The seven acts of the drama The First Day are set in the Kingdom of the Great Spirit as this Kingdom might have been imagined by Crazy Horse, the legendary war chief of the Lakota Sioux who was assassinated by the U.S. government in 1877, after he had surrendered. The action occurs on January 5, 1960 when Crazy Horse welcomes the French philosopher and writer Albert Camus to the Kingdom. Camus had been killed in an automobile accident the night before. Following introductions, the two begin a walk that lasts from dawn to dusk and traverses a variety of landscapes. Periodically they stop to converse with others in the Kingdom. These include Native Americans Chief Joseph and Chief Seattle, Jesus, and the poets Emily Dickinson, Walt Whitman and Federico Garcia Lorca. Walt Whitman is accompanied by a young friend named Jimmy, and Jesus finds himself leading a band of some twenty children. The travelers discuss various subjects, personal, historical and philosophical. Their principal interest, however, is the mysterious Almighty Power whose grace makes possible their eternal life. Considering this mystery, they also discuss justice and injustice among mortals, why men who struggled to do good often suffered at the hands of those who did evil, and whether poets and poetry are an influence for good in the affairs of mortals. At the end of the day, having bid good day to their fellow travelers and sitting on a mountain ledge overlooking expansive valleys as the night sky is illuminated by an astounding show of lights, Crazy Horse and Camus are joined by Socrates. Socrates explains why it is no evil on Earth can ultimately hurt a virtuous person and how it is the Almighty is revealed to humans during their mortal lives.

Drawing on years of experience of writing, teaching and publishing, this book offers essential tools for writers interested in honing their craft. Whether you're a poet, non-fiction writer, novelist, journalist, student or simply a lover of words, it will take you on an exciting and challenging journey to becoming a sophisticated writer. As in the learning of any true craft or art, first the focus is on specific skills, then on consolidating those skills, which by the end will be innate. Through a variety of exercises and freewriting prompts, Playing with Words will help you develop your writing, trying out new styles and approaches along the way. Use this book in a class, in a group, or alone in a writer's attic.

Explore the world with your students and discover its wonders - all while developing the English skills they need to become successful global citizens. Through spectacular National Geographic video and inspiring photography students will travel the globe, learning about different countries, cultures, people, and their customs. With clearly structured methodology and explicit grammar instruction, this six-level primary series is packed with fascinating facts that spark curiosity, personalisation activities that get your students talking and new online resources that make it even easier to bring the world to the classroom and the classroom to life.

Do you have a story to tell? With the help of this book, Memoir Star, you can start right now. All you have to do is get started. And you're not alone. You have the best help in this process. Two runaways who became fierce warriors for children will be your friends and guides. They will show you how they did it, how they bared their souls.

Once you get started telling some of your stories, you, too, will notice a peaceful feeling settling over you and you will have renewed strength. A doctor can't cure what ails you unless you tell her/him about it, right? Similarly, you can't really understand what you went through, where you came from, what made you who you are, and what special gifts you have to share now unless you begin to look back and inside yourself.

Here is a simple step-by-step plan to help you draft your memoir using prompts to guide you. Respond to one prompt a day, or skip around, responding to whatever prompt grabs you. It's all up to you. The important thing is to just get started. A Memoir Star is about to be born and that's you.

Creative Writing: Writers on Writing anthologises original literary work by eight contemporary authors; Amal Chatterjee, Colm Breathnach, Fred D'Aguiar, Jane Draycott, Philip Gross, Kathryn Heyman, Sabyn Javeri, and Emily Raboteau. Dealing with birth and death, love and ambition, domestic drama and foreign adventure, they take the reader to the country (Ireland, Guyana, England) and to the city (Delhi, Karachi, New York and Prague). The pieces are accompanied by reflective essays in which the authors explore the creative process behind the writing. For readers, the essays provide insights into the works themselves; for writers, they provide insights into literary craft; and for students on creative writing courses, they provide diverse models of how to discuss one's own writing.

Whenever I speak with aspiring Hollywood writers, the first question they ask is How do I break in? How do I get an agent and how do I get that first job. ] But getting an agent and that first job isn t going to get you very far. What aspiring writers should be asking is How do I build a successful career in Hollywood? ] The agent and the first job is just the beginning. Hollywood is full of writers who sold one or two scripts and were never heard from again. What it takes to succeed on your first job and then build on it to get the next job and the next is what separates the one script wonder ] from the writer with a Hollywood career. Among the questions aspiring writers really need to ask are: -How Do I Know When My Spec Script Is Ready For Submission? -What Does An Agent Look For In A Writer Beyond Their Scripts? -Once I Have An Agent What Else Should I Be Doing? -When I Go To A Meet & Greet, ] What Do I Say? -How Do I Prepare For The Different Types Of Pitch Meetings? -How Do I Handle Notes I Disagree With? -Do I Need A Lawyer And A Manager? Most writers discover the answers to these questions through trial and error. But in Hollywood, errors can be costly to a writer s career. More than one writer has seen his career thwarted due to a simple lack of awareness. The goal of Writing For The Hollywood $ ] is to arm aspiring writers with as much information as possible so not only will the road to their first agent and sale be easier, but they ll also be able to avoid costly mistakes and have a much better chance of turning that first job into a another and another. Writing For The Hollywood $ ] begins by asking the writer to do some serious self-examination as it lists the basic ingredients ] beyond a good script that a writer will need if they expect to build a career as a Hollywood writer. From here it goes on to cover topics such as dealing with executives, the different types of pitch meetings, the script notes process, the realities of working on a television writing staff and avoiding potential land mines that can damage a writer s forward progress. Writing for The Hollywood $ ] provides invaluable information for anyone who s ever aspired to write for the screen, by someone who s actually been there and done it.

Teaching Poetry Writing: A Five Canon Approach is a comprehensive alternative to the full-class workshop approach to poetry writing instruction. In the five canon approach, peer critique of student poems takes place in online environments, freeing up class time for writing exercises and lessons based on the five canons of classical rhetoric: invention, arrangement, style, memory, and delivery.

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: thereare affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

Memoir meets craft master class in this “daring, honest, psychologically insightful” exploration of how we think and write about intimate experiences—“a must read for anybody shoving a pen across paper or staring into a screen or a past" (Mary Karr)

In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it.

How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author’s way of writing, or living, to be dismissed as “navel-gazing”—or else hailed as “so brave, so raw”? And to whom, in the end, do our most intimate stories belong?

Drawing on her own path from aspiring writer to acclaimed author and writing professor—via addiction and recovery, sex work and academia—Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas—and occasional notes of caution—to anyone who has ever hoped to see themselves in a story.

This book takes an intimate, collaborative, interdisciplinary autoethnographic approach that both emphasizes the authors' entangled relationships with the more-than-human, and understands the land and sea-scapes of Newfoundland as integral to their thinking, theorizing, and writing. The authors draw on feminist, trans, queer, critical race, Indigenous, decolonial, and posthuman theories in order to examine the relationships between origins, memories, place, identities, bodies, pasts, and futures. The chapters address a range of concerns, among them love, memory, weather, bodies, vulnerability, fog, myth, ice, desire, hauntings, and home. Autoethnography and Feminist Theory at the Water's Edge will be of interest to students and scholars across a range of disciplines including gender studies, cultural geography, folklore, and anthropology, as well as those working in autoethnography, life writing, and island studies.

Storynomics - Story-Driven Marketing in the Post-Advertising World is a brilliant book that's destined to send shockwaves through the worlds of marketing and branding. Drawing on the experiences gained with his Storynomics seminars, Robert McKee - author of Story: Substance, Structure, Style and the Principles of Screenwriting and Dialogue: The Art of Verbal Action for Page, Stage and Screen - has teamed up with Tom Gerace to produce a work that is at once imaginative, innovative and inspirational. There has been a major change in the way brands connect with consumers. In the past, brand managers and chief marketing executives would find stories people loved and then interrupt their telling with advertisements. Today's consumers have tired of the ads and are blocking, skipping or avoiding them at unprecedented rates. The consequences are that marketing professionals are finding it harder and harder to reach their customers. Some business leaders have recognised that storytelling is the future of marketing, and to succeed in an increasingly ad-free world, they must place `story' at the centre of their strategies. There is still some misunderstanding about story and how it can be used effectively. Robert McKee created the Storynomics seminars to show business leaders how to apply storytelling to their businesses, to drive revenue, margins and brand loyalty. In their new book, McKee and Gerace bring a whole new meaning to marketing, to displace old theories and practices with story-driven messages. Storynomics, the book, is essential reading for all serious professionals.

Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways. Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. Features in the second edition: -Updated introduction to the new edition -Expanded sections on Hybrids, Structures, and "Unconventions" -A new section on Resistances -50 essays in all

"Teaching Academic Writing" examines the issues that confront teachers of academic writing classes. In a series of ten teacher-focused chapters, Friedrich offers practical advice and solutions in areas of teaching, assessment and feedback."Teaching Academic Writing" consists of ten teaching-focused chapters offering solutions to the issues confronting the teacher of academic writing. The contributors give practical advice about how to teach an academic writing class, offer classroom solutions for the novice teacher, and discuss the place of feedback and assessment. The chapters also examine the use of different media in the academic writing classroom, the problem of plagiarism, and background issues affecting students' ability to learn.Including a breadth of practical advice and focused around the real issues confronting the teacher of academic writing, this will be the essential book for teachers of academic writing in higher education.

180 Days of Writing is a fun and effective daily practice workbook designed to help students become better writers. This easy-to-use third grade workbook is great for at-home learning or in the classroom. The engaging standards-based writing activities cover grade-level skills with easy to follow instructions and an answer key to quickly assess student understanding. Each week students are guided through the five steps of the writing process: prewriting, drafting, revising, editing, and publishing. Watch student confidence grow while building important writing, grammar, and language skills with independent learning.Parents appreciate the teacher-approved activity books that keep their child engaged and learning. Great for homeschooling, to reinforce learning at school, or prevent learning loss over summer.Teachers rely on the daily practice workbooks to save them valuable time. The ready to implement activities are perfect for daily morning review or homework. The activities can also be used for intervention skill building to address learning gaps.

For courses in Developmental English with students of varying skill levels, or those in need of additional writing practice prior to college-level writing. A highly visual, theme-based approach to writing that meets you where you are, and guides you to where you need to be. The Writer's World series integrates essential elements that are simply not found in other writing books - a stimulating visual program, thoughtful coverage for nonnative speakers, and effective strategies that address the skill levels of all readers. Authors Lynne Gaetz and Suneeti Phadke draw upon their more than 30 years of combined teaching experience to reach as many readers as possible, by meeting their needs and addressing their individual interests and abilities. The authors' innovative instruction seamlessly infuses material for both native and nonnative speakers, while their exercises and activities encourage active participation and collaboration. The engaging design, open layout, and dynamic images support visual learners and prompt critical thinking. Available to package with The Writer's World: Paragraphs and Essays with Enhanced Reading Strategies, 5th Edition (Books a la Carte loose-leaf edition), MyLab (TM) Writing is an online homework, tutorial, and assessment program designed to work in tandem with the text to engage students and improve results. MyLab Writing is ideal for courses requiring additional writing skills practice and assessment. Note: You are purchasing a standalone product; MyLab does not come packaged with this content. Students, if interested in purchasing both the Books a la Carte loose-leaf edition of the text and MyLab, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the Books a la Carte loose-leaf edition and MyLab, search for: 0134774965 / 9780134774961 The Writer's World: Paragraphs and Essays With Enhanced Reading Strategies, Books a la Carte Edition -- Access Card Package, 5/e Package consists of: 0134312619 / 9780134312613 Writer's World, The: Paragraphs and Essays With Enhanced Reading Strategies, Books a la Carte Edition 0134759591 / 9780134759593 MyLab Writing with Pearson eText -- Standalone Access Card -- for The Writer's World: Paragraphs and Essays With Enhanced Reading Strategies The Writer's World: Paragraphs and Essays with Enhanced Reading Strategies, 5th Edition is also available via Revel (TM) , an interactive digital learning environment that replaces the print textbook, enabling students to read, practice, and study in one continuous experience. Revel is ideal for courses where student engagement and mobile access are important. Note: You are purchasing a standalone product; this is not the Revel version. Students, if interested in purchasing the Revel version, ask

Noted literary agent and author Donald Maass has done it again! His previous book, Writing the Breakout Novel, offered novelists of all skill levels and genres insider advice on how to make their books rise above the competition and succeed in a crowded marketplace.

Now, building on the success of its predecessor, Writing the Breakout Novel Workbook calls that advice into action! This powerful book presents the patented techniques and writing exercises from Maass's popular writing workshops to offer novelists first-class instruction and practical guidance. You'll learn to develop and strengthen aspects of your prose with sections on:

• Building plot layers
• Creating inner conflict
• Strengthening voice and point of view
• Discovering and heightening larger-than-life character qualities
• Strengthening theme
• And much more!

Maass also carefully dissects examples from real-life breakout novels so you'll lean how to read and analyze fiction like a writer. With authoritative instruction and hands-on workbook exercises, Writing the Breakout Novel Workbook is one of the most accessible novel-writing guides available.

Set your work-in progress apart from the competition and write your own breakout novel today!