Ausgewahlte Passagen aus Texten griechischer und roemischer Autoren fuhren die Grundgedanken der epikureischen Psychologie und Ethik vor. Deren zentrale Themen waren zum einen die verschiedenen Formen menschlichen Begehrens einschliesslich des Sexuellen, zum anderen rationale und irrationale AEngste sowie der vernunftige Umgang mit ihnen. In diesem Zusammenhang entstand auch eine eigene Theorie der Wahrnehmung und Begriffsbildung, des Erkennens und des Handelns. Ausserdem entstand eine detaillierte Rekonstruktion der Entwicklung, die die Menschheit in sozialer und technischer Hinsicht durchlaufen haben koennte. Dabei wurde der Herausbildung der menschlichen Sprachfahigkeit eine besonders wichtige Rolle zugewiesen. Das Buch moechte den Systemcharakter dieser Philosophie deutlich machen, soll aber auch der nichtfachlichen Leserschaft durch Neuubersetzungen einen Eindruck von der hohen literarischen Qualitat der zum grossen Teil dichterischen Quellentexte vermitteln.

Quintus Ennius (239-169 BC), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity and inspired major developments in Roman religion, social organization, and popular culture. Brought in 204 to Rome in the entourage of Cato, Ennius took up residence on the Aventine and, fluent in his native Oscan as well as Greek and Latin, became one of the first teachers to introduce Greek learning to Romans through public readings of Greek and Latin texts. Best known for domesticating Greek epic and drama, Ennius also pursued a wide range of literary endeavors and found success in almost all of them. His tragedies were long regarded as classics of the genre, and his Annals gave Roman epic its canonical shape and pioneered many of its most characteristic features. Other works included philosophical works in prose and verse, epigrams, didactic poems, dramas on Roman themes (praetextae), and occasional poetry that informed the later development of satire. This two-volume edition of Ennius, which inaugurates the Loeb series Fragmentary Republican Latin, replaces that of Warmington in Remains of Old Latin, Volume I and offers fresh texts, translations, and annotation that are fully current with modern scholarship.

This volumeis devotedto the abundance of poetics from the Early Modern period that, from the 15th century onward, drew on ancient traditions, andwere primarily published in Latin. The authors analyze normative poetics, major tractates about poetology, and common schoolbooks, yet also examine indirect poetological reflections contained in poems. The volume provides a multifaceted view of the dynamic interplay between these two forms of poetics.

This book systematically depicts the theory of textual patterns (chengshi) of the eight-part essays and logic in ancient Chinese texts. With the rare materials, it covers all the basic and important aspects of the whole process and values of chengshi, such as the transformation of different parts and the coherent expression of the doctrines, the planning of writing, and the application to the aesthetic and pedagogic fields. It also explores the similarities and disparities of logical patterns between ancient Chinese and Western texts. Though entirely fresh and tentative, the contrastive studies get new insights into the logic and philosophical concepts hidden in the writings for better understanding of the uniqueness and richness implied in Chinese culture.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Marta Jimenez presents a novel interpretation of Aristotle's account of the role of shame in moral development. Despite shame's bad reputation as a potential obstacle to the development of moral autonomy, Jimenez argues that shame is for Aristotle the proto-virtue of those learning to be good, since it is the emotion that equips them with the seeds of virtue. Other emotions such as friendliness, righteous indignation, emulation, hope, and even spiritedness may play important roles on the road to virtue. However, shame is the only one that Aristotle repeatedly associates with moral progress. The reason is that shame can move young agents to perform good actions and avoid bad ones in ways that appropriately resemble not only the external behavior but also the orientation and receptivity to moral value characteristic of virtuous people. Through an analysis of the different cases of pseudo-courage and the passages on shame in Aristotle's ethical treatises, Jimenez argues that shame places young people on the path to becoming good by turning their attention to considerations about the perceived nobility and praiseworthiness of their own actions and character. Although they are not yet virtuous, learners with a sense of shame can appreciate the value of the noble and guide their actions by a genuine interest in doing the right thing. Shame, thus, enables learners to perform virtuous actions in the right way before they possess practical wisdom or stable dispositions of character. This proposal solves a long-debated problem concerning Aristotle's notion of habituation by showing that shame provides motivational continuity between the actions of the learners and the virtuous dispositions that they will eventually acquire

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Horace's Odes enjoys a long tradition of translation into English, most famously in versions that seek to replicate the quantitative rhythms of the Latin verse in rhymed quatrains. Stanley Lombardo, one of our preeminent translators of classical literature, now gives us a Horace for our own day that focuses on the dynamics, sense, and tone of the Odes , while still respecting its architectonic qualities. In addition to notes on each of the odes, Anthony Corbeill offers an Introduction that sketches the poet's tumultuous political and literary careers, highlights the Odes ' intricate construction and thematic breadth, and identifies some qualities of this work that shed light on a disputed question in its reception: Are these poems or lyrics? This dual-language edition will prove a boon to students of classical civilization, Roman literature, and lovers of one of the great masters of Latin verse.

A compelling new translation of Tacitus' Annals, one of the greatest accounts of ancient Rome, by Cynthia Damon. Tacitus' Annals recounts the major historical events from the years shortly before the death of Augustus to the death of Nero in AD 68. With clarity and vivid intensity Tacitus describes the reign of terror under the corrupt Tiberius, the great fire of Rome during the time of Nero and the wars, poisonings, scandals, conspiracies and murders that were part of imperial life. Despite his claim that the Annals were written objectively, Tacitus' account is sharply critical of the emperors' excesses and fearful for the future of imperial Rome, while also filled with a longing for its past glories.

'Muse, tell me of a man: a man of much resource, who was made to wander far and long, after he had sacked the sacred city of Troy. Many were the men whose lands he saw and came to know their thinking: many too the miseries at sea which he suffered in his heart, as he sought to win his own life and the safe return of his companions.' Recounting the epic journey home of Odysseus from the Trojan War, "The Odyssey" - alongside its sister poem "The Iliad" - stands as the well-spring of Western Civilisation and culture, an inspiration to poets, writers and thinkers for thousands of years since. This authoritative prose translation by Martin Hammond brings Homer's great poem of homecoming to life as Odysseus battles through such familiar dangers as the cave of the Cyclops, the call of the Sirens and his hostile reception back in his native land of Ithaca.

This is the first and completely new edition of Victorinus late-antique commentary on Cicero s De inventionesince 150 years. The edition is based on a critical new reading of all the manuscripts including a previously unknown manuscript family which transmitted the correct text in many places."

Simonides of Ceos, one of the nine lyric poets enshrined in what is conventionally thought of as the Hellenistic Lyric Canon, is a relatively mysterious figure despite his renown in the classical world. Few historical and biographical facts about him have survived, and only fragments of his non-epigrammatic poetry. This volume is intended to complement Orlando Poltera's full-scale text and commentary on Simonides' lyrics (Schwabe, 2008), offering an up-to-date edition and commentary covering, for the most part, those poems in elegiac distichs now called epigrams and elegies. In addition to these forms, Simonides wrote in a few other non-lyric metrical patterns involving dactyls and iambs: these are also included for the sake of completeness, since they are properly absent from Poltera's edition. As authenticity is in question for all but a very few of the epigrams ascribed to Simonides, the volume's scope extends to cover every poem ascribed to him in antiquity, including some poems that are surely not by him: these poems have never before been treated in such detail and the large body of scholarship generated by the corpus as a whole is taken into account here for the first time. Each poem and fragment is accompanied by a new English translation, where applicable, and detailed exegetic line-by-line commentary; a comprehensive general Introduction sets Simonides and his works into their historical context and provides a thorough examination of the textual transmission of the elegies and epigrams.

This book is the first large-scale study of the Metaphrasis Psalmorum since the middle of the twentieth century. It provides a revised critical text and complete modern translation of the poem, as well as an extensive introduction, which explores in detail critical questions such as authorship and the poet's engagement with early Christian exegesis. On the basis of a thorough re-examination of the poem's theology, its relationship to other late antique poetry, and relevant external evidence, it is argued, contrary to received opinion, that the Metaphrasis Psalmorum is a genuine work of Apollinaris of Laodicea, the influential if controversial bishop of the 4th century. It is also demonstrated that the poet interacts in a more wide-reaching and intentional way with early Christian exegesis on the Psalms than has previously been recognized, including the exegesis of Origen's newly discovered Homilies on the Psalms. The introduction includes broader discussion of the tradition of early Christian classicizing poetry, the poet's engagement with the Hellenic tradition, and his paraphrastic technique. The revised text and translation make more accessible a poorly known and understudied poem, which is nevertheless a major and important poetic work of late antiquity. The book aims to promote greater awareness of the Metaphrasis Psalmorum and act as a catalyst for future work on the paraphrase.

Oedipus the King is the best-known play we have from the pen of Sophocles and was recognized as a masterpiece in Aristotle's Poetics, which cites the play more often than any other as an example of how to write tragedy. The principal character is the king of a city ravaged by a mysterious plague, who consults Apollo at Delphi and is told that the plague will end only when those who killed the previous king, Laius, are found and punished. He launches an investigation, in the course of which he learns not only that he is himself the killer, but that Laius was his father and Laius' widow, whom he married, his own mother. As a result of this revelation Oedipus changes from being a respected king and conscientious investigator into a polluted and self-blinded outcast. This volume presents a highly-polished English verse translation of Sophocles' powerful play which renders both the beauty of his language and the horror of the events being dramatized. A detailed introduction and notes clearly elucidate how the plot is constructed and the meaning this construction implies, as well as how Sophocles ably concealed the fact that his characters act in ways which differ from what we expect in real life. It also addresses influential misinterpretations, thereby offering an accessible and authoritative introduction to the play that will be of benefit to a wide range of readers.

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Ovid's Heroides, giving full Latin text, commentary and vocabulary for Heroides I lines 1-68, and Heroides VII lines 1-140, with a detailed introduction that also covers the prescribed text to be read in English. Ovid's Heroides is a unique collection of poetry, in which famous mythological heroines write letters to the men who have abandoned them. They offer a new perspective on the otherwise male-centred mythological tradition. Heroides I (from Penelope) and VII (from Dido) respond to the most famous Classical epics, Homer's Odyssey and Virgil's Aeneid, by presenting a new, less positive, angle on the two famous epic heroes. Through his heroines' unique voices, Ovid plays with literary tradition, inviting us all to take a side: epic heroism or loyalty in love? Resources are available on the Companion Website.

The greatest classic of Sindhi literature presented here in an authoritative and vivid modern English translation. Shah Abdul Latif's Risalo is acknowledged across Pakistan and the wider diaspora as the greatest classic of Sindhi literature. In this collection of short Sufi verses, originally composed for musical performance, the poet creates a vast imaginative world of interlocking references to traditional Islamic themes of mystical and divine love and the scenery, society, and legends of the Sindh region. Latif (1689-1752), a contemporary of the Panjabi poet Bullhe Shah, belonged to the class of Sufi saints whose shrines remain prominent features of the Sindhi landscape. The Risalo reflects Latif's profound engagement with the fundamental literature of Islam as well as his openness to varied local traditions, including notable poems praising the spiritual devotion of local Hindu yogis. This edition presents, alongside the original text in the Sindhi Naskh script, the first translation of the Risalo into modern English prose, offering a new readership access to the writings of one of the masters of Sufi poetry.

Este libro recoge estudios monograficos en homenaje al profesor Emilio Suarez de la Torre, sobre religiosidad y supersticion -en particular la magia, pero tambien la astrologia- en la Grecia Antigua. Un grupo de ellos se centran en el estudio de los dioses y heroes griegos, desde la perspectiva mitica y literaria y la cultual. El ultimo apartado se dedica a la cuestion de la religiosidad y el ateismo en la filosofia y la religion.

Plato challenges his readers by depicting an elderly Socrates as an enthusiastic student of rhetoric who has learned from his teacher Aspasia to recite an inspiring funeral oration, an oration that conspicuously refers to events occurring after the deaths of Socrates and Aspasia, an oration that Aspasia, as a woman and a non-Athenian, was not eligible to deliver over the Athenians who died in war. This commentary, the first in English in over 100 years, assists the modern reader in confronting Plato's challenge. The Introduction sets the dialogue in the context of the traditional Athenian funeral oration and of Plato's ongoing critique of contemporary rhetoric. The Commentary, which is well suited to the needs and interests of intermediate students of Classical Greek, provides guidance on grammatical and historical matters, while allowing the student to appreciate Plato's mastery of Greek prose style and critique of democratic ideology.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Plato challenges his readers by depicting an elderly Socrates as an enthusiastic student of rhetoric who has learned from his teacher Aspasia to recite an inspiring funeral oration, an oration that conspicuously refers to events occurring after the deaths of Socrates and Aspasia, an oration that Aspasia, as a woman and a non-Athenian, was not eligible to deliver over the Athenians who died in war. This commentary, the first in English in over 100 years, assists the modern reader in confronting Plato's challenge. The Introduction sets the dialogue in the context of the traditional Athenian funeral oration and of Plato's ongoing critique of contemporary rhetoric. The Commentary, which is well suited to the needs and interests of intermediate students of Classical Greek, provides guidance on grammatical and historical matters, while allowing the student to appreciate Plato's mastery of Greek prose style and critique of democratic ideology.

Giovanni Boccaccio escribe la biografia de Dante Alighieri, conocida como Trattatello in laude di Dante, --autografo Toledano 104.6-- a mediados del siglo XIV, biografia que reescribe y resume anos mas tarde --autografo Chigiano L.V.176--. De ambos textos se ofrece la traduccion. El culto por Dante, que se condensa en esta obra, no se limita solo a su deseo y preocupacion por difundir en el mejor modo posible, a los contemporaneos y futuros lectores, la figura del poeta como iniciador de un nueva forma de componer sino que Boccaccio aspira, sobre todo, a dejar testimonio del hombre, ofreciendo datos concretos sobre su origen, su vida publica y privada, y sus obras; disenando al tiempo un retrato fisico y moral del protagonista que, a la postre, se ha convertido en un canon. El Trattatello es el elemento tangible de un proyecto mas ambicioso en el cual Boccaccio se presenta a si mismo como biografo, pero tambien como exegeta y divulgador de la obra del poeta florentino en el contexto de la historia literaria contemporanea.

"This is a superb new translation that is remarkably accurate to Plato's very difficult Greek, yet clear and highly readable. The notes are more helpful than those in any other available translation of the Laws since they contain both the information needed by the beginning student as well as analytical notes that include references to the secondary literature for the more advanced reader. For either the beginner or the scholar, this should be the preferred translation." -- Christopher Bobonich, Clarence Irving Lewis Professor of Philosophy, Stanford University