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Books > Business & Economics > Economics > Microeconomics > Domestic trade
Farmers' Markets: Success, Failure and Management Ecology is the
only book presently available that investigates the current
phenomenal growth of farmers' markets in the U.S. The research is a
reflection of a period marked by growing consumer interest in
locally produced foods, a resistance toward a globalizing food
system, and seemingly boundless interest in and support for
farmers' markets. Using an ecological approach, the book explores
historic trends related to growth and decline in market numbers,
examines the management organization associated with markets of
specific sizes, analyzes the characteristics and issues associated
with markets that fail, and offers a model that illustrates how
farmers' market organizers successfully adapt to barriers and
challenges in their environment. The book engages a node in the
food system that has implications for the economic health of small
farms and the social and economic life of communities. The book
incorporates both the academic and the practical. It will be an
important reference to students and researchers across disciplines
with interests in food system research, as well as practitioners
managing or working with farmers' markets. As an applied study, the
book provides information and recommendations to assist markets
with decision making and strategic planning. Although the focus of
this research is on one area in the United States, the findings
have broad application. The foreword to this study is by
distinguished scholar and food system analyst, Gail Feenstra of the
Sustainable Agriculture Research and Education Program (SAREP) at
the University of California, Davis.
Leading international food retailers have in recent years expanded
beyond national boundaries and started to operate on a global
scale. This book describes the current state of play, looking in
detail at the main competitors worldwide and analyzing the factors
underlying their successes and failures. The authors are leading
commentators on this industry and identify the essential
characteristics of a global strategy in food retailing and include
many compelling examples.
This anthology is an attempt to make sense of conferences and trade
fairs as phenomena in contemporary society. The authors describe
how these large-scale professional gatherings have become key sites
for making and negotiating both industries and individual
professions. In fact, during the past few decades, conferences and
trade fairs have become a significant global industry in their own
right. The editors assert that large-scale professional gatherings
are remarkable events that require deeper analysis and scholarly
attention.
Women in Print is a collection of essays in two related volumes
which considers the diversity of roles occupied by women in the
design, authorship, production, distribution and consumption of
printed material from the thirteenth century onwards. Women in
Print I: Design and Identities demonstrates women's multi-layered
contribution to design, printing and publishing history through
eleven case studies of women artists, compositors, editors,
engravers, photographers, printers, publishers, scribes,
stationers, typesetters, widows in business, and writers. It offers
an examination of women as active participants and contributors in
the many and varied aspects of design and print culture, including
the production of illustrations, typefaces, periodical layouts,
photographic prints and bound volumes. Women have often
participated in design and print culture throughout history, yet
their impact has typically been neglected and undervalued, or
deliberately obscured from historical accounts. This collection of
essays covers, and recovers, the lives and work of women in print,
emphasizing how their contributions brought positive change not
only to the industries they contributed to, but also to the wider
social and cultural settings of their time.
Women in Print is a collection of essays in two related volumes
which considers the diversity of roles occupied by women in the
design, authorship, production, distribution and consumption of
printed material from the fifteenth century onwards. The
contributions included in Women in Print 2 cover the whole of the
"letterpress era" in Europe from the early fifteenth century to the
mid-twentieth century. The essays address three themes: the role of
women in the production of print; in its distribution; in addition
to some neglected areas of women's consumption of print. To a
greater extent the participation of women in the production and
distribution of print has been written by the men who dominated the
trade. Women in Print 2 explores the often-overlooked contribution
to the business aspects of the printing and publishing industries,
particularly female involvement in roles that were customarily seen
as male preserves. This collection of essays brings together
insights from multiple perspectives, seeking to recover the unheard
voices and hitherto unnoticed activities of the many women who
participated in the production, distribution and consumption of the
printed word and image.
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