This is the first book to examine the full range of the evidence for Irish charms, from medieval to modern times. As Ireland has one of the oldest literatures in Europe, and also one of the most comprehensively recorded folklore traditions, it affords a uniquely rich body of evidence for such an investigation. The collection includes surveys of broad aspects of the subject (charm scholarship, charms in medieval tales, modern narrative charms, nineteenth-century charm documentation); dossiers of the evidence for specific charms (a headache charm, a nightmare charm, charms against bleeding); a study comparing the curses of saints with those of poets; and an account of a newly discovered manuscript of a toothache charm. The practices of a contemporary healer are described on the basis of recent fieldwork, and the connection between charms and storytelling is foregrounded in chapters on the textual amulet known as the Leabhar Eoin, on the belief that witches steal butter, and on the nature of the belief that effects supernatural cures.

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Virgil's Aeneid X, giving full Latin text, commentary and vocabulary for lines 215-250, 260-307, 362-398 and 426-542. A detailed introduction covers the prescribed text to be read in English for A Level. In Book X, the story moves from a council of the gods, via a depiction of Aeneas's return by sea to his beleaguered Trojan camp, to a bloody field of battle. We see Aeneas for the first time as a heroic warrior, but also afflicted by the searing pain of loss as the young son of his new ally, entrusted to him by his father, is killed. Aeneas is for now cheated of his revenge, a revenge which is the preoccupation of the rest of the poem. He does, however, slay the son of a champion of the opposition and then the champion himself, in scenes which re-emphasise that pain. The heart of the book, where Aeneas and his allies join the fray, constitutes the OCR selection. It is an immensely powerful confrontation between violence and compassion, cruelty and nobility.

The volume continues P. G. Walsh's admired translation with commentary of Augustine's The City of God Books I-XIV which have been published in eight earlier volumes between 2003 and 2016, and this ninth volume in the collection looks at books XV and XVI. After completing the first ten books of De Civitate Dei, in which Augustine sought to refute the claim that pagan deities had ensured that Rome enjoyed unbroken success and prosperity in this life and guaranteed its citizens a blessed life after death, Augustine devoted the remaining twelve books to discuss the origins, development and destiny of the two cities of Babylon and Jerusalem, with the predominant emphasis on the city of God. This is the only edition of these books in English which provides not only a text but also a detailed commentary on one of the most influential documents in the history of western Christianity. Latin text with facing-page English translation, introduction and commentary.

Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

Horace saw the death of the Republic and the beginning of the Roman Empire, and was personally acquainted with the emperor Augustus and the poet Virgil. He was famous during his lifetime, and continued to be posthumously, for his odes and epodes, his satires and epistles, and for Ars Poetica. His lyric poems have been translated into many languages, by an array of famous poets including Jonson, Milton, Dryden, Pope, Cowper, A. E. Houseman, Ezra Pound, Louis McNeice, Robert Lowell--and even Queen Elizabeth I and the Victorian prime minister Gladstone. Also included are excerpts from Ars poetica (The Art of Poetry), an influential work of literary criticism, and the Carmen saeculare (Secular Hymn), a prayer to Apollo commissioned by Augustus for public performance. Horace's injunction to "seize the day" has echoed through the ages. This anthology of superb English translations will show how Horace has permeated English literature for five centuries.

Die kurze Zeit des neronischen Prinzipates ist, nicht zuletzt aus der Sicht spAterer Rezeption, eine der herausragenden Phasen rAmischer Literatur und Kultur. Gleichwohl verfolgen die einzelnen altertumswissenschaftlichen Disziplinen dabei ganz unterschiedliche Problemstellungen. Der vorliegende Band, der die Ergebnisse eines interdisziplinAren Symposions vom 3.-6. Mai 2001 in der Vila Vigoni (Menaggio) versammelt, sucht erstmals A1/4bergreifend nach einer kulturellen Klammer. Den Focus bildet dabei die auffallend hAufige Verfahrensweise einer "Verkehrung." FA1/4r die unterschiedlichen Bereiche, von der neronischen Literatur bis zu archAologischen Zeugnissen, wird der Frage nachgegangen, inwieweit mit der Struktur der "Verkehrung" ein A1/4bergreifendes Leitkonzept der Zeit erfaAt ist. Dabei zeigt sich, daA viele EinzelphAnomene unter diesem Paradigma in ganz neuer Weise verstAndlich werden.

Die Nibelungensage hat sich in Deutschland und in Skandinavien seit Jahrhunderten grosser Beliebtheit erfreut. Wahrend einige Bearbeitungen als Meisterwerke gelten, hat die Hvenische Chronik keine Beachtung gefunden. In der danischen Prosaerzahlung von 1603 wird die Handlung auf die winzige OEresundinsel Hven verlagert, wo Tycho Brahe 21 Jahre lang die Sterne beobachtete. Dort kampft die Riesin Kremild gegen ihren Bruder Hogen um einen Schatz. Der Krieg fuhrt zu Tod und Untergang, aber auch zu Frieden und Freiheit. Die Hvenische Chronik ist von kopfschuttelnden Sagenforschern bislang als "Machwerk" abqualifiziert worden. Sie ist in Wirklichkeit eine kunstvolle, aber verschlusselte Darstellung des damaligen Danemark. Mit diesem Renaissancemarchen errichtete der mutige Verfasser seinem Land und Europa ein unvergleichbares Denkmal.

Ovid's Metamorphoses gains its ideal twenty-first-century herald in Stanley Lombardo's bracing translation of a wellspring of Western art and literature that is too often treated, even by poets, as a mere vehicle for the scores of myths it recasts and transmits rather than as a unified work of art with epic-scale ambitions of its own. Such misconceptions are unlikely to survive a reading of Lombardo's rendering, which vividly mirrors the brutality, sadness, comedy, irony, tenderness, and eeriness of Ovid's vast world as well as the poem's effortless pacing. Under Lombardo's spell, neither Argus nor anyone else need fear nodding off. The translation is accompanied by an exhilarating Introduction by W. R. Johnson that unweaves and reweaves many of the poem's most important themes while showing how the poet achieves some of his most brilliant effects. An analytical table of contents, a catalog of transformations, and a glossary are also included.

The greatest classic of Sindhi literature presented here in an authoritative and vivid modern English translation. Shah Abdul Latif's Risalo is acknowledged across Pakistan and the wider diaspora as the greatest classic of Sindhi literature. In this collection of short Sufi verses, originally composed for musical performance, the poet creates a vast imaginative world of interlocking references to traditional Islamic themes of mystical and divine love and the scenery, society, and legends of the Sindh region. Latif (1689-1752), a contemporary of the Panjabi poet Bullhe Shah, belonged to the class of Sufi saints whose shrines remain prominent features of the Sindhi landscape. The Risalo reflects Latif's profound engagement with the fundamental literature of Islam as well as his openness to varied local traditions, including notable poems praising the spiritual devotion of local Hindu yogis. This edition presents, alongside the original text in the Sindhi Naskh script, the first translation of the Risalo into modern English prose, offering a new readership access to the writings of one of the masters of Sufi poetry.