This volume gathers together articles by leading international scholars of nineteenth-century culture in Europe. The contributions were originally presented at the conference 'Textual Intersections in the Nineteenth Century: European Literatures, Histories and Arts' held at Cardiff University in July 2001. The book explores depictions of gender, sexuality and the family in literature and is interdisciplinary in scope. It includes pieces on art history, book illustration, dance, music and philosophy as these intersect with literature in the portrayal of desire in nineteenth-century Europe. Each article attempts to foreground the links between genres, national traditions, and differing art forms in the exploration of representations of desire in nineteenth-century European literature.

In celebrating the academic career and practice of a distinguished scholar of French literature, this volume concentrates on one of Peter Broome's major preoccupations and attainments: translation. Eschewing a dogmatic, theoretical approach, the contributors (former colleagues and students) tackle four rich areas of study: modern anglophone poets' reactions to, and translations of, authors with whom they have closely identified (Racine, the Symbolists, Saint-John Perse, Valery); problematics of translating specific poets of recent centuries (Rimbaud, Mallarme, Valery, Cesaire, some contemporary poets); reception and interaction in two foreign countries (Australia, Spain); and a more fluid interpretation of translation, moving the notion across into wider realms of literary expression (Mallarme, Proust, Assia Djebar). A focalising feature, punctuating the volume, are Peter Broome's own translations of hitherto unpublished poems by five major contemporary French writers: Jean-Paul Auxemery, Marie-Claire Bancquart, Louise Merlin, Venus Khoury-Ghata and Jean-Charles Vegliante. The book thus intertwines theory and practice in a non-prescriptive manner which invites further elaboration and analysis.

The thirteen essays in this volume, based on selected papers given at the Second Annual Conference of the Society of Dix-Neuviemistes (2003), explore the relationships between symbolic, monetary and literary currencies in nineteenth-century France, Essays focus on the sometimes surprising treatment of capitalism and commodity culture in the works of Mallarme, Zola and Huysmans; the transfer and borrowing of economic and literary commodities, names, and concepts in nineteenth-century culture, from Flora Tristan's July Monarchy to Schwob's fin-de-siecle moment; and the interplay between wealth and identity, and commerce and globalisation, in the writings of Hugo, Janin, and Balzac. While it is widely acknowledged that the theme of money is central to nineteenth-century literature, this volume is innovative in tracing the variation, breadth and ubiquity of the idea of currencies in the cultural imaginary of the epoch.

Most historians and literary critics describe Spanish Golden-Age society as anti-Semitic, offering, for example,

This book is a comparative study of Polish psychological verbs. The analysis concentrates on the lexicon-syntax interface of psych verbs, and constitutes an argument in favour of its strong dependence on event structure. The aim of this study is to show that the class of Polish psych verbs, as in many other languages, is not uniform. The analysed subclasses are differentiated on the basis of their causation and stativity. The marriage of those semantic traits and their structural representation is possible only if it is performed via event structure configuration, a layer which appears to underlie the conceptualisation of events.

Until relatively recently, the Italian colonial experience was largely regarded as an incidental aspect of Italy's past. Studies of liberal Italy and even fascism underplayed both the significance of the state's colonial ambition and its broader cultural impact. In the post-war era, even less consideration has been given to how this colonial legacy still affects Italy and the countries it occupied and colonized. This book arises out of a major two-day international conference held at the Italian Cultural Institute in London in December 2001. The essays investigate the ways in which the Italian colonial experience continues to be relevant even after the end of empire. They explore the ways in which the memories of Italy's colonial past have been crafted to accommodate the needs of the present and the extent to which forgetting colonialism became an integral part of Italian culture and national identity. These issues have come into sharper relief of late as labour migration to Italy has led to new social and cultural encounters within Italy. The essays additionally investigate the colonial legacy from the perspective of Italy's former colonies, highlighting the enduring social, cultural and political ramifications of the colonial relationship. This interdisciplinary collection contains contributions from international experts in the fields of history, cultural studies (literature and film), politics and sociology.

The most famous and influential work of English fantasy ever published, reimagined for a new generation of readers by John Matthews, one of the world's leading Arthurian experts, and illustrated by internationally acclaimed Tolkien artist, John Howe. The tales of how the boy Arthur drew the Sword from the Stone, or the love of Lancelot and Guinevere, or how the knights of the Round Table rode out in search of the Holy Grail are known and loved the world over. It all began when an obscure Celtic hero named Arthur stepped on to the stage of history, sometime in the sixth century, and oral tales led to a vast body of stories from which, 900 years later, Thomas Malory wrote the famous Morte D'Arthur. THE GREAT BOOK OF KING ARTHUR presents these well-loved stories for a modern reader, for the first time collecting many tales of Arthur and his knights either unknown to Malory or written in other languages. Here, you will read of Avenable, the girl brought up as a boy who becomes a famous knight. You will learn of Gawain's strange birth, his upbringing amongst poor folk and his final rise to the highest possible rank - Emperor of Rome. There is also the story of Morien whose adventures are as fantastic and exciting as any to be found in the pages of Malory. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. Here is the original Arthur, represented in such powerful stories as 'The Adventures of Eagle-Boy', and 'The Coming of Merlin', based on the early medieval text Vita Merlini, which gives a completely new version of the great Enchanter's story. These age-old stories, still as popular today as they were from the Middle Ages onwards, are dramatically brought to life by the luminous paintings and drawings of John Howe, whose work on the Lord of the Rings and Hobbit film trilogies has brought him a world-wide following.

What does it mean to read Greek tragedy in a pandemic, a global crisis? How can Greek tragedy address urgent contemporary troubles? One of the outstanding and most widely read theorists in the discipline, Mario Telò, brings together a deep understanding of Greek tragedy and its most famous icons with contemporary times. In close readings of plays such as Alcestis, Antigone, Bacchae, Hecuba, Oedipus the King, Prometheus Bound, and Trojan Women, our experience is precariously refracted back in the formal worlds of plays named after and, to an extent, epitomized by tragic characters. Structured around four thematic clusters – Air Time Faces, Communities, Ruins, and Insurrections – this book presents timely interventions in critical theory and in the debates that matter to us as disaster becomes routine in the time-out-of-joint of a (post-)pandemic world. Violently encompassing all pre-existing and future crises (relational, political and ecological), the pandemic coincides with the queer unhistoricism of tragedy, and its collapsing of present, past, and future readerships.

The notion of « exposure underlies much modern thinking about identity, representation, ethics, desire and sexuality. This provocative notion is explored in a collection of essay selected form, and inspired by, the proceedings of a conference held in the Department of French at the University of Cambridge in 2002. The authors engage with exposure as both object and mode of representation in a range of cultural media: literature, critical theory, visual art and film. They analyse a variety of works from the medieval, early-modern, and modern periods, examining not only canonical texts such as Montaigne's Essais but also lesser-studied works such as the psychoanalytic theory of Didier Anzieu, the photomontage self-portraits of Claude Cahun, and the novel La Nouvelle Pornographie by Marie Nimier. This volume thus both illustrates and, more importantly, interrogates the richness of the term « exposure, in a way that is stimulating for students and researchers alike.

"Sing, goddess, the anger of Peleus' son Achilleus / and its devastation." For sixty years, that's how Homer has begun the "Iliad" in English, in Richmond Lattimore's faithful translation--the gold standard for generations of students and general readers.
This long-awaited new edition of Lattimore's "Iliad" is designed to bring the book into the twenty-first century--while leaving the "poem" as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses--with their memorably phrased heroic epithets and remarkable fidelity to the Greek--remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book.
The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived--and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.

Greek literature is divided, like many literatures, into poetry and prose, but in Greek the difference between them is not that all prose is devoid of firm rhythmic patterning. In the earlier Roman Empire, from 31 BC to about AD 300, much Greek (and Latin) prose was actually written to follow one organized rhythmic system. How much Greek prose adopted this patterning has hitherto been quite unclear; the present volume for the first time establishes an answer on an adequate basis: substantial data drawn from numerous authors. It constitutes the first extensive study of prose-rhythm in later Greek literature. The book focuses particularly on one of the greatest Imperial works: Plutarch's Lives. It rests on a scansion of the whole work, almost 100,000 phrases. Rhythm is seen to make a vital contribution to the literary analysis of Plutarch's writing, and prose-rhythm is revealed as a means of expression, which draws attention to words and word-groups. Some passages in the Lives pack rhythms together more closely than others; much of the discussion concentrates on such rhythmically dense passages, examining them in detail in commentary form. These passages do not occur randomly, but attract attention to themselves. They are marked out as climactic in the narrative, or as in other ways of highlighted significance: joyful summations, responses to catastrophe, husbands and wives, fathers and sons compared. These remarkable passages make apparent the greatness of Plutarch as a prose-writer - a side of him fairly little considered amid the huge resurgence of work on Plutarch as an author and as a major historical source. Some passages from three Greek novelists, both rhythmic and unrhythmic, are closely analysed too. The book demonstrates how rhythm can be integrated with other aspects of criticism, and how it has the ability to open up new vistas on three prolific centuries of literary history.

Designed as a 'reading guide', this book provides a three-tiered approach to the literary fabric of Cervantes' masterpiece: story, narrators, characters, style and structure. Its three major divisions - The Exemplary Story, The Quixotic Fiction, The Mythical Don Quixote, trace and analyze episode by episode the hero's transformation from a 'clinical' case of literary insanity and chivalric folly, through the artifice of interlocking fictions that sustain his rise to mock in Part I, to mythical status as redemptive hero of social satire in Part II.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The Plays of Aristophanes (425 BC-388 BC) is a collection of comedies by Athenian playwright Aristophanes. Noted for his exploration of fantasy, sexuality, and contemporary politics, Aristophanes was a leading figure in Old Attic Comedy whose award-winning plays continue to delight and inspire nearly 2,500 years after they were first performed. This collection includes some of his best-known work, showcasing his talent as an unmatched humorist and shrewd social commentator whose words drew ire from Athenian general Cleon, Socrates, and Plato. In The Clouds, an indebted Athenian aristocrat enters a philosophical school despite his advanced age in order to sharpen his argumentative skills. There, he learns the recent teachings of Socrates and gets a chance to meet the legendary figure himself. Despite his earnest desire for enlightenment, Strepsiades proves shockingly inept and is forced to beg his young son for help. The Birds follows a pair of middle-aged men on a walk through the wilderness, where they encounter a former king who has been transformed into a bird. When a group of enraged birds holds them captive, suspecting the men of ill-intent, the two devise a plan to inspire the birds to challenge the Olympians and assert their power in the universal order. In Lystistrata, the title heroine leads a courageous campaign to put an end to the brutal Peloponnesian War. Her bold plan involves encouraging women throughout the warring city states of Greece to withhold sex from men until the violence is stopped. The Plays of Aristophanes is an invaluable collection of comedies from a leading playwright of Ancient Greece, a man whose work has survived for centuries while inspiring countless writers, readers, and audiences around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Aristophanes' The Plays of Aristophanes is a classic of Ancient Greek literature reimagined for modern readers.

The Frogs follows interpersonal conflicts between men and women, Greek gods, and the natural and supernatural. Using extraordinary circumstances, the author provides commentary on multiple public figures spanning religion, politics and literature. The Frogs is one of Aristophanes' most notable works. The story centers on Dionysus, the god of fertility and wine, who's also known as a patron of the arts. In an effort to restore Greek tragedy to its former glory, Dionysus travels to the underworld to bring the late playwright Euripides back to life. While on this mission he encounters other prominent figures such as Aeschylus, the "Father of Tragedy," and Heracles, the Greek demigod. Aristophanes' work is filled with biting humor and colorful commentary that has stood the test of time. Unlike his peers, a portion of his plays (11 out of 40) survived his death and remain fully intact. The Frogs offers a glimpse into the impressive catalog that made Aristophanes one of the greatest playwrights of his era. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Frogs is both modern and readable.

In The Eumenides, the final part of The Oresteian trilogy, Orestes must face the consequences of his revenge plot. After killing Clytemnestra he flees from Agos and seeks refuge in Delphi inside a temple of Apollo. However, Furies, deities of justice, follow him in an attempt to punish Orestes for his misdeed. While he is in the temple, the God Apollo protects him and subdues the Furies with a sleep spell lasting long enough for Orestes to escape them again. Orestes seeks further help from the gods, begging for their interference. Under the protection of Hermes, Orestes travels to Athens. He is haunted by his mother's ghost, who encourages the Furies to continue to hunt her son and torment him as punishment for her death. When the Furies find Orestes in Athens, he prays to Goddess Athena to help him. As the Goddess of Justice, Athena appears and holds a trial for Orestes which she presides over. An epic murder trial unfolds with Orestes as the defendent and the Furies advocating for late Clytemnestra. Apollo comes to his aid once more and testifies before a jury of Athenians making a plea for why Orestes was right to avenge King Agamemnon. If the jury finds Orestes guilty he will be tormented for an eternity by the Furies, but if they acquit him, Orestes can return home to Agos as the rightful heir to the throne.The Eumenides is the final part of the highly esteemed Grecian trilogy, The Oresteia. Written by the father of tragedy, Aeschlyus, The Eumenides is an entertaining and enthralling work of literature as well as a vital piece of history, as it is one of the few works that were recovered from Aeschylus. With heart-pounding drama and emotion-driven prose, The Eumenides promotes a message of mercy over wrath and depicts complex characterizations of popular Greek gods, satisfying even modern readers. This edition of The Eumenides by the legendary Greek playwright Aeschylus features an eye-catching cover design and is printed in a modern font to cater to contemporary audiences.

Though it tells the stories of the defeated, Prometheus Bound and Other Plays features four tragedies that depict both unfortunate demises and the essence of the fighting human spirit. The Suppliants, the first play of the collection, follows the daughters of Danaus as they flee from the loveless marriages that had been forced upon them. The Persians, perhaps the oldest surviving play in existence, portrays the defeat of the Persian King Xeroxes. Though written by a Greek man who fought in the Persian war, The Persians displays a surprisingly sympathetic view of the opposing army. Next in the collection is Seven Against Thebes, which follows the battle between two brothers for the throne of Thebes. After the banishment of Oedipus, Eteocles and Adrastus, the two brothers, engaged in an epic war, fulfilling the tragic curse of the Oedipus family. The title tragedy in Prometheus Bound and Other Plays, Prometheus Bound, tells the tale of the downfall of the titian Prometheus. Before Prometheus, mankind had no advantage over the gods that ruled the heavens and Earth. Humans were forced to cower in the cold darkness, plagued by ignorance until Prometheus took pity on them. With heroic intentions, Prometheus stole fire and knowledge from Olympus and gave it to mankind. Though he brought light, warmth, and understanding to Earth, Zeus was outraged, and so began Prometheus' punishment. Featuring the oldest surviving play, legendary myths, epic battles, and humanist perspectives, Prometheus Bound and Other Plays by Aeschylus is a classic tragedy that exemplifies empathy and the human spirit even in its tales of defeat. Written by the father of tragedy, this collection is a privileged possession. This edition of Prometheus Bound and Other Plays by Aeschylus is now easier than ever to enjoy with a modern, readable font and a stunning new cover design. Witness a surprising triumph of spirit even in the face of failure with Prometheus Bound and Other Plays.

The Spirit of Rome (1906) is a memoir by Vernon Lee. Published at the height of her career as a leading proponent of Aestheticism and scholar of the Italian Renaissance, The Spirit of Rome is a captivating meditation on the author's experiences in Rome. Raised in the city, she returns as an adult to find it as mysterious and magical as before, a place where any day could offer a chance to lose or discover oneself in history, art, or unrivalled beauty. A principled feminist and committed pacifist, Lee was virtually blacklisted by critics and publishers following her opposition to the First World War. Through the efforts of dedicated scholars, however, interest in her works has increased over the past several decades, granting her the readership she deserves as a master of literary horror. "I was brought up in Rome, from the age of twelve to that of seventeen, but did not return there for many years afterwards. I discovered it anew for myself, while knowing all its sites and its details; discovered, that is to say, its meaning to my thoughts and feelings." Vernon Lee's world is one where ghosts and humans walk together, often without taking notice of one another. Although she is more widely known for her stories of supernatural horror, Lee was also a gifted art historian and travel writer. In these diary entries written over the course of a decade, she returns to the city of Rome, where she spent the formative years of her youth. Walking through villas and the Vatican, standing on cobblestone streets or in the hollow expanse of the Pantheon, she discovers herself anew in the same ancient places, filled with the ghosts of lost friends and lovers, of the woman she was long ago. With a beautifully designed cover and professionally typeset manuscript, this edition of Vernon Lee's The Spirit of Rome is a classic work of British literature reimagined for modern readers.

"In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values..." -T.S. Eliot The Eclogues (38 BC), also known as the Bucolics, is a work by Roman poet Virgil. Although less prominent than The Aeneid, Virgil's legendary epic of the Trojan hero Aeneas and his discovery of what would later become the city of Rome, The Eclogues have endured as a landmark in the history of pastoral poetry. The Eclogues were inspired by the bucolic idylls of Hellenistic poet Theocritus, poems set in the rural region of Arcadia in Ancient Greece. In contrast to Theocritus, whose poems idealized agricultural life for a cosmopolitan audience based in Alexandria, Virgil's work is grounded in the complex sociopolitical realities of its day, a time of civil war following the assassination of Julius Caesar. "Some brutal soldier will possess these fields / An alien master. Ah! To what a pass / Has civil discord brought our hapless folk!" Displaced from his land, Meliboeus laments his fate to the farmer Tityrus, who has been fortunate enough to retain his ancestral home. Set amidst civil war, poverty, and cultural upheaval, the Eclogues vary in tone and scope from the tragic dialogue just described to a lonely shepherd crying for lost love and a singing competition held between two gifted men. In emphasizing the connection between poetry, singing, and labor, Virgil recalls the roots of written language in an older, oral tradition, restoring what has been lost-peace, land, possessions, love-in what can never be taken away. "Love conquers all things; yield we too to love!" In a time of widespread uncertainty, Virgil found solace in surrendering to the unknown while remaining certain of one eternal truth: as long as love survives, there will be songs. With a beautifully designed cover and professionally typeset manuscript, this edition of Virgil's The Eclogues is a classic work of Roman literature reimagined for modern readers.

After receiving an ultimatum from Apollo, Orestes must decide if he'd rather face the wrath of the gods, or the earthly consequences for his actions When Orestes returns home to Agos after hearing of his father's death, he has a quest and a secret. Since he had been banished from the kingdom by his mother when he was young, he must pay respects to King Agamemnon in disguise. At the grave site he is reunited with his sister, Electra. Both scorned by Clytemnestra, the siblings share in their hatred of their mother and Orestes confides in Electra about his plot. When explains the Oracle of Apollo sent him to get vengeance for Agamemnon's murder, Electra agrees to help kill Clytemnestra and her lover, Aigisthos. Together they pray to their father, Agamemnon, asking his spirit to assist in getting revenge of his murder. Though Orestes received a blessing from the God Apollo, he must face many obstacles in order to achieve his plot. First, to be accepted in the palace, he must convince Clytemnestra and Aigisthos that he is just a traveler. He protects his identity pretending to be just a traveler and tricks Clytemnestra into believing that her banished son has died. Still, even as his plot slowly comes to fruition, Orestes must consider the emotional and moral toll of murder, and which harbinger of karma might decide to punish him. With high stakes and rich drama, The Libation Bearers follows a family cursed with the quest and thirst for vengeance, falling into an unforgiving cycle of bloodshed. As the second installment of Aeschylus' famed Oresteian trilogy, The Libation Bearers acts as both a stand-alone piece and a participant in the only surviving Greek trilogy. With complex characters and thrilling drama, Aeschylus' The Libation Bearers remains to be remarkable and intriguing to a modern audience. This addition of The Libation Bearers by the famed Greek playwright Aeschylus is now presented with an eye-catching new cover design and is printed in a modern font. With these accommodations, The Libation bearers is accessible to a contemporary audience.

The Love of Clitophon and Leucippe is an ancient Greek romance novel by Achilles Tatius. Considered an important predecessor to the modern novel, The Love of Clitophon and Leucippe has served as a model for such writers as Eusthathius Macrembolites and Alonso Nunez de Reinoso. The novel remains central to scholarship regarding the tradition of Greek romance novels written within the vast Roman Empire, and has been translated into numerous languages throughout the centuries. Of particular interest is its uncommon usage of first person narration, as well as its employment of ekphrasis and mythological digressions, formulas now commonplace, albeit in varying ways, within modern novel writing. Clitophon is a young man engaged to be married to his half-sister, Calligone. When his distant cousin Leucippe comes to Tyre to visit family, however, Clitophon finds himself hopelessly in love with her. As his wedding day approaches, Clitophon struggles with whether to commit to his vows or follow his wayward heart. Before he can decide, however, a man intending to kidnap Leucippe accidentally takes Calligone to Byzantium instead, where she is forced into marriage with Kallisthenes, her captor. No longer tied to his vows, Clitophon pursues Leucippe, with whom he elopes after a period of rejection from her mother. Sailing from Tyre, they are shipwrecked during a violent storm. Washing up on the coast of Egypt, Clitophon is rescued while Leucippe is captured by a group of bandits who resolve to sacrifice the young maiden. The Love of Clitophon and Leucippe is a story of love at first sight, of trial and error, and the lengths to which lovers will go to live with and for one another. With a beautifully designed cover and professionally typeset manuscript, this edition of Achilles Tatius' The Love of Clitophon and Leucippe is a classic of ancient Greek literature reimagined for modern readers.

"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne The Metamorphoses of Ovid (8 AD) is an epic poem by Ovid. Published the same year the poet was sent into exile for the rest of his life, the Metamorphoses are the crowning achievement of the first major poet of the Roman empire. Written in dactylic hexameter, the meter of Homer's Iliad and Odyssey and of Virgil's Aeneid, Ovid's work is an epic poem of transformations, of shape-shifting matter and beings bound to the power of love. Taking as its scope the whole history of the universe from the arrangement of order from chaos to the death of Julius Caesar, the Metamorphoses pays heed to desire's ability to enact long-lasting and at times irreversible change. The story begins at the very beginning, with the creation of the cosmos out of nothing, of order out of unimaginable chaos. Gods and goddesses have their moment in the sun, mankind is born only to be wiped out by an immense flood, then to rise again. Amidst countless little-known descriptions of war, romance, and change are the timeless tales of Perseus, Jason and Medea, Theseus and the Minotaur, and the labors of Hercules. Icarus soars too close to the sun. Orpheus tragically condemns Eurydice to the underworld. Troy is built and destroyed, the immortal Achilles is killed, and Aeneas sets sail to save his life and lay the foundations for Rome itself. Throughout these interwoven stories of individual and epochal change, Ovid explores the inescapability of love and death, essential themes both shared by all and constitutive of everything that was or ever will be. The Metamorphoses of Ovid is an intricate masterpiece of world literature that stands the test of time just as much as it defines it. With a beautifully designed cover and professionally typeset manuscript, this edition of The Metamorphoses of Ovid is a classic work of Roman literature reimagined for modern readers.

"In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values..." -T.S. Eliot The Aeneid (19 BC) is an epic poem by Roman poet Virgil. Translated by English poet laureate John Dryden in 1697, Virgil's legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in faithful translation, though rearranged to accommodate Dryden's rhyming couplets, The Aeneid is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer. "Arms, and the man I sing, who, forc'd by fate, / And haughty Juno's unrelenting hate, / Expell'd and exil'd, left the Trojan shore." Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people. With a beautifully designed cover and professionally typeset manuscript, this edition of Virgil's The Aeneid is a classic work of Roman literature reimagined for modern readers.

The Woman's Bible (1895-1898) is a work of religious and political nonfiction by American women's rights activist Elizabeth Cady Stanton. Despite its popular success, The Woman's Bible caused a rift in the movement between Stanton and her supporters and those who believed that to wade into religious waters would hurt the suffragist cause. Reactions from the press, political establishment, and much of the reading public were overwhelmingly negative, accusing Stanton of blasphemy and sacrilege while refusing to engage with the book's message: to reconsider the historical reception of the Bible in order to make room for women to be afforded equality in their private and public lives. Working with a Revising Committee of 26 members of the National American Woman Suffrage Association, Stanton sought to provide an updated commentary on the Bible that would highlight passages allowing for an interpretation of scripture harmonious with the cause of the women's rights movement. Inspired by activist and Quaker Lucretia Mott's use of Bible verses to dispel the arguments of bigots opposed to women's rights and abolition, Stanton hoped to establish a new way of framing the history and religious representation of women that could resist similar arguments that held up the Bible as precedent for the continued oppression of women. Starting with an interpretation of the Genesis story of Adam and Eve, Stanton attempts to show where men and women are treated as equals in the Bible, eventually working through both the Old and New Testaments. In its day, The Woman's Bible was a radically important revisioning of women's place in scripture that Stanton and her collaborators hoped would open the door for women to obtain the rights they had long been systematically denied. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Cady Stanton's The Woman's Bible is a classic of American literature reimagined for modern readers.