This new volume in the Bloomsbury Ancient Comedy Companions series is perfect for students coming to one of Plautus' most whimsical, provocative, and influential plays for the first time, and a useful first point of reference for scholars less familiar with Roman comedy. Menaechmi is a tale of identical twin brothers who are separated as young children and reconnect as adults following a series of misadventures due to mistaken identity. A gluttonous parasite, manipulative courtesan, shrewish wife, crotchety father-in-law, bumbling cook, saucy handmaid, quack doctor, and band of thugs comprise the colourful cast of characters. Each encounter with a misidentified twin destabilizes the status quo and provides valuable insight into Roman domestic and social relationships. The book analyzes the power dynamics at play in the various relationships, especially between master and slave and husband and wife, in order to explore the meaning of freedom and the status of slaves and women in Roman culture and Roman comedy. These fundamental societal concerns gave Plautus' Menaechmi an enduring role in the classical tradition, which is also examined here, including notable adaptations by William Shakespeare, Jean Francois Regnard, Carlo Goldoni and Rodgers and Hart.

Emma is Austen's most technically accomplished novel, with a hidden plot, the full implications of which are only revealed by a second reading. It is here presented for the first time with a full scholarly apparatus. The text retains the spelling and the punctuation of the first edition of 1816, allowing readers to see the novel as Austen's contemporaries first encountered it. This volume, first published in 2005, provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus.

Featuring Cecelia Eaton Luschnig's annotated verse translations of Euripides' Electra , Iphigenia among the Tauri , and Orestes , this volume offers an ideal avenue for exploring the playwright's innovative treatment of both traditional and non-traditional stories concerning a central, fascinating member of the famous House of Atreus.

Meineck and Woodruff's new annotated translations of Sophocles' Ajax , Women of Trachis , Electra , and Philoctetes combine the same standards of accuracy, concision, clarity, and powerful speech that have so often made their Theban Plays a source of epiphany in the classroom and of understanding in the theatre. Woodruff's Introduction offers a brisk and stimulating discussion of central themes in Sophoclean drama, the life of the playwright, staging issues, and each of the four featured plays.

The Aeneid - thrilling, terrifying and poignant in equal measure - has inspired centuries of artists, writers and musicians. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by J. W. Mackail and has an afterword by Coco Stevenson. Virgil's epic tale tells the story of Aeneas, a Trojan hero, who flees his city after its fall, with his father Anchises and his young son Ascanius - for Aeneas is destined to found Rome and father the Roman race. As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

Eutocius of Ascalon (4th cent. AD) accompanied his edition of the first four books of Apollonius of Perga's Konika with a commentary. His work is relevant to the history of conic sections and important for the textual transmission of Apollonius. This new critical edition contains the first translation into a modern language and complements the Graeco-Arabic edition of the first four books of the Konika (SGA 1-2).

Cicero's so-called Academica is a significant text for European cultural and intellectual history: as a substantial and self-contained body of evidence for one of the two varieties of scepticism in antiquity, as evidence for Stoic thought presented on its own terms and in interaction with objections, as a key text in a broader tradition which is devoted to the possibility of knowledge arising from perceptual experience, and as evidence for the fate of Plato's Academy in its final phase as a functioning school. This volume is the first detailed commentary on this set of texts since Reid's, published in 1885. It takes full account of the scholarly debate to date and seeks to elucidate the dialogues and fragmentary remains from a philosophical, historical, literary, and linguistic point of view.

In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window into his experience as a landowner, a traveler through Roman Italy, and a man coping with the onset of old age. They describe the roar of the arena, the festival of Saturnalia, and the perils of the Adriatic Sea, and they explain his thoughts about political power, the treatment of slaves, the origins of civilization, and the key points of Stoic philosophy. This selection of fifty of his letters brings Seneca to readers in a fresh modern voice and shows how, as a philosopher, he speaks to our time. Above all, these letters explore the inner life of the individual: from the life of heedless vanity to the first interest in philosophy, to true friendship, self-determination, and personal excellence.

Nemesianus s didactic poem about hunting, written in 283-84 AD, is based in its structure and conception on Vergil s Georgics, the classical model for the genre. In its presentation of hunting as a leisure sport, the Cynegetica provides an un-heroic counterpoint to earlier hunting poems. This new critical edition includes extensive and detailed philological commentary. It also considers broader questions, such as the relationship to cynegetic literature, genre-related elements, and the author s self-perception."

This collection of essays analyzes the construction of the fall of Rome from a range of perspectives native to different disciplines. Subjects addressed include comparable discourses dating from the earlier history of Rome, the perception of this historical moment by writers living at the time it occurred, and its reception in Byzantium and Western Europe during the Middle Ages."

How is the history of antiquity told, and what is the role of narrativity in transforming the image of antiquity? This volume addresses the highly charged intersection between experience, narrative, and history that may be apprehended when we consider the great diversity of narrative practices in literature, the visual arts, and historiography. Individual chapters explore transformations in the imagery, content, stories, and narrative modes of antiquity as they were appropriated in medieval and early modern chronicles, images, and epics.

Compiled by a team of experts in the field, this volume brings to view an array of Latin texts produced in British universities from c.1500 to 1700. It includes a comprehensive introduction to the production of Neo-Latin and Neo-Greek in the early modern university, the precise circumstances and broader environments that gave rise to it, plus an associated bibliography. 12 high-quality sections, each prefaced by its own short introduction, set forth the Latin (and occasionally Greek) texts and accompanying English translations and notes. Each section provides focused orientation and is arranged in such a way as to ensure the volume's accessibility to scholars and students at all levels of familiarity with Neo-Latin. Passages are taken from documents that were composed in seats of learning across the British Isles, in Oxford, Cambridge, Dublin, Edinburgh and St Andrews, and adduce a wide range of material from orations and disputational theses to collections of occasional verse, correspondence, notebooks and university drama. This anthology as a whole conveys a sense of the extent of Latin's role in the academy and the span of remits in which it was deployed. Far from simply offering a snapshot of discrete projects, the contributions collectively offer insights into the broader culture of the early modern university over an extended period. They engage with the administrative operations of institutions, pedagogical processes and academic approaches, but also high-level disputes and the universities' relationship with the worlds of politics, new science and intellectual developments elsewhere in Europe.

Arete and the Odyssey's Poetics of Interrogation explores how the enigmatic Phaeacian queen, Arete, is at the heart of an epic-scale "poetics of interrogation" used throughout the Odyssey to negotiate Odysseus' kleos, or epic renown. Arete's interrogation of Odysseus has been especially problematic in scholarship, but diachronic and synchronic analysis of similar interrogations across Indo-European, Orphic, and Greek epigrammatic corpora show that the "stranger's interrogation" is a formula that demands performance and negotiation of status. Within the Odyssey, this interrogation is part of an intraformular network used to generate kleos, and the queen's question initiates the longest and most complex negotiation of Odysseus' status in epic and memory. Arete's role as interrogator not only explains her strange authority and resonance with both Penelope and comparative afterlife figures, but it also establishes a gendered, agonistic tension between she and her husband, Alkinoos, that influences the structure, genre, and narratology of performances across the Phaeacian episode. This book reinterprets the Odyssey's central episode and challenges several assumptions about Nausikaa and Alkinoos' famed hospitality, even demonstrating how the Apologue is organized as a response to competing inquiries into Odysseus' fundamental status in tradition. The Odyssey ultimately navigates away from Odysseus' public reputation and roots his status in private memories, and Arete's carefully arranged interventions signal the larger process by which the Odyssey immortalizes Odysseus in poetry as a nostos hero. The queen and her question invite new applications of oral poetics that shed light on the structure, composition, and reperformance of the Odyssey.

Anyone seriously interested in Aristotle's moral philosophy must take full account of the Eudemian Ethics, a work which has in the past been unduly neglected in favor of the better-known Nicomachean Ethics. The relation between the two treatises is now the subject of lively debate. This volume contains a translation of three of the eight books of the Eudemian Ethics--those that are likely to be of most interest to philosophers today--together with a philosophical commentary on these books from a contemporary point of view. Like the other volumes in the series, it is intended to serve the needs of readers of Aristotle without a knowledge of Greek, and the aim in the translation has been to give as accurate an idea as possible of Aristotle's text. The Clarendon Aristotle Series is designed for both students and professionals. It provides accurate translations of selected Aristotelian texts, accompanied by incisive commentaries which focus on philosophical problems and issues. The volumes in the series have been widely welcomed and favorably reviewed. Important new titles are being added to the series, and a number of well-established volumes are being reissued with revisions and/or supplementary material.
Series editors: J. L. Ackrill and Lindsay Judson.

This collection of papers contains some 60 articles selected from the works of the philologist Ernst Vogt. They dealwith a variety of very different aspects of the study of ancient languages, for example the history of literary forms and genres, Greek literature of the Hellenistic and Roman imperial periods, the history of transmission and reception, or the history of classical philology. All of the texts have been checked and additions or amendments made.