This new edition combines Pamela Cleaver's bestselling Writing a Children's Book with her Ideas for Children's Writers. In it you will learn about plotting and planning, beginnings, middles and endings, how to research and how to revise and how to find a publisher. There are: * Lists of attributes to help you create interesting and believable characters * Lists of plots and themes * Genres - what's hot and what's not * Locations and how much description to use * List of do's and don'ts regarding submitting manuscripts * Symbols for correcting your proofs * Tips on how to publicise your book. There is no one right way to write a children's book but if you are armed with a knowledge of certain techniques that have worked for other writers you will be more likely to succeed. Contents: Acknowledgements; Introduction; 1. Limbering Up; 2. Plotting; 3. Story People: the Characters in Your Book; 4. Genres; 5. Where and When?; 6. Starting the Story; 7. Telling the Tale; 8. Writing for the Younger Set; 9. Happy Ever After?; 10. Research and Revision; 11. Writing a Non-Fiction Book; 12. Getting Published; 13. If Your Book is Accepted; 14. If Your Book is Rejected; Useful Information for Writing Children's Book; Index.

What is creative writing? In Critical Approaches to Creative Writing, Graeme Harper draws on both creative and critical knowledge to look at what creative writing is, and how it can be better understood. Harper explores how to critically consider creative writing in progress, while also tutoring the reader on how to improve their own final results. Throughout the book, Harper explains the nature of 'creative exposition', where creative writing is closely and directly examined in practice as well as through its final results. This book aims to empower you to develop your own critical approaches so that you can consider any creative writing situations you face, develop creative exposition that can be applied to writing problems, provide you with more creative choices and assist you in building your creative writing strengths.

The world is an amazing place. Get up close with Look, a seven-level series for young learners of English. See something real with amazing photography, authentic stories and video, and inspiring National Geographic Explorers. Help learners make connections in English between their lives and the world they live in through high-interest, global topics that encourage them to learn and express themselves. With short, fresh lessons that excite students and make teaching a joy, Look gives young learners the core language, balanced skills foundation and confidence-boosting exam support they need to use English successfully in the 21st century.

ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. -- For courses in Introduction to Creative Writing or Creative Writing in English or Creative Writing Departments. Written by bestselling author Janet Burroway, Imaginative Writing, covers all four genres: creative nonfiction, fiction, poetry, and drama. This textbook discusses elements of craft common to all creative writing before delving into the individual genres. After an introduction, the next five chapters each investigate a specific element of craft-Image, Voice, Character, Setting, and Story-from a perspective that crosses all genres. Nearly half of the selections in all four genres are new. New "Try This" exercises give students plenty of practice. Imaginative Writing is a very popular book for courses on teaching the craft of creative writing.

Anarchy in High Heels is not a state of dress; it's a state of mind. A San Francisco porno theater might be the last place you'd expect to plant the seed of a feminist troupe, but truth is stranger than fiction. In 1972, access to birth control and a burn-your-bra ethos were leading young women to repudiate their 1950s conservative upbringing and embrace a new liberation. Denise Larson was a timid twenty-four-year-old actress wannabe when, at an after-hours countercultural event, The People's Nickelodeon, she accidentally created Les Nickelettes. This banding together of like-minded women with an anything-goes spirit unlocked a deeply hidden female humor. For the first time, Denise allowed the suppressed satirical thoughts dancing through her head to come out in the open. Together with Les Nickelettes, which quickly became a brazen women's lib troupe, she presented a series of feminist skits, stunts, and musical comedy plays. In 1980, The Bay Guardian described the group as "nutty, messy, flashy, trashy, and very funny." With sisterhood providing the moxie, Denise took on leadership positions not common for women at the time: playwright, stage director, producer, and administrative/artistic director. But, in the end, the most important thing she learned was the power of female friendship.

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The first comprehensive work on nonfiction as an art form
- Shows how nonfiction, especially how-to and self-help, can take on the same power and luminosity as great fiction
- Develops processes to reliably induce the dreaming state from which all writing comes
- Teaches the skill of analogical thinking that is the core perceptual tool for writers
- Explores the subtle techniques of powerful writing, from inducing associational dreaming in the reader, to language symmetry, sound patterning, foreshadowing, feeling flow, and more
Approaching writing as a sacred art, Stephen Buhner explores the core of the craft: the communication of deep meaning that feeds not just the mind but also the soul of the reader. Tapping into the powerful archetypes within language, he shows how to enrich your writing by following "golden threads" of inspiration while understanding the crucial invisibles essential to the art of both fiction and nonfiction: how to craft language with feeling and vision, employ altered states of mind to access the writing trance, clear your work by recognizing the powerful sway of cliched thinking and hidden baggage, and intentionally generate duende--that physical/emotional response to art that gives you chills, opens up unrecognized aspects of reality, or simply resonates in your soul. Covering some very practical aspects of writing such as layering and word symmetry, the author also explores the inner world of publishing--what you really will encounter when you become a writer. He then shows how to develop a powerful and engaging book proposal based on understanding the proposal as a work of fiction--the map is never the territory, nor is the proposal the book that it will become.
This book, written using all the techniques discussed within it, offers a powerful, experiential journey into the heart of writing. It does for nonfiction what John Gardner's books on writing did for fiction. It is one of the most significant works on writing published in our time.

Writing Talk includes interviews with nineteen well-known contemporary writers, exploring the ways in which they research and find their original ideas. Working across genres such as fiction, scriptwriting, radio, life writing, biography and more, the writers offer insight into how they interpret, hone and develop these ideas. The conversations examine the roles of technique, craft, language, reading, memory, serendipity, habit and persistence. They offer technical detail about the creative process and give unique insights into the borderlands between genres as well as offering rich, personal insights and universal resonances. A wide-ranging introduction surveys the reasons why we are intrigued by the mysteries of individual writing practice and how these illuminate critical attitudes to literature and performance. Offering a rare glimpse into the creative process of some of this generation's most eminent voices, Writing Talk is a must read for anyone interested in how stories are found and made. Interviewees: Alan Ayckbourn, Iain Banks, Helen Blakeman, Louis de Bernieres, Sarah Butler, Andrew Cowan, Jenny Diski, Patricia Duncker, David Edgar, Tanika Gupta, Richard Holmes, Hanif Kureishi, Bryony Lavery, Toby Litt, Kareem Mortimer, Michele Roberts, Jane Rogers, Willy Russell and Sally Wainwright.

A complete guide to writing and selling your novel

So you want to write a novel? Great That's a worthy goal, no matter what your reason. But don't settle for just writing a novel. Aim high. Write a novel that you intend to sell to a publisher. "Writing Fiction for Dummies" is a complete guide designed to coach you every step along the path from beginning writer to royalty-earning author. Here are some things you'll learn in "Writing Fiction for Dummies" Strategic Planning Pinpoint where you are on the roadmap to publication; discover what every reader desperately wants from a story; home in on a marketable category; choose from among the four most common creative styles; and learn the self-management methods of professional writers.Writing Powerful Fiction Construct a story world that rings true; create believable, unpredictable characters; build a strong plot with all six layers of complexity of a modern novel; and infuse it all with a strong theme.Self-Editing Your Novel Psychoanalyze your characters to bring them fully to life; edit your story structure from the top down; fix broken scenes; and polish your action and dialogue.Finding An Agent and Getting Published Write a query letter, a synopsis, and a proposal; pitch your work to agents and editors without fear.

"Writing Fiction For Dummies" takes you from being a "writer" to being an "author." It can happen--if you have the talent and persistence to do what you need to do.

The act of writing a memoir may feel daunting, but it doesn't have to be! With 70 inspiring topics, these pages invite you to capture meaningful parts of your life through briefly written snapshots. Each topic starts with a list prompt to help spark ideas followed by a few questions for reflection, and then plenty of space to explore your memories in more detail. From reflecting on your best childhood friends and memorable trips to embarrassing moments and toughest experiences, use this journal as a tool for self-discovery and create a mini memoir that will keep your stories alive for generations to come.

Writers are storytellers. The best of them have utilized the principles of myth to create masterful stories that are dramatic, entertaining and psychologically true. Based on the work of Joseph Campbell, this edition provides an insider's look at how writers (both fiction and non-fiction) can utilize mythic structure to create powerful narratives. Writers will discover step by step guidelines for structuring plots and creating realistic characters. This new 4th edition adds 30% new material.

WINNER - NATIONAL BOOK AWARD FOR FICTION 2021 AN ENTERTAINMENT WEEKLY 'MUST READ' A TODAY SHOW BOOK CLUB PICK * * * * * Discover this astonishing work of fiction from award-winning, NEW YORK TIMES bestselling author Jason Mott. 'Powerful, timely and provocative' ABI DARE, author of GIRL WITH A LOUDING VOICE 'Jason Mott truly has written one hell of a book.' CANDICE CARTY-WILLIAMS, author of QUEENIE This is a true story. An author goes on a book tour for his new bestseller which, as people keep telling him, is one hell of a book. This is a coming-of-age story. One morning, he meets The Kid: a young Black boy who looks just like the one he keeps seeing on the news. And The Kid wants him to tell his story. This is a sad story. It's the story of a boy who spent most of his life trying to hide. And it may not be that different from the story of our author. This is a love story. But to find out why, you'll have to read this for yourself.

Kirsten Malmkjaer argues that translating can and should be considered a valuable art form. Examining notions of creativity and their relationship with translation and focusing on how the originality of translation is manifest in texts, the author explores a range of texts and their translations, in order to illustrate original as opposed to derivative translation. With reference to thirty translators' discourses on their source texts and the author's own experience of translating a short text, Malmkjaer explores the theory of creativity, philosophical aesthetics, the philosophy of language, experimental and theoretical translation studies, and translators' discourses on their work. Showing the relevance of these varied topics to the study of translating and translations underlines their complexity and the immensity of understanding that is regularly invested in translations. This work proposes a complete rethinking of the concepts of creativity and originality, as applied to translation, and is vital reading for advanced students and researchers in translation studies and comparative literature.

'Moving and inspiring, courageous and true: real art. Just reading her is pleasure' Amy Liptrot, author of The Outrun Just days into motherhood, a woman begins dying. Fast and without warning. On return from near-death, Tanya Shadrick vows to stop sleepwalking through life. To take more risks, like the characters in the fairy tales she loved as a small girl, before loss and fear had her retreat into routine and daydreams. Around the care of young children, she starts to play with the shape and scale of her days: to stray from the path, get lost in the woods, make bargains with strangers. As she moves beyond her respectable roles as worker, wife and mother in a small town, Tanya learns what it takes - and costs - to break the spell of longing for love, approval, safety, rescue.

This new edition combines the best principles and examples of the past with those of contemporary practice. Its thorough coverage of concepts, approaches, and techniques concentrates on the key media formats of commercials; news and sports; documentaries; reality programs; talk shows; interviews; music programs; corporate, educational, and children's formats; and drama and sitcoms. New material on social media allows today's students to understand the continued importance of clear writing and shows them how their digital skills can transfer to career opportunities.

Through the author's travels in Europe and the United States, Try to Get Lost explores the quest for place that compels and defines us: the things we carry, how politics infuse geography, media's depictions of an idea of home, the ancient and modern reverberations of the word 'hotel,' and the ceaseless discovery generated by encounters with self and others on familiar and foreign ground. Frank posits that in fact time itself may be our ultimate, inhabited place the vastest real estate we know, with a stunningly short lease.