This volume presents a new edition and annotated translation of Pompeius Magnus, a Neo-Latin tragedy on the death of the Roman general, which was published in 1621 by the French Jesuit Petrus Mussonius. The content and language of the play were strongly influenced by Classical literature.

The Politics is one of the most influential texts in the history of political thought, and it raises issues which still confront anyone who wants to think seriously about the ways in which human societies are organized and governed. The work of one of the world's greatest philosophers, it draws on Aristotle's own great knowledge of the political and constitutional affairs of the Greek cities. By examining the way societies are run - from households to city states - Aristotle establishes how successful constitutions can best be initiated and upheld. For this edition Sir Ernest Barker's fine translation, which has been widely used for nearly half a century, has been extensively revised to meet the needs of the modern reader. The accessible introduction and clear notes by R F Stalley examine the historical and philosophical background of the work and discuss its significance for modern political thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. An introduction surveys the play, its possible date, features of the original production, the background of Theban myth, the general problem of interpolation, and the textual tradition. The commentary treats the constitution of the text, noteworthy features of diction and style, dramatic technique and structure, and the controversies over possible later additions to the text.

The official centenary commemorating the Mexican Revolution of 1910 provided scholars with an opportunity to consider memorialization and its legacies and 'afterimages' in the twentieth century through to the present time. This collection of new essays, commissioned from experts based in Mexico, Europe and the United States, plays on the interrelated notions of 'revisitation', haunting, residual traces and valediction to interrogate the Revolution's multiple appearances, reckonings and reconfigurations in art, photography, film, narrative fiction, periodicals, travel-testimonies and poetry, examining key constituencies of creative media in Mexico that have been involved in historicizing, contesting or evading the mixed legacies of the Revolution. The interplay of themes, practices and contexts across the chapters (ranging from the 1920s through to the present day) draws on interdisciplinary thinking as well as new findings, framing the volume's discourse with a deliberately multi-dimensional approach to an often homogenized topic. The contributors' scholarly referencing of artists, novelists, poets, photographers, foreign correspondents, critics, filmmakers and curators is detailed and wide-ranging, creating new juxtapositions that include some rarely studied material.

This book analyses articulations of cultural identity in the work of the twentieth-century Polish poet Jerzy Harasymowicz, concentrating on the ways in which his shifting perspectives on the Carpathian Lemko Region are used to address the dilemmas of power, hybridity and interethnic contact. Set against the background of communist Poland, the poems examined here challenge official narratives of identity, while exploring the possibilities and limits of self-creation in poetry. Constituting the first post-1989 reading of Harasymowicz's verse, free from the constraints imposed by political censorship, this book provides a reinterpretation of the poet's work and reconsiders his contested legacy. By framing the discussion within the context of postcolonial studies, the author explores the usefulness of this approach in reassessing cultural representations of Polish national identity and raises broader questions about the ability of postcolonial theory to redefine the established notions of national literature and culture.

This book is a study of twentieth century Polish literature in the contexts of queer theory, psychoanalysis and modernism studies. It presents readings of well-known authors such as Witold Gombrowicz or of authors gaining international fame such as Miron Bialoszewski, as well as essays on other important, but less known Polish writers. The book also offers theoretical ideas relevant outside the Polish context: the idea of "homoinfluence", the "enigmatic signifier" and its role in "paranoid cultures", the overlapping of Jewishness and queer, the discussion of queer fables for children, or the new approach to the idea of "camp" and its relation to commodity fetishism.

James Bradley Wells shares his poet's soul and scholar's eye in this thought-provoking new translation of two of Vergil's early works, the Eclogues and Georgics. With its emphasis on a natural rather than stylized rhythm, Eclogues and Georgics honors the original spirit of ancient Roman poetry as both a written and performance-based art form. The accompanying introductory essays situate both sets of poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. The translations in Eclogues and Georgics are augmented with annotated essays, a pronunciation guide, and a glossary. These supplementary materials, alongside Wells's bold vision for what translation choices can reveal, promote radically democratizing access for readers with an interest in classics or poetry.

Although Antiquity itself has been intensively researched, together with its reception, to date this has largely happened in a compartmentalized fashion. This series presents for the first time an interdisciplinary contextualization of the productive acquisitions and transformations of the arts and sciences of Antiquity in the slow process of the European societies constructing a scientific system and their own cultural identity, a process which started in the Middle Ages and has continued up to the Modern Age. The series is a product of work in the Collaborative Research Centre "Transformations of Antiquity" and the "August Boeckh Centre of Antiquity" at the Humboldt University of Berlin. Their individual projects examine transformational processes on three levels in particular - the constitutive function of Antiquity in the formation of the European knowledge society, the role of Antiquity in the genesis of modern cultural identities and self-constructions, and the forms of reception in art, literature, translation and media.

The Anglo-Saxon epic Beowulf tells the story of the hero's slaying of three fabulous monsters, set against the historical background of sixth-century Scandinavian wars and dynasties. Its alliterative and metrical rules are complex, and many previous translators have attempted to replicate them. Here, blank verse has been used, as being more suitable for the less inflected and freer syntax of modern English, and therefore offering a more familiar and neutral form - less likely to distract from the interest and subtleties of the poem. Staying close to the original throughout, Richard Hamer's translation is ideal for contemporary readers to fully enjoy this early masterpiece.

This is the first translation of the Progymnasmata of Severos of Alexandria (indentified here as Severos, Patriarch of Antioch) into a modern language, including a philological commentary and detailed essays on rhetoric and style, as well as the language.

The four late plays of Euripides collected here, in beautifully crafted translations by Cecelia Eaton Luschnig and Paul Woodruff, offer a faithful and dynamic representation of the playwright's mature vision.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 1) prescription of Tacitus Annals XII, 25-26, 41-43, 52-53, 56-59, 64-69, giving full Latin text, commentary and vocabulary, with a detailed introduction. It is AD 48 and the emperor Claudius marries his 4th wife Agrippina. Little does he know that over the next six years she will build her power and destroy her opponents, until she is ready for her greatest crime - the murder of Claudius himself to enable the accession of her son Nero. Tacitus creates a gripping account of the struggle for power under a weak princeps, involving family rivals, scheming freedmen and servile senators. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Scheduled to appear in 10 volumes, the scholarly edition of Cotton Mather's Biblia Americana (1693-1728) makes available for the first time the oldest comprehensive commentary on the Bible composed in British North America. Combining encyclopaedic discussions of biblical scholarship with scientific speculations and pietistic concerns, the Biblia represents one of the most significant untapped sources in American religious and intellectual history. Mather's commentary not only reflects the growing influence of Enlightenment thought (Descartes, Hobbes, Spinoza, and Newton) and the rise of the transatlantic evangelical awakening; it also marks the beginnings of historical criticism of the Bible as text in New England. The third volume of the Biblia Americana contains some 1250 of Mather's "illustrations," as he called them, on the books of Joshua, Judges, Ruth, Samuel, Kings, and Chronicles. It follows volumes presenting Mather's extensive commentaries on Genesis (vol. 1) and on Exodus through Deuteronomy (vol. 2, will be published in 2016), both edited by Reiner Smolinski. These entries reveal Mather as a sacred historian, marshaling an array of approaches and disciplines to illuminate and defend the Scripture accounts. He revisits certain themes throughout such as idols and idolatry, parallels between the Hebrew Bible and the history and mythology of "pagan" cultures, and typological significations of events and characters. Other topics warranted sustained attention in a long entry or a series of entries, such as accounts of when the sun stood still, human sacrifice, as instanced in Jephthah's vow, the building, running, and destruction of Solomon's Temple, the nature of prophecy, the dispersion of the Israelites in captivity, and the timing of their eventual return.

The Goettinger Forum was founded in 1998 as a free, electronic publication and alternative to conventional journals. The GFA contains multi-disciplinary contributions on Greek and Latin Philology, Ancient History and Classical Archaeology. The Beihefte are conceived as historical-philological supplements to the journal and comprehensive monographs on topics from Ancient History and Classical Archaeology.

Human suffering, the fear of death, war, poverty, ecological destruction and social inequality: almost 2,000 ago Lucretius proposed an ethics of motion as simple and stunning solution to these ethical problems. Thomas Nail argues that Lucretius was the first to locate the core of all these ethical ills in our obsession with stasis, our fear of movement and our hatred of matter. Instead of trying to transcend nature with our minds, escape it with our immortal souls and dominate it with our technologies, Lucretius was perhaps the first in the Western tradition to forcefully argue for a completely materialist, immanent and naturalistic ethics based on moving well with and as nature. If we want to survive and live well on this planet, Lucretius taught us, our best chance is not to struggle against nature but to embrace it and facilitate its movement.

As a result of great popularity and continuous demand, Moreschini's "Boethius" has been revised in a second edition. The new edition features improvements and corrections in nearly 200 passages of the "praefatio," text, and "apparatus criticus."

The historian Polybius (ca. 200 118 BCE) was born into a leading family of Megalopolis in the Peloponnese and served the Achaean League in arms and diplomacy for many years, favoring alliance with Rome. From 168 to 151 he was held hostage in Rome, where he became a friend of Lucius Aemilius Paulus and his two sons, especially Scipio Aemilianus, whose campaigns, including the destruction of Carthage, he later attended. Late in his life, as a trusted mediator between Greece and the Romans, he helped in the discussions that preceded the final war with Carthage, and after 146 was entrusted by the Romans with the details of administration in Greece.

Polybius overall theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264 146 BCE, describing the rise of Rome, her destruction of Carthage, and her eventual domination of the Greek world. It is a vital achievement of the first importance despite the incomplete state in which all but the first five of its original forty books have reached us.

For this edition, W. R. Paton s excellent translation, first published in 1922, has been thoroughly revised, the Buttner-Wobst Greek text corrected, and explanatory notes and a new introduction added, all reflecting the latest scholarship.