This critical edition of the Latin text of Vergil s Bucolica and Georgica is informed by recent research on the author s style as well as the oldest manuscript versions of his works."

POETAE COMICI GRAECIis now the standard and indispensable reference work for the whole of Greek Comedy, a genre which flourished in Antiquity for over a millenium, from the VI century B.C. to the V century A.D.: More than 250 poets are conveniently arranged in alphabetical sequence and all the surviving texts have been carefully edited with full testimonia, detailed critical apparatus, and brief but illuminating subsidia interpretationis. The commentaries are in Latin. This great enterprise has won universal acclaim, Vol. VI 2 Menander being singled out by the Times Literary Supplement as one of the "International Books of the Year 1998".

In this volume, Lightfoot offers a detailed study of an ancient Greek geographical poem by Dionysius, a scholar-poet who flourished in Alexandria during the reign of Hadrian, which describes the world as it was then known. In antiquity, it was widely read and extremely influential, both in the schoolroom and among later poets. Translated into Latin, the subject of commentaries, and popular in Byzantium, it offers insights into multiple traditions of ancient geography, both literary and more scientific, and displays interesting affiliations to the earlier school of Alexandrian poets. The introductory essays discuss the poem's place in the literary context of ancient geography, focusing on its language, style, and metre, whereby Dionysius shows himself a particularly painstaking heir of the Hellenistic poets, and illustrates how intricately he interlaces sources and models to produce a mosaic of geographical learning. Particular emphasis is given to Dionysius' place in the ancient tradition of didactic poetry, and to his artful manipulations of ancient ethnographical convention to produce a vision of a bounteous, ordered, and harmonious world in the high days of the Roman Empire. The commentary, supported by a fresh edition and English translation, discusses Dionysius as a geographer but, above all, as a literary artist. This volume contributes to the revival of interest in, and appreciation of, imperial hexameter poetry, and brings to the fore a poem that deserves to be every bit as well-known as its Hellenistic counterpart, the Phaenomena of Aratus.

Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the 2nd and 1st centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He died during the reign of Antoninus Pius (emperor 138-161). Appian's theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation's wars with Rome up through her own civil wars. Although this triumph of "harmony and monarchy" was achieved through characteristic Roman virtues, Appian is unusually objective about Rome's shortcomings along the way. Of the work's original 24 books, only the Preface and Books 6-9 and 11-17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars. This edition of Appian replaces the original Loeb edition by Horace White and provides additional fragments, along with his letter to Fronto.

Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the 2nd and 1st centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He died during the reign of Antoninus Pius (emperor 138-161). Appian's theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation's wars with Rome up through her own civil wars. Although this triumph of "harmony and monarchy" was achieved through characteristic Roman virtues, Appian is unusually objective about Rome's shortcomings along the way. Of the work's original 24 books, only the Preface and Books 6-9 and 11-17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars. This edition of Appian replaces the original Loeb edition by Horace White and provides additional fragments, along with his letter to Fronto.

Im Zentrum der Arbeit steht die fur die Stoa grundlegende Oikeiosis-Lehre. Eine der wichtigsten Quellen fur diese Theorie ist das dritte Buch von Ciceros Dialog de finibus, das bisher als zuverlassige Darstellung der stoischen Ethik galt. Demgegenuber zeigt der Autor, dass an zentralen Stellen, namlich bei der Darstellung der Oikeiosis, nicht stoisches, sondern peripatetisches Material verarbeitet wurde. Diese nicht-stoischen Elemente werden dann mit einer sehr ahnlichen Darstellung der Oikeiosis-Lehre von sicher peripatetischer Provenienz verglichen, die sich bei Johannes Stobaios erhalten hat: Fur sie und den bei Stobaios tradierten Text kann eine gemeinsame Vorlage erschlossen werden. Als moeglicher Urheber dieser Lehre kann durch die Interpretation weiterer Quellen ein Zeitgenosse Ciceros, der Peripatetiker Xenarchos von Seleukeia, ausgemacht werden, dessen Ethik hier zum ersten Mal ausfuhrlich rekonstruiert wird. Die Ergebnisse haben Auswirkungen auf das Verstandnis von Stoa und Peripatos, besonders auf die Interpretation der Oikeiosis-Lehre, und geben neue Einblicke in Ciceros Arbeitsweise und die philosophischen Diskussionen des 1. Jh. v. Chr.

Lush Diodorus sets the lads on fire, But now another has him in his net - Timarion, the boy with wanton eyes . . . Meleager, AP 12.109 Encompassing four thousand short poems and more, the ramshackle classic we call the Greek Anthology gathers up a millennium of snapshots from ancient daily life. Its influence echoes not merely in the classic tradition of the English epigram (Pope, Dryden) but in Rudyard Kipling, Ezra Pound, Virgina Woolf, T. S. Eliot, H.D., and the poets of the First World War. Its variety is almost infinite. Victorious armies, ruined cities, and Olympic champions share space with lovers' quarrels and laments for the untimely dead - but also with jokes and riddles, art appreciation, potted biographies of authors, and scenes from country life and the workplace. This selection of more than 600 epigrams in verse is the first major translation from the Greek Anthology in nearly a century. Each of the Anthology's books of epigrams is represented here, in manuscript order, and with extensive notes on the history and myth that lie behind them.

Ovid's deliciously clever and exuberant epic, now in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectable editions are bound in high-quality, tactile cloth with foil stamped into the design. Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic yet playful, theMetamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes. Ovid (43BC-18AD) was born at Sulmo (Sulmona) in central Italy. Coming from a wealthy Roman family and seemingly destined for a career in politics, he held minor official posts before leaving public service to write, becoming the most distinguished poet of his time. His works, all published in Penguin Classics, include Amores, a collection of short love poems; Heroides, verse-letters written by mythological heroines to their lovers; Ars Amatoria, a satirical handbook on love; and Metamorphoses, his epic work that has inspired countless writers and artists through the ages. David Raeburn is a lecturer in Classics at Oxford, and has also translated Sophocles' Electra and Other Plays for Penguin Classics. Denis Feeney is Professor of Classics at Princeton.

This Middle High German text tells the story of positive and negative knightly deeds from the Trojan Wars to the 'present' (around 1200). In the story the exemplary character of the Christian code of chivalry is challenged by a knightly ideology making chivalrous 'performance' dependent on amorous favours. The unrightful matrimonial compact between the Countess of Beamunt and Sir Mauritius von CraAn culminates in a 'fulfillment' that creates an irreconcilable rift between the parties to the agreement. The amusing text, handed down to us solely in the early 16th century AAmbraser HeldenbuchA, is given here in a reconstructed Middle High German form corresponding to the language of 1200 but adhering as closely as possible to the manuscript. Metric considerations were left out of account in the text production. The edition also contains the text of an Old French fable on a comparable subject, complete with a translation into New High German.

This volume offers up-to-date translations of all 21 epistles of Ovid's Heroides. Each letter is accompanied by a preface explaining the mythological background, an essay offering critical remarks on the poem, and discussion of the heroine and her treatment elsewhere in Classical literature. Where relevant, reception in later literature, film, music and art, and feminist aspects of the myth are also covered. The book also contains an introduction covering Ovid's life and works, the Augustan background, the originality of the Heroides, dating, authenticity and reception. A useful glossary of characters mentioned in the Heroides concludes the book. This is a vital new resource for anyone studying the poetry of Ovid, Classical mythology or women in the ancient world.

The Funeral Orations of Michael Psellos were scatteredthroughout old editions or inaccessible periodicals. Moreover, most of the editions were inadequate, full of misreadings and other mistakes, which rendered some passages of the texts almost unintelligible. This new edition brings together half of these funeral orations. It is based on all the manuscripts preserving these texts andincludes an apparatus fontium and a critical apparatus.

Die TragAdie handelt vom Leid der kriegsgefangenen Trojanerinnen und ihrer frA1/4heren KAnigin Hekabe. Es geht um ein Menschenopfer, den Mord an einem wehrlosen Kind und eine grausame Blutrache. Die DA1/4sterkeit der hier dargestellten Welt, aus der sich die GAtter anscheinend zurA1/4ckgezogen haben, mag den moderen Zuschauer und Leser befremden. Man kann aber zu einem historisch angemesseneren VerstAndnis dieses a žschwArzesten StA1/4ckes des Euripidesa oe gelangen, wenn man versucht, es mit den Augen der Zeitgenossen zu sehen.

Aristophanes's satirical masterpieces, immensely popular with the Athenian public, were frequently crude, even obscene. His plays revealed to his contemporaries, and now teach us today, that when those in power act obscenely, patriotic obscenity is a fitting response. Until now English translations have failed to capture Aristophanes's poetic genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, offers "effortlessly readable and genuinely theatrical" (Simon Armitage) versions of four of Aristophanes's most entertaining, provocative and lyrically ingenious comedies, finally giving twenty-first-century readers a sense of the subversive pleasure audiences felt when these works were first performed on the Athenian stage.

Cicero (Marcus Tullius, 10643 BCE), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero's political speeches and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments. Of his poetry, some is original, some translated from the Greek.

The Loeb Classical Library edition of Cicero is in twenty-nine volumes.