"This is a superb new translation that is remarkably accurate to Plato's very difficult Greek, yet clear and highly readable. The notes are more helpful than those in any other available translation of the Laws since they contain both the information needed by the beginning student as well as analytical notes that include references to the secondary literature for the more advanced reader. For either the beginner or the scholar, this should be the preferred translation." -- Christopher Bobonich, Clarence Irving Lewis Professor of Philosophy, Stanford University

This is the OCR-endorsed edition covering the Latin A-Level (Group 4) prescription of Ovid, Fasti 2.533-616, 687-852, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English. Ovid's Fasti is a fascinating poem, which discusses key events in the Roman religious calendar, along with their mythological and historical origins. As such it provides a remarkable opportunity for readers to experience the intersection of poetry and Roman 'socio-cultural values'. These extracts from Fasti II include the story of Hercules and Omphale, along with one of the most famous tales from Roman history, the story of Lucretia and the ensuing expulsion of the Roman Kings and creation of the Republic. Through his treatment of this latter narrative in particular, Ovid is not only playing with historical tradition, but also asking his Roman readers to perceive the echoes of the past in their present experiences. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Antigone is one of the most influential and thought-provoking of all Greek tragedies. Set in a newly victorious society, where possibilities seem boundless and mankind can overcome all boundaries except death, the action is focussed through the prism of Creon, a remarkable anti-hero - a politician who, in crisis, makes a reckless decision, whose pride (or insecurity) prevents him from backing down until it is too late, and who thereby ends up losing everything. Not just the story of a girl who confronts the state, Antigone is an exploration of inherent human conflicts - between men and women, young and old, power and powerlessness, civil law and the 'unwritten laws' of nature. Lauded in Antiquity, it has influenced drama and philosophy throughout history into the modern age. With an introduction discussing the nature of the community for which Antigone was written, this collection of essays by 12 leading academics from across the world draws together many of the themes explored in Antigone, from Sophocles' use of mythology, his contemporaries' reactions and later reception, to questions of religion and ritual, family life and incest, ecology and the environment. The essays are accompanied by David Stuttard's performer-friendly, accurate and easily accessible English translation.

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Cicero's Pro Cluentio, sections 1-7 and 10-11, and the A-Level (Group 2) prescription of sections 27-32 and 35-37, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed poems to be read in English for A Level. In 66 BC, Aulus Cluentius Habitus was tried for the attempted murder of Statius Albius Oppianicus the Elder. The prosecutor was Sassia, Cluentius' own mother. Marcus Tullius Cicero, the famous statesman, orator and lawyer, defended Cluentius in his Pro Cluentio, a persuasive oratorical tour de force. The selections in this edition prove that Cicero was not above using character assassinations in his speeches, first attacking Oppianicus the Elder, then Sassia in a vivid, melodramatic narrative which distracts and diverts the jury from Cluentius' alleged crimes. Resources are available on the Companion Website.

Die in der hellenistischen Zeit entstandenen utopischen Romane fristen in der Forschung eher eine Randexistenz, obwohl sie sich in der Antike grosser Beliebtheit erfreut und auch in der Neuzeit viele Autoren (Th. Morus, T. Campanella) inspiriert haben. Diese fachliterarische Lucke will die Studie schliessen: Der Verfasser beschaftigt sich mit verschiedenen utopischen Schriften im Detail; jedoch beschrankt sich die Untersuchung keineswegs allein auf deren Analyse, sondern eroertert daruber hinaus ihren philosophischen, religionswissenschaftlichen, historischen, ethnografischen und geografischen Kontext.

The theory of the translation of ancient literature has to date mostly been discussed in connection with the work of translation itself, or in the context of broader questions, for example the philosophy of language. Research was generally restricted to the few texts of prominent authors such as Schleiermacher, Humboldt, Wilamowitz and Schadewaldt. This volume goes further in presenting numerous lesser-known documents, so succeeding in contextualising the canonical texts, rendering the continuity of the debate more comprehensible, and providing a sound foundation for the history of theory.

Livy (Titus Livius), the great Roman historian, was born at Patavium (Padua) in 64 or 59 BC where after years in Rome he died in AD 12 or 17. Livy's history, composed as the imperial autocracy of Augustus was replacing the republican system that had stood for over 500 years, presents in splendid style a vivid narrative of Rome's rise from the traditional foundation of the city in 753 or 751 BC to 9 BC and illustrates the collective and individual virtues necessary to achieve and maintain such greatness. Of its 142 books, conventionally divided into pentads and decads, we have 1-10 and 21-45 complete, and short summaries (periochae) of all the rest except 41 and 43-45; 11-20 are lost, and of the rest only fragments and the summaries remain. The third decad constitutes our fullest surviving account of the momentous Second Punic (or Hannibalic) War, and comprises two recognizable pentads: Books 21-25 narrate the run-up to conflict and Rome's struggles in its first phase, with Hannibal dominant; Books 26-30 relate Rome's revival and final victory, as the focus shifts to Scipio Africanus. This edition replaces the original Loeb edition by Frank Gardner Moore.

Fragile Memory, Shifting Impunity is an interdisciplinary study of commemorative sites related to human rights violations committed primarily during dictatorial rule in Argentina (1976-1983) and Uruguay (1973-1985). Taking as a departure point the 'politics of memory' - a term that acknowledges memory's propensity for engagement beyond the cultural sphere - this study shifts the focus away from exclusively aesthetic and architectural readings of marches, memorials and monuments to instead analyse their emergence and transformation in post-dictatorship Argentina and Uruguay. This book incorporates the role of state and societal actors and conflicts underpinning commemorative processes into its analysis, reading the sites within shifting contexts of impunity to explore their relationship to memory, truth seeking and justice in the long aftermath of dictatorship.

The Thesaurus linguae Latinae is not only the largest Latin dictionary in the world, but also the first to cover all the Latin texts from the classical period up to about 600 A.D. 27 academise from different countries, and scholarly societies from three continents support the work of the Bayerische Akademie (Thesaurus-Buro Munchen). Two thirds of the dictionary have now been completed.

This collection of essays tackles the issues that arise when multilingualism meets translation and discusses the findings with a particular focus on Slavonic migrant languages. Despite its high relevance from both the theoretical and the applied perspective, the intersection of multilingualism and translation has been rather neglected in international research on multilingualism. This volume intends to create a new angle within this wide field of research and to systematize the most relevant approaches and ideas on this topic in international Slavonic studies.

This study explores a number of early modern comedias that deal with historical siege or military episodes in the history of the Iberian peoples. Cervantes's La Numancia, Lope de Vega's El asalto de Mastrique and his lesser known La nueva victoria de don Gonzalo de Cordoba, Calderon de la Barca's El sitio de Breda, and Velez de Guevara's El Hercules de Ocana are key texts examined here. Taking the distinction between history and fiction in Neo-Aristotelian literary theory as a point of departure, this book considers the intellectual and historical conditions that affect the ways in which early modern dramatists interpret historical events according to their own literary and ideological purposes. The interplay of history and fiction demonstrates uses and discontents of legitimizing fiction in the early modern period. Parallel themes of epic and siege intermingled with romance and carnivalesque humour, provide alternative perspectives to early modern representations of empire and war on the Spanish stage.

This accessible edition for students presents Herodotus as one of the most fascinating and colourful authors from the ancient world. Book III of Herodotus’ nine-book work is one of the richest in its exploration of themes, such as the practices and customs of different peoples and the nature of political power, issues still much debated today. This commentary illuminates the geographical and even anthropological scope of Herodotus' history, and enables students to confidently tackle the text in the original Greek. Bringing together a full introduction, text, commentary and translation, Longley makes Herodotus accessible to students of ancient Greek. This guide shows us why Herodotus is still considered the ‘Father of History’.

The early modern period saw the study of classical history flourish. From debates over the rights of women to the sources of Shakespeare's plays, the Greco-Roman historians played a central role in the period's political, cultural, and literary achievements. An Ocean Untouched and Untried: The Tudor Translations of Livy explores the early modern translations of Livy, the single most important Roman historian for the development of politics and culture in Renaissance Europe. It examines the influence exerted by Livy's history of Rome, the Ab Urbe Condita, in some of the most pressing debates of the day, from Tudor foreign policy to arguments concerning the merits of monarchy at the height of the English Civil War. An Ocean Untouched and Untried examines Livy's initial reception into print in Europe, outlining the attempts of his earliest editors to impose a critical order onto his enormous work. It then considers the respective translations undertaken by Anthony Cope, William Thomas, William Painter, and Philemon Holland, comparing each translation in detail to the Latin original and highlighting the changes that Livy's history experienced in each process. It explores the wider impact of Livy on popular forms of literature in the period, especially the plays and poetry of Shakespeare, and demonstrate the Livy played a fundamental though underexplored role in the development of vernacular literature, historiography, and political thought in early modern England.

Weissrussland und die Ukraine gelten als zweisprachig. Millionen von Menschen in beiden Landern sprechen aber oft weder Weissrussisch bzw. Ukrainisch noch Russisch in Reinform. Vielmehr praktizieren sie eine gemischte weissrussisch-russische bzw. ukrainisch-russische Rede. Diese Mischungen aus genetisch eng verwandten Sprachen werden in Weissrussland Trasjanka und in der Ukraine Surzyk genannt. Der bekannte ukrainische Schriftsteller Jurij Andruchovyc hat das Phanomen in seiner Heimat als Blutschandekind des Bilingualismus angesprochen, also eine Metapher des Inzests kreiert. Darin klingt die verbreitete negative Bewertung der Sprachmischung an. Ihr ist der Band gewidmet. Er umfasst Beitrage von Autoren aus Weissrussland und der Ukraine sowie aus sieben anderen Landern.

This fifth volume in the Litanic Verse series is centered upon the poetics of European litanic verse (genre structure, rhythm, rhetorical figures), as well as its philosophy and cosmology, with a particular focus on the space-time matrix within which the litanic world is depicted. The content of the book moves beyond an analysis of enumerations and parallelisms as it provides an insight into relevant cultural processes, including the history of religion and literary conventions from Antiquity to Early Modernity. This allows seemingly distant topics, such as comparative versification and European identity, to be related. Theoretical considerations are accompanied by examples mostly taken from Latin, English, French, German, Iberian, Italian, Scandinavian and Slavic poetry.

Ciceros Schrift De inventione, die in der Antike unter dem Titel Rhetorica verbreitet war, ist in Antike und Mittelalter das meist benutzte Lehrbuch zur Rhetorik gewesen (uber 1500 Hss. sind noch erhalten). Gelesen wurde die Schrift stets mit 2 Kommentaren des 4. nachchristlichen Jhdt.s, der Exegese des Victorinus und der des Grillius. Die Erstedition des nur teilweise erhaltenen Grillius erfolgte 1927 durch J. Martin. Diese Edition basierte auf unzureichender Kenntnis und fehlerhafter Auswertung der handschriftlichen Uberlieferung. Die neue Ausgabe, die auf einer erstmaligen Recensio der direkten wie indirekten Uberlieferung beruht, unterscheidet sich wie kaum eine andere Teubneriana von einer Vorgangeredition: Die Neuordnung der Uberlieferung fordert auf jeder Seite zahlreiche bisher unbekannte oder missachtete Lesarten zu Tage, so dass de facto ein vollig neuer Text geboten wird, der, befreit von mittelalterlichen Zusatzen und Konjekturen, das Orignal wiedergewinnt."

The Praecepta Tonica by John of Alexandria (5th-6th cent. AD) is one of our richest sources for ancient Greek accentuation and an indispensable tool for reconstructing Herodian s famous De prosodia catholica. Despite its importance, it is available only in a seriously flawed edition brought out by Karl Wilhelm Dindorf in 1825. The newedition offers an authoritative new critical text based on a thorough review of the manuscript evidence and the modern scholarship, and includes a rich collection of parallel passages intended to place the treatise in its grammatical context."

The Spirit of Rome (1906) is a memoir by Vernon Lee. Published at the height of her career as a leading proponent of Aestheticism and scholar of the Italian Renaissance, The Spirit of Rome is a captivating meditation on the author's experiences in Rome. Raised in the city, she returns as an adult to find it as mysterious and magical as before, a place where any day could offer a chance to lose or discover oneself in history, art, or unrivalled beauty. A principled feminist and committed pacifist, Lee was virtually blacklisted by critics and publishers following her opposition to the First World War. Through the efforts of dedicated scholars, however, interest in her works has increased over the past several decades, granting her the readership she deserves as a master of literary horror. "I was brought up in Rome, from the age of twelve to that of seventeen, but did not return there for many years afterwards. I discovered it anew for myself, while knowing all its sites and its details; discovered, that is to say, its meaning to my thoughts and feelings." Vernon Lee's world is one where ghosts and humans walk together, often without taking notice of one another. Although she is more widely known for her stories of supernatural horror, Lee was also a gifted art historian and travel writer. In these diary entries written over the course of a decade, she returns to the city of Rome, where she spent the formative years of her youth. Walking through villas and the Vatican, standing on cobblestone streets or in the hollow expanse of the Pantheon, she discovers herself anew in the same ancient places, filled with the ghosts of lost friends and lovers, of the woman she was long ago. With a beautifully designed cover and professionally typeset manuscript, this edition of Vernon Lee's The Spirit of Rome is a classic work of British literature reimagined for modern readers.

One of the foundational texts of Western literature, the Oresteia trilogy is about cycles of deception and brutality within the ruling family of Argos. In Agamemnon, queen Clytemnestra awaits her husband's return from war to commit a terrible act of retribution. The next plays, radically retitled here as The Women at the Graveside and Orestes in Athens, deal with the aftermath of the regicide, Orestes' search to avenge his father's death and his ceaseless torment. A powerful discourse on the formation of democracy, The Oresteia illuminates the tensions between loyalty to one's family and to the community. In this classic for future generations, Oliver Taplin captures the lyricism of the original.

The series MythosEikonPoiesis begins with the publication of contributions to an international conference held at Castelen-Augst near Basle. The conference laid new foundations in examining the interdependence of myth, ritual and Greek literature in many different genres (Homeric epic, lyric poetry, Presocratic and Platonic philosophy, tragedy, comedy, satyr plays, historiography, Hellenistic poetry, and the novel) with regard to their textual structure and poetics. Working in interdisciplinary cooperation, some participants also direct their attention towards Egypt, the Near East, Rome, and to the reception of these poetological principles in modern literature.

Dutch is a peculiar language in that certain nouns have more than one gender. This first academic study of double gender nouns (DGNs) in the Dutch language investigates this anomaly. First assigned a lexicological classification, the DGNs are then analysed contextually by means of a corpus study. DGNs are shown to be part of a generalized restructuring of Dutch gender as a whole. No longer a fringe phenomenon in the Dutch gender system, this study shows them to be catalysts in the transition towards a (more) semantic system, a process that is much more advanced than commonly assumed.

Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BCE survive in a complete form and are included in the first six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.

This edition of the fragments, concluded in this second volume, offers the first complete English translation together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

Only a few of Senecaa (TM)s tragedies could be dated exactly so far. This study presents an a - often surprising a - sequence of all the plays. It analyses thoughts and motives, variations of which are to be found in two (or more) tragedies, in order to determine which is the earlier, and which the later version. This has significant consequences for any attempt to find references to contemporary events in the plays.