A collection of five screenplays by this Academy Award-winning writer. Includes: All the President's Men * Magic * Harper * Maverick * The Great Waldo Pepper. Also features essays by Goldman: "Getting Even or Creative Accounting," "Sneak Previews, or Why Did She Have to Die?," "Hype or Consequences: A Brief History of the Future," "Shooting from the Hip: Don't You Know Anything About Screenwriting?," and "Nothing for Me to Steal: The Secret Life of an Adaptation."

Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.

When a routine burglary in an elegant, upscale Virginia mansion goes awry, career thief Luther Whitney finds himself witness to a brutal murder involving none other than Alan Richmond, the youthful, charming, and thoroughly corrupt President of the United States. Torn between fear for his life and devotion to his family and country, Luther must make a decision that will change not only his own destiny, but the destiny of the world as we know it. Based on the best-selling thriller by David Baldacci, described as "relentlessly entertaining" by The Atlanta Journal & Constitution, William Goldman's screenplay captures the paranoia, greed, and corruption of politics through the ages and around the world.

Collects for the first time major lesbian plays from controversial cultural perspectives spanning more than a generation of work in varied theatrical styles representing an amazing gamut of lesbian politics from all over America. Includes: The Quintessential Image (Jane Chambers) * The Postcard (Gloria Joyce Dickler) * A Lady and a Woman (Shirlene Holmes) * Nasty Rumors and Final Remarks (Susan Miller) * Desdemona (Paula Vogel) * and more!

Born in Ireland, Louis MacNeice was sent to England for his schooling, to Marlborough, and then went on to read classics at Oxford. His professional life began as a lecturer in classics but in 1941 he joined the BBC and for the next twenty years produced programmes for the legendary Features Department, including his own celebrated radio play, The Dark Tower, which was broadcast for the first time in 1946, with original music by Benjamin Britten.

Described by the author as 'a radio parable play', written in response to the rise of fascism in Germany and the events of World War II, The Dark Tower stages the debate about free will with reference to the ancient theme of the Quest, but in modern contexts exporing sexuality, gender, family and geography.

"'"The Dark Tower is in my view the best piece of writing ever done for radio.' George MacBeth

This collection includes the complete screenplays of The Princess Bride, Misery, The Marathon Man and Butch Cassidy and the Sundance Kid along with introductory essays to each screenplay by William Goldman.

When The Life of Brian was first released in 1979 it was hailed by most as Monty Python's finest parody and denounced by a few as the most blasphemous film of all time. But, with its unforgettable songs and its infinitely quotable script it has gone on to become an enduring cult classic.

'Diverting... pleasurable... entertaining' New York Times 'Relevant and fresh... [Good Omens] still has a lot to say about the world' Empire 'Even if you're very familiar with the original novel, this is a different experience... so damned charming and quirky that it feels like a must' Starburst Neil Gaiman's glorious reinvention of the iconic bestseller Good Omens, adapted from the internationally beloved novel by Terry Pratchett and Neil Gaiman, launched on Amazon Prime Video this year to great acclaim. Soon to be shown on the BBC, the series is written and show-run by Neil himself and stars David Tennant, Michael Sheen, Jon Hamm and Miranda Richardson, to name but a few. Before he died, Terry Pratchett asked Neil Gaiman to make a television series of the internationally beloved novel they wrote together about the end of the world. What followed was almost... ineffable. Over six glorious episodes, Neil brought an angel, Aziraphale, and a demon, Crowley, (the only things standing between us and the inevitable Armageddon) to life in some of the most extraordinary television ever made. Here you will find the scripts that Neil wrote, containing much that is new and revelatory and even several scenes throughout that never made the final cut. For the very first time, this edition collects all the missing bits - from a certain Other Four Horsemen to a little demonic shopping trip - and reveals the secrets of the show, which, by its very nature, is known to ask for the impossible. Step backstage and see the magic for yourself. **This edition of The Quite Nice and Fairly Accurate Good Omens Script Book contains an introduction by Neil Gaiman about bringing Good Omens to the screen and all cut scenes**

A practical guide to writing radio drama and getting it produced, by a leading radio dramatist and a hugely experienced radio drama producer who have both created award-winning dramas for the BBC. For writers, radio drama offers a remarkable degree of creative freedom, a unique relationship with an audience listening at home or on the move, and a wealth of opportunities to earn a living. But writing for radio is also a very particular craft, with its own distinctive conventions, techniques and pitfalls. And you need to know how the industry works to stand the best chance of getting your play commissioned. This book, written from the dual perspective of a writer and a radio drama producer, tells you all you need to know about: What works well on radio, and what doesn't How to hook listeners from the start, and how to keep them listening How to format your script How to research and contact the right producer for your play What to expect after you've received a commission What happens when you're in the recording studio Full of practical advice, tips and invaluable inside information about the industry, it also includes extracts from many outstanding radio dramas and a series of writing exercises to help put ideas into practice. So You Want To Write Radio Drama? is an essential guide for anybody who wants to write a radio play, whether you're a first-time writer or one currently working in a different medium. It will also be of help to those already involved in making radio drama, or who simply want an insight into how it is written and made.

When "Thelma & Louise" opened in 1991, it was greeted with acclaim and controversy, quickly earning first-time screenwriter Callie Khouri a reputation as one of the only writers of real movie roles for women. She lived up to expectations with "Something to Talk About, " which won praise for its originality and authenticity. Published here in one volume, these two screenplays gives us an oppurtunity to savor the work of a groundbreaking author.

Have you written the script for the next box office blockbuster or hit TV show and just need the right agent to sell it? Not sure whether to accept an if-come deal or a script commitment? Debating which manager is the right choice to steer your career? Well, worry no more... How to Manage Your Agent is a fun, friendly guide to the world of literary representation. Enter the inner sanctums of Hollywood's power-brokers and learn how they influence what pitches get bought, what projects get sold, and which writers get hired. Find tips from top-level executives, agents, managers, producers, and writers to help you maximize your own representation and kick your career into overdrive! You'll learn: * How agents prioritize their client list... and ways to guarantee you're at the top * When to approach new representation... and what you need to capture their interest * Hollywood's secret buying schedule... and how to ensure you're on it * The truth about packaging... where it helps and when it hurts * Which agents are best for you... and where to find them * Advice on acing your first agent meeting... and why so many writers blow it * Managers' tricks for creating buzz... and when to use them yourself * How to fire your agent... without killing your career * When you don't need representation... and how to succeed without it The value of good representation is undeniable-especially in a world where agents and managers control which projects (and careers) live or die. How to Manage Your Agent puts you on the inside track to get your work the attention it deserves!

A Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing-and rewriting-a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting-from character development to story templates-and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting-the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the "Do It Yourself" attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.

In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.

Winner 1938 Pulitzer Prize for Drama
In an important publishing event, Samuel French, in cooperation with the Thornton Wilder estate is pleased to release the playwright's definitive version of "Our Town." This edition of the play differs only slightly from previous acting editions, yet it presents "Our Town" as Thornton Wilder wished it to be performed. Described by Edward Albee as ..".the greatest American play ever written," the story follows the small town of Grover's Corners through three acts: "Daily Life," "Love and Marriage," and "Death and Eternity." Narrated by a stage manager and performed with minimal props and sets, audiences follow the Webb and Gibbs families as their children fall in love, marry, and eventually-in one of the most famous scenes in American theatre-die. Thornton Wilder's final word on how he wanted his play performed is an invaluable addition to the American stage and to the libraries of theatre lovers internationally.

Modern society is a tangled skein of interdependent lives. Yet somehow them ore closely we encounter each other, the less we resemble a community. This play is about our overwhelming need for trust in modern life, and the consequences of living without it. Based on the award-winning play by Andrew Bovell, 'Speaking in Tongues'. (6 male, 5 female).

When Reservoir Dogs burst upon the screen in 1992, it announced the arrival of one of the most charismatic and audacious voices in cinema today. Reservoir Dogs is the story of a heist gone wrong, and how the group of outlaws concerned are subsequently undone in the course of their search for the enemy within. Quentin Tarantino uses words like bullets and writes with a propulsive energy that is compellingly readable. As always with Tarantino, the style of the storytelling is restlessly inventive, showcasing not only his fine ear for frank and foul-mouthed dialogue but also his grasp of formal structure, comparable to that of the smartest crime novelists.

After a shooting in London goes hideously wrong, two hitmen, Ray and Ken, are sent to hide out in the strange, Gothic, medieval town of Bruges, Belgium, by their volatile and dangerous boss, Harry Waters. While awaiting instructions from him as to what to do next, the pair attempt to deal both with their feelings over the botched killing and their differing attitudes towards this curious, otherworldly place they've been dumped in ('Bruges is a shithole.' 'Bruges is not a shithole'), until the call from Harry finally comes through, and all three men are enmeshed in a spiral of bloody violence that few will get out of alive. This jet-black comedy marks the feature-film debut of writer/director Martin McDonagh, award-winning author of such plays as The Beauty Queen of Leenane, The Lieutenant of Inishmore and The Pillowman, and the film Six Shooter, which won the Academy Award for the Best Live-Action Short Film. The film stars Colin Farrell as Ray, Brendan Gleeson as Ken, and Ralph Fiennes as Harry. In Bruges was the opening night film at the Sundance Film Festival.

Adapted for the screen by the author from her enormously successful novel about Josie Alibrandi and her relationship with her friends and family in her last year at school. Includes stills from the film and an introduction from the author.

A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle's Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.

The work of acclaimed German artist Christoph Schlingensief spans three decades and a diverse range of fields, including, film, television, activism, opera, and theatre. "Christoph Schlingensief: Art Without Borders" is the first book to be published in English on Schlingensief's groundbreaking, politically engaged body of work. Leading scholars in the field offer a critical assessment of Schlingensief's hybrid practice, and an interview with Schlingensief himself provides the reader with insight into past and present projects. The book will be an essential resource for artists, curators, students, and academics in the fields of theater and performance studies, film studies, cultural studies, German studies, political activism, and art history.

Ten short films, each based on a broken commandment, set in and around an apartment block in Warsaw. The stories are simple, describing experiences and emotions common to us all - the fractured quality of modern family life, its sadnesses and hopes. These brilliant films explore the significance of the choices we all make, every day of our lives. This edition includes an introduction by Kieslowski about his work, together with the feature-length scripts for A Short Film about Killing and A Short Film about Love.

The brilliant screenplay of the forthcoming film The Trial of the Chicago 7 by Academy and Emmy Award-winning screenwriter and director Aaron Sorkin. Sorkin's film dramatizes the 1969 trial of seven prominent anti-Vietnam War activists in Chicago. Originally there were eight defendants, but one, Bobby Seale, was severed from the trial by Judge Julius Hoffman-after Hoffman had ordered Seale bound and gagged in court. The defendants were a mix of counterculture revolutionaries such as Abbie Hoffman and Jerry Rubin, and political activists such as Tom Hayden, Rennie Davis, and David Dellinger, the last a longtime pacifist who was a generation older than the others. Their lawyers argued that the right to free speech was on trial, whether that speech concerned lifestyles or politics. The Trial of the Chicago 7 stars Sacha Baron Cohen, Eddie Redmayne, Frank Langella, and Mark Rylance, among others, directed by Aaron Sorkin. This book is Sorkin's screenplay, the first of his movie screenplays ever published.

'I give this as a present more than other book. I buy it for people so often that I’ve been known to give girlfriends two copies, one birthday after another’ - Dolly Alderton

Now with an introduction from Dolly Alderton, author of Everything I Know About Love, revealing how a new generation of women can take inspiration from Nora’s sharp wit and wisdom about life.

* Never marry a man you wouldn't want to be divorced from.

* If the shoe doesn't fit in the shoe store, it's never going to fit.

* When your children are teenagers, it's important to have a dog so that someone in the house is happy to see you.

* If only one third of your clothes are mistakes, you're ahead of the game.

* Anything you think is wrong with your body at the age of thirty-five you will be nostalgic for by the age of forty-five.