Lyric essayists draw on memoir, poetry, and prose to push against the arbitrary genre restrictions in creative nonfiction, opening up space not only for new forms of writing, but also new voices and a new literary canon. This anthology features some of the best lyric essays published in the last several years by prominent and emerging writers. Editors Zoe Bossiere and Erica Trabold situate this anthology within the ongoing work of resistance-to genre convention, literary tradition, and the confines of dominant-culture spaces. As sites of resistance, these essays are diverse and include investigations into deeply personal and political topics such as queer and trans identity, the American BIPOC experience, reproductive justice, belonging, grief, and more. The lyric essay is always surprising; it is bold, unbound, and free. This collection highlights the lyric essay's natural capacity for representation and resistance and celebrates the form as a subversive genre that offers a mode of expression for marginalized voices. The Lyric Essay as Resistance features contemporary work by essayists including Melissa Febos, Wendy S. Walters, Torrey Peters, Jenny Boully, Crystal Wilkinson, Elissa Washuta, Lillian-Yvonne Bertram, and many more. Their work demonstrates the power of the lyric essay to bring about change, both on the page and in our communities.

180 Days of Writing is a fun and effective daily practice workbook designed to help students become better writers. This easy-to-use fifth grade workbook is great for at-home learning or in the classroom. The engaging standards-based writing activities cover grade-level skills with easy to follow instructions and an answer key to quickly assess student understanding. Each week students are guided through the five steps of the writing process: prewriting, drafting, revising, editing, and publishing. Watch student confidence grow while building important writing, grammar, and language skills with independent learning.Parents appreciate the teacher-approved activity books that keep their child engaged and learning. Great for homeschooling, to reinforce learning at school, or prevent learning loss over summer.Teachers rely on the daily practice workbooks to save them valuable time. The ready to implement activities are perfect for daily morning review or homework. The activities can also be used for intervention skill building to address learning gaps.

Customers based in the United States and Canada, please order from here: https://bit.ly/2GAV2YR The abolition of slavery was the catalyst for the arrival of the first Indian indentured labourers into the sugar colonies of Mauritius (1834), Guyana (1838) and Trinidad (1845), followed some years later by the inception of the system in South Africa (1860) and Fiji (1879). By the time indenture was abolished in the British Empire (1917-20), over one million Indians had been contracted, the overwhelming majority of whom never returned to India. Today, an Indian indentured labour diaspora is to be found in Commonwealth countries including Belize, Kenya, Malaysia, Sri Lanka and the Seychelles. Indenture, whereby individuals entered, or were coerced, into an agreement to work in a colony in return for a fixed period of labour, was open to abuse from recruitment to plantation. Hidden within this little-known system of nineteenth- and early twentieth-century Indian migration under the British Empire are hitherto neglected stories of workers who were both exploited and unfree. These include indentured histories from Madeira to the Caribbean, from West Africa to the Caribbean, and from China to the Caribbean, Mauritius and South Africa. To mark the centenary of the abolition of the system in the British Empire (2017-20) this volume brings together, for the first time, new writing from across the Commonwealth. It is a unique attempt to explore, through the medium of poetry and prose, the indentured heritage of the twenty-first century.

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: thereare affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

In the Spring of 1975 the film director Richard Pearce approached Cormac McCarthy with the idea of writing a screenplay. Though already a widely acclaimed novelist, the author of such modern classics as The Orchard Keeper and Child of God, McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished The Gardener's Son, a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, The Gardener's Son recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.

Set in Graniteville, South Carolina, The Gardener's Son is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family.

Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

"Teaching Academic Writing" examines the issues that confront teachers of academic writing classes. In a series of ten teacher-focused chapters, Friedrich offers practical advice and solutions in areas of teaching, assessment and feedback."Teaching Academic Writing" consists of ten teaching-focused chapters offering solutions to the issues confronting the teacher of academic writing. The contributors give practical advice about how to teach an academic writing class, offer classroom solutions for the novice teacher, and discuss the place of feedback and assessment. The chapters also examine the use of different media in the academic writing classroom, the problem of plagiarism, and background issues affecting students' ability to learn.Including a breadth of practical advice and focused around the real issues confronting the teacher of academic writing, this will be the essential book for teachers of academic writing in higher education.

As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?"

W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison.

Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.

For courses in Developmental English with students of varying skill levels, or those in need of additional writing practice prior to college-level writing. A highly visual, theme-based approach to writing that meets you where you are, and guides you to where you need to be. The Writer's World series integrates essential elements that are simply not found in other writing books - a stimulating visual program, thoughtful coverage for nonnative speakers, and effective strategies that address the skill levels of all readers. Authors Lynne Gaetz and Suneeti Phadke draw upon their more than 30 years of combined teaching experience to reach as many readers as possible, by meeting their needs and addressing their individual interests and abilities. The authors' innovative instruction seamlessly infuses material for both native and nonnative speakers, while their exercises and activities encourage active participation and collaboration. The engaging design, open layout, and dynamic images support visual learners and prompt critical thinking. Available to package with The Writer's World: Paragraphs and Essays with Enhanced Reading Strategies, 5th Edition (Books a la Carte loose-leaf edition), MyLab (TM) Writing is an online homework, tutorial, and assessment program designed to work in tandem with the text to engage students and improve results. MyLab Writing is ideal for courses requiring additional writing skills practice and assessment. Note: You are purchasing a standalone product; MyLab does not come packaged with this content. Students, if interested in purchasing both the Books a la Carte loose-leaf edition of the text and MyLab, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the Books a la Carte loose-leaf edition and MyLab, search for: 0134774965 / 9780134774961 The Writer's World: Paragraphs and Essays With Enhanced Reading Strategies, Books a la Carte Edition -- Access Card Package, 5/e Package consists of: 0134312619 / 9780134312613 Writer's World, The: Paragraphs and Essays With Enhanced Reading Strategies, Books a la Carte Edition 0134759591 / 9780134759593 MyLab Writing with Pearson eText -- Standalone Access Card -- for The Writer's World: Paragraphs and Essays With Enhanced Reading Strategies The Writer's World: Paragraphs and Essays with Enhanced Reading Strategies, 5th Edition is also available via Revel (TM) , an interactive digital learning environment that replaces the print textbook, enabling students to read, practice, and study in one continuous experience. Revel is ideal for courses where student engagement and mobile access are important. Note: You are purchasing a standalone product; this is not the Revel version. Students, if interested in purchasing the Revel version, ask

New York Times bestselling author and poet Maggie Smith distills creativity and the craft of writing with a practical guide perfect for fans of Elizabeth Gilbert’s Big Magic and Anne Lamott’s Bird by Bird.

Drawing from her twenty years of teaching experience and her bestselling Substack newsletter, For Dear Life, Maggie Smith breaks down creativity into ten essential elements: attention, wonder, vision, play, surprise, vulnerability, restlessness, tenacity, connection, and hope. Each element is explored through short, inspiring, and craft-focused essays, followed by generative writing prompts.

Dear Writer provides tools that artists of all experience levels can apply to their own creative practices and carry with them into all genres and all areas of life.

The universe is made of stories, not atoms.' - Muriel Rukeyser. Today s world wants to know you and the real story behind why you do what you do. Whether you have a product to sell, a company mission to share or an audience to entertain, people are far more likely to engage and connect if you deliver a well-crafted story with an emotional core. Bobette Buster is a story consultant to major studios including Pixar, Disney and Sony Animation. In Do Story she teaches the art of telling powerful and engaging stories. With profiles of activists, leaders and visionaries, she shares a variety of styles and subjects to demonstrate her Ten Principles of Storytelling. Find out -How to source, structure and shape your story -The power of the 'gleaming detail' -Why an emotional connection is key. Newly updated and expanded with two new chapters, beautiful artwork by Millie Marotta and plenty of practical tips and exercises, you will discover how to take your own storytelling from good...to great. So, what s your story?

Wonderful World is an innovative six-level course for primary school children. It brings the world of English language learning to life through fun stories, breathtaking images and fascinating facts which will engage and entertain your learners, as they find out about the world around them. It incorporates: Stunning National Geographic photography Texts inspired by National Geographic content Authentic National Geographic DVD material

Wonderful World is an innovative six-level course for primary school children. It brings the world of English language learning to life through fun stories, breathtaking images and fascinating facts which will engage and entertain your learners, as they find out about the world around them. It incorporates: Stunning National Geographic photography Texts inspired by National Geographic content Authentic National Geographic DVD material