial unmoved movers he provides important evidence for the leading astronomical theory of his day (by Eudoxus) and for his own highly impressive cosmology. The commentary on each chapter or pair of chapters is preceded by a Prologue, which sets the scene for Aristotle's often very compressed discussion, and explores the general issues raised by that discussion. The Introduction discusses the place of Lambda in the Metaphysics, and offers a solution to the problem of the unity of Aristotle's project in the book.

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

The volumes of the Symposium Aristotelicum have become essential reference works for the study of Aristotle. In this twentieth volume, ten renowned scholars of ancient philosophy offer a running commentary on Aristotle's De motu animalium. It is in this text, one of his most intriguing works, that Aristotle sets out the general principles of animal locomotion. A philological and a philosophical introduction sketch the current state of research on this treatise, situating current thought in the context of three decades of scholarly debates. The nine contributed essays together comment on each chapter of the Aristotelian text, discussing in detail the philosophical issues that are raised across the different sections of the text. Comprehensive analyses of Aristotle's doctrines and arguments, as well as critical discussion of rival interpretations, make this volume a valuable resource for scholars of Aristotle. The present volume also includes a newly reconstructed Greek text with a facing English translation by Benjamin Morison.

Die Autorin untersucht die Predigten Johannes Taulers in Bezug auf konzeptionelle Mundlichkeit und unter Berucksichtigung der handschriftlichen UEberlieferungen seit dem 14. bis zu den Drucken aus dem fruhen 17. Jahrhundert. Ihre Ergebnisse zeigen, dass konzeptionelle Schriftlichkeit das Ergebnis prozesshaften Wandels ist. Dieser findet Ausdruck in dem zunehmenden Versuch, durch Sprachverwendung, Text- und Buchgestaltung das situative Defizit von Schrift auszugleichen. So kann die Autorin aufzeigen, dass der UEbergang zur Drucklegung im Verschriftlichungsprozess der Predigten Taulers als weiterer Schritt der Abloesung vom sprechenden Koerper reflektiert wurde, und dass der Prediger dabei umso starker auf verschiedenen Ebenen in den Text zuruckkehrt.