Freedom vs. security: that is the dilemma explored here - and two iconic superheroes come to completely opposite conclusions. This collection of 11 provocative essays examines the complex psychological and political choices made by Captain America and Iron Man in the wake of a civil war. Why do they see things so differently? What are their motivations? Who is right? This book analyzes the polar sides of this debate - national security vs. individual freedoms - exploring how trauma shaped these heroic characters, what it takes to become a superhero and what role gender plays in one's ability to resolve conflicts, along with questions of morality, leadership and teamwork.

How to draw food step by step. This drawing book will teach you how to draw all you need to know about drawing food.

From the Galaxy's Greatest Comic, 2000 AD, comes the most gripping colouring book of the year: the toughest, strongest, most defiant and sometimes meanest action heroines in comics. Intricate and bold, be mindful that these are the most determined characters you will get to colour this year!

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

This ground-breaking collector's edition features over 300 pieces of art from the world's best fantasy, science fiction, and horror artists in a range of various medium, including Donato Giancola, Greg Hildebrandt, Rebecca Guay, and Jon Schindehette. With over 100 years of combined experience, each of these artists are uniquely qualified to decide the best of the best in all of the submissions to IBA for Volume 3.

Welcome to the 2nd book in Rob Mcleay's cartoon project book series for 8 - 12 year olds. Rob digs deep into his unorthodox imagination with tantalizing lessons to keep you occupied for many hours on end Each project has been handcrafted with his special genius of mixing technical drawing skills and projects together. To get the best of both worlds. he also works his magic by creating lessons that any budding cartoonist can take on whether their skill level is an absolute beginner or a super, epic awesome cartoonist with magnificent levels of awesomeness. We've got The Ghost Hunters with their Ghost Capture Contraptions. A Robot and his Broken TV. There's a make your own game section using a cute little character called a Fudsy. You've got Flingers which can be aimed at asteroid planets, then you will need to create an Alien's Best Friend. After that you have to develop a Mouse Capture Unit using TNT and rockets. Once you've finished them you will get straight into Nuts Which is a side scrolling platform game where you are the Art Director. Then you will find yourself in space with no one to talk to but your imaginary friend an Alien Robot. And if you have managed to get to the last project, you will be in charge of creating your very own Frank E Steins Pet using a load of different animal parts What are you waiting for Get your pencils and start drawing.

Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the ""beautiful boy"" has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. In recent decades, ""Boys Love"" (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of ""boys love,"" and are rapidly gaining an audience throughout Asia and globally. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.

Slow Ball Cartoonist takes readers on a journey to an earlier era in America when cartoonists played a pivotal role each day in enabling major daily newspapers to touch the lives of their readers. No American cartoonist was more influential than the Chicago Tribune's John T. McCutcheon-the plainspoken Indiana native and Purdue University graduate whose charming and delightful cartoons graced the pages of the newspaper from 1903 until his retirement in 1946. This book chronicles McCutcheon's adventure-filled life, from his birth on a rural small farm near Lafayette in 1870, to his rise as the "Dean of American Cartoonists." His famous cartoon, Injun Summer, originally published in 1907, was a celebration of autumn through childlike imagination and made an annual appearance in the Tribune each fall for decades. McCutcheon was the first Tribune staff member to earn the coveted Pulitzer Prize for his poignant 1931 cartoon about a victim of bank failure at the height of the Great Depression. Born with an itch for adventure, McCutcheon served as a World War I correspondent, combat artist, occasional feature writer, portrait artist, and world traveler. While the gangly and tall McCutcheon looked the part of the down-home characters featured in his cartoons, the world-wise flavor of his work influenced public opinion while making readers smile. Hard-hitting and even vicious attacks on public figures were common among his contemporaries; however, McCutcheon's gentle humor provided a change in pace, thus prompting a colleague to borrow a phrase from baseball and anoint him "the slow ball cartoonist." Slow Ball Cartoonist is a timeless story about a humble man who made the most of his talents and lived life to the fullest, being respectful and fair to all-including the targets of his cartoonist's pen.

The Thing. Daredevil. Captain Marvel. The Human Fly. Drawing on DC and Marvel comics from the 1950s to the 1990s and marshaling insights from three burgeoning fields of inquiry in the humanities--disability studies, death and dying studies, and comics studies--Jose Alaniz seeks to redefine the contemporary understanding of the superhero. Beginning in the Silver Age, the genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol. Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of characters and series--some familiar (Superman), some obscure (She-Thing). These genre changes reflected a wider awareness of related body issues in the postwar United States as represented by hospice, death with dignity, and disability rights movements. The persistent highlighting of the body's ""imperfection"" comes to forge a predominant aspect of the superheroic self. Such moves, originally part of the Silver Age strategy to stimulate sympathy, enhance psychological depth, and raise the dramatic stakes, developed further in such later series as The Human Fly, Strikeforce: Morituri, and the landmark graphic novel The Death of Captain Marvel, all examined in this volume. Death and disability, presumed routinely absent or denied in the superhero genre, emerge to form a core theme and defining function of the Silver Age and beyond.

The Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Gorazde (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I. First in the new series, Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco's comics journalism critiques and employs the ""standard of objectivity"" in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important--and necessary--comics today, by one of the most acclaimed journalist-artists of our time.