The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on Homer's Iliad. A full commentary, presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http: //www.saur.de/index.cfm?lang=EN&ID=0000007757 .

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http://www.saur.de/index.cfm?lang=EN&ID=0000007757 .

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http://www.saur.de/index.cfm?lang=EN&ID=0000007757 .

Herman Alexander Diels (1848 1922) published Doxographi Graeci in 1879. In many ways this work established the critical discipline of doxography - the editing, cataloguing, and analysing of extracts of extant classical texts that contain references to the ideas and arguments of lost authors and schools. In Doxographi Graeci Diels analyses passages from the extant work of authors such as Plutarch, Arius Didymus, Diogenes La rtius, Ps-Plutarch, Hippolytus, Ps-Galen, Stobaeus, Theodoret and Eusebius and uses them to uncover information about the Presocratic philosophers and schools whose written treatises are no longer extant. Diels' method of filiation of extant sources, based on the critical methods of his teacher, Herman Karl Usener (1834 1905), allowed critical judgements to be made regarding the reliability and usefulness of extant authors and their references. Diels' magisterial work represented a profound breakthrough in the study of the Presocratic philosophers. It is a monument of classical scholarship.

Lucian of Samosata's True History is a fantastical tale of voyage and imagination. No editor, translator, or reader knows quite how to describe it or fit it comfortably into a familiar genre of Greek literature: 'satires' and 'dialogues' only partially describe the genre or genres he wrote in. Of all the ancient Greco-Roman writers, Lucian is without doubt one of the most inventive and witty. The Greek text in this edition of the True History is accompanied by a facing page English translation, making it an accessible and informative resource aimed at students and teachers of Greek. Whether used in the classroom or in research, readers will benefit from an introduction to Lucian and his place in imperial Greek literature, as well as a translation and commentary that bring out the wonders of his True History.

Homer s Iliad has influenced European literature and art to this day. In the last 30 years, researchers have made significant progress in illuminating this epic. In this study, a leading Homer scholar engages in dialogue with the international research community to reflect on today s most significant questions, among them the Iliad s origins, language and style, structure, historical context, and after-effects."

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http://www.saur.de/index.cfm?lang=EN&ID=0000007757 .

The Traffic Systems of Pompeii is the first sustained examination of the development of road infrastructure in Pompeii-from the archaic age to the eruption of Mt. Vesuvius in 79 CE-and its implications for urbanism in the Roman empire. Eric E. Poehler, an authority on Pompeii's uniquely preserved urban structure, distills over five hundred instances of street-level "wear and tear" to reveal for the first time the rules of the ancient road. Through a thorough, yet lively, investigation of every facet of the infrastructure, from the city's urban grid and the shape of the streets to the treatment of their surfaces and the individual elements of construction, the intricacies of the Pompeian traffic system and the changes to its operation over time emerge in vivid detail. Though archaeological expertise forms the backbone of this book, its findings have equally important historical and architectural implications. Later chapters probe how the street design and infrastructure affected social roles and hierarchies among property owners in Pompeii, illuminating the economic forces that push and pull upon the shape of urban space. The final chapters set the road system into its broader context as one major infrastructural and administrative artifact of the Roman empire's deeply urban culture. Where does Pompeii's system fit within the history of Roman traffic control? Is it unique for its innovation, or only for the preservation that permitted its discovery? Poehler marshals evidence from across the Roman world to examine these questions. His measured and thoroughly researched answers make The Traffic Systems of Pompeii a critical step forward in our understanding of infrastructure in the ancient world.

Biography is one of the most widespread literary genres worldwide. Biographies and autobiographies of actors, politicians, Nobel Prize winners, and other famous figures have never been more prominent in book shops and publishers' catalogues. This Handbook offers a wide-ranging, multi-authored survey on biography in Antiquity from its earliest representatives to Late Antiquity. It aims to be a broad introduction and a reference tool on the one hand, and to move significantly beyond the state-of-the-art on the other. To this end, it addresses conceptual questions about this sprawling genre, offers both in-depth readings of key texts and diachronic studies, and deals with the reception of ancient biography across multiple eras up to the present day. In addition, it takes a wide approach to the concept of ancient biography by examining biographical depictions in different textual and visual media (epigraphy, sculpture, architecture) and by providing outlines of biographical developments in ancient and late antique cultures other than Graeco-Roman. Highly accessible, this book aims at a broad audience ranging from specialists to newcomers in the field. Chapters provide English translations of ancient (and modern) terminology and citations. In addition, all individual chapters are concluded by a section containing suggestions for further reading on their specific topic.

Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice - usually detached, often ironic, always humane - reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odesby situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.

Anacreon is one of the most important of the Greek archaic lyric poets and has enjoyed a rich reception in both ancient and modern Europe, from Horace in Rome to the so-called Anacreontic poets in modern Europe (among them Abraham Cowley and Robert Herrick in England, and the young Goethe in Germany). However, despite his importance within the classical canon, there has been no full-scale commentary on the fragments of Anacreon in recent decades (with the exception of a single commentary in modern Greek). The two volumes seek to address this gap in scholarship by providing a detailed and up-to-date commentary on all the known fragments of Anacreon alongside a freshly edited text, critical apparatus, and a new translation. The commentary to reconstruct the context of the fragments, shedding light on Anacreon's relation to earlier poets and discussing a variety of aspects of his work, including language, style, narratological analysis, intertextuality, and performance. Close attention has been paid to Anacreon's elaborate poetic language and use of imagery, especially in the representation of paradoxical emotions: the analysis systematically applies the refined tools developed in recent studies on the language of archaic poetry in order to describe and explain these phenomena, while recent findings in the history of religion and classical archaeology have been brought to bear on his representation of the gods. Fresh interpretation of the papyrus fragments has been particularly fruitful as new material has come to light and fundamentally changed our perception of Anacreon: these show that besides familiar topics such as love, the symposium, and observations of everyday life, more unexpected themes such as the Demeter-cult numbered among his concerns and played a significant role in his poetry.

Literature in Exile of East and Central Europe is a collection of articles discussing authors whose homelands range from the former Soviet Union to the former Yugoslavia. For the purposes of this book, East and Central Europe comprise Russia, Poland, Germany, Czech Republic, Romania, and former Yugoslavia. These writers were exiled as a result of unbearable political climates - be it nations of the Communist block, including former Yugoslavia torn by its civil wars, or in the case of Poland, its partitioning by neighboring powers in the nineteenth century. No other book has collected such a variety of discussions from this geopolitical region, featuring authors who chose exile over the extinguishment of their individuality. Organized by theme and geography, this book will be of interest to a wide group of readers: from the topic of exile to research in Slavic (Czech, Polish, Russian, and post-Yugoslav), Romanian, German, and comparative literature. Literature in Exile of East and Central Europe is a valuable supplement to courses in Eastern and Central European history, as well as a primary text for courses in East and Central European literature.

'Consider just this, and give your minds to this alone: whether or not what I say is just' Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality. Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.

A dynamic and necessary new translation of Sophocles' unsparing drama about a desperate wife's lethal scheme to keep her warrior husband's wavering love

In Women of Trakhis, Sophocles challenges the very ideal of Greek manhood, portraying the classic mythological hero Herakles as a man equally capable of courageous feats and savage acts.

Deianeira is an ordinary woman married to Herakles, the most feared and storied hero of the ancient world. To preserve their marriage she must constantly struggle to keep her husband's affection, cope with her anxieties about his dangerous profession as a hired killer, and endure his amorous pursuits of other women. Though she knows he is resourceful and violent, with a merciless temperament and legendary strength, she attempts to bind him permanently to her with a love potion from a source she should never have trusted, and thus loses everything she values.

This extraordinary new translation by Robert Bagg presents a classic drama in a modern idiom while remaining faithful to the original Greek. Women of Trakhis preserves the depth and subtlety of the dramatist's characters and ideas, and the lyricism of his poetry. This is Sophocles for a new generation.

Spotlighting an endless cycle of bloodshed that consumes a royal family, "Elektra" masterfully explores the causes of hatred and the consequences of revenge - both for those who bear the brunt of violence and for those consumed by its influence. Orestes has returned to his homeland intent on exacting a bloody vengeance upon its rulers: his mother Klytemnestra and his step-father Aegisthus, who together murdered Orestes' father, Agamemnon. The prince's sister, Elektra, has long awaited his return, fueding constantly with Klytemnestra over her mother's moral justifications for killing Agamemnon - an act that, Klytemnestra insists, was itself a retaliation for an earlier wrong. The more they debate the validity of Agamemnon's murder, however, the more Elektra herself becomes overwhelmed by an obsession with revenge. Finally, as Orestes sets his plan into motion, the cycle of bloodshed will renew itself once more, claiming the lives of some and the very humanity of others before the drama is complete. This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original that is suited for reading, teaching, or performing. Sure to strike a chord with contemporary audiences, this is Sophocles for a new generation.

This riverrun edition of Turgenev's most accomplished stories contains A Nest of Gentlefolk, A Quiet Backwater, First Love, and A Lear of the Steppes - the defining masterpieces of his career. Justly celebrated as a novelist, playwright, and poet, these stories encapsulate his skills: in the scope and span of his depiction of nineteenth-century provincial life; in his nuanced portraiture of the vivid quirks of human character; and in the elusive poise of his narrative style - all artfully captured in Jessie Coulson's subtly brilliant translation. Presented by riverrun editions with an exclusive preface by award-winning translator Boris Dralyuk.