Lush Diodorus sets the lads on fire, But now another has him in his net - Timarion, the boy with wanton eyes . . . Meleager, AP 12.109 Encompassing four thousand short poems and more, the ramshackle classic we call the Greek Anthology gathers up a millennium of snapshots from ancient daily life. Its influence echoes not merely in the classic tradition of the English epigram (Pope, Dryden) but in Rudyard Kipling, Ezra Pound, Virgina Woolf, T. S. Eliot, H.D., and the poets of the First World War. Its variety is almost infinite. Victorious armies, ruined cities, and Olympic champions share space with lovers' quarrels and laments for the untimely dead - but also with jokes and riddles, art appreciation, potted biographies of authors, and scenes from country life and the workplace. This selection of more than 600 epigrams in verse is the first major translation from the Greek Anthology in nearly a century. Each of the Anthology's books of epigrams is represented here, in manuscript order, and with extensive notes on the history and myth that lie behind them.

Written primarily in Latin, 1988 edition.

In "Antike Literatur in neuer Deutung," a book dedicated to Joachim Latacz, a group of scholars of high international standing present the most recent developments and acquirements in several important areas of ancient literature und philosophy. The first eight contributions, dealing with Homeric studies, are followed by a number of essays on presocratic philosophy, Greek tragedy and comedy, the philosophy of Plato and Aristotle, Hellenistic epic, Roman literature, and papyrology.

Aristotle on the Sources of the Ethical Life challenges the common belief that Aristotle's ethics is founded on an appeal to human nature, an appeal that is thought to be intended to provide both substantive ethical advice and justification for the demands of ethics. Sylvia Berryman argues that this is not Aristotle's intent, while resisting the view that Aristotle was blind to questions of the source or justification of his ethical views. She interprets Aristotle's views as a 'middle way' between the metaphysical grounding offered by Platonists, and the scepticism or subjectivist alternatives articulated by others. The commitments implicit in the nature of action figure prominently in this account: Aristotle reinterprets Socrates' famous paradox that no-one does evil willingly, taking it to mean that a commitment to pursuing the good is implicit in the very nature of action.

Platons FrA1/4hdialoge enden alle in der Aporie, in vollstAndiger Ratlosigkeit. Man hat sich darA1/4ber immer gewundert. Der Verfasser vertritt die These, dass diese kleinen Kunstwerke fA1/4r den Unterricht in Platons Akademie gedacht waren, dass Fragen offen bleiben mussten, um Unterrichtsstoff zu haben, um Diskussionen zu ermAglichen, um die SchA1/4ler im Denken/Fragen zu A1/4ben etc.

Many scholars today believe that early Greek literature, as represented by the great poems of Homer and Hesiod, was to some extent inspired by texts from the neighbouring civilizations of the ancient Near East, especially Mesopotamia. It is true that, in the case of religious poetry, early Greek poets sang about their gods in ways that resemble those of Sumerian or Akkadian hymns from Mesopotamia, but does this mean that the latter influenced the former, and if so, how? This volume is the first to attempt an answer to these questions by undertaking a detailed study of the ancient texts in their original languages, from Sumerian poetry in the 20th century BC to Greek sources from the times of Homer, Hesiod, Pindar, and Aeschylus. The Gods Rich in Praise presents the core groups of sources from the ancient Near East, describing the main features of style and content of Sumerian and Akkadian religious poetry, and showing how certain compositions were translated and adapted beyond Mesopotamia. It proceeds by comparing selected elements of form and content: hymnic openings, negative predication, the birth of Aphrodite in the Theogony of Hesiod, and the origins and development of a phrase in Hittite prayers and the Iliad of Homer. The volume concludes that, in terms of form and style, early Greek religious poetry was probably not indebted to ancient Near Eastern models, but also argues that such influence may nevertheless be perceived in certain closely defined instances, particularly where supplementary evidence from other ancient sources is available, and where the extant sources permit a reconstruction of the process of translation and adaptation.

Until now, the image of the Amazons that prevailed in classical antiquity has been predominantly interpreted within the framework of gender discourse. However, Amazons have been paradigmatic in all literary and pictorial genres and through all epochs of antiquity as representatives of various contrast in myth and history, including the familiar and alien, self and other, as well as settled and nomadic. As such, they are a part of very generalized alternative worlds in which constructions of the self and images of the other are co-mingled

This volume provides a complete translation of, and historical and historiographical commentary on, the lives of the ten Attic orators written by Pseudo-Plutarch, Photius, and the Suda. Assessing these works as important historical sources for the individual lives and careers of the orators whose works have survived, this systematic study explores how these literary biographies were constructed, the information they provide, and their veracity. In-depth commentary notes offer contextual information, explain references and examine individual rhetorical phrases, and a glossary of technical terms provides a quick reference guide to the more obscure oratorical and political terms. The volume also includes a detailed introduction which discusses the evolution of Greek oratory and rhetoric; the so-called Canon of the Ten Orators; the authorship, dates, and sources of the biographies provided by Pseudo-Plutarch, Photius, and the Suda; and a brief consideration of orators whose speeches were either falsely attributed to Demosthenes or may be referenced in the ancient lives.

This volume provides a complete translation of, and historical and historiographical commentary on, the lives of the ten Attic orators written by Pseudo-Plutarch, Photius, and the Suda. Assessing these works as important historical sources for the individual lives and careers of the orators whose works have survived, this systematic study explores how these literary biographies were constructed, the information they provide, and their veracity. In-depth commentary notes offer contextual information, explain references and examine individual rhetorical phrases, and a glossary of technical terms provides a quick reference guide to the more obscure oratorical and political terms. The volume also includes a detailed introduction which discusses the evolution of Greek oratory and rhetoric; the so-called Canon of the Ten Orators; the authorship, dates, and sources of the biographies provided by Pseudo-Plutarch, Photius, and the Suda; and a brief consideration of orators whose speeches were either falsely attributed to Demosthenes or may be referenced in the ancient lives.

This volume offers a full analysis of one of the more intriguing works by a figure who is central to our understanding of Late Antiquity and early Christianity: the translator, exegete, and controversialist Jerome (c.347-419/20AD). The neglected text of the Vita Malchi - or, to use Jerome's title, the Captive Monk - recounts the experiences of Malchus, a monk abducted by nomadic Saracens on the Eastern fringe of the fourth-century Roman Empire, in what today is the border region between southern Turkey and Syria. Most of this short, vivid, and fast-paced narrative is recounted by Malchus in the first person. The volume's introduction provides background information on the author, Jerome, and the historical and linguistic context of the Life, as well as detailed discussion of the work's style and its reception of earlier Christian and classical literature, ranging from its relationship with comedy, epic, and the ancient novel to the Apocryphal Apostolic Acts and martyr narratives. An exposition of the manuscript evidence is then followed by a new edition of the Latin text with an English translation, and a comprehensive commentary. The commentary explores the complex intertextuality of the work and provides readers with an understanding of its background, originality, and significance; it elucidates not only literary and philological questions but also points of ethnography and topography, and intellectual and social history.

This new volume in the Bloomsbury Ancient Comedy Companions series is perfect for students coming to one of Plautus' most whimsical, provocative, and influential plays for the first time, and a useful first point of reference for scholars less familiar with Roman comedy. Menaechmi is a tale of identical twin brothers who are separated as young children and reconnect as adults following a series of misadventures due to mistaken identity. A gluttonous parasite, manipulative courtesan, shrewish wife, crotchety father-in-law, bumbling cook, saucy handmaid, quack doctor, and band of thugs comprise the colourful cast of characters. Each encounter with a misidentified twin destabilizes the status quo and provides valuable insight into Roman domestic and social relationships. The book analyzes the power dynamics at play in the various relationships, especially between master and slave and husband and wife, in order to explore the meaning of freedom and the status of slaves and women in Roman culture and Roman comedy. These fundamental societal concerns gave Plautus' Menaechmi an enduring role in the classical tradition, which is also examined here, including notable adaptations by William Shakespeare, Jean Francois Regnard, Carlo Goldoni and Rodgers and Hart.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 1) prescription of Tacitus Annals XII, 25-26, 41-43, 52-53, 56-59, 64-69, giving full Latin text, commentary and vocabulary, with a detailed introduction. It is AD 48 and the emperor Claudius marries his 4th wife Agrippina. Little does he know that over the next six years she will build her power and destroy her opponents, until she is ready for her greatest crime - the murder of Claudius himself to enable the accession of her son Nero. Tacitus creates a gripping account of the struggle for power under a weak princeps, involving family rivals, scheming freedmen and servile senators. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

This critical edition of the Latin text of Vergil s Bucolica and Georgica is informed by recent research on the author s style as well as the oldest manuscript versions of his works."

No modern, well-versed literature lover can call their education complete without having read Augustine's Confessions. One of the most original works of world literature, it is the first autobiography ever written, influencing writers from Montaigne to Rousseau, Virginia Woolf to Stephen Greenblatt. It is here that we learn how one of the greatest saints in Christendom overcame a wild and reckless past. Yet English translators have emphasised the ecclesiastical virtues of this masterpiece, at the expense of its passion and literary vigour. Restoring the lyricism of Augustine's original language, Peter Constantine offers a masterful and elegant translation of Confessions.

Ovid's Metamorphoses gains its ideal twenty-first-century herald in Stanley Lombardo's bracing translation of a wellspring of Western art and literature that is too often treated, even by poets, as a mere vehicle for the scores of myths it recasts and transmits rather than as a unified work of art with epic-scale ambitions of its own. Such misconceptions are unlikely to survive a reading of Lombardo's rendering, which vividly mirrors the brutality, sadness, comedy, irony, tenderness, and eeriness of Ovid's vast world as well as the poem's effortless pacing. Under Lombardo's spell, neither Argus nor anyone else need fear nodding off. The translation is accompanied by an exhilarating Introduction by W. R. Johnson that unweaves and reweaves many of the poem's most important themes while showing how the poet achieves some of his most brilliant effects. An analytical table of contents, a catalog of transformations, and a glossary are also included.

This book is an anthology of Greek poetry written during the third to first centuries BC, the Hellenistic period. It is intended to make available to undergraduates and graduate students a selection of texts which are for the most part not easily accessible elsewhere. The volume contains a wide and representative range of poetry including hymns, didactic verse, pastoral poetry, epigrams and epic. An introduction provides cultural and historical background, and a full commentary elucidates problems of language and reference in the texts. In this second edition, many notes have been rewritten and the bibliography has been updated. The selection has also been augmented with three hundred more lines of Greek text (Theocritus poems 5 and 15), and is now more than 2000 lines in length.

An intense novel of war at the Roman frontier.On the Empire's Northern border trouble is stirring. For decades the barbarians have been at the gates. Now, facing threats from within as well as outside, the Emperor is provoking war. When his friend Atius goes missing in Germania, Imperial Assassin Silus is sent into the heart of the battle-torn region. Plunged into a deadly intrigue and a brutal conflict, can Silus find out who is betraying Rome? Or will the legions start falling, one by bloody one? One of the standout new voices in historical fiction, bestseller Alex Gough is on riveting form in this brilliant novel, perfect for readers of Ben Kane and Conn Iggulden.

Im Zentrum der Arbeit steht die fur die Stoa grundlegende Oikeiosis-Lehre. Eine der wichtigsten Quellen fur diese Theorie ist das dritte Buch von Ciceros Dialog de finibus, das bisher als zuverlassige Darstellung der stoischen Ethik galt. Demgegenuber zeigt der Autor, dass an zentralen Stellen, namlich bei der Darstellung der Oikeiosis, nicht stoisches, sondern peripatetisches Material verarbeitet wurde. Diese nicht-stoischen Elemente werden dann mit einer sehr ahnlichen Darstellung der Oikeiosis-Lehre von sicher peripatetischer Provenienz verglichen, die sich bei Johannes Stobaios erhalten hat: Fur sie und den bei Stobaios tradierten Text kann eine gemeinsame Vorlage erschlossen werden. Als moeglicher Urheber dieser Lehre kann durch die Interpretation weiterer Quellen ein Zeitgenosse Ciceros, der Peripatetiker Xenarchos von Seleukeia, ausgemacht werden, dessen Ethik hier zum ersten Mal ausfuhrlich rekonstruiert wird. Die Ergebnisse haben Auswirkungen auf das Verstandnis von Stoa und Peripatos, besonders auf die Interpretation der Oikeiosis-Lehre, und geben neue Einblicke in Ciceros Arbeitsweise und die philosophischen Diskussionen des 1. Jh. v. Chr.

In a moonlit graveyard somewhere in southern Italy, a soldier removes his clothes in readiness to transform himself into a wolf. He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin. Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage-in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.

POETAE COMICI GRAECIis now the standard and indispensable reference work for the whole of Greek Comedy, a genre which flourished in Antiquity for over a millenium, from the VI century B.C. to the V century A.D.: More than 250 poets are conveniently arranged in alphabetical sequence and all the surviving texts have been carefully edited with full testimonia, detailed critical apparatus, and brief but illuminating subsidia interpretationis. The commentaries are in Latin. This great enterprise has won universal acclaim, Vol. VI 2 Menander being singled out by the Times Literary Supplement as one of the "International Books of the Year 1998".