The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? In this, the first book-length discussion of these famous speeches, D. H. Berry clarifies what the speeches actually are and explains how he believes we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.

Aristotle of Stagirus (384 322 BCE), the great Greek philosopher, researcher, logician, and scholar, studied with Plato at Athens and taught in the Academy (367 347). Subsequently he spent three years in Asia Minor at the court of his former pupil Hermeias, where he married Pythias, one of Hermeias' relations. After some time at Mitylene, he was appointed in 343/2 by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip's death in 336, Aristotle became head of his own school (of Peripatetics ), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died the following year.

"Problems," the third-longest work in the Aristotelian corpus, contains thirty-eight books covering more than 900 problems about living things, meteorology, ethical and intellectual virtues, parts of the human body, and miscellaneous questions. Although "Problems" is an accretion of multiple authorship over several centuries, it offers a fascinating technical view of Peripatetic method and thought. "Rhetoric to Alexander," which provides practical advice to orators, was likely composed during the period of Aristotle s tutorship of Alexander, perhaps by Anaximenes, another of Alexander s tutors. Both "Problems" and "Rhetoric to Alexander" replace the earlier Loeb edition by Hett and Rackham, with texts and translations incorporating the latest scholarship.

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Virgil's Aeneid X, giving full Latin text, commentary and vocabulary for lines 215-250, 260-307, 362-398 and 426-542. A detailed introduction covers the prescribed text to be read in English for A Level. In Book X, the story moves from a council of the gods, via a depiction of Aeneas's return by sea to his beleaguered Trojan camp, to a bloody field of battle. We see Aeneas for the first time as a heroic warrior, but also afflicted by the searing pain of loss as the young son of his new ally, entrusted to him by his father, is killed. Aeneas is for now cheated of his revenge, a revenge which is the preoccupation of the rest of the poem. He does, however, slay the son of a champion of the opposition and then the champion himself, in scenes which re-emphasise that pain. The heart of the book, where Aeneas and his allies join the fray, constitutes the OCR selection. It is an immensely powerful confrontation between violence and compassion, cruelty and nobility.

Die kurze Zeit des neronischen Prinzipates ist, nicht zuletzt aus der Sicht spAterer Rezeption, eine der herausragenden Phasen rAmischer Literatur und Kultur. Gleichwohl verfolgen die einzelnen altertumswissenschaftlichen Disziplinen dabei ganz unterschiedliche Problemstellungen. Der vorliegende Band, der die Ergebnisse eines interdisziplinAren Symposions vom 3.-6. Mai 2001 in der Vila Vigoni (Menaggio) versammelt, sucht erstmals A1/4bergreifend nach einer kulturellen Klammer. Den Focus bildet dabei die auffallend hAufige Verfahrensweise einer "Verkehrung." FA1/4r die unterschiedlichen Bereiche, von der neronischen Literatur bis zu archAologischen Zeugnissen, wird der Frage nachgegangen, inwieweit mit der Struktur der "Verkehrung" ein A1/4bergreifendes Leitkonzept der Zeit erfaAt ist. Dabei zeigt sich, daA viele EinzelphAnomene unter diesem Paradigma in ganz neuer Weise verstAndlich werden.

Major figures in the civil wars that ended the Roman Republic, the names Pompey, Caesar, Cicero, Brutus and Antony haunt us with questions of character and authority. Plutarch's rich, vivid profiles show character-shaping history through grand scale events and intimate details. The creator and master of the biographical form, Plutarch locates character in small gestures such as Brutus's punctilious use of money or Caesar's plainspoken discourse. In this reader's edition, the translation lends a straightforward clarity to the prose and the notes identify people, places and events in the text. The substantial introduction and foreword explore Plutarch as an historical figure and the history of the Republic's fall.

The letters of Seneca are uniquely engaging among the works that have survived from antiquity. They offer an urgent guide to Stoic self-improvement but also cast light on Roman attitudes towards slavery, gladiatorial combat and suicide. This selection of letters conveys their range and variety, with a particular focus on letters from the earlier part of the collection. As well as a general introduction, it features a brief introductory essay on each letter, which draws out its themes and sets it in context. The commentary explains the more challenging aspects of Seneca's Latin. It also casts light on his engagement with Stoic (and Epicurean) ideas, on the historical context within which the letters were written and on their literary sophistication. This edition will be invaluable for undergraduate and graduate students and scholars of Seneca's moral and intellectual development.

The volume continues P. G. Walsh's admired translation with commentary of Augustine's The City of God Books I-XIV which have been published in eight earlier volumes between 2003 and 2016, and this ninth volume in the collection looks at books XV and XVI. After completing the first ten books of De Civitate Dei, in which Augustine sought to refute the claim that pagan deities had ensured that Rome enjoyed unbroken success and prosperity in this life and guaranteed its citizens a blessed life after death, Augustine devoted the remaining twelve books to discuss the origins, development and destiny of the two cities of Babylon and Jerusalem, with the predominant emphasis on the city of God. This is the only edition of these books in English which provides not only a text but also a detailed commentary on one of the most influential documents in the history of western Christianity. Latin text with facing-page English translation, introduction and commentary.

Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

Fire your imagination with these fun storytelling cards. Reviving the Victorian 20 picture cards can be placed in any order to create seamless scenes. Almost infinite combinations provide endless storyscaping possibilities. Enter a strange land of winged horses and vengeful gods, where one-eyed monsters feast on human flesh. Perhaps you will stumble across buried treasure or receive a favourable prophecy, but watch out for the sinister boatman. He is waiting to transport you across the river, a journey from which no one has ever returned ... Where will the story take you?

Die Dissertation befasst sich mit der Stellung der Frauen aus der senatorischen Oberschicht der spaten roemischen Republik. Betrachtet werden ihre Rolle und ihre Handlungsmoeglichkeiten im oeffentlichen und privaten Bereich. Im Mittelpunkt der Untersuchung stehen Terentia, die Ehefrau Ciceros und ihre gemeinsame Tochter Tullia. Als Arbeitsgrundlage dient die Korrespondenz Ciceros, welche als Quelle fur das Alltagsleben der Frauen in der Forschung bislang unterschatzt wurde. Hier finden sich zahlreiche Hinweise fur wirtschaftliche und politische Aktivitaten von Frauen, die als authentisches Zeugnis fur Realverhalten und Handlungsmoeglichkeiten im Kontext der Umbruchszeit zwischen Republik und Prinzipat gewertet werden koennen. Berucksichtigt werden politische Betatigungsfelder, wirtschaftliche Aktivitaten, die gesellschaftliche Stellung und auch, so weit wie moeglich, die Beziehungen der Familienmitglieder zueinander. Die unterschiedlichen Bilder, die von Terentia und Tullia in den antiken Quellen und in der Literatur gezeichnet wurden, werden abschliessend vor diesem Hintergrund kritisch gepruft.

Este libro recoge estudios monograficos en homenaje al profesor Emilio Suarez de la Torre, sobre religiosidad y supersticion -en particular la magia, pero tambien la astrologia- en la Grecia Antigua. Un grupo de ellos se centran en el estudio de los dioses y heroes griegos, desde la perspectiva mitica y literaria y la cultual. El ultimo apartado se dedica a la cuestion de la religiosidad y el ateismo en la filosofia y la religion.

This anthology includes English translations of three plays of Sophocles' Oidipous Cycle: Antigone, King Oidipous, and Oidipous at Colonus. The trilogy includes an introductory essay on Sophocles life, ancient theatre, and the mythic and religious background of the plays. Each of these plays is available from Focus in a single play edition. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.

Human suffering, the fear of death, war, poverty, ecological destruction and social inequality: almost 2,000 ago Lucretius proposed an ethics of motion as simple and stunning solution to these ethical problems. Thomas Nail argues that Lucretius was the first to locate the core of all these ethical ills in our obsession with stasis, our fear of movement and our hatred of matter. Instead of trying to transcend nature with our minds, escape it with our immortal souls and dominate it with our technologies, Lucretius was perhaps the first in the Western tradition to forcefully argue for a completely materialist, immanent and naturalistic ethics based on moving well with and as nature. If we want to survive and live well on this planet, Lucretius taught us, our best chance is not to struggle against nature but to embrace it and facilitate its movement.Lucretius II is the second installment in Thomas Nail's transformative reading of Lucretius' didactic poem De Rerum Natura, which can be read individually or as a trilogy. Lucretius I covered books 1 and 2 of De Rerum Natura and looked at Lucretius' ontology; this volume covers books 3 and 4 and Lucretius' ethics. The third and final volume will cover books 5 and 6."

This volume of Euripides' plays offers new translations of the three great war plays Trojan Women, Hecuba, and Andromache, in which the sufferings of Troy's survivors are harrowingly depicted. With unparalleled intensity, Euripides--whom Aristotle called the most tragic of poets--describes the horrific brutality that both women and children undergo during war. Yet, in the war's aftermath, this brutality is challenged and a new battleground is revealed where the women of Troy evince an overwhelming greatness of spirit.
We weep for the aged Hecuba in her name play and in Trojan Women, while at the same time we admire her resilience amid unrelieved suffering. Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The four late plays of Euripides collected here, in beautifully crafted translations by Cecelia Eaton Luschnig and Paul Woodruff, offer a faithful and dynamic representation of the playwright's mature vision.

Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno's request to devastate the Roman ranks. After the gods have departed, Hannibal's elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield. This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book's use of diction and metre.

From Stephen Mitchell, the renowned translator whose "Iliad "was named one of "The New Yorker"'s Favorite Books of 2011, comes a vivid new translation of the "Odyssey," complete with textual notes and an illuminating introductory essay.
The hardcover publication of the" Odyssey "received glowing reviews: "The New York Times" praised "Mitchell's fresh, elegant diction and the care he lavishes on meter, which] brought me closer to the transfigurative experience Keats describes on reading Chapman's Homer"; "Booklist," " "in a starred review, said that "Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force"; and John Banville, author of "The Sea," " "called this translation "a masterpiece."
The" Odyssey" is the original hero's journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart's desire--to return to his home and family after ten years of war--the "Odyssey" now speaks to us again across 2,600 years.
In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell's language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this "Odyssey" carries you along in a fast stream of action and imagery. Just as Mitchell "re-energised the "Iliad" for a new generation" ("The Sunday Telegraph"), his "Odyssey" is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Aeschylus' Oresteia, the only ancient tragic trilogy to survive, is one of the great foundational texts of Western culture. It begins with Agamemnon, which describes Agamemnon's return from the Trojan War and his murder at the hands of his wife Clytemnestra, continues with her murder by their son Orestes in Libation Bearers, and concludes with Orestes' acquittal at a court founded by Athena in Eumenides. The trilogy thus traces the evolution of justice in human society from blood vengeance to the rule of law, Aeschylus' contribution to a Greek legend steeped in murder, adultery, human sacrifice, cannibalism, and endless intrigue. This new translation is faithful to the strangeness of the original Greek and to its enduring human truth, expressed in language remarkable for poetic intensity, rich metaphorical texture, and a verbal density that modulates at times into powerful simplicity. The translation's precise but complicated rhythms honor the music of the Greek, bringing into unforgettable English the Aeschylean vision of a world fraught with spiritual and political tensions.