Two stories which have been made into films. In Smoke a novelist, suffering from writer's block and the violent death of his wife, is inspired by a young black boy to write again. The action of Blue in the Face partly takes place in the cigar shop which was the focal point of Smoke.

More Audio Drama is the second collection of plays by Neville Teller, intended both for lovers of radio drama and for podcast producers who specialise in audio drama. Neville is a veteran radio dramatist, with more than 50 BBC radio plays under his belt and scores more produced and broadcast across America by the San Francisco-based Shoestring Radio Theatre. Back in 2019 he published his first collection of ten radio plays, Audio Drama. They have been so welcomed that he decided to make another ten available. Here they are - 10 more of Neville's plays for radio and podcast, all of which have been produced and broadcast. As in his first book, these scripts are offered to podcast producers with no strings attached. The books on which they are based are all literary classics in the public domain. No performance rights are required. Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind's eye, More Audio Drama is a book to treasure and enjoy.

The New York Times bestseller and inspiration for the Oscar-winning movie, The Social Network Eduardo Saverin and Mark Zuckerberg - an awkward maths prodigy and a painfully shy computer genius - were never going to fit in at elite, polished Harvard. Yet that all changed when master-hacker Mark crashed the university's entire computer system by creating a rateable database of female students. Narrowly escaping expulsion, the two misfits refocused the site into something less controversial - 'The Facebook' - and watched as it spread like wildfire across campuses around the country, and their popularity exploded in the process. Yet amidst the dizzying levels of cash and glamour, as Silicon Valley, venture capitalists and reams of girls beckoned, the first cracks in their friendship started to appear. And what began as a simple argument spiralled into an out-and-out war. As Facebook rose to stratospheric heights by bringing people together - its very success tore two best friends apart.

Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings.

How to change fundamental reality by not thinking; an over-enthusiastic production of a play for Easter; getting lost on Dartmoor; the Health and Safety Officer of the afterlife; a dodgy group therapist; a steeplechase for saints and theologians; a Welsh football match; the Four Horsemen of the Apocalypse going AWOL.

atelierJAK has been working on the film project Soul Blindness for a number of years. The main character in the film is JAK, who suffers from visual agnosia. Soul Blindness does not have a preconceived script. The plot of the film develops further with each exhibition and each artwork, until there are finally thirty film clips, each of them exactly three minutes long. This makes it possible to continuously develop both the storyline itself and the setting ever further. The publication provides insights into the exhibition FAULTY REVERIES. It presents sculptures and installations that enter into interaction with one another, become props, and form the backdrops for the film through their interplay. Besides sculpture, drawing, writing, and language, the use of digital processes also plays a significant role. Text in English and German.

Hanif Kureishi's cinematic storytelling embraces a wide spectrum of characters from all classes and nationalities, depicting them with compassion, humour and relish, though never fighting shy of controversy. This volume comprises four of Kureishi's screenplays. My Beautiful Laundrette (1985) Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises. Sammy and Rosie Get Laid (1987) 1980s London, and Sammy and Rosie share an 'open' marriage, strings of lovers, and a bohemian existence amidst inner-city turmoil. Sammy's father, Rafi, formerly a government minister in India, visits London as racial tensions rise with the death of a woman in a police raid. Rafi offers Sammy financial assistance if the couple will leave their 'war zone' behind them and produce grandchildren. But Rafi's own shady past threatens to haunt him. London Kills Me (1991) A weekend in the lives of homeless Clint and his pal Muffdiver, youthful veterans of the streets of London, whose chief source of income derives from selling drugs to the wealthier denizens of Notting Hill. But what Clint wants more than anything else is a proper job, and he's been promised a position as a waiter in a restaurant - on the condition that he can come up with a pair of 'sensible' shoes. My Son the Fanatic (1997) Parvez is a Pakistani cab driver in a northern industrial town who chauffeurs young prostitute Bettina. Their gentle friendship grows more tender as Parvez's home life starts to crumble, his son Farid embracing a fundamentalist sect of Islam and rejecting his father's values. When Farid then involves himself with a group committed to purging the town of corruption, Parvez is compelled to choose where his loyalties lie.