Oxford Classical Texts, also known as Scriptorum Classicorum Bibliotheca Oxoniensis, provide authoritative, clear, and reliable editions of ancient texts, with apparatus criticus on each page. This five volume work is a new critical text edition of the only surviving ancient commentary on Plato's Timaeus, in which Proclus encompasses seven centuries of philosophical reflection on Plato's cosmology. For many authors belonging to the Platonic tradition, Proclus' commentary is the only extant source. For late Neoplatonic authors such as Proclus, writing commentaries on works by Plato and others was in fact a way to present their own highly original philosophical doctrines. Apart from being an important source text for the historiography of philosophy, this commentary on the Timaeus thus also provides a unique access way to Proclus' own Neoplatonic views on cosmology, theology, physics, and metaphysics. This new edition is based on a thorough re-examination of the entire manuscript tradition, which has led to a complete understanding of the relation between all extant manuscripts, including the Paris palimpsest BNF Supplement grec 921, belonging to the so-called 'collection philosophique' (9th century). On the basis of digitally enhanced UV photos, the scriptio inferior of this palimpsest (containing parts of books IV and V) was made nearly fully accessible. The study of the manuscript tradition and the apparatus fontium take stock of more than 100 years of study of this circumstantial text. The edition of the text is preceded by a substantial introduction, and followed, for each book, by the edition of the scholia to the text. The final volume also comprises an edition of the remaining fragments of the lost part of the text, including an Arabic fragment, edited by Rudiger Arnzen.

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

This book is a new critical edition of Aeliana (TM)s seventeen books on De natura animalium, a work of a Roman author writing in Greek, which leads us to the world of late Greco-Roman culture and thought. This is an important work for scholars interested in zoology, animalsa (TM) habits and behaviour, Stoic Philosophy, Medieval bestiaries backgrounds, and Greek language of Late Antiquity. In Aeliana (TM)s own words, he aims to collect all material about animalsA habits and behaviour. Aeliansa (TM) deep stoicism emerges from the text in a peculiar didactic and moralistic tone.

Cicero (106-43 BC) was the greatest orator of the ancient world. He dominated the Roman courts, usually appearing for the defense. His speeches are masterpieces of persuasion. They are compellingly written, emotionally powerful, and sometimes hilariously funny. This book presents five of his most famous defenses: of Roscius, falsely accused of murdering his father; of the consul-elect Murena, accused of electoral bribery; of the poet Archias, on a citizenship charge; of Caelius, ex-lover of Clodia Metelli, on charges of violence; and of Milo, for murdering Cicero's hated enemy Clodius. Cicero's clients were rarely innocent; but so seductive is his oratory that the reader cannot help taking his side. In these speeches we are plunged into some of the most exciting courtroom dramas of all time. These new translations preserve Cicero's literary artistry and emotional force, while achieving new standards of accuracy. Each speech has its own introduction, and a general introduction discusses Cicero's public career and the criminal courts. The substantial explanatory notes smoothly guide the reader through the speeches, allowing a clearer understanding of the text.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Nachdem Band I der griechischen Epikerfragmente (1987) in der Fachwelt rasch eine groAe Verbreitung gefunden hat (2. Auflage 1996), wird diese Fragmentsammlung nunmehr fortgesetzt bzw. abgeschlossen. Band II - unterteilt in die Faszikel 1 und 2 - enthAlt die Fragmente der Orphica, wobei dann Faszikel 2 (erscheint Ende 2004) auch das Gesamtregister zu Band II erhAlt. Band II der Epikerfragmente ist somit nicht nur fA1/4r Philologen ein wichtiges Arbeitsmittel, sondern stellt auch fA1/4r Religionswissenschaftler eine Fundgrube dar.

Homer and the Poetics of Gesture is the first book of its kind to consider the epic formula in terms that are gestural as well as verbal. Drawing on studies from multiple disciplines, including movement theory, dance studies, phenomenology, and early film, it suggests new approaches for interpreting the relationship between repetition and embodiment in Homer. Through a series of dynamic close readings, Purves argues that the deep-seated habits and gestures of epic bodies are instrumental to our understanding of the Iliad and Odyssey, especially insofar as they attune us to the kinetic structures and sensibilities that shape the meaning of the poems. Each of the chapters isolates a scene in which a specific action, posture, or gesture (falling, running, leaping, standing, and reaching) emerges from the background of its other iterations in order to make larger claims about its poetic significance within the epics as a whole. Beginning from the premise that gestures are shared between characters and often identically repeated within the poems' formulaic system, the book reconsiders long-standing arguments about Homeric agency and character by focusing on those moments when a gesture diverges from its expected course, redirecting the plot or drawing the poem in new and surprising directions. Homer and the Poetics of Gesture not only affords new insights into the nature of epic repetition and poetic originality but also reveals unnoticed connections between Homeric structure and technique and the embodied habits and movements of the characters within the poems.

This is the first history of Oxford and Cambridge drama during the Tudor and Stuart period. It guides the reader through the theatrical worlds of Englands universities in the sixteenth and seventeenth centuries. Early Modern Drama at the Universities opens up an exciting and challenging body of evidence and offers the reader a choice of three inroads into the corpus: institutions, intertexts, and individuals. How to get noticed at university? How to get into university in the first place, or a job afterwards? Sandis pinpoints the skills that were required for success and the role of playwriting and performance in the development of those skills. We follow Oxford and Cambridge students along their educational journeyfrom schoolboys to scholars to graduates in the workplace. For the first time, we see the extent to which institutional culture made the drama what it was: pedagogically-inspired, homosocial, and self-reflexive. It was primarily on a college level that students lived, worked, and proved themselves to the community. Therefore, this study argues, to understand university drama as a whole we must recreate it from the building blocks of individual college histories. The hundreds of plays that we have inherited from Oxford and Cambridge are steeped in Classical culture; many are written in Latin. Manuscript, not print, was the accepted medium for keeping records of student plays, and these handwritten copies were unique and personal. It is time to recognize these plays in the context of early modern English drama, to uncover the culture of drama at the universities where many leading playwrights of the age were trained.

Oedipus the King is the best-known play we have from the pen of Sophocles and was recognized as a masterpiece in Aristotle's Poetics, which cites the play more often than any other as an example of how to write tragedy. The principal character is the king of a city ravaged by a mysterious plague, who consults Apollo at Delphi and is told that the plague will end only when those who killed the previous king, Laius, are found and punished. He launches an investigation, in the course of which he learns not only that he is himself the killer, but that Laius was his father and Laius' widow, whom he married, his own mother. As a result of this revelation Oedipus changes from being a respected king and conscientious investigator into a polluted and self-blinded outcast. This volume presents a highly-polished English verse translation of Sophocles' powerful play which renders both the beauty of his language and the horror of the events being dramatized. A detailed introduction and notes clearly elucidate how the plot is constructed and the meaning this construction implies, as well as how Sophocles ably concealed the fact that his characters act in ways which differ from what we expect in real life. It also addresses influential misinterpretations, thereby offering an accessible and authoritative introduction to the play that will be of benefit to a wide range of readers.

'Tell me, Muse, of the man of many turns, who was driven far and wide after he had sacked the sacred city of Troy' Twenty years after setting out to fight in the Trojan War, Odysseus is yet to return home to Ithaca. His household is in disarray: a horde of over 100 disorderly and arrogant suitors are vying to claim Odysseus' wife Penelope, and his young son Telemachus is powerless to stop them. Meanwhile, Odysseus is driven beyond the limits of the known world, encountering countless divine and earthly challenges. But Odysseus is 'of many wiles' and his cunning and bravery eventually lead him home, to reclaim both his family and his kingdom. The Odyssey rivals the Iliad as the greatest poem of Western culture and is perhaps the most influential text of classical literature. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

The seven books of the Diuinae institutiones (a oeThe Divine Institutionsa )are the most important of the writings of the Christian author Lactantius. Their critical edition is continued here with a secondfascicle containing books III (with evidence for philosophical texts otherwise lost) and IV (with numerous quotes from the Bible). To this end the various manuscripts were collated, the constitution of the text checked on the basis of previous research, and the evidence for sources and subsequent textual transmission updated. The firstfascicle with books I and II was published in 2005.

Wisdom in Classical and Biblical Tradition begins with the recognition that modern culture emerged from a synthesis of the legacies of ancient Greek civilization and the theological perspectives of Jewish and Christian scriptures. Part of what made this synthesis possible was a shared outlook: a common aspiration toward wholeness of understanding that refused to separate knowledge from goodness, virtue from happiness, cosmos from polis, and divine authority from human responsibility. This wholeness of understanding, or wisdom, features prominently in both classical and biblical literatures as an ultimate good. Wisdom in Classical and Biblical Tradition has two central aims. The first is to explain in formal terms what wisdom is. Though wisdom involves matters of practical judgment affecting the life of the individual and the social sphere, it has also been identified with an understanding of the world and of the ultimate realities that give meaning to human thought and action. Michael Legaspi explains how, in its traditional form, wisdom was understood to govern intellectual, social, and ethical endeavors. Legaspi's second aim is to analyze figures and texts that have yielded and shaped the traditional understanding of wisdom. This book examines accounts of wisdom from foundational texts that range from the period of Homer to the destruction of the Second Temple, and explains why the search for wisdom remains an important but problematic endeavor today.

Oxford Classical Texts, also known as Scriptorum Classicorum Bibliotheca Oxoniensis, provide authoritative, clear, and reliable editions of ancient texts, with apparatus criticus on each page. This five volume work is a new critical text edition of the only surviving ancient commentary on Plato's Timaeus, in which Proclus encompasses seven centuries of philosophical reflection on Plato's cosmology. For many authors belonging to the Platonic tradition, Proclus' commentary is the only extant source. For late Neoplatonic authors such as Proclus, writing commentaries on works by Plato and others was in fact a way to present their own highly original philosophical doctrines. Apart from being an important source text for the historiography of philosophy, this commentary on the Timaeus thus also provides a unique access way to Proclus' own Neoplatonic views on cosmology, theology, physics, and metaphysics. This new edition is based on a thorough re-examination of the entire manuscript tradition, which has led to a complete understanding of the relation between all extant manuscripts, including the Paris palimpsest BNF Supplement grec 921, belonging to the so-called 'collection philosophique' (9th century). On the basis of digitally enhanced UV photos, the scriptio inferior of this palimpsest (containing parts of books IV and V) was made nearly fully accessible. The study of the manuscript tradition and the apparatus fontium take stock of more than 100 years of study of this circumstantial text. The edition of the text is preceded by a substantial introduction, and followed, for each book, by the edition of the scholia to the text. The final volume also comprises an edition of the remaining fragments of the lost part of the text, including an Arabic fragment, edited by Rudiger Arnzen.

This collection offers a new collaborative reading of Quintus Smyrnaeus' Posthomerica: a major, fascinating Greek epic written at the height of the Roman Empire. Building on the surge of interest in imperial Greek poetry seen in the past decades, this volume applies multiple approaches literary, theoretical and historical to ask new questions about this mysterious, challenging poet and to re-evaluate his role in the cultural history of his time. Bringing together experienced imperial epic scholars and new voices in this growing field, the chapters reveal Quintus' crucial place within the inherited epic tradition and his role in shaping the literary politics of Late Antique society.

Featuring Cecelia Eaton Luschnig's annotated verse translations of Euripides' Electra , Iphigenia among the Tauri , and Orestes , this volume offers an ideal avenue for exploring the playwright's innovative treatment of both traditional and non-traditional stories concerning a central, fascinating member of the famous House of Atreus.

Die Steinepigramme aus dem griechischen Osten enthalten das Material aus Kleinasien und dem Orient und bieten die auf Stein uberlieferten Texte in einer Edition mit UEbersetzung, kritischem Apparat, Kommentar und Bibliographie. In den Banden 1-4 sind 2.122 auf Stein uberlieferte griechische und lateinische Texte aus Kleinasien und dem Orient aus der Zeit bis zum 7. Jahrhundert nach Christus abgedruckt, ubersetzt, kommentiert und illustriert (ca. 700 Abbildungen). Band 5, der Registerband, enthalt Orte, Gedichtanfange, Konkordanzen, einen Sachindex und vor allem Verzeichnisse der Eigennamen (S. 202 - 309) - ca. 8.000 Nennungen in den Epigrammen. Ausserdem enthalt Band 5 (S. 17-49) Addenda et Corrigenda mit 29 neuen Epigrammen und ein Register aller Nachtrage und Korrekturen (S. 1-16) mit kurzen Nachtragen.

The Aeneid - thrilling, terrifying and poignant in equal measure - has inspired centuries of artists, writers and musicians. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by J. W. Mackail and has an afterword by Coco Stevenson. Virgil's epic tale tells the story of Aeneas, a Trojan hero, who flees his city after its fall, with his father Anchises and his young son Ascanius - for Aeneas is destined to found Rome and father the Roman race. As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

Iphigenia among the Taurians Bacchae Iphigenia at Aulis Rhesus The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealing with a grisly event in the Trojan War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

These delightful poems - by turns whimsical, beautiful, and vulgar - seem to have primarily survived because they were attributed to Virgil. But in David R. Slavitt's imaginative and appealing translations, they stand firmly on their own merits. Slavitt brings to this little-known body of verse a fresh voice, vividly capturing the tone and style of the originals while conveying a lively sense of fun.

'Dreams are products of the mind, and do not come from any external source' Artemidorus' The Interpretation of Dreams (Oneirocritica) is the richest and most vivid pre-Freudian account of dream interpretation, and the only dream-book to have survived complete from Graeco-Roman times. Written in Greek around AD 200, when dreams were believed by many to offer insight into future events, the work is a compendium of interpretations of dreams on a wide range of subjects relating to the natural, human, and divine worlds. It includes the meanings of dreams about the body, sex, eating and drinking, dress, the weather, animals, the gods, and much else. Artemidorus' technique of dream interpretation stresses the need to know the background of the dreamer, such as occupation, health, status, habits, and age, and the work is a fascinating social history, revealing much about ancient life, culture, and beliefs, and attitudes to the dominant power of Imperial Rome. Martin Hammond's fine translation is accompanied by a lucid introduction and explanatory notes by Peter Thonemann, which assist the reader in understanding this important work, which was an influence on both Sigmund Freud and Michel Foucault.

Quintus Ennius (239-169 BC), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity and inspired major developments in Roman religion, social organization, and popular culture. Brought in 204 to Rome in the entourage of Cato, Ennius took up residence on the Aventine and, fluent in his native Oscan as well as Greek and Latin, became one of the first teachers to introduce Greek learning to Romans through public readings of Greek and Latin texts. Best known for domesticating Greek epic and drama, Ennius also pursued a wide range of literary endeavors and found success in almost all of them. His tragedies were long regarded as classics of the genre, and his Annals gave Roman epic its canonical shape and pioneered many of its most characteristic features. Other works included philosophical works in prose and verse, epigrams, didactic poems, dramas on Roman themes (praetextae), and occasional poetry that informed the later development of satire. This two-volume edition of Ennius, which inaugurates the Loeb series Fragmentary Republican Latin, replaces that of Warmington in Remains of Old Latin, Volume I and offers fresh texts, translations, and annotation that are fully current with modern scholarship.