This book is an essential reference for all paperweight collectors. Hundreds of lovely paperweights, dating from 1870 to 1945, and unique items from Bohemia, Silesia, Thuringia, the Bavarian Forest, the "Solling" mountains, and other German areas are beautifully displayed. Pieces from other European areas including Belgium, France, and Scandinavia are vividly placed throughout the book, making it informative and easy to read. Classically designed paperweights from Baccarat, St. Louis, Clichy, English and American glassworks, as well as modern paperweights, are shown and discussed. The book includes 639 color pictures of 720 paperweights with detailed explanations, 131 illustrations of the exterior forms, and three illustrations of production procedures. A glossary, index and a value list of the paperweights shown complete the useful contents.

A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyonce and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It's clear that modern day museums can no longer exist without change-and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris-this is Black history like never seen before.

A curated list of more than 250 must-see destinations organized geographically from Maine to Florida

Featuring architecture by some of the biggest Mid-Century names, including Mies van der Rohe, Marcel Breuer, Eero Saarinen, and Philip Johnson, each of the more than 250 buildings is located on a regional map. The book includes all the additional information needed to find and visit each building.

Its cool and functional design makes this book a coveted Modernist-style object in itself.

Including icons from The Met Breuer to the fabulous beach houses of Fire Island, private homes in Connecticut, Manhattan skyscrapers, and the Tropical Modern residences of Sarasota, Florida, it is a must-have guide to one of the most fertile and lesser-known regions for the development of Mid-Century Modern architecture.

From the publisher of Mid-Century Modern Architecture Travel Guide: West Coast USA.

For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.

When African Modernism was first published in 2015, it was showered with international praise and has been sought after ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book will now be available again. Over the course of the 1950s and 1960s, most African countries gained independence from their respective colonial powers. Architecture became one of the principal means by which the newly formed states expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Cote d'Ivoire, Kenya, and Zambia. It features 100 buildings with brief descriptive texts, images, site plans, selected floor plans and sections. The vast majority of images were taken by Iwan Baan and Alexia Webster especially for the book's first edition, documenting the buildings in their present state. Each country is portrayed through an introductory text and a timeline of historic events. Additional essays on specific aspects and topics of postcolonial Africa, likewise richly illustrated with images and documents, round out this outstanding volume.

In 1956, TIME magazine called him one of the defining "form-givers of the 20th century." Today, Marcel Breuer (1902-1981) remains a locus classicus of modernism for architects and designers alike. As a Bauhaus pioneer, even his earliest work was marked by a material restraint; the balance of texture, color, and shape; and a symbiosis of local and global, big and small, rough and smooth. In this essential introductory monograph, we survey Breuer's complete career through some of his most influential projects and ideas, from his landmark tubular furniture to the MoMA Research House to his innovation of "binuclear" housing, splitting living and sleeping areas into separate wings. Along the way, we follow Hungarian-born Breuer's journey to international acclaim, with featured projects from Germany, France, England, Switzerland, and across the United States contributing to his global status as a modernist maestro. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The Barbican Centre in the City of London is the largest multi-disciplinary arts centre in Europe. Designed by Chamberlin, Powell & Bon as part of the Barbican Estate and to provide homes for both the London Symphony Orchestra and the Royal Shakespeare Company, the building is internationally renowned not only as an example of radical, visionary architecture in the Modernist tradition, but also for its outstanding programme of more than 2,000 cultural events each year: plays, concerts, films, exhibitions and more. A new title in the Pocket Photo Books series of immersive visual guides to the experience of place, this compact album of more than one hundred photographs by Harry Cory Wright presents the dramatic spaces, rich textures and carefully selected materials of the Barbican Centre in all their detail. From the flowing, multi-level space of the foyer and the calm wooden-panelled concert hall to the surprising intimacy of the theatre and the soaring jungle of the conservatory, the Barbican Centre offers the visitor an extraordinary variety of experiences within a single building. This book captures their full range, providing exceptional insights into one of the most significant and exciting modern buildings in Britain and a thriving cultural hub in the heart of London.

Gustave Klimt (1862-1918) was one of the most brilliant artists of the Austrian avant-garde. Admired for his sensual images of women and for his powerful and original vision, he produced some of the most haunting and evocative images of all time, including The Kiss, Love and The Three Ages of Woman, all of which are included in this perfect introduction to the artist's work. Klimt started out as a decorator, opening a studio with his brother Ernst. Some of his most famous commissions were for murals, including the magnificent Beethoven Frieze, painted for the exhibition of Max Klinger's statue of Beethoven, and the monumental ceiling paintings for the auditorium of Vienna University, which shocked a conservative public. A founder of Vienna Secession, the band of artists who resigned from the established art bodies to form their own group, Klimt became the principal painter of the Art Nouveau movement, painting glittering portraits of fashionable Viennese society as well as

Situated in a Mediterranean landscape, the Maeght Foundation is a unique Modernist museum, product of an extraordinary collaboration between the architect, Jose Luis Sert, and the artists whose work was to be displayed there. The architecture, garden design and art offer a rare opportunity to see work in settings conceived in active collaboration with the artists themselves. By focusing on the relationship between this art foundation and its Arcadian setting, including Joan Miro's labyrinth, George Braque's pool, Tal-Coat's mosaic wall and Giacometti's terrace, Jan K. Birksted demonstrates how the building articulates many of the ideas that preoccupied this group of artists during the culminating years of their lives. The study pays special attention to the ways in which architecture can shape the experience of time, and addresses the Modernist desire for wilderness and its problematic roots in the classical Mediterranean ideal. In showing how the design of the Maeght Foundation is a Modernist representation of Mediterranean culture, the author has developed an interpretation of architecture that accommodates not only the architect's handling of material or function, but shows as well how it can be the embodiment of a particular vision of space and time.

Most known for her bold and darkly painted portraits, Brooks was revolutionary in her feminist renderings of women in resistance. Openly queer, she challenged conceptions of gender and sexuality in her art, which also served as her refuge. While many of her male counterparts were disfiguring and cubing their subjects-often women-Brooks gave personhood and power to the figures she painted. Her frank approach to her complicated relationship with her mother, faith, wealth, sexuality, and gender is complemented by a keen wit that echoes the gray tones of her work. Though her paintings are held in major collections, Brooks's influence in modernist circles of the early twentieth century is largely underexplored. This new publication, guided by Brooks's own impressionistic musings, bridges an important gap between the art and the artist. An introduction by Lauren O'Neill-Butler explores Brooks's role as an artist in the early twentieth century through the lens of gender and sexuality.

The aesthetic of our contemporary environment, including everything from housing developments to furniture and websites, is partly the result of a school of art and design founded in Germany in 1919, the Bauhaus. While in operation for only fourteen years before being shut down by the Nazis in 1933, the school left an indelible mark on design as well as the practice of art education throughout the world. Placing the Bauhaus into its socio-historic context, Frank Whitford traces the ideas behind the school's conception and describes its teaching methods. He examines the activities of the teachers, who included artists as eminent as Paul Klee, Josef Albers and Wassily Kandinsky, and the daily lives of the students. This remains the most accessible and highly illustrated introduction to perhaps the most significant design movement of the last hundred years.

The fascinating untold story of how Nazi architects and planners envisioned and began to build a model "Aryan" society in Norway during World War II Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model "Aryan" society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In Hitler's Northern Utopia, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire-one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings. Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, Hitler's Northern Utopia tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway's Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme-a German cultural capital and naval base-remained a closely guarded secret for fear of provoking Norwegian resistance. A gripping account of the rise of a Nazi landscape in occupied Norway, Hitler's Northern Utopia reveals a haunting vision of what might have been-a world colonized under the swastika.

Modernism is usually thought of as a shock wave of innovations hitting art, architecture, music, cinema and literature - the work of Picasso, Joyce, Schoenberg, movements like Futurism and Dada, the architecture of Le Corbusier, T.S. Eliot's The Wasteland and the avant-garde theatre of Bertolt Brecht or Samuel Beckett. But what really defines modernism? Why did it begin and how long did it last? Is Modernism over now? Chris Rodriguez and Chris Garratt's brilliant graphic guide is a brilliant exploration of the last century's most thrilling artistic work - and what it's really all about.

This book provides a bidirectional investigation of Asia's spatiotemporality by asking how Asia is located and how localities are Asianized. Historical and theoretical inquiries into architecture and urbanism in order to trace a notional "common divisor" are integrated with readings of this Asian imagery. Such a common divisor is conditioned to Asia's phenomenal postcolonial subjectivation and showcases Asia's unique character. This book contends that the postcolonial condition of architecture in Asia suggests a potential and critical bridge to better understanding of the region. Theoretically, "display-ness" is a strategic and allegoric carrier that is in the focus of this book in order to emphasize the quality of display in a broader sense of time and space. Asia's architectural and urban spectacle thus is meaningly magnified and intensified with this notion of display-ness to ground the cohesive abstraction among ideological discourse production, innovative theorizations, and empirical phenomena in contemporary scholarship.

In a fleeting 14-year period between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, and sculpture to ceramics. This best-selling reference work is made in collaboration with the Bauhaus-Archiv/Museum fur Gestaltung in Berlin, the world's largest collection on the history of the Bauhaus. Some 575 illustrations including architectural plans, studies, photographs, sketches, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a "total" work of art. This is a defining account of Bauhaus' energy and rigor, not only as a trailblazing movement in Modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. The handy edition features artists Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, Lilly Reich, and many more. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Alexey Shchusev (1873-1949) was one of the most celebrated architects of the Soviet Union, famous for Lenin's Mausoleum in Moscow. Not only a gifted designer of many prominent buildings, his career was quite unique and closely intertwined with the turbulent course of Russian and Soviet history. He was one of the very few architects who managed to rise to the top of the architectural hierarchy under the tsars and then to repeat this success under Soviet rule. Already before the Revolution of 1917, Shchusev was an acclaimed Revivalist architect, wellknown for his church designs and Moscow's Kazan Station. In the 1920s, he became a renowned Constructivist. Following the official renunciation of Avant-Garde architecture ordered by Stalin, Shchusev swiftly became an advocate of Socialist Classicism, designing many projects in the dictator's favoured Empire Style in order to satisfy the Stalinist state's needs for monumental representation. Combining a scholarly study of Shchusev's career with stunning photographs this book traces the development of this artistically and politically gifted architect through the architectural and historical changes in the first half of the twentieth century.

Modernism's Other Work challenges deeply held critical beliefs about the meaning-in particular the political meaning-of modernism's commitment to the work of art as an object detached from the world. Ranging over works of poetry, fiction, painting, sculpture, and film, it argues that modernism's core aesthetic problem-the artwork's status as an object, and a subject's relation to it-poses fundamental questions of agency, freedom, and politics. With fresh accounts of works by canonical figures such as William Carlos Williams and Marcel Duchamp, and transformative readings of less-studied writers such as William Gaddis and Amiri Baraka, Siraganian reinterprets the relationship between aesthetic autonomy and politics. Through attentive readings, the study reveals how political questions have always been modernism's critical work, even when writers such as Gertrude Stein and Wyndham Lewis boldly assert the art object's immunity from the world's interpretations. Reorienting our understanding of the period, Siraganian demonstrates that the freedom of the art object from the reader's meaning presented a way to imagine an individual's complicated liberty within the state. Offering readers an original encounter with modernism, Modernism's Other Work will interest literary and art historians, literary theorists, critics, and scholars in cultural studies.

The creator of the ubiquitous Knoll "Tulip" chairs and tables, Eero Saarinen (1910-1961) was one of the 20th century's most prominent space shapers, merging dynamic forms with a modernist sensibility across architecture and design. Among Saarinen's greatest accomplishments are Washington D.C.'s Dulles International Airport, the very sculptural and fluid TWA terminal at JFK Airport in New York, and the 630 ft. (192 m) high Gateway Arch of St. Louis, Missouri, each of them defining structures of postwar America. Catenary curves were present in many of his structural designs. During his long association with Knoll, Saarinen's other famous furniture pieces included the "Grasshopper" lounge chair and the "Womb" settee. Married to Aline Bernstein Saarinen, a well-known critic of art and architecture, Saarinen also collaborated with Charles Eames, with whom he designed his first prize-winning chair. With rich illustration tracing his life and career, this introduction follows Saarinen from his studies across his training all the way to his most prestigious projects, and explores how each of his designs brought a new dimension to the modernist landscape. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness "[Frampton] remains a formidable force in architecture . . . The Other Modern Movement offers an opportunity to re-examine the Western canon of 20th-century architecture-which Frampton himself was crucial in establishing-and delve deeper into the work of lesser-known practitioners."-Josephine Minutillo, Architectural Record Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.

"Art Deco Complete "is the last word in Art Deco, the most glamorous decorative arts style, and the one that shaped popular ideas of modern luxury. It covers furniture and interior decoration, sculpture, paintings, graphics, posters and bookbinding, glass, ceramics, lighting, textiles, metal work, and jewelry. It includes the work of all of the important Art Deco designers, from high-style French furniture makers to the creators of the popular "Streamline Moderne" style. And it is, in the spirit of Art Deco, a lavish and attractive book, as well as being authoritative and thorough. This 544-page volume includes more than 1,000 color images of classic Art Deco objects and spaces.
Its author is the colorful and experienced Alastair Duncan, who was for many years the expert who ran the twentieth-century decorative arts department at Christie's in New York. Duncan is the author of many well-known books on Art Deco and Art Nouveau. This book will stand as his monument to Art Deco.

Bauhaus Imaginista is a major international project marking the centenary of this fascinating and popular school, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life, and was active in the fields of architecture, performance, design and visual art. Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, Laszlo Moholy-Nagy and Josef Albers. Placing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school's diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school's entanglements against a century of geopolitical change. The reader is taken to art and design museums, campus galleries and art institutes in India, Japan, China, Russia, Brazil and the United States, as well as Berlin.