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Books > Language & Literature > Literary & linguistic reference works > Creative writing & creative writing guides
I HAVE THIS NIFTY IDEA ...Now what do I do with it? This book
contains outlines for science fiction and fantasy novels which real
authors (new and old) used to sell their books to major publishing
companies . . . actual examples drawn from authors files, not
idealized versions prepared just for a textbook. Whether youre a
beginning writer looking to break into novels, an experienced
professional seeking new tools and techniques to sell books, or a
fan curious about the remarkable thought-processes of some of the
great genre writers of our time, you will find something here which
enlightens, educates, and entertains you. I Have This Nifty Idea is
the perfect addition to every library of books on writing. Includes
work by Robert Silverberg, David Brin, Joe Haldeman, Mike Resnick,
Robert J. Sawyer, Barry N. Malzberg, Kevin J. Anderson, Charles
Sheffield, Katharine Kerr, Jack Dann, Jack L. Chalker, and many
more.
"I would urge other writers, at whatever point in their careers, to take the time to read this indispensable handbook....Telling Lies for Fun & Profit should be a permanent part of every writer's library."-- From the Introduction by Sue Grafton Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career. From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.
Everyone has a story. The Write-Your-Life-Story Workbook will help
readers write their own stories about themselves and their family
with memory-prompting and thought-provoking questions. Special
sections on interviewing loved ones will make the writing process a
collaborative effort among the entire family. Readers will explore
memories from their entire life with sections on parents, siblings,
childhood, high school, career, and prime adulthood. And just as
there are two sides to every story, the forms will include space
for two or more people to share their unique perspectives on an
event or family story. Major life moments such as buying a first
car, receiving a first job, and first meeting a future spouse will
be covered. The book will be a great gift for children to give to
parents so they can learn more about their parents' lives.
"No book in shorter space, with fewer words, will help any writer
more than this persistent little volume." - The Boston Globe You
know the author's name. You recognize the title. The advice of
Strunk is as valuable today as when it was first offered. This book
has conveyed the principles of English style to millions of
readers. Use "the little book" to make a big impact with writing.
If writing about music is like dancing about architecture, you'd do
best to hone your chops and avoid cliches (like the one that begins
this sentence) by learning from the prime movers." How to Write
About Music" offers a selection of the best writers on what is
perhaps our most universally beloved art form. Selections from the
critically-acclaimed 33 1/3 series appear alongside new interviews
and insights from authors like Jonathan Lethem, Carl Wilson and Kim
Cooper." How to Write About Music "includes primary sources of
inspiration from a variety of go-to genres such as: the album
review, the personal essay, the blog post and the interview along
with tips, writing prompts, and advice from the writers themselves.
An extensive further reader section accompanies each chapter for a
complete picture of contemporary music writing.Music critics of the
past and the present offer inspiration through their work on
artists like Neutral Milk Hotel, J.Dilla, The Rolling Stones, Joy
Division, Lana Del Rey, Nirvana, Nas, Radiohead and countless
others." How to Write About Music" is an invaluable tool for anyone
who has ever dreamed of getting their music writing published and a
pleasure for anyone who loves to read about music.
For centuries writers have used participatory experience as a lens
through which to better see the world at large and as a means of
exploring the self. Considering various types of participatory
writing as different strains of one style--immersion writing--Robin
Hemley offers new perspectives and practical advice for writers of
this nonfiction genre.
Immersion writing can be broken down into the broad categories of
travel writing, immersion memoir, and immersion journalism. Using
the work of such authors as Barbara Ehrenreich, Hunter S. Thompson,
Ted Conover, A. J. Jacobs, Nellie Bly, Julio Cortazar, and James
Agee, Hemley examines these three major types of immersion writing
and further identifies the subcategories of the quest, the
experiment, the investigation, the infiltration, and the
reenactment. Included in the book are helpful exercises, models for
immersion writing, and a chapter on one of the most fraught
subjects for nonfiction writers--the ethics and legalities of
writing about other people.
"A Field Guide for Immersion Writing" recalibrates and redefines
the way writers approach their relationship to their subjects.
Suitable for beginners and advanced writers, the book provides an
enlightening, provocative, and often amusing look at the ways in
which nonfiction writers engage with the world around them.
A Friends Fund Publication.
CARTOON KIDZMAG IS A MULTICULTURAL CHILDREN'S MAGAZINE THAT IS
EDUCATIVE, ENTERTAINING AND FUN TO READ .IT CUTS ACROSS ALL RACIAL
DIVIDE, IT'S A TOTAL FAMILY MAGAZINE WITH SOMETHING FOR EVERYONE
Screenwriters and Screenwriting is an innovative, fresh and lively
book that is useful for both screenwriting practice and academic
study. It is international in scope, with case studies and analyses
from the US, the UK, Australia, Japan, Ireland and Denmark. The
book presents a distinctive collection of chapters from creative
academics and critical practitioners that serve one purpose: to put
aspects of screenwriting practice into their relevant contexts.
Focusing on how screenplays are written, developed and received,
the contributors challenge assumptions of what 'screenwriting
studies' might be, and celebrates the role of the screenwriter in
the creation of a screenplay. It is intended to be thought
provoking and stimulating, with the ultimate aim of inspiring
current and future screenwriting practitioners and scholars.
If there is one skill that separates the professional screenwriter
from the amateur, it is the ability to rewrite successfully. From
Jack Epps, Jr., the screenwriter of Top Gun, Dick Tracy, and The
Secret of My Success, comes a comprehensive guide that explores the
many layers of rewriting. In Screenwriting is Rewriting, Epps
provides a practical and tested approach to organizing notes,
creating a game plan, and executing a series of focused passes that
address the story, character, theme, structure, and plot issues.
Included are sample notes, game plans, and beat sheets from Epps'
work on films such as Sister Act and Turner and Hooch. Also
featured are exclusive interviews with Academy Award (R) winning
screenwriters Robert Towne (Chinatown) and Frank Pierson (Dog Day
Afternoon), along with Academy Award (R) nominee Susannah Grant
(Erin Brockovich).
While traditional writing is typically understood as a language
based on the combination of words, phrases, and sentences to
communicate meaning, modern technologies have led educators to
reevaluate the notion that writing is restricted to this
definition. Exploring Multimodal Composition and Digital Writing
investigates the use of digital technologies to create multi-media
documents that utilise video, audio, and web-based elements to
further written communication beyond what can be accomplished by
words alone. Educators, scholars, researchers, and professionals
will use this critical resource to explore theoretical and
empirical developments in the creation of digital and multimodal
documents throughout the education system.
During WWII my father kept a diary during his 300 combat hours and
81 missions as a decorated P-47 fighter pilot in England. This book
celebrates and honors my father and mother's participation in that
difficult time.
The screenplay "Hunters in the Fog" looks into the mysteries of
luck and fate in war. Why is it certain pilots, regardless of their
refined skills in war, fall victim to death, chopped short in
youth? My father turns over that question in his diary. He notes
the near misses to himself and other pilots, the mysterious
accidents, the horror of fiery death and the strange beauty and
suspense of aerial warfare. With his advice, and inspired in part
by the classic characters of Dumas' "The Three Musketeers," we
fashioned a similar set of personalities who must survive 300 hours
of deadly aerial combat to complete their tour of duty.
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