More Audio Drama is the second collection of plays by Neville Teller, intended both for lovers of radio drama and for podcast producers who specialise in audio drama. Neville is a veteran radio dramatist, with more than 50 BBC radio plays under his belt and scores more produced and broadcast across America by the San Francisco-based Shoestring Radio Theatre. Back in 2019 he published his first collection of ten radio plays, Audio Drama. They have been so welcomed that he decided to make another ten available. Here they are - 10 more of Neville's plays for radio and podcast, all of which have been produced and broadcast. As in his first book, these scripts are offered to podcast producers with no strings attached. The books on which they are based are all literary classics in the public domain. No performance rights are required. Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind's eye, More Audio Drama is a book to treasure and enjoy.

The most popular series of movies in the history of cinema, the Star Wars trilogy altered forever our notion of what the movies could do. Return of the Jedi is the trilogy's concluding section. With its myriad peculiar creatures, it seems, at first, to be a lighter film than the others. However, as its subtle narrative unfolds, it becomes apparent that the centre of the trilogy is not Luke Skywalker but Darth Vader, and it is his redemption that forms the culmination of this epic story. The power of this conclusion excites curiosity about how someone who began so idealistically could have turned to the dark side of the Force - the story of which will be revealed in the next three instalments to the Star Wars saga . . .

When Reservoir Dogs burst upon the screen in 1992, it announced the arrival of one of the most charismatic and audacious voices in cinema today. Reservoir Dogs is the story of a heist gone wrong, and how the group of outlaws concerned are subsequently undone in the course of their search for the enemy within. Quentin Tarantino uses words like bullets and writes with a propulsive energy that is compellingly readable. As always with Tarantino, the style of the storytelling is restlessly inventive, showcasing not only his fine ear for frank and foul-mouthed dialogue but also his grasp of formal structure, comparable to that of the smartest crime novelists.

It is a near-future world, and in many ways London is the same bustling metropolis it has been for centuries; but look a little closer and Viral Inspectors roam public places delivering fines and forced immunisation against Avian Flu, and an organisation called the Genetic Protection Authority has been established with unnerving oversight. It is the role of the GPA to oversee the genetic future of mankind: a noble mission to protect humanity from the worst genetic diseases and impairments, but one that seems increasingly liable to abuse, using its vague definitions of eradicating anything more than 'three standard variations from the human norm'. When Sandra Small becomes pregnant with a child that has the same strain of achondroplasia dwarfism as her husband, Ivan Henry, an ugly domestic dispute escalates to a legal battle with the GPA and the High Court. What could have been a marital issue becomes a challenge to the GPA's authority and jurisdiction, in a test case that could set an alarming precedent for the whole country, redefining the very definition of what is, and isn't, human. The stakes for Ivan, dwarfs, and anyone else with a genetic condition, become increasingly larger threatening to engulf London and beyond. This ambitious and provocative script is a faithful recreation of Ross Martyn's original vision, looking at ethics, science, and society; a story of how small actions can lead to catastrophic consequences.