The New Politics of Olympos explores the dynamics of praise, power, and persuasion in Kallimachos' hymns, detailing how they simultaneously substantiate and interrogate the radically new phenomenon of Hellenistic kingship taking shape during Kallimachos' lifetime. Long before the Ptolemies invested vast treasure in establishing Alexandria as the center of Hellenic culture and learning, tyrants such as Peisistratos and Hieron recognized the value of poetry in advancing their political agendas. Plato, too, saw the vast power inherent in poetry, and famously advocated either censoring it (Republic) or harnessing it (Laws) for the good of the political community. As Xenophon notes in his Hieron and Pindar demonstrates in his politically charged epinikian hymns, wielding poetry's power entails a complex negotiation between the poet, the audience, and political leaders. Kallimachos' poetic medium for engaging in this dynamic, the hymn, had for centuries served as an unparalleled vehicle for negotiating with the super-powerful. The New Politics of Olympos offers the first in-depth analysis of Kallimachos' only fully extant poetry book, the Hymns, by examining its contemporary political setting, engagement with a tradition of political thought stretching back to Homer, and portrayal of the poet as an image-maker for the king. In addition to investigating the political dynamics in the individual hymns, this book details how the poet's six hymns, once juxtaposed within a single bookroll, constitute a macro-narrative on the prerogatives of Ptolemaic kingship. Throughout the collection Kallimachos refigures the infamously factious divine family as a paradigm of stability and good governance in concert with the self-fashioning of the Ptolemaic dynasty. At the same time, the poet defines the characteristics and behaviors worthy of praise, effectively shaping contemporary political ethics. Thus, for a Ptolemaic reader, this poetry book may have served as an education in and inducement to good kingship.

ADanielA, which is counted among the earliest of the so-called post-classical Arthurian romances, was composed during the period 1210 to 1225 and is considered the first freely invented Arthurian romance in the German language. This revised edition represents a comprehensive reworking of the critical edition of 1983. The introduction has been rewritten, the readings of MS b (which was rediscovered in Krakow in the early 1980s) are taken into account, the critical text has been revised and the selected bibliography updated.

'Fitzgerald has solved virtually every problem that has plagued translators of Homer.' Atlantic Monthly The Iliad is the story of a few days' fighting in the tenth year of the legendary war between the Greeks and the Trojans, which broke out when Paris, son of King Priam of Troy, abducted the fabulously beautiful Helen, wife of King Menelaus of Sparta. After a quarrel between the Greek commander, Agamemnon, and the greatest of the Greek warriors, Achilles, the gods become more closely involved in the action. Their intervention leads to the tragic death of Hector, the Trojan leader, and to the final defeat of the Trojans. But the Iliad is much more than a series of battle scenes. It is a work of extraordinary pathos and profundity that concerns itself with issues as fundamental as the meaning of life and death. Even the heroic ethic itself - with its emphasis on pride, honour, prowess in battle, and submission to the inexorable will of the gods - is not left unquestioned. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.

Focuses on transversions of Ovid's 'Iphis and Ianthe' in both English and French literature Medieval and early modern authors engaged with Ovid's tale of 'Iphis and Ianthe' in a number of surprising ways. From Christian translations to secular retellings on the seventeenth-century stage, Ovid's story of a girl's miraculous transformation into a boy sparked a diversity of responses in English and French from the fourteenth to the seventeenth centuries. In addition to analysing various translations and commentaries, the volume clusters essays around treatments of John Lyly's Galatea (c. 1585) and Issac de Benserade's Iphis et Iante (1637). As a whole, the volume addresses gender and transgender, sexuality and gallantry, anatomy and alchemy, fable and history, youth and pedagogy, language and climate change. Key Features: The only scholarly monograph to focus on Ovid's 'Iphis and Ianthe' Intervenes in the history of Ovidian reception and literary history, particularly in terms of gender and sexuality Broadens readings of 'Iphis and Ianthe' beyond concerns of gender and sexuality Brings medieval and early modern, English and French appropriations of the tale into productive dialogue Provides new readings of John Lyly's Galathea and Issac Benserade's 'Iphis and Ianthe', and of medieval versions of the story Intervenes in the history of 'trans' phenomena

This volume showcases for the first time in the Clarendon Ancient History Series one of the best-known prose authors of classical Athens: Xenophon. Poroi (or, Revenue-Sources) was the final work of his large and varied output, written in the mid-350s BCE at a time when Athens had failed to prevent the collapse of her second Aegean 'empire', and was impoverished and demoralized in consequence. Back in Athens after a lifetime abroad, the elderly Xenophon took an optimistic view of the plight of his fellow-citizens: though their days as a free-spending imperial power may have been over, they could fall back on the city's own, unique assets - both human (the large community of resident and visiting foreigners) and material (the natural resources of Attica itself, notably the silver-mines) - strategically exploiting them in order to set the city on the road to peace and prosperity. Xenophon fleshed out this general position with many specific proposals, in doing so situating Poroi not only in a tradition of early economic thought, but also in the realm of practical politics. Framed by a General Introduction and the first-ever full Commentary on the work in English, this new and unprecedentedly accurate translation offers an authoritative yet accessible overview of the text, its context, and its historical, socio-political, and economic implications that will be invaluable to both students new to the work and to more experienced scholars. Challenging the view that there is a significant overlap between Xenophon's ideas and the policies associated (in the 350s and 340s) with Euboulos, it argues, rather, that Poroi was ahead of its time and in fact anticipated the programme of Athens' leading statesman of the 330s and 320s: Lykourgos.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

This revised update of a well-established and valuable edition contains an up-to-date and redesigned bibliography, now containing page references for the research literature pertaining to the individual verse narratives. The Preface outlines the significant modifications the edition has undergone up to the present.

The dialogue begins with a playful discussion of erotic passion, then extends the theme to consider the nature of inspiration, love and knowledge. The centerpiece is the myth of the charioteer - the famous and moving account of the vision, fall and incarnation of the soul. Professor Hackforth here translates the dialogue for the student and general reader. There is a running commentary on the course of the argument and the meaning of the key Greek terms, and a full intoduction to explain the philosophical background and the place of this work among Plato's writings.

A BBC RADIO 4 BOOK OF THE YEAR LONGLISTED FOR THE ANGLO-HELLENIC LEAGUE RUNCIMAN AWARD 2022 'Peter Fiennes's road trip around Greece [is] engagingly described' Mary Beard, TLS 'Fiennes is a brilliant and generous guide through Greece' Observer 'A wonderful... really profound meditation on what it means to hope... a gorgeous excursion into Greece and across the centuries on an environmental quest' BBC Radio 4 Open Book Book of the Year choice by Anita Roy What do the Greek myths mean to us today? It's now a golden age for these tales - they crop up in novels, films and popular culture. But what's the modern relevance of Theseus, Hera and Pandora? Were these stories ever meant for children? And what's to be seen now at the places where heroes fought and gods once quarrelled? Peter Fiennes travels to the sites of some of the most famous Greek myths, on the trail of hope, beauty and a new way of seeing what we have done to our world. Fiennes walks through landscapes - stunning and spoiled - on the trail of dancing activists and Arcadian shepherds, finds the 'most beautiful beach in Greece', consults the Oracle, and loses himself in the cities, remote villages and ruins of this storied land.

'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.

‘Look at me. I am the son of a great man. A goddess was my mother. Yet death and inexorable destiny are waiting for me’

One of the foremost achievements in Western literature, Homer’s Iliad tells the story of the darkest episode in the Trojan War. At its centre is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader Agamemnon. But when the Trojan Hector kills Achilles’ close friend Patroclus, he storms back into battle to take revenge – although knowing this will ensure his own early death. Interwoven with this tragic sequence of events are powerfully moving descriptions of the ebb and flow of battle, of the domestic world inside Troy’s besieged city of Ilium, and of the conflicts between the Gods on Olympus as they argue over the fate of mortals.

E. V. Rieu’s acclaimed translation of Homer’s Iliad was one of the first titles published in Penguin Classics, and now has classic status itself. For this edition, Rieu’s text has been revised, and a new introduction and notes by Peter Jones complement the original introduction.

"A Companion to Marcus Aurelius" presents the first comprehensive collection of essays to explore all essential facets relating to contemporary Marcus Aurelius studies.

- First collection of its kind to commission new state-of-the-art scholarship on Marcus Aurelius- Features readings that cover all aspects of Marcus Aurelius, including source material, biographical information, and writings- Contributions from an international cast of top Aurelius scholars- Addresses evolving aspects of the reception of the "Meditations"

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

POETAE COMICI GRAECI is now the standard and indispensable reference work for the whole of Greek Comedy, a genre which flourished in Antiquity for over a millenium, from the VI century B.C. to the V century A.D.: More than 250 poets are conveniently arranged in alphabetical sequence and all the surviving texts have been carefully edited with full testimonia, detailed critical apparatus, and brief but illuminating subsidia interpretationis. The commentaries are in Latin. This great enterprise has won universal acclaim, Vol. VI 2 Menander being singled out by the Times Literary Supplement as one of the "International Books of the Year 1998".

Book seven, a oeOf a happy lifea (De uita beata), closes Lactaniusa (TM) (AD 250-325) a oeIntroduction to Christianitya (Diuinae institutiones). In it the church father, who was renowned as a Christian Cicero, describes the end of the world, the thousand year Kingdom of God and the Last Judgment, from a standpoint influenced by the Christian persecutions. This significant text, which offers insight into early Christiansa (TM) views of the end of the world, is presented together with an introduction, translation (the first since 1787) and an extensive commentary.

The "Nicomachean Ethics" is one of Aristotle's most widely read and influential works. Ideas central to ethics - that happiness is the end of human endeavor, that moral virtue is formed through action and habituation, and that good action requires prudence - found their most powerful proponent in the person medieval scholars simply called "the Philosopher." Drawing on their intimate knowledge of Aristotle's thought, Robert C. Bartlett and Susan D. Collins have produced here an English-language translation of the "Ethics" that is as remarkably faithful to the original as it is graceful in its rendering. Aristotle is well known for the precision with which he chooses his words, and in this elegant translation his work has found its ideal match. Bartlett and Collins provide copious notes and a glossary providing context and further explanation for students, as well as an introduction and a substantial interpretive essay that sketch central arguments of the work and the seminal place of Aristotle's "Ethics" in his political philosophy as a whole. The "Nicomachean Ethics" has engaged the serious interest of readers across centuries and civilizations - of people ancient, medieval, and modern; pagan, Christian, Muslim, and Jewish - and this new edition will take its place as the standard English-language translation.

An authoritative new translation of Plato's The Republic by Christopher Rowe, with notes and an introduction. 'We set about founding the best city we could, because we could be confident that if it was good we would find justice in it' The Republic, Plato's masterwork, was first enjoyed 2,400 years ago and remains one of the most widely-read books in the world: as a foundational work of Western philosophy, and for the richness of its ideas and virtuosity of its writing. Presented as a dialogue between Plato's teacher Socrates and various interlocutors, it is an exhortation to philosophy, inviting its readers to reflect on the choices to be made if we are to live the best life available to us. This complex, dynamic work creates a picture of an ideal society governed not by the desire for money, power or fame, but by philosophy, wisdom and justice. Christopher Rowe's accurate and enjoyable new translation remains faithful to the many variations of the Republic's tone, style and pace. This edition also contains a chronology, further reading, an outline of the work's main arguments and an introduction discussing Plato's relationship with Socrates, and the Republic's style, ideas and historical context.