Lusitanian playwrights who wrote comedias during and after the Dual Monarchy (1580-1640), when the Portuguese and Spanish thrones were united under Habsburg rule, continue to be largely unexplored. This edition highlights the contributions of one of this group's most successful and celebrated members, Jacinto Cordeiro. It describes the sparse critical attention that Cordeiro has received as well as his life, literary career, and historical context. Most importantly, it provides a modern critical edition of Cordeiro's most enduring play, El juramento ante Dios, y lealtad contra el amor, based on a collation of the twenty-one extant witnesses that comprise its textual tradition. Additionally, it includes an in-depth account of the transmission of the play with a stemma that documents the genealogical relationships between extant versions. It also provides an analysis of how Juramento may have been performed for seventeenth-century theatergoers, based on stage directions and performance cues written into the dialogue. In short, this edition introduces modern readers to both Jacinto Cordeiro, a bilingual author who successfully competed in a second language with the giants of Spain's Golden Age, and El juramento ante Dios, a play whose popularity lasted two centuries.

In nineteenth-century Italy, a woman's place was considered to be in the domestic sphere, devoted to family life. But during the Risorgimento and the years following Unification, economic, political and social changes enabled women progressively to engage in pursuits that had previously been the exclusive domain of men. This book traces some of the steps of this shift in cultural perception. Covering the period from the Unification of Italy in 1861 to the First World War, the volume brings together new perspectives on women, culture and gender in ten original interdisciplinary chapters that explore a variety of subjects, including motherhood and spinsterhood, women's relationship with the Italian language, emigration and brigantaggio, patriotism and travel writing, acting and theatre management, film-making, and political ideas and female solidarity.

This collection of essays is a seminal contribution to the establishment of translation theory within the field of Russian literature and culture. It brings together the work of established academics and younger scholars from the United Kingdom, Russia, the United States, Sweden and France in an area of academic study that has been largely neglected in the Anglophone world. The essays in the volume are linked by the conviction that the introduction of any new text into a host culture should always be considered in conjunction with adjustments to prevailing conventions within that culture. The case studies in the collection, which cover literary translation in Russia from the eighteenth century to the twentieth century, demonstrate how Russian culture has interpreted and accommodated translated texts, and how translators and publishers have used translation as a means of responding to the literary, social and political conditions of their times. In integrating research in the area of translated works more closely into the study of Russian literature and culture generally, this publication represents an important development in current research.

In 399 BC Socrates was prosecuted, convicted, sentenced to death and executed. These events were the culmination of a long philosophical career, a career in which, without writing a word, he established himself as the figure whom all philosophers of the next few generations wished to follow. The Apologies (or Defence Speeches) by Plato and Xenophon are rival accounts of how, at his trial, Socrates defended himself and his philosophy. This edition brings together both Apologies within a single volume. The commentary answers literary, linguistic and philosophical questions in a way that is suitable for readers of all levels, helping teachers and students engage more closely with the Greek texts. The introduction examines Socrates himself, the literature generated by his trial, Athenian legal procedures, his guilt or innocence of the crimes for which he was executed, and the rivalry between Xenophon and Plato.

Written shortly after the capture of the Inca Atahualpa at Cajamarca, Peru, True Account of the Conquest of Peru by Francisco de Jerez, Francisco Pizarro's secretary and notary, is the most influential of the early accounts of the conquest of the Andean region. This fascinating text brings to life Pizarro and his men's arrival in the central Andes of South America and their capture of Inca Atahualpa, the ruler of one of the continent's largest and most powerful civilizations. Injured during the massacre that took place immediately after the capture of Atahualpa but wealthy thanks to his share of the ransom offered by Atahualpa for his freedom, Jerez published his account of the events just months after arriving in Seville in 1534. The present edition is based on the English translation Reports on the Discovery of Peru published by Clement Markham in London in 1872 and also includes his translations of the Letter from Hernando Pizarro to the Royal Audience of Santo Domingo and the Report on the Distribution of the Ransom of Atahualpa by Pedro Sancho. This volume is an invaluable tool for scholars, professors, and students of Latin American studies and students of history and literature interested in the history of the conuest of the Andean region as well as a must read for those fascinated by the history, civilization, and culture of Peru and the Andean region in particular and the Americas in general.

This collection of papers contains some 60 articles selected from the works of the philologist Ernst Vogt. They dealwith a variety of very different aspects of the study of ancient languages, for example the history of literary forms and genres, Greek literature of the Hellenistic and Roman imperial periods, the history of transmission and reception, or the history of classical philology. All of the texts have been checked and additions or amendments made.

Ammianus is regarded as the greatest historian of late antiquity. Yet his geographic and ethnographic digressions were long underestimated as examples offeigned eruditionand as undue interruptions to the historical narrative. The author of this volume believes that the key to understanding Ammianus s work as a whole lies in his teaching of classical rhetoric, his metaphoric reading of landscapes, and the creation of spaces for memory and counterworlds to the Imperium Romanum. In this way, historical understanding and digressions concerning geographic knowledge must be viewed as interdependent features of the text. The author thus casts a new light on Ammianus s literary achievements."

This book analyses articulations of cultural identity in the work of the twentieth-century Polish poet Jerzy Harasymowicz, concentrating on the ways in which his shifting perspectives on the Carpathian Lemko Region are used to address the dilemmas of power, hybridity and interethnic contact. Set against the background of communist Poland, the poems examined here challenge official narratives of identity, while exploring the possibilities and limits of self-creation in poetry. Constituting the first post-1989 reading of Harasymowicz's verse, free from the constraints imposed by political censorship, this book provides a reinterpretation of the poet's work and reconsiders his contested legacy. By framing the discussion within the context of postcolonial studies, the author explores the usefulness of this approach in reassessing cultural representations of Polish national identity and raises broader questions about the ability of postcolonial theory to redefine the established notions of national literature and culture.

Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay's search for an original form of literary expression that started in Jamaica and continued in his subsequent travels abroad. Newly found research pertaining to his presence in several Russian periodicals, magazines, and literary diaries brings new light to the writer's contribution to the Soviet understanding of African American and Caribbean issues and his possible influence on Yevgeny Zamyatin, the writer he met during his 1922 - 1923 visit to Russia. The primary focus of this book is Claude McKay and his positive reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who influenced his literary career and enabled him to find a solution to his dilemma of a dual Caribbean identity. The secondary focus of this book is the analysis of McKay's affinity with his Russian literary predecessors and with C.L.R. James and Ralph de Boissiere, his Trinidadian contemporaries, who also acknowledged the importance of Russian writers in their artistic development. The book discusses McKay as a precursor of Russian and Anglophone Caribbean links and presents a comparative analysis of cross-racial, cross-national, and cross-cultural alliances between these two distinct yet similar types of literature. Claude McKay's Liberating Narrative is highly recommended for undergraduate and graduate courses in Caribbean and comparative literature at North American, European, Caribbean, and African universities.

Ovid's remarkable and endlessly fascinating Metamorphoses is one of the best-known and most popular works of classical literature, exerting a pervasive influence on later European literature and culture. A vast repository of mythic material as well as a sophisticated manipulation of story-telling, the poem can be appreciated on many different levels and by audiences of very different backgrounds and educational experiences. As the poem's focus on transformation and transgression connects in many ways with contemporary culture and society, modern research perspectives have developed correspondingly. Metamorphic Readings presents the state of the art in research on this canonical Roman epic. Written in an accessible style, the essays included represent a variety of approaches, exploring the effects of transformation and the transgression of borders. The contributors investigate three main themes: transformations into the Metamorphoses (how the mythic narratives evolved), transformations in the Metamorphoses (what new understandings of the dynamics of metamorphosis might be achieved), and transformations of the Metamorphoses (how the Metamorphoses were later understood and came to acquire new meanings). The many forms of transformation exhibited by Ovid's masterpiece are explored-including the transformation of the genre of mythic narrative itself.

Written by Leofranc Holford-Strevens to accompany his Oxford Classical Texts edition of Aulus Gellius' Noctes Atticae, this volume presents more expansive discussions and explanations of choices of readings at various places in the text than would be possible within the narrow confines of the edition's apparatus criticus (in which all passages discussed in Gelliana are marked with an asterisk). The grounds adduced are generally grammatical in the modern sense of the word, concerning accidence, vocabulary, or syntax, but sometimes invoke palaeography, logic, or other matters of content. Previous scholars, and also translations, are frequently cited in order either to credit the person first on record as having understood the text correctly or to indicate the source of a current misinterpretation. The preliminary matter includes an extensive list, significantly expanded from that drawn up by Martin Hertz, of places where scribes have inadvertently corrupted the text through inappropriate importation of the Christian terms with which they were familiar, while a separate appendix contains corrections to and revisions of passages in the author's previously published monograph Aulus Gellius: An Antonine Scholar and his Achievement (OUP 2003, corrected paperback 2005) and article 'Recht as een Palmen-Bohm and other Facets of Gellius' Medieval and Humanistic Reception' in The Worlds of Aulus Gellius (co-edited with Amiel D. Vardi, OUP 2004).

This study examines ancient dialogue as a genre, and its 17 essays explore the relationship between its form, content, and function, with a focus on the literary aspects of dialogue. The contributions address the development of the genre over time as well as the formal aspects of dialogue.

A highly-illustrated retelling of the Brontë sisters life in Haworth in the Yorkshire Dales told from Charlotte Brontë's point of view.

Produced to coincide with 200th anniversary of the birth of Charlotte Brontë, this book introduces the three extraordinary Brontë sisters: Charlotte, Emily and Anne. We also meet their brother Branwell. With a mix of strong story-telling and wonderful illustration, Mick Manning and Brita Granström relate the sister's tragically short lives in the remote village of Haworth in the Yorkshire Dales. They explore how the girls were inspired to become writers and the sensation their books caused when people realised they had been written by women.

Each of the sister's greatest novels, Jane Eyre (Charlotte), The Tenant of Wildfell Hall (Anne) and Wuthering Heights (Emily), are simply retold in engaging comic-strip form.

The illustrations and text of this book really capture the life of the children of the moors and how the magic and wildness of their surroundings inspired their work. It is perhaps not surprising as Mick Manning was born and brought up in Haworth and, as a child, even played a shepherd boy in a BBC adapation of Wuthering Heights.

"An essential source for the study of events in early China, a guide to the moral philosophy of the gentlemen of Han, and a splendid work of literature which may be read for the pleasure of its style and the power of its narrative. . . . This work makes Shi ji and its scholarship accessible to any reader of English, and it is a model for any work in this field and style." -Bulletin of the School of Oriental and African Studies "Through such work as this, the scholarly and literary community of the West will learn more of the splendor and romance of early China, and may better appreciate the lessons in humanity presented by its great historian." -Bulletin of the School of Oriental and African Studies "Nienhauser's new translation is scrupulously scholarly . . . the design of this series is nearly flawless . . . the translation itself is very precise." -Chinese Literature: Essays, Articles, Reviews This project will result in the first complete translation (in nine volumes) of the Shih chi (The Grand Scribe's Records), one of the most important narratives in traditional China. Ssu-ma Ch'ien (145-ca. 86 BC), who compiled the work, is known as the Herodotus of China.

The edition presents the previously unpublished theological and religious writings of Paracelsus (1493a '1541) in eight volumes. After Luther and Melanchthon, Paracelsus was one of the most prolific Early High German writers, yet the Theologika were only partially accessible until today. The Zurich edition offers a reliable, critical edition of these writings, as well as word indices, introductions to the groups of works, etc. Paracelsusa (TM) non-medical writings comprise a first-class document of the intellectual history of the sixteenth century and are of great importance for language and literature historians, as well as for theologians and philosophers. Key features: presents the first complete edition of Paracelsusa (TM) theological and religious writings after Luther, Paracelsus was one of the most prolific Early High German Writers