This book provides an important and original way of understanding how journalists use emotion to communicate to readers, posing the deceptively simple question, 'how do journalists make us feel something when we read their work?'. Martin uses case-studies of award-winning magazine-style features to illuminate how some of the best writers of literary journalism give readers the gift of experiencing a range of perspectives and emotions in the telling of a single story. Part One of this book discusses the origins and development of narrative journalism and introduces a new theoretical framework, the Virtue Paradigm, and a new textual analysis tool, the Virtue Map. Part Two includes three case-studies of prize-winning journalism, demonstrating how the Virtue Paradigm and the Virtue Map provide fresh insight into narrative journalism and the ongoing conversation of what it means to live well together in community.

It's not what you think. You may have heard Casanova's legend, but have you heard his heart? Could you read between the lines of the playwright who wrote the play Casanova and why he assumes that role of his character given the power of Cupid's bow and arrow? But he is just like you and I. After all, we all use the power of the bow and arrow in some form, whether through beauty, power, or wit. And we use that power to some extent to shapes love's stage. Admittedly, some are better than others. And of course, our intentions are good. Well, at least we try most of the time. But unfortunately there are desires and motivations which we know not of, and nor do we know where they are from. In fact, we just don't know ourselves. If you were given all the power of the bow and arrow, how would you act? Is there any guarantee that your aim would be any better than the blind whims of Cupid? Especially in a world where love loves to hide, mask itself in indifference and most of all, act. We will quickly learn that the real story is what is happening behind the stage, under the stage, in the earth deep below the stage, over the stage, behind the pen, inside the heart, in the heavens, and in that place so distant and so far back-a place called home. This is a story dictated by characters with no roles, stars with no spoken parts, no cameos, and no love shared at all. Something happened that moved Casanova's heart. It moved the characters on the stage, and it is about to move the heavens. It seems today that the earth is shaking and the ground is moving, and it is getting more frequent. You had better check your foundations like Casanova did. If our house is unsteady, perhaps we might want to checkhere, and it might just heal the world.

The desire to create, to write, to fulfil our artistic dreams is a powerful human need. Yet the number of people who make a living solely by their pen is actually quite small. What does that mean for the rest of us, the self-described writing geeks, who are passionate about writing and who still want to sustain successful literary lives? What does it really mean to find time to build a rewarding writing life while pursuing a career, being a partner or raising a family, in the distracted, time-deprived, 21st-century? In The Geek's Guide to the Writing Life, based on her Huffington Post blog of the same name, Stephanie Vanderslice shares the secrets and tools to developing a successful, rewarding writing practice in a way that inspires the reader to persevere through the inevitable lows and even the highs of a literary life, so that anyone can pursue the path to realizing their artistic dreams.

Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the "likeable criminal"; going from first draft to final draft; and writing the suspense short story.
Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.

Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.

Gathered together in this volume are over two hundred and fifty poems from Anthony Castro. Included are his first published poems from Manhattan Quarterly when he was an emerging poet, to his most recent songs. Throughout his eminent career, Castro has experimented with different forms and styles, even creating an innovative form in 89 blinks that recognizes the inherent duality of all things while drawing the reader into an intimacy with the poem's experience. Anthony Castro seeks to see reality and show the world as it is. "He celebrates the uniqueness of people and allows into his songs the sublime, the sad and the proximity of death-in life, along with a joy of language, a delight in humor and recognition of the holiness of love."

"This accessible writer's guide provides a helpful framework for creating poetry and navigates contemporary concerns and practices. Stephen Dobyns, author of the classic book on the beauty of poetry, Best Words, Best Order, moves into new terrain in this remarkable book. Bringing years of experience to bear on issues such as subject matter, the mechanics of poetry, and the revision process, Dobyns explores the complex relationship between writers and their work. From Philip Larkin to Pablo Neruda to William Butler Yeats, every chapter reveals useful lessons in these renowned poets' work. Both enlightening and encouraging, Next Word, Better Word demystifies a subtle art form and shows writers how to overcome obstacles in the creative process"--Provided by publisher.

THE RAINBOW RIDERS are an exciting series of beautifully illustrated children's books. In the second Rainbow Riders book, go on a Rainbow Rider safari and meet all of the creatures in the world of the Rainbow Riders, from the A for Aerosneazle to Y for Yippers. Packed with funny illustrations to entertain children and adults while learning about the ABC's NUMBERS BOOK & COLORING BOOK COMING SOON 5.0 out of 5 stars My son wants to be a rainbow rider...., March 12, 2010 By J. Billingsley (Richmond, VT) My kids can't get enough of the Rainbow Riders books. When I heard my 3 year old son singing a Rainbow Rider theme song he made up, I knew it was true love We look forward to the release of more books in the Rainbow Riders series. Fun, entertaining with fantastical illustrations, I highly recommend these books. 5.0 out of 5 stars Rainbow riders rule , January 21, 2010 By Edward Steinkraus I got the Rainbow Riders this fall for my 5 year old son. It is his favorite book and he wants to read it every night. My 8 and 10 yr old daughters love the story as well, and have begun making up rainbow rider stories of their own. The colors and artwork are amazing. Mr. Sandman brings a breath of fresh air to the world of childrens books. 5.0 out of 5 stars MAGICAL STORY , January 19, 2010 By C. Scala (Boulder, CO United States) My three year old son is in love with this story -- we read it everyday Fun, creative and unique What a treat

Perrin's POCKET GUIDE TO APA STYLE, 7th Edition, is your essential tool for writing research papers in every course you take. Concise yet thorough, the POCKET GUIDE presents straightforward explanations, annotated examples and margin notes that help you write properly documented papers in the latest APA style. Student-friendly organization, quick-reference indexing and a convenient spiral design make it easier to use than the APA Manual. Expansive, up-to-date coverage of electronic sources prepares you to evaluate and use internet references correctly in your research, while new guidelines help you appropriately incorporate footnotes. An appendix on annotated bibliographies provides guidance plus plenty of examples. Also available: MindTap English.

THE RAINBOW RIDERS are an exciting series of beautifully illustrated children's books. This is the first story of The Rainbow Riders in which they fall out of a Rainbow into a planet without color and learn how to work together to bring the rainbow colors and spirit to their little planet. 5.0 out of 5 stars My son wants to be a rainbow rider...., March 12, 2010 By J. Billingsley (Richmond, VT) My kids can't get enough of the Rainbow Riders books. When I heard my 3 year old son singing a Rainbow Rider theme song he made up, I knew it was true love We look forward to the release of more books in the Rainbow Riders series. Fun, entertaining with fantastical illustrations, I highly recommend these books. 5.0 out of 5 stars Rainbow riders rule , January 21, 2010 By Edward Steinkraus I got the Rainbow Riders this fall for my 5 year old son. It is his favorite book and he wants to read it every night. My 8 and 10 yr old daughters love the story as well, and have begun making up rainbow rider stories of their own. The colors and artwork are amazing. Mr. Sandman brings a breath of fresh air to the world of childrens books. 5.0 out of 5 stars MAGICAL STORY , January 19, 2010 By C. Scala (Boulder, CO United States) My three year old son is in love with this story -- we read it everyday Fun, creative and unique What a treat

This unusually diverse collection of ten essays, devoted to British and Irish writers and poets from 1895 to the present, explores many aspects of the creative process, from inspiration to publication and beyond. The volume shows how writers' manuscripts and revisions give us a better understanding of their published work by drawing on unpublished archival sources to unveil, across genre and gender, the intricacies of their craft. It examines how the paper medium and writing implements influence the act of composition; reveals the latest developments in such fields as life writing and digital humanities-especially how modern scholars, through the filter of hypertext, revisit modernist texts, or respond to newly-found material; and analyzes the hidden handwork, be it throughout the writer's exhaustive self-editing process or the writer-editor collaboration. Finally, it captures an award-winning poet and a living novelist reflecting upon their craft and work in progress.

Politics and political literature studies have emerged as one of the most dynamic areas of scrutiny. Relying on ideological as well as socio-political theories, politics have contributed to cultural studies in many ways, especially within written texts such as literary works. As few critics have investigated the intersections of politics and literature, there is a tremendous need for material that does just this. Language, Power, and Ideology in Political Writing is an essential reference book that focuses on the use of narrative and writing to communicate political ideologies. This publication explores literature spurring from politics, the disadvantages of political or highly ideological writing, writers' awareness of the outside world during the composition process, and how they take advantage of political writing. Featuring a wide range of topics such as gender politics, indigenous literature, and censorship, this book is ideal for academicians, librarians, researchers, and students, specifically those who study politics, international relations, cultural studies, women's studies, gender studies, and political and ideological studies.

Words are everywhere in the museum. Amidst all the visual exhibits, and in many non-exhibition areas, swarm a host of words, talking to a vast swath of people in ways that visuals cannot. Signage at the information desk, brochures, exhibition videos, guided tours, membership materials, apps, and store labels: in a multi-screen world, where information explodes in every corner of the field of vision, clarity comes from the presence of words among the feast of visuals, helping contemporary audiences feel at home. Research bears out the need for a range of learning tools and it s not just visitors who benefit from verbal cues; donors, educators, community partners, and volunteers will all engage more effectively with the museum that explains its brand mission with good writing. Whether written by administrators, staffers, freelancers, or interns, words are delivered by people in your museums with the knowledge, to be interpreted by strangers. Your story is told everywhere, and with each narration it reinforces your brand; hopefully every single word reflects your brand. If you ever wished for a good writer, right on staff, ready to take on project, major or routine, here s the help you re looking for. Each chapter tells how to put into words the stories you need to tell: .Annual reports .Blogs .Brochures .Exhibition videos .Guided tour scripts .Collateral programming talks .Marketing plans .Proposals to community partners .Public Relations releases .Social Media .Solicitation letters .Surveys .Volunteer communications .Website Writing for Museums will help all staff who write better --- and result in clearer communication with and education for --- all your visitors."