The most recent collection of Amend's cartoons about the antics of the Fox family as they deal with life in the '90s--"the funniest family this side of the Simpsons" ("Wired"). Syndicated by Universal Press Syndicate since 1988, "FoxTrot" appears in nearly 800 daily and Sunday newspapers throughout the U.S.

In his remarkable new book Joe Sacco returns to Bosnia, the setting for his first masterpiece, Safe Area Gorazde. In 2001 he went back to Sarajevo to meet up with his old 'fixer', an army veteran called Neven who, for the right price, could arrange anything for the visiting journalist. Sacco gradually realized that Neven's own story - a microcosm of the Balkan conflict itself - might be the most compelling of all. Through Neven, Sacco tells the story of the warlords and gangsters who ran the country during the war, but all the time he - and the reader - never know whether Neven is telling the truth.

Seven Minutes is a social and aesthetic history of the "controlled anarchy" of the cartoon, from the first talking Mickeys to the demise of Warners and MGM theatrical productions in 1960. Norman M. Klein follows the scrambling graphics and upside-down ballet of Fleischer's Betty Boop, Popeye, Superman of the Wolfie cartoons by Tex Avery, of the Bugs and Daffy, Tweetie and Roadrunner cartoons from Warners, of full animation at Disney, of the "whiteness of Snow White", and of how Mickey Mouse became a logo. Reviewing the graphics, scripts and marketing of each era, he discovers the links between cartoons and live action movies, newspapers, popular illustration, and the entertainment architecture coming out of Disneyland. Klein shows that the cartoon was a perverse juggling act, invaded constantly by economic and political pressures, by marketing for sound, by licensing characters to stave off bankruptcies, by Prohibition, the Great Depression, World War II and the first wave of television.

In this definitive study of one of popular culture's favorite genres Robert C. Harvey, a cartoonist and comics critic, traces the evolution of the comic book as a potent form of narrative art. He takes it from its beginnings in the 1930s through the most contemporary of productions in the mid-1990s.

In defining comic book aesthetics Harvey establishes both a critical perspective and a vocabulary for evaluating the art. Because he is an able practitioner himself, his insights are especially valuable. As he demonstrates how words and pictures function together to tell stories in ways unique to the medium, he explains the processes of narrative breakdown, page layout, and panel composition, and shows how these aspects of the art form can be manipulated for dramatic effects.

Enhanced by many illustrations, this detailed examination of comic book art includes work from both the mainstream and the counterculture, both veteran and newcomer. Whether traditional or iconoclastic, their cartoon art continues to uphold the aesthetic that Harvey finds to be the basis of cartooning.

Fast facts, illuminating info, and tantalizing trivia about the heroes and villains of the whole DC Comics Universe. The latest title in a bestselling series, DC Comics: Absolutely Everything You Need To Know has the lowdown on everyone's favorite DC Comics Super Heroes and Super-Villains, including Superman™, Batman™, Wonder Woman™, The Flash™, Green Lantern™, Aquaman™ and The Joker™. The infographic design of each illustrated, double-page feature gives readers a totally new slant on the DC Comics Universe and its super-powered heroes and villains, fantastic weapons, futuristic technology, strange planets, exotic places and alternate worlds. The punchy, accessible text, incorporates key data, fun facts, lists, quotes and amazing stats, spanning 80 years of DC Comics Super Hero thrills. Information is presented in exciting box styles and illustrated with DC Comics artwork.

Themed boxes capture the essence of characters or topics by pinpointing their most unforgettable aspects. Discover Superman's strangest powers and Batman's top death-defying escapes! Find out who wins when Wonder Woman and The Cheetah™ go head to head. Check out The Joker's best and worst days! Learn the greatest secrets of Aquaman's undersea kingdom Atlantis! Explore the darkest corners of Arkham Asylum and Apokolips! These and many more eye-popping revelations and strange, intriguing insights await readers of DC Comics: Absolutely Everything You Need to Know-a book that will inform, delight and enthral DC Comics fans of all ages.

TM & © DC Comics.

Michael Allred (b. 1962) stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of both postmodernism and nostalgia. His childhood came during an era where pop art and camp embraced elements of kitsch and pastiche and introduced them into the lexicon of popular culture. Allred's use of both in his work as a cartoonist on his signature comic book Madman in the early 1990s offset the veiled autobiography of his own spiritual journey through Mormonism and struggles with existentialism. Thematically, Allred's work deals heavily with the afterlife as his creations struggle with the grander questions-whether his modern Frankenstein hero Madman, cosmic rock 'n' roller Red Rocket 7, the undead heroine of iZombie (co-created with writer Chris Roberson), or the cast of superhero team book The Atomics. Allred also enjoys a position in the creator-driven generation that informs the current batch of independent cartoonists and has experienced his own brush with a major Hollywood studio's aborted film adaptation of Madman. Allred's other brushes with Hollywood include an independent adaptation of his comic book The G-Men from Hell, an appearance as himself in Kevin Smith's romantic comedy Chasing Amy (where he provided illustrations for a fictitious comic book), the television adaptation of iZombie, and an ongoing relationship with director Robert Rodriguez on a future Madman film. Michael Allred: Conversations features several interviews with the cartoonist from the early days of Madman's success through to his current mainstream work for Marvel Comics. To read them is to not only witness the ever-changing state of the comic book industry, but also to document Allred's growth as a creative genius.

Stan Lee invented SPIDER-MAN! And IRON MAN! And the HULK! And the X-MEN! And more than 500 other iconic characters! His name has appeared on more than a billion comic books, in 75 countries, in 25 languages. His creations have starred in multi-billion-dollar grossing movies and TV series. This is his story. Danny Fingeroth writes a comprehensive biography of this powerhouse of ideas who changed the world's understanding of what a hero is and how a story should be told, while exploring Lee's unique path to becoming the face of comics. With behind-the-scenes stories and interviews with Stan's brother Larry Lieber and other industry legends, A Marvelous Life has insights that only an insider like Fingeroth can offer. Fingeroth, himself a longtime writer and editor of Marvel's Comics and now a lauded pop culture critic and historian, knew and worked with Stan Lee for over three decades. Due to this connection, Fingeroth is able to put Lee's life and work in a context that makes events and actions come to life as no other writer could.

What do the Regan administration, the U.S. Budget, National Defense, the Soviet Pipeline, and the Pro-Football Strike all have in common? They're all subjects that were up for grabs in 1982 for the nation's leading editorial cartoonists. Started in 1972, the series has been widely acclaimed as a concise yet far-ranging pictorial history of each year's events. As Publishers Weekly said, it's "a great way to get the gut feeling of a year's history." The 1983 edition continues the standard of excellence established in previous editions. More than 350 editorial cartoons reflect the best work of 140 cartoonists who focused their sights on the Middle East, Poland, Latin American, Great Britain, Pope John Paul II, the economy, and an array of other issues that made the headlines in 1982. ABOUT THE EDITOR Charles Brooks is past president of the Association of American Editorial Cartoonists and for 38 years was a cartoonist for the Birmingham News. He has been the recipient of 13 Freedom Foundation Awards, a national VFW Award, two Vigilante Patriot Awards, and a Sigma Delta Chi Award for editorial cartooning.

Rebellion is proud to present the finest romance comics in British history in one spectacular volume! Curated by Eisner-nominated historian and artist David Roach, A Very British Affair charts the stratospheric rise of romance comics in postwar Britain with a selection of the greatest romance comics ever printed in the UK. Featuring an eclectic mix of artists from Spain, Italy, and the UK, this collection unearths the sensual art and emotional writing which delighted generations of comics readers. Featuring over 50 comics stories - many of which have never been reprinted before - this lavish book is a stunning tribute to the often uncredited creators who crafted an industry of love. Roach shines a spotlight on the Spanish and Italian artists who dominated romance, as well as the genre's forgotten female contributors, like Jenny Butterworth, Pat Tourett and Diane Gabbott. Featuring art by comics icons like Shirley Bellwood (Misty), Jordi Badia Romero (Creepy) and Enrique Badia Romero (AXA), Mike Hubbard (Jane), Carlos Ezquerra (Judge Dredd), John M. Burns (Modesty Blaise), Purita Campos (Patty's World), Jesus Blaco (Steel Claw), Pepe Gonzalez (Vampirella) Jesus Redondo (Kitty Pryde) and Blas Gallego (Black Beth).

An original sci-fi adventure of rebellion against a totalitarian and oppressive world, as imagined by master storyteller Alejandro Jodorowsky (The Incal, Metabarons, Jodorowsky's Dune). On Megalex, the city-planet, a tyrannical order reigns over a population controlled by drug addiction and genetic manipulation. Its only opposition are the freedom fighters hiding in a primitive and impenetrable forest. The fighters are easy prey--until a clone policeman, known only as Anomaly, is rescued from death by the rebel Adama and learns the truth about the side he's been fighting for. Now the gentle giant has joined the opposition and is eager to help topple his former masters. At long-last back in print in a gorgeous oversized deluxe edition for the first time, this is the definitive way to enjoy this classic sci-fi epic. Experience the art in the way it was meant to be. Includes: Special Edition with Gold Foil Stamping on Cover Cover gallery

Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. Throughout his career, his drawings provided a pointed critique that forced readers to confront the contradictions around them. In this thoroughgoing and lively biography, Fiona Deans Halloran focuses not just on Nast's political cartoons for Harper's but also on his place within the complexities of Gilded Age politics and highlights the many contradictions in his own life: he was an immigrant who attacked immigrant communities, a supporter of civil rights who portrayed black men as foolish children in need of guidance, and an enemy of corruption and hypocrisy who idolized Ulysses S. Grant. He was a man with powerful friends, including Mark Twain, and powerful enemies, including William M. ""Boss"" Tweed. Halloran interprets Nast's work, explores his motivations and ideals, and illuminates Nast's lasting legacy on American political culture.

In 1975, Marvel Comics revived the X-Men, a failed title which hadn't used new material for half a decade. It was a marginal project in an industry then in crisis. Five years later, it was the bestseller in a revived comics market. Unusually in the comics world, one man, Chris Claremont wrote the comic over seventeen years, from 1975 to 1991, developing new characters such as Wolverine and Storm, and taking themes from Freudian psychology, Christian temptation narratives, Existentialist philosophy and the language of sub-cultural identity. Marvel's Mutants is the first book to be devoted to the aesthetics of these comics that laid the foundation for the worldwide X-Men franchise we know today. Miles Booy explores Claremont's recurrent themes, the evolution of his reputation as an auteur within a collaborative medium, the superhero genre and the input of the artists with whom Claremont worked. Also covered are the successful spin-off projects, which Claremont wrote: solo Wolverine mini-series and whole new teams of mutant superheroes.

Balancing humor with sensitivity to tell stories we need to hear .Funky Winkerbean, a newspaper staple since 1972, is one of the few comic strips that allows its characters to grow and age. With this ninth volume of the collected Funky Winkerbean, containing strips from 1996-1998, time continues to pass and events take place that will forever alter the lives of the core characters, even as new characters take the stage with stories to tell. Tom Batiuk's narrative humor style now grows to encompass such diverse events as retirement, weddings, the treatment of immigrants, dating abuse, and post office bombings. Some of the stories can be told over a cup of coffee, while others require a full-on Roman feast. As the stories become more universal, the humor in Funky continues to become an integral part of the ongoing narrative.

Mainstream narratives of the graphic novel’s development describe the form’s “coming of age,� its maturation from pulp infancy to literary adulthood. In Arresting Development, Christopher Pizzino questions these established narratives, arguing that the medium’s history of censorship and marginalization endures in the minds of its present-day readers and, crucially, its authors. Comics and their writers remain burdened by the stigma of literary illegitimacy and the struggles for status that marked their earlier history. Many graphic novelists are intensely aware of both the medium’s troubled past and their own tenuous status in contemporary culture. Arresting Development presents case studies of four key works—Frank Miller’s Batman: The Dark Knight Returns, Alison Bechdel’s Fun Home, Charles Burns’s Black Hole, and Gilbert Hernandez’s Love and Rockets—exploring how their authors engage the problem of comics’ cultural standing. Pizzino illuminates the separation of high and low culture, art and pulp, and sophisticated appreciation and vulgar consumption as continual influences that determine the limits of literature, the status of readers, and the value of the very act of reading.

First introduced in a 1938 comic book, Superman has since become an iconic character in American entertainment. This complete history covers Superman's appearances in film and television, from the 1941 introduction of the first Superman cartoon to the 2006 live-action film Superman Returns. The book includes several rarely seen photographs of the actors who have brought Superman to life for over seven decades, including Clayton "Bud" Collyer, Kirk Alyn, George Reeves and Christopher Reeve. Multiple appendices provide a complete listing of Superman-related books and websites, along with a comprehensive list of the cast and characters featured in Superman films, television shows, and radio programs since 1941.

Super Hero. Leader. Avenger. One of Marvel Comics most inspiring characters is all this and so much more. With a foreword by the equally legendary Stan Lee, Captain America: The Ultimate Guide: New Edition celebrates the 80th Anniversary of the iconic Captain America. Delve into the long and storied history of the First Avenger, from his service in World War II through to the earth-shattering events of the Infinity Wars and Empyre. Discover the origins of Captain America and how he joined the Avengers. Learn about his first encounters with his courageous allies, including Peggy Carter, Winter Soldier, and Falcon, and his epic clashes with villains such as Baron Zemo and Red Skull. Iconic, brave, and principled, Captain America has become one of Marvel Comics' most beloved Super Heroes. Expertly written and lavishly illustrated, no Marvel or Captain America fan will want to miss this indispensable guide. (c) 2021 MARVEL

Long before flying saucers, robot monsters, and alien menaces invaded our movie screens in the 1950s, there was already a significant but overlooked body of cinematic science fiction. Through analyses of early twentieth-century animations, comic strips, and advertising, Animating the Science Fiction Imagination unearths a significant body of cartoon science fiction from the pre-World War II era that appeared at approximately the same time the genre was itself struggling to find an identity, an audience, and even a name. In this book, author J.P. Telotte argues that these films helped sediment the genre's attitudes and motifs into a popular culture that found many of those ideas unsettling, even threatening. By binding those ideas into funny and entertaining narratives, these cartoons also made them both familiar and non-threatening, clearing a space for visions of the future, of other worlds, and of change that could be readily embraced in the post-war period.

Saul Steinberg's inimitable drawings, paintings, and assemblages enriched the New Yorker, gallery and museum shows, and his own books for more than half a century. Although the literary qualities of Steinberg's work have often been noted in passing, critics and art historians have yet to fathom the specific ways in which Steinberg meant drawing not merely to resemble writing but to be itself a type of literary writing. Jessica R. Feldman's Saul Steinberg's Literary Journeys, the first book-length critical study of Steinberg's art and its relation to literature, explores his complex literary roots, particularly his affinities with modernist aesthetics and iconography. The Steinberg who emerges is an artist of far greater depth than has been previously recognized. Feldman begins her study with a consideration of Steinberg as a reader and writer, including a survey of his personal library. She explores the practice of modernist parody as the strongest affinity between Steinberg and the two authors he repeatedly claimed as his ""teachers"" Vladimir Nabokov and James Joyce. Studying Steinberg's art in tandem with readings of selected works by Nabokov and Joyce, Feldman explores fascinating bonds between Steinberg and these writers, from their tastes for parody and popular culture to their status as mythmakers, emigres, and perpetual wanderers. Further, Feldman relates Steinberg's uniquely literary art to a host of other authors, including Rimbaud, Baudelaire, Flaubert, Gogol, Tolstoy, and Defoe. Generously illustrated with the artist's work and drawing on invaluable archival material from the Saul Steinberg Foundation, this innovative fusion of literary history and art history allows us to see anew Steinberg's art.

This volume collects a wide-ranging sample of fresh analyses of Spider-Man. It traverses boundaries of medium, genre, epistemology, and discipline in essays both insightful and passionate that move forward the study of one of the world's most beloved characters. The editors have crafted the book for fans, creators, and academics alike. Foreword by Tom DeFalco, with poetry and an afterword by Gary Jackson (winner of the 2009 Cave Canem Poetry Prize).

Explore the fabled myths and epic legends of the vast and vibrant Marvel Universe. Visit the dawn of time to witness the birth of the Celestials and their warring creations, the Eternals and Deviants. Discover the pantheons of Thor, the Asgardians, and their Olympian rivals. Wonder at the arcane origins of Doctor Strange, the Sorcerer Supreme. Behold the new and ancient gods of Wakanda and the Black Panthers. Celebrate the rise of Atlantis and its royal protector Namor, the Sub-Mariner. These are the spectacular sagas and mythic tales that define and underpin the Marvel Universe. (c) 2020 MARVEL