In 1773, James Boswell made a long-planned journey across the Scottish Highlands with his English friend Samuel Johnson; the two spent more than a hundred days together. Their tour of the Hebrides resulted in two books, A Journey to the Western Islands of Scotland (1775), a kind of locodescriptive ethnography and Johnson's most important work between his Shakespeare edition and his Lives of the Poets. The other, Boswell's Journal of a Tour to the Hebrides with Samuel Johnson (1785), a travel narrative experimenting with biography, the first application of the techniques he would use in his Life of Samuel Johnson (1791). These two works form a natural pair and, owing that they cover much of the same material, are often read together, focusing on the Scottish highlands. The text presents a lightly-edited version of both works, preserving the original orthography and corrected typographical errors to fit modern grammar standards. The introduction and notes provide clear and concise explanations on Johnson and Boswell's respective careers, their friendship and grand biographical projects. It also examines the Scottish Enlightenment, the status of England and Scotland during the Reformation through to the Union of the Crowns, and the Jacobite

Originally published in 1930, this book contains the Latin text of extracts from Sallust, Julius Caesar, Livy, Ovid, and other Latin prose and verse authors of the late Imperatorial and early Augustan period. J. G. Worth provides a large vocabulary at the end of the text, as well as a precis of each of the passages, which were chosen 'for their intrinsic interest and value', as well as their status as exemplary pieces of Latin from this time. This book will be of value to anyone with an interest in Augustan Latin or the history of Classical education.

First published in 1938, this book forms the second part of a two-volume edition of the Oresteia. The first volume contains the original Greek text of the Oresteia with a facing-page English translation, notes and a detailed introduction. This second volume is largely composed of a comprehensive textual commentary. A metrical appendix is also provided. This book will be of value to anyone with an interest in the works of Aeschylus and classical literature.

First published in 1938, this book forms part one of a two-volume edition of the Oresteia. This first volume contains the original Greek text of the Oresteia with a facing-page English translation and notes. A detailed introduction is also provided. The second volume is largely composed of a comprehensive textual commentary. This book will be of value to anyone with an interest in the works of Aeschylus and classical literature.

Originally published in 1924, this book contains the Latin text of the first book of Quintillian's Institutionis Oratoriae. Quintillian's work on oratorical principles was much respected during the revival of Classical learning in the Renaissance, but largely forgotten subsequently. Colson supplies a detailed exegetical commentary, as well as a thorough history of the composition of Quintillian's work and its transmission through the ages. This book will be of value to anyone with an interest in ancient oratory or in this long-neglected text.

First published in 1900, as the fourth edition of an 1880 original, this book by John Sandys contains the text of Euripides' chilling play in the original ancient Greek, as well as a thorough set of critical notes, a survey of the play's mythological origins, and many illustrations of Bacchic themes in ancient art. Clearly presented and easy to read, this book will be of value to Classical scholars of any ability and to anyone looking for more information on this celebrated tragedy.

Studies on the Text of Suetonius' De uita Caesarum is a companion volume to the critical edition of Suetonius' Lives of the Caesars in the Oxford Classical Texts series, edited by Robert Kaster. It provides detailed insight into the research and textual analysis behind the edition. Part I presents the first comprehensive and accurate account of the medieval manuscript tradition (ninth to thirteenth centuries) on which the Oxford Classical Text is based, and Part II analyses hundreds of passages where a variety of textual problems are encountered, often offering new solutions. Four appendices provide additional support to the arguments of Part I, while a fifth lists all the places (just over 300) where the new text differs from the edition by Maximilian Ihm that has been the standard since 1907.

Pliny the Younger's nine-book Epistles is a masterpiece of Roman prose. Often mined as a historical and pedagogical sourcebook, this collection of 'private' letters is now finding recognition as a rich and rewarding work in its own right. The second book is a typically varied yet taut suite of miniatures, including among its twenty letters the trial of Marius Priscus and Pliny's famous portrait of his Laurentine villa. This edition, the first to address a complete book of Epistles in over a century, presents a Latin text together with an introduction and commentary intended for students, teachers and scholars. With clear linguistic explanations and full literary analysis, it invites readers to a fresh appreciation of Pliny's lettered art.

Originally published as part of the Pitt Press Series in 1921, this book not only provides the full text of the 21st book of the Iliad, but also includes an introductory guide for the new Greek scholar that addresses issues of vocabulary, translation possibilities and metrical issues. This book will be of value to Classical scholars of any ability, but particularly to anyone reading Homer in the original.

Originally published in 1899 as part of the Pitt Press Series, this book contains the Greek text of Aeschylus' Prometheus Bound. The tragedy is prefaced with a history of Prometheus in Greek myth and an attempted reconstruction of the other two plays in the Prometheus trilogy, of which Prometheus Bound is the only extant piece, with detailed notes following at the end of the text. This book will be of value to anyone with an interest in early Athenian drama.

Originally published in 1904, as the second edition of an 1892 original and part of the Pitt Press Series, this book contains the Greek text of two of Lucian's satirical dialogues, Menippus and Timon. The works are prefaced with an introduction to Lucian's life and style, as well as a thorough commentary on the passages and a vocabulary list. This book will be of value to anyone with an interest in the Second Sophistic, ancient philosophy or the works of Lucian.

Originally published in 1912 as part of the Pitt Press Series, this book contains the Greek text of the Socratic dialogue Ion. The edition is prefaced with an overview of Plato's life and career and an analysis of the key ideas in the text, with detailed notes following at the end. This book will be of value to anyone with an interest in Platonic thought.

Benjamin Hall Kennedy (1804-1889) was a celebrated Classicist who enjoyed great success as a lecturer and as an author; his Latin Primer is still in use today. In this book, originally published in 1882, Kennedy provides both the original text of Aeschylus' Agamemnon, the first play in the Oresteia trilogy and one of the most famous extant Greek tragedies, as well as a metrical English translation and a broad commentary on, among other topics, the themes of the play, its metrical construction and variations in the various manuscripts. This book will be of value to Classics students seeking a guide to this intricate and influential play.

Originally published in 1882, this book by highly esteemed Syriac scholar William Wright is an English translation of the text detailing the history and causes of the Anastasian War between the Roman Empire and the Persians in the sixth century AD, one of the earliest preserved historical documents in Syriac. Also included is a copy of the Syriac source text with scholarly footnotes and comparisons among the various manuscripts. This book will be of value to historians of late Antiquity and of the ancient Western reception of the civilizations of the East.

Originally published in 1896, this book contains the Latin text of the fourth and last book of Horace's famous Odes, as well as the famous Carmen Saeculare, written for the Secular Games in 17 BC and commissioned by the emperor Augustus. Gow includes a biography of the poet and commentaries on each of the 16 poems in the book, including a brief synopsis of each, as well as a guide to common metrical patterns used by Horace and other ancient poets. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.

First published in 1932, as the sixth edition of an 1898 original, this collection of some of Juvenal's satires, including the often-overlooked sixth satire, was edited and abridged by noted Juvenal scholar James Duff. Duff begins the book with a biography of the poet, an overview of satire before Juvenal, as well as an assessment of the available manuscripts and the rich scholia handed down from antiquity. The notes include a summary of each satire and commentary on the text. This book will be of value to anyone with an interest in Juvenal or the history of satire.

Originally published in 1895, this book contains the Latin text of the first book of Horace's famous Odes. Gow includes a biography of the poet and commentaries on each of the 38 poems in the book, including a brief synopsis of each ode, as well as a guide to common metrical patterns used by Horace and other ancient poets. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.

Originally published in 1888, this book contains the Latin text of the first book of Horace's Epistulae. Distinguished classicist Shuckburgh includes a biography of the poet and commentaries on each of the 20 poems in the book, as well as a brief synopsis of each letter. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.

Originally published in 1939, this book addresses the literary treatises written by Greek historian and rhetorician Dionysius of Halicarnassus. Bonner studies the scholar's devotion to the imitation and detailed analysis of the finest Greek examples, and the hierarchical system in which Dionysius installs them. This book will be of use to anyone with an interest in ancient rhetoric.

This volume presents a newly edited text of Euripides' Troades, with a scene-by-scene and line-by-line commentary that brings centuries of classical scholarship to bear on a wide variety of questions. These include the interpretation of the play as part of a trilogy (its companion plays were Alexandros and Palamedes, of which we have only fragments), the contribution of the various scenes, speeches, and choral odes to the play, the style and usage of Euripides, and the stage action of the original performance. Since the play was performed in 415, shortly after the Athenian subjugation of Melos, it has frequently been interpreted as a criticism of Athenian foreign policy. The Introduction provides numerous converging arguments against this view and also shows that those who hold it are forced to ignore a greate deal of the text and cannot account for the Helen episode. The commentary, in addition to discussing the topics named above, interrogates the play's intellectual content, topics such as the nature of human success, vicissitude in mortal life, and the workings of the gods in the world, and re-evaluates the way the play's first audience were meant to react to the worldviews of Hecuba and others. It also examines carefully all the places where the text is insecure, places where there are significant variants or where what is transmitted is open to challenge. The book is written with the needs of both comparative beginners and seasoned classical scholars in mind.

This anthology presents a selection of texts on Polish socialist realist literature, written from the early 1980s to date. They depict a comprehensive picture of this literary phenomenon: starting from its holistic interpretations, through detailed analyses of the poetics of literary and political texts and a presentation of specific, also untypical embodiments of this artistic doctrine, to descriptions of the functioning of the institutions of literary life under socialist realism. All the texts in this anthology share a historically and culturally determined general methodological perspective, representing a combination of the Polish version of structuralism in literary studies - on the descriptive plane - with the anti-communist attitude on the plane of evaluation of presented phenomena.

Dutch is a peculiar language in that certain nouns have more than one gender. This first academic study of double gender nouns (DGNs) in the Dutch language investigates this anomaly. First assigned a lexicological classification, the DGNs are then analysed contextually by means of a corpus study. DGNs are shown to be part of a generalized restructuring of Dutch gender as a whole. No longer a fringe phenomenon in the Dutch gender system, this study shows them to be catalysts in the transition towards a (more) semantic system, a process that is much more advanced than commonly assumed.

If Greek tragedies are meant to be so tragic, why do they so often end so well? Here starts the story of a long and incredible misunderstanding. Out of the hundreds of tragedies that were performed, only 32 were preserved in full. Who chose them and why? Why are the lost ones never taken into account? This extremely unusual scholarly book tells us an Umberto Eco-like story about the lost tragedies. By arguing that they would have given a radically different picture, William Marx makes us think in completely new ways about one of the major achievements of Western culture. In this very readable, stimulating, lively, and even sometimes funny book, he explores parallels with Japanese theatre, resolves the enigma of catharsis, sheds a new light on psychoanalysis. In so doing, he tells also the story of the misreadings of our modernity, which disconnected art from the body, the place, and gods. Two centuries ago philosophers transformed Greek tragedies into an ideal archetype, now they want to read them as self-help handbooks, but all are equally wrong: Greek tragedy is definitely not what you think, and we may never understand it, but this makes it matter all the more to us.