Ion Orestes The Phoenician Women The Suppliant Women In these four plays Euripides explores ethical and political themes,contrasting the claims of patriotism with family loyalty, pragmatism and expediency with justice, and the idea that 'might is right' with the ideal of clemency. Ion is a vivid portrait of the role of chance in human life and an exploration of family relationships, which combines a sympathetic portrait of a rape victim with remarks on Athenian xenophobia. In Orestes, the most popular of the tragedian's plays in the ancient world, Euripides explores the emotional consequences of Orestes' murder of his mother on the individuals concerned, and makes the tale resonate with advice to Athens about the threat to democracy posed by political pressure groups. The Suppliant Women is a commentary on the politics of empire, as the Athenian king Theseus decides to use force of arms rather than persuasion against Thebes. The Phoenician Women transforms the terrible conflict between Oedipus' sons into one of the most savage indictments of civil war in Western literature by highlighting the personal tragedy it brings. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Das bekannte Enniuswort, dass auf "den alten Sitten und Mannern die roemische Sache ruht", akzentuiert treffend die grosse Bedeutung, die der mos maiorum als Inbegriff von Wertvorstellungen, Leitbildern und Reglements, welche als verpflichtendes Erbe der Vorvater aufgefasst wurde, in der roemischen Gesellschaft besass. Neben Aufsatzen zu den verschiedenen literarischen Kommunikationsformen uber den mos maiorum wird auch die Reprasentation roemischer Wertvorstellungen in den archaologischen Zeugnissen berucksichtigt. Inhalt: I. Werte und literarische Kommunikation, A. Allgemeines, B. Zu Gattungen, Autoren und Werken, II. Werte und visuelle Kommunikation, III. Zu Begriff und Geschichte des mos maiorum.

Book seven, a oeOf a happy lifea (De uita beata), closes Lactaniusa (TM) (AD 250-325) a oeIntroduction to Christianitya (Diuinae institutiones). In it the church father, who was renowned as a Christian Cicero, describes the end of the world, the thousand year Kingdom of God and the Last Judgment, from a standpoint influenced by the Christian persecutions. This significant text, which offers insight into early Christiansa (TM) views of the end of the world, is presented together with an introduction, translation (the first since 1787) and an extensive commentary.

This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

The Politics is one of the most influential texts in the history of political thought, and it raises issues which still confront anyone who wants to think seriously about the ways in which human societies are organized and governed. The work of one of the world's greatest philosophers, it draws on Aristotle's own great knowledge of the political and constitutional affairs of the Greek cities. By examining the way societies are run - from households to city states - Aristotle establishes how successful constitutions can best be initiated and upheld. For this edition Sir Ernest Barker's fine translation, which has been widely used for nearly half a century, has been extensively revised to meet the needs of the modern reader. The accessible introduction and clear notes by R F Stalley examine the historical and philosophical background of the work and discuss its significance for modern political thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A New Work by Apuleius presents what may be the first lengthy Latin text from antiquity to be published in almost a century. Marshalling evidence from the text, intertextual relationships, stylistics, stemmatics, codicology, and philosophy, it lays out a compelling case for attributing this work - a summary of 14 of Plato's dialogues - to the second-century polymath Apuleius, author of the Apology, the Florida, the Metamorphoses, and the De Platone, an introduction to Plato for Latin readers. First discovered by Raymond Klibansky, the text is transmitted in one important, but neglected, manuscript of Apuleius' philosophical works. In this volume, Stover reveals that this new work is in fact the lost third book of the De Platone, and provides the key to understanding Apuleius' use and interpretation of Plato. The volume demonstrates that the new work is one of the only extant examples of scholastic ephemera from antiquity, allowing us to see how Apuleius shaped his notes from reading Plato into an independent treatise. Situated between the Latin and Greek worlds as a Latin summary of a Greek text, the new work offers a fascinating insight into the practice of translation in the Latin world, the scholarly methods of antiquity, the development of Middle Platonism, and sheds new light on an under-appreciated facet of a celebrated author.

Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.

A new translation of four of Aeschylus's finest works.
Illuminating the tragic grandeur for which Aeschylus has been celebrated, this fresh translation of "The Persians and Other Plays" shows how Aeschylus brought epic sweep to the drama of classical Athens, raising it to the status of high art. "The Persians," the only Greek tragedy to record events from recent Athenian history, depicts the final defeat of Persia in the battle of Salamis through the eyes of the Persian court. In "Prometheus Bound," the defiant Titan Prometheus is punished by Zeus for daring to improve the state of servitude in which mankind is kept. "Seven Against Thebes" shows the inexorable downfall of the last members of the cursed family of Oedipus, while "The Suppliants" relates the pursuit of the fifty daughters of Danaus by the fifty sons of Aegyptus, and their final rescue by a heroic king.

Sophocles' Electra is a riveting play with a long and varied reception. Its nuanced treatment of matricidal revenge with all the questions it raises; its compelling depictions of the idealistic, long -grieving, rebellious Electra; her compliant sister; her brother; and her mother; and its superb poetry have all contributed to making this one of Sophocles' most admired plays, as have the moral issues it raises and its political reverberations. In recent decades it has been repeatedly translated, adapted, and produced, sometimes on its own, sometimes in combination with selections from Aeschylus' Libation Bearers and (more often) Euripides' Electra. While the play certainly stands on its own in any language, reading it in the original Greek adds immense value. A commentary on the Greek text would enrich its reading by elucidating the words and world of the ancient language for those who are reading it more than twenty- five hundred years after the play was written. Such a commentary would also contribute to our understanding of other ancient Greek texts, not necessarily because they use the same words in the same way, but by providing information for contrast, comparison, and clarification. This commentary includes an introduction, text and notes, an abbreviations list, a stylistic & metrical terminology list, an appendix of recurrent words, and, a list of irregular verbs and their principal parts.

In diesem Buch wird erstmals der werkubergreifende Walpurgisnacht-Komplex von Johann Wolfgang Goethe in seinem literarhistorischen, poetologischen und ideengeschichtlichen Gesamtzusammenhang erschlossen. Dreimal hat sich Goethe im Laufe seines Lebens mit der Sage vom Hexensabbat auf dem Blocksberg poetisch auseinandergesetzt. Dennoch blieben die bisherigen Untersuchungen auf die zwei Walpurgisnacht-Szenen des Faust (1808/1832) beschrankt. Thomas Hoeffgen leistet einen profunden Forschungsbeitrag zur weniger bekannten Ersten Walpurgisnacht (1799) und gelangt zu einer grundlegenden Neubewertung der weltberuhmten Faust-Szenen.

In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC at which the guests - including the comic poet Aristophanes and, of course, Plato's mentor Socrates - each deliver a short speech in praise of love. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness. And then into the party bursts the drunken Alcibiades, the most popular and notorious Athenian of the time, who insists on praising Socrates himself rather than love, and gives us a brilliant sketch of this enigmatic character. The power, humour, and pathos of Plato's creation engages the reader on every page. This new translation is complemented by full explanatory notes and an illuminating introduction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is an impressive history about state, power and intrigues in thefifth century A.D. Byzantium, zooming on Attila and the Huns with large details, written by a Greek who visited Attila at his own risk. From a historical point of view, some nations from Eastern Europe, Asia and Africa find in Priscus a unique source for their roots. To philologians, this text fills a gap in providing an accurate apparatus and a complete demonstration of the stemma codicum.

This book on rare books, holographs and historical artifacts in a single collection is a treasure in itself. With generous portions of passages paired with pictures and tastefully spiced with comments, this book is a feast to the intellect. I commend this book as an aperitivo for starters and a digestivo for the sated. Bon Appetit to all guests! Adoor Gopalakrishnan, India, Writer & Filmmaker, Recipient of India's highest film honour: Dadasaheb Phalke Award; Winner: British Film Institute Award; French honour: Commander of the Order of Arts & Letters About the Book Book of Books is a box of literary delights. Illustrated throughout, it provides a guided tour of rare books, manuscripts and historical artifacts in a single collection. The reader is invited to explore and enjoy carefully chosen pearls that dangle from the strands of Time. The theme runs across cultures and centuries from both East and West with excerpts from the works of many great authors including Henry David Thoreau, Ralph Waldo Emerson, Omar Khayyam, Rabindranath Tagore and Sarvepalli Radhakrishnan, and such notable figures as Abraham Lincoln and Mahatma Gandhi.

The Getty Hexameters looks in detail at a series of forty-four magical verses inscribed on a recently discovered lead tablet from Sicily in the fifth century BC, which is now in the Getty Museum, Los Angeles.
Divided into two sections, the volume consists of a general introduction to the new inscriptions, together with a critical text and English translation, photographs, and drawings. The second section contains a collection of eleven interpretative essays which treat various aspects of the text, including religious and civic context, date and poetic language, transmission, and connections to ancient magic and ritual practice.
The volume is the first complete critical edition of the Greek text to appear in print and contains important scholarship for the field of classics from an acclaimed list of contributors.