The letters of Seneca are uniquely engaging among the works that have survived from antiquity. They offer an urgent guide to Stoic self-improvement but also cast light on Roman attitudes towards slavery, gladiatorial combat and suicide. This selection of letters conveys their range and variety, with a particular focus on letters from the earlier part of the collection. As well as a general introduction, it features a brief introductory essay on each letter, which draws out its themes and sets it in context. The commentary explains the more challenging aspects of Seneca's Latin. It also casts light on his engagement with Stoic (and Epicurean) ideas, on the historical context within which the letters were written and on their literary sophistication. This edition will be invaluable for undergraduate and graduate students and scholars of Seneca's moral and intellectual development.

Grattius' Cynegetica, a Roman didactic poem on hunting with dogs, is the author's only surviving work, though it reaches us now in an incomplete form. Thanks to a passing reference by Ovid in his Epistulae ex Ponto it can confidently be dated to the Augustan period, and yet while his literary contemporaries have been and continue to be subjects of academic scrutiny, Grattius is seldom read and remains almost completely unappreciated in classical and literary scholarship. This volume is the first book-length study of Grattius in English or any other language and sets out to rehabilitate the neglected poet by making him and his work accessible to a wide audience. Prefaced by an introduction to the poet and his work, as well as the Latin text of Cynegetica and a new English translation, it presents a broad collection of interpretive essays from an international team of scholars. These essays explore the poem within its literary, intellectual, and socio-political contexts and look forward to Grattius' (more charitable) posthumous reception in Europe in the sixteenth to eighteenth centuries. As a whole they aim to reveal his enduring relevance for the tradition of didactic poetry and the study of other Augustan poetry and culture, and to provide an impetus for future discussions.

Praised by Aristotle as the pinnacle of Greek drama, "Oedipus the King" is the ancient world's most shocking and memorable play: the story of a city's beloved hero and his royal family brought to hellish ruin by fate, supernatural manipulation, and all-too-human weakness. With a plague ravishing Thebes, it falls upon Oedipus, the king, to discover its cause. Yet in consulting the blind prophet Tiresias, Oedipus uncovers not only the roots of the gods' displeasure but also a dreadful secret about his own past. Prophesied from childhood to destroy his loved ones, Oedipus long ago left his homeland. In fleeing his fate, however, he has unwittingly fulfilled his grim destiny, for, as he is to discover, Thebes was always his true homeland; the stranger he slew on the road his true father; and the queen who bore his sons and daughters, his own mother. Oedipus' shame is irredeemable-and his revelation will have terrible consequences for all involved. Sophocles masterfully invokes the Western culture's most extreme taboos to explore our deepest questions about fate and free will, in a suspenseful story that still haunts audiences after 2,500 years. This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original that is suited for reading, teaching, or performing.

This is the first new critical edition of this text since 1908, and the first to appear in the Oxford Classical Texts series. The edition is informed by a comprehensive analysis of the entire tradition of Lucullus and Academicus Primus, and by a thorough rethinking of the text documented in the accompanying commentary volume. Lucullus and Academicus Primus are a key body of evidence for the development of Academic scepticism, one of the two varieties of scepticism in antiquity. The texts also shed light on the re-emergence of dogmatic Platonic philosophy in the first century BC.

This book analyses articulations of cultural identity in the work of the twentieth-century Polish poet Jerzy Harasymowicz, concentrating on the ways in which his shifting perspectives on the Carpathian Lemko Region are used to address the dilemmas of power, hybridity and interethnic contact. Set against the background of communist Poland, the poems examined here challenge official narratives of identity, while exploring the possibilities and limits of self-creation in poetry. Constituting the first post-1989 reading of Harasymowicz's verse, free from the constraints imposed by political censorship, this book provides a reinterpretation of the poet's work and reconsiders his contested legacy. By framing the discussion within the context of postcolonial studies, the author explores the usefulness of this approach in reassessing cultural representations of Polish national identity and raises broader questions about the ability of postcolonial theory to redefine the established notions of national literature and culture.

Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay's search for an original form of literary expression that started in Jamaica and continued in his subsequent travels abroad. Newly found research pertaining to his presence in several Russian periodicals, magazines, and literary diaries brings new light to the writer's contribution to the Soviet understanding of African American and Caribbean issues and his possible influence on Yevgeny Zamyatin, the writer he met during his 1922 - 1923 visit to Russia. The primary focus of this book is Claude McKay and his positive reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who influenced his literary career and enabled him to find a solution to his dilemma of a dual Caribbean identity. The secondary focus of this book is the analysis of McKay's affinity with his Russian literary predecessors and with C.L.R. James and Ralph de Boissiere, his Trinidadian contemporaries, who also acknowledged the importance of Russian writers in their artistic development. The book discusses McKay as a precursor of Russian and Anglophone Caribbean links and presents a comparative analysis of cross-racial, cross-national, and cross-cultural alliances between these two distinct yet similar types of literature. Claude McKay's Liberating Narrative is highly recommended for undergraduate and graduate courses in Caribbean and comparative literature at North American, European, Caribbean, and African universities.

An industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once Queen, watches as her remaining family are taken from her one by one. The city burns around them. Euripides' great anti-war tragedy is published in Don Taylor's translation to coincide with the National Theatre's production directed by Katie Mitchell in the Lyttelton auditorium. This edition of the play features an introduction by the translator setting the play in its historical and dramaturgical context.

From Stephen Mitchell, the renowned translator whose "Iliad "was named one of "The New Yorker"'s Favorite Books of 2011, comes a vivid new translation of the "Odyssey," complete with textual notes and an illuminating introductory essay.
The hardcover publication of the" Odyssey "received glowing reviews: "The New York Times" praised "Mitchell's fresh, elegant diction and the care he lavishes on meter, which] brought me closer to the transfigurative experience Keats describes on reading Chapman's Homer"; "Booklist," " "in a starred review, said that "Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force"; and John Banville, author of "The Sea," " "called this translation "a masterpiece."
The" Odyssey" is the original hero's journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart's desire--to return to his home and family after ten years of war--the "Odyssey" now speaks to us again across 2,600 years.
In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell's language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this "Odyssey" carries you along in a fast stream of action and imagery. Just as Mitchell "re-energised the "Iliad" for a new generation" ("The Sunday Telegraph"), his "Odyssey" is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.

In this first introduction to Plautus' Trinummus, students and non-specialists alike are guided through the themes, context, and enduring humor of this Roman comedy. The play portrays the story of an elaborate game of keep-away involving a hidden treasure, a hot-blooded spendthrift youth, his pious sister, her would-be fiancee, a con-artist, and the most unlikely of comic schemers-a group of overly pious old men. The conflict of the plot focuses on whether a pair of old men can help their absent friend Charmides by getting a dowry to his daughter without Charmides' wastrel son Lesbonicus first spending the money on the usual comic debauchery. The money is taken from a treasure hidden by Charmides when he left and a sycophant is hired to pretend to bring letters from Charmides along with the cash for the dowry. Comic confusion ensues when Charmides returns from abroad just in time to intercept the con-artist and overturn the scheming of his friends. Long neglected, Trinummus is one of many Plautine plays that is experiencing a resurgence. This volume elucidates the humor of the play, which is largely based on parody and clever inversions of typical characters and situations from Roman comedy. This discussion is accompanied by an examination of the religious, social, and historical context of the play, as well as its modern reception. The genuine humor of Trinummus has something to say to modern readers, as it showcases how parody can skewer those engaged in pompous moral posturing and presents readers with a playwright who astutely views issues of imperialism and moral justification through a comic lens.

In 399 BC Socrates was prosecuted, convicted, sentenced to death and executed. These events were the culmination of a long philosophical career, a career in which, without writing a word, he established himself as the figure whom all philosophers of the next few generations wished to follow. The Apologies (or Defence Speeches) by Plato and Xenophon are rival accounts of how, at his trial, Socrates defended himself and his philosophy. This edition brings together both Apologies within a single volume. The commentary answers literary, linguistic and philosophical questions in a way that is suitable for readers of all levels, helping teachers and students engage more closely with the Greek texts. The introduction examines Socrates himself, the literature generated by his trial, Athenian legal procedures, his guilt or innocence of the crimes for which he was executed, and the rivalry between Xenophon and Plato.

Full Length, Tragedy

Characters: 7 male, 4 female

Various sets

This incisive translation of the classic drama is by the noted British playwright, translator and director.

Im Jahre 2000 erschien die grundlegende Bibliographie zu den Sermones ad populum Augustins. Inzwischen wurden mehr als 450 weitere Titel dazu publiziert, die hier erganzend prasentiert werden als Arbeitsinstrument der immer mehr aufbluhenden Forschung zu Augustinus als Prediger. Die Einleitung stellt den neuesten Forschungsstand vor sowie eine umfassende Liste des gegenwartig anerkannten Bestandes an authentischen Predigten. Die ausfuhrlichen Indices bieten vor allem eine detaillierte Aufschlusselung aller Publikationen (Editionen - UEbersetzungen - Studien) fur jede einzelne der 567 Predigten.

Outstanding translations by leading contemporary scholars--many commissioned especially for this volume--are presented here in the first single edition to include the entire surviving corpus of works attributed to Plato in antiquity.

In his introductory essay, John Cooper explains the presentation of these works, discusses questions concerning the chronology of their composition, comments on the dialogue form in which Plato wrote, and offers guidance on approaching the reading and study of Plato's works.

Also included are concise introductions by Cooper and Hutchinson to each translation, meticulous annotation designed to serve both scholar and general reader, and a comprehensive index.

This handsome volume offers fine paper and a high-quality Smyth-sewn cloth binding in a sturdy, elegant edition.

This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

Writing Tangier discusses an array of topics relating to the literature on Tangier from the seventeenth century to the present. Major questions include: Why has Tangier come to play an important role in contemporary world literary history as a signifier in the literary imagination; what is the nature of the inter-textual output produced through Paul Bowles' translations of the oral tales of a circle of uneducated storytellers (including Mohammed Mrabet and Larbi Layachi) and the text (For Bread Alone) brought to Bowles by the literate Mohamed Choukri; how do academics, artists, and writers who have been based in the city or who have written about it assess the various socio-economic, political, and cultural factors that have shaped its cultural production and the relationship of this production to the celebrated hybrid aspects of its identity; does the success of the literature of Tangier reflect a truly new multicultural cosmopolitanism, or does it stem from the fact that this literature is congenial to Westerners, that it is understood in terms that they themselves define, and that much of it (including productions in Arabic prepared with the expectation of translation) has even been «written to measure for them?

A highly-illustrated retelling of the Brontë sisters life in Haworth in the Yorkshire Dales told from Charlotte Brontë's point of view.

Produced to coincide with 200th anniversary of the birth of Charlotte Brontë, this book introduces the three extraordinary Brontë sisters: Charlotte, Emily and Anne. We also meet their brother Branwell. With a mix of strong story-telling and wonderful illustration, Mick Manning and Brita Granström relate the sister's tragically short lives in the remote village of Haworth in the Yorkshire Dales. They explore how the girls were inspired to become writers and the sensation their books caused when people realised they had been written by women.

Each of the sister's greatest novels, Jane Eyre (Charlotte), The Tenant of Wildfell Hall (Anne) and Wuthering Heights (Emily), are simply retold in engaging comic-strip form.

The illustrations and text of this book really capture the life of the children of the moors and how the magic and wildness of their surroundings inspired their work. It is perhaps not surprising as Mick Manning was born and brought up in Haworth and, as a child, even played a shepherd boy in a BBC adapation of Wuthering Heights.

Confronting Patriarchy: Psychoanalytic Theory in the Prose of Cristina Peri Rossi examines three works of the contemporary Uruguayan author who lives in exile as she dialogues with the psycho-analytic discourse endemic to patriarchal society. Peri Rossi's prose, structured like unconscious productions that give free expression to desire and passion as emanating from the forbidden recesses of the psyche, powerfully reveals the message as a treatment for an «ill society. The language in the three works studied facilitates and reveals the male protagonist's interaction with the desired female object as a regression to a semiotic, pre-oedipal state in a type of «return of the repressed of consuming desire that has been written out of mainstream patriarchy and that serves to challenge its rational, symbolic order. It is from this vantage point that the author attempts to re-write the conclusions obtained through Lacanian and patriarchal discourse so that woman can emerge as a subject in her own right.

This is a book about language and education in one of the smallest European Union member-states, Luxembourg. It presents the results of an ethnographic study of code-switching and language ideologies among transnational, luso-descendant youngsters attending a number of youth centres in Luxembourg city. It offers a comprehensive description of the processes of construction and negotiation of new, emergent identities and ethnicities. The author considers the implications of these results for language-in-education policy, including the EU policy of multilingualism. He criticizes mother-tongue education and advocates instead the use of "literacy bridges." Clearly argued and widely applicable, this book is essential reading for students and researchers interested in multilingualism, migration and education.

Thema des Bandes ist die Kontinuitat antiker Traditionen in der europaischen Literatur des Mittelalters und der Neuzeit. Ein Schwerpunkt liegt dabei auf der produktiven Aufnahme und Weiterentwicklung mythologischer Stoffe in verschiedenen nationalsprachlichen Literaturen Europas, ein weiterer auf der ideengeschichtlichen und literarischen Tradition, insbesondere auf Fragen der Poetologie und AEsthetik sowie der Aufnahme von Gattungsmustern. Dabei wird nachgezeichnet, in welchen Formen die Antike auf die Literatur des Mittelalters und der Neuzeit einwirkte. Die leitende Frage gilt der Konstitution, Vergewisserung oder auch Neubestimmung der eigenen Identitat in der bewussten und produktiven Auseinandersetzung mit dem antiken Erbe.