Ovid's deliciously clever and exuberant epic, now in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectable editions are bound in high-quality, tactile cloth with foil stamped into the design. Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic yet playful, theMetamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes. Ovid (43BC-18AD) was born at Sulmo (Sulmona) in central Italy. Coming from a wealthy Roman family and seemingly destined for a career in politics, he held minor official posts before leaving public service to write, becoming the most distinguished poet of his time. His works, all published in Penguin Classics, include Amores, a collection of short love poems; Heroides, verse-letters written by mythological heroines to their lovers; Ars Amatoria, a satirical handbook on love; and Metamorphoses, his epic work that has inspired countless writers and artists through the ages. David Raeburn is a lecturer in Classics at Oxford, and has also translated Sophocles' Electra and Other Plays for Penguin Classics. Denis Feeney is Professor of Classics at Princeton.

A new edition of the Aeneid requires not only a systematic and reliable assessment of the text, but also a satisfactory and, if possible, complete description of the manuscriptsa (TM) transmission.Here, not only were the seven Late Antique codices studied anew, but the recensio was also extended by drawing on sources from the Carolingian Age only some of which were incorporated by earlier editors. To this end eight tesimonies which had never been studied previously were collated. As a result the reader has access to an apparatus criticus which is mainly dedicated to textual matters.

Angelo Poliziano (1454-1494) was one of the great scholar-poets of the Renaissance and a leading figure in Florence during the Age of the Medici. His poetry, composed in a variety of meters, includes epigrams, elegies, and verse epistles, as well as translations of Hellenistic Greek poets. Among the first Latin poets of the Renaissance to be inspired by Homer and the poems of Greek Anthology, Poliziano's verse also reflects his deep study of Catullus, Martial, and Statius. It ranges from love songs to funeral odes, from prayers to hymns, from invectives directed against his rivals to panegyrics of his teachers, artists, fellow humanists, and his great patron, Lorenzo de' Medici, "il Magnifico." The present volume includes all of Poliziano's Greek and Latin poetry (with the exception of the Silvae, published in 2004 as ITRL 14), all translated into English for the first time.

"From the award-winning translator of The Iliad and The Odyssey comes a brilliant new translation of Virgil's great epic"
Fleeing the ashes of Troy, Aeneas, Achilles' mighty foe in the "Iliad," begins an incredible journey to fulfill his destiny as the founder of Rome. His voyage will take him through stormy seas, entangle him in a tragic love affair, and lure him into the world of the dead itself--all the way tormented by the vengeful Juno, Queen of the Gods. Ultimately, he reaches the promised land of Italy where, after bloody battles and with high hopes, he founds what will become the Roman empire. An unsparing portrait of a man caught between love, duty, and fate, the "Aeneid "redefines passion, nobility, and courage for our times. Robert Fagles, whose acclaimed translations of Homer's "Iliad "and "Odyssey "were welcomed as major publishing events, brings the "Aeneid "to a new generation of readers, retaining all of the gravitas and humanity of the original Latin as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgil's world by esteemed scholar Bernard Knox, this volume lends a vibrant new voice to one of the seminal literary achievements of the ancient world.

This book provides an analysis of binding phenomena in Bulgarian with a strong emphasis on pragmatic issues. In the 'morphology after syntax' approach it is assumed that the morphosyntactic objects are spelled out in an increasing order of markedness: the most specific structural description is the first to be spelled out and the least specific one is the last. It is further investigated that the use of overlapping forms in the local domain results from discourse factors.

Ion Orestes The Phoenician Women The Suppliant Women In these four plays Euripides explores ethical and political themes,contrasting the claims of patriotism with family loyalty, pragmatism and expediency with justice, and the idea that 'might is right' with the ideal of clemency. Ion is a vivid portrait of the role of chance in human life and an exploration of family relationships, which combines a sympathetic portrait of a rape victim with remarks on Athenian xenophobia. In Orestes, the most popular of the tragedian's plays in the ancient world, Euripides explores the emotional consequences of Orestes' murder of his mother on the individuals concerned, and makes the tale resonate with advice to Athens about the threat to democracy posed by political pressure groups. The Suppliant Women is a commentary on the politics of empire, as the Athenian king Theseus decides to use force of arms rather than persuasion against Thebes. The Phoenician Women transforms the terrible conflict between Oedipus' sons into one of the most savage indictments of civil war in Western literature by highlighting the personal tragedy it brings. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The period from the 5th to the 7th century AD was characterised by far-reaching structural changes that affected the entire west of the Roman Empire. This process used to be regarded by scholars aspart of the dissolution of Roman order, but in current discussions it is nowexamined more critically. The contributions to this volume of conference papers combine approaches from history and literature studies in order to review the changing forms and fields of the establishment of collective identities, and to analyse them in their mutual relationships.

The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? In this, the first book-length discussion of these famous speeches, D. H. Berry clarifies what the speeches actually are and explains how he believes we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.

This book explains how the grammarians of the Graeco-Romance world perceived the nature and structure of the languages they taught. The volume focuses primarily on the early centuries AD, a time when the Roman Empire was at its peak; in this period, a grammarian not only had a secure place in the ancient system of education, but could take for granted an established technical understanding of language. By delineating what that ancient model of grammar was, P. H. Matthews highlights both those aspects that have persisted to this day and seem reassuringly familiar, such as 'parts of speech', as well as those aspects that are wholly dissimilar to our present understanding of grammar and language. The volume is written to be accessible to students of linguistics from undergraduate level upwards, and assumes no knowledge of Latin or Ancient Greek.

Demosthenes, as an emerging political leader in fourth-century Athens, delivered a series of fiery speeches to the citizens in the democratic Assembly, attacking the Macedonian king Philip II as an aggressive imperialist bent on destroying the city's independence. This volume presents the Greek text of five of these speeches with full introduction and detailed commentary. They show how the foremost politician of the day argued his case before the people who made policy decisions in the Assembly, and how he eventually persuaded them to support his doomed militaristic position in preference to the more pragmatic stance of accommodation advocated by his political opponents. These speeches are unique sources for the ideology and political history of this crucial period, and the best specimens of persuasive rhetoric in action from democratic Athens. This edition takes account of recent studies of fourth-century Athens and showcases Demosthenes as a master of Greek prose style.

The historian Polybius (ca. 200-118 bce) was born into a leading family of Megalopolis in the Peloponnese and served the Achaean League in arms and diplomacy for many years. From 168 to 151 he was held hostage in Rome, where he became a friend of Scipio Aemilianus, whose campaigns, including the destruction of Carthage, he later attended. As a trusted mediator between Greece and the Romans, he helped in the discussions that preceded the final war with Carthage, and after 146 was entrusted by the Romans with the details of administration in Greece. Polybius's overall theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264-146 bce, describing the rise of Rome, the destruction of Carthage, and the eventual domination of the Greek world. The Histories is a vital achievement despite the incomplete state in which all but the first five of its original forty books survive. For this edition, W. R. Paton's excellent translation, first published in 1922, has been thoroughly revised, the Buttner-Wobst Greek text corrected, and explanatory notes and a new introduction added, all reflecting the latest scholarship. The final volume adds a new edition of fragments unattributed to particular books of The Histories.

It is New Year at Camelot and a mysterious green knight appears at King Arthur's court. Challenging the knights of the Round Table to a Christmas game, he offers his splendid axe as a prize to whoever is brave enough to behead him with just one strike. The condition is that his challenger must seek him out in a year and a day to have the deed returned. Sir Gawain accepts and decapitates the stranger, only to see him pick up his head, walk out of the hall and ride away on his horse. Now Gawain must complete his part of the bargain, search for his foe and confront what seems his doom... Michael Smith's translation of this magnificent Arthurian romance draws on his intimate experience of the North West of England and his knowledge of mediaeval history, culture and architecture. He takes us back to the original poetic form of the manuscript and brings it alive for a modern audience, while revealing the poem's historic and literary context. The book is beautifully illustrated throughout with detailed recreations of the illuminated lettering in the original manuscript and the author's own linocut prints, each meticulously researched for contemporary accuracy. This is an exciting new edition that will appeal both to students of the Gawain-poet and the general reader alike.

Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

This book is a new critical edition of Aeliana (TM)s seventeen books on De natura animalium, a work of a Roman author writing in Greek, which leads us to the world of late Greco-Roman culture and thought. This is an important work for scholars interested in zoology, animalsa (TM) habits and behaviour, Stoic Philosophy, Medieval bestiaries backgrounds, and Greek language of Late Antiquity. In Aeliana (TM)s own words, he aims to collect all material about animalsA habits and behaviour. Aeliansa (TM) deep stoicism emerges from the text in a peculiar didactic and moralistic tone.

Praised by Aristotle as the pinnacle of Greek drama, "Oedipus the King" is the ancient world's most shocking and memorable play: the story of a city's beloved hero and his royal family brought to hellish ruin by fate, supernatural manipulation, and all-too-human weakness. With a plague ravishing Thebes, it falls upon Oedipus, the king, to discover its cause. Yet in consulting the blind prophet Tiresias, Oedipus uncovers not only the roots of the gods' displeasure but also a dreadful secret about his own past. Prophesied from childhood to destroy his loved ones, Oedipus long ago left his homeland. In fleeing his fate, however, he has unwittingly fulfilled his grim destiny, for, as he is to discover, Thebes was always his true homeland; the stranger he slew on the road his true father; and the queen who bore his sons and daughters, his own mother. Oedipus' shame is irredeemable-and his revelation will have terrible consequences for all involved. Sophocles masterfully invokes the Western culture's most extreme taboos to explore our deepest questions about fate and free will, in a suspenseful story that still haunts audiences after 2,500 years. This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original that is suited for reading, teaching, or performing.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

Nachdem Band I der griechischen Epikerfragmente (1987) in der Fachwelt rasch eine groAe Verbreitung gefunden hat (2. Auflage 1996), wird diese Fragmentsammlung nunmehr fortgesetzt bzw. abgeschlossen. Band II - unterteilt in die Faszikel 1 und 2 - enthAlt die Fragmente der Orphica, wobei dann Faszikel 2 (erscheint Ende 2004) auch das Gesamtregister zu Band II erhAlt. Band II der Epikerfragmente ist somit nicht nur fA1/4r Philologen ein wichtiges Arbeitsmittel, sondern stellt auch fA1/4r Religionswissenschaftler eine Fundgrube dar.

This is the OCR-endorsed edition covering the Latin A-Level (Group 4) prescription of Ovid, Fasti 2.533-616, 687-852, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English. Ovid's Fasti is a fascinating poem, which discusses key events in the Roman religious calendar, along with their mythological and historical origins. As such it provides a remarkable opportunity for readers to experience the intersection of poetry and Roman 'socio-cultural values'. These extracts from Fasti II include the story of Hercules and Omphale, along with one of the most famous tales from Roman history, the story of Lucretia and the ensuing expulsion of the Roman Kings and creation of the Republic. Through his treatment of this latter narrative in particular, Ovid is not only playing with historical tradition, but also asking his Roman readers to perceive the echoes of the past in their present experiences. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Cicero (Marcus Tullius, 10643 BCE), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero's political speeches and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments. Of his poetry, some is original, some translated from the Greek.

The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

Emma is Austen's most technically accomplished novel, with a hidden plot, the full implications of which are only revealed by a second reading. It is here presented for the first time with a full scholarly apparatus. The text retains the spelling and the punctuation of the first edition of 1816, allowing readers to see the novel as Austen's contemporaries first encountered it. This volume, first published in 2005, provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus.