The popular success in 1967 of The Graduate was immediate and total; at the time, only Gone with the Wind and The Sound of Music were bigger box-office winners. Yet such phenomenal success came at a price: On the film's 40th anniversary, director Mike Nichols claimed that The Graduate had been ""whipped away"" by a young audience hungry for countercultural documents. This study, the first monograph on The Graduate, explores how popular and subsequent critical reception deflected a full understanding of the film's complex point of view, which satirizes everything in its path--especially Benjamin and Elaine, its young ""heroes."" The text explores how the film offers not the happy ending some imagine, but a corrosive and satirical vision of humanity.

Go deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection.

Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusive commentary on her creative process and the making of the series. Now recognized as one of today’s most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene.

Essential for any fan, Fleabag: The Scriptures is the ultimate companion to a landmark series.

Starring Samuel L. Jackson, John Travolta and Uma Thurman, Pulp Fiction exploded on to the screen in 1994 and transformed the direction of contemporary cinema. Nominated for seven Oscars and winner of the BAFTA award, this triplet of masterfully interwoven crime stories is witty, gritty and shamelessly violent, displaying Tarantino's visceral approach to character and plot. Tarantino has spawned a whole host of wannabes in the wake of this, the defining movie of the 1990s. But none has demonstrated the elegant style and compassion that make Tarantino's screenplays so compellingly readable. Nominated for seven Oscars, Pulp Fiction starred John Travolta, Samuel L. Jackson, Bruce Willis and Uma Thurman and won the US Oscar for Best Screenplay, the BAFTA and the prestigious Palme d'Or at the Cannes Film Festival. Quentin Tarantino's other films include Reservoir Dogs, Jackie Brown, From Dusk Till Dawn and most recently, Inglorious Basterds and Django Unchained.

British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC's history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre.

When The Life of Brian was first released in 1979 it was hailed by most as Monty Python's finest parody and denounced by a few as the most blasphemous film of all time. But, with its unforgettable songs and its infinitely quotable script it has gone on to become an enduring cult classic.

The screenplays of award-winning playwright John Patrick Shanley have earned him a reputation as a gifted writer with a great range and imagination. His movies Moonstruck, Five Corners, and Joe Versus the Volcano have starred such Hollywood luminaries as Cher-who took home an Oscar for her performance in Moonstruck-Nicolas Cage, Jodie Foster, John Turturro, Meg Ryan, and Tom Hanks. This collection showcases Shanley's talent for creating dialogue that is true to his characters and his ability to tell their stories in eccentric and intensely humorous situations.

"This is a brilliant, all-encompassing work. I cannot recall a book on screenwriting which delves so deeply into the art and antecedents of screenwriting. Aristotle himself would, no doubt, congratulate Lance Lee. However, without waiting for the great Greek's response, put me down as 'Bravo!'" -- William Froug, author of Screenwriting Tricks of the Trade and Zen and the Art of Screenwriting

Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method.

Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points.

This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt theprinciples of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.

Color remains one of the few uncharted territories in writing about film style. "Colour "is the first monograph to deal with the close criticism of film colour across decades and countries. Through detailed explorations of films such as "Three Colours: White and The Green Ray," this study offers a way of approaching, interpreting, and appreciating cinematic color. The book also considers film's ability to place color in a shifting relationship with all other points of style including camerawork, editing, performance, music, and lighting. Accessible and inventive in its approach, "Colour" invites the reader to see films differently, providing a fresh perspective of this overlooked element of cinema aesthetics.

You're nicked is the first comprehensive study of television police series in the UK. It shows how British television's most popular genre has developed stylistically, politically and philosophically from 1955 to the present. Each chapter focuses on a particular decade, investigating how the most-watched series represent the inner workings of the police station, the civilian life of criminals and the private lives of police officers. This new methodological approach unearths the complex ideology underpinning each series and discerns the key insights the genre can provide into the breakdown of the post-war settlement. A must-have for scholars and students of British history, television, sociology and criminology, the book will also be of interest to crime-drama enthusiasts worldwide. -- .

Othello, the general of the Venetian army, holds much power and influence but becomes the target of an insidious plot to steal his coveted position. He is overcome with paranoia and enthralled with rumors of his wife's potential infidelity. Othello has fallen in love with a senator's daughter, Desdemona, and the two secretly marry. Their partnership generates shock and confusion as Desdemona was also loved by Roderigo, who'd already asked for her hand. Othello's ensign, Iago, is envious of the general and is spurned when he promotes the young Cassio to a higher position. This marks the beginning of a plot in which Iago plans to destroy Othello's personal and professional life. He attacks his marriage by stoking the flames of jealousy, insinuating Desdemona's infidelity. This leads to a violent confrontation with a morbid outcome. Othello is one of William Shakespeare's most well-known plays. It tackles multiple topics including race, gender, politics and revenge. It's a gripping drama that details the dangers of greed, envy and their inescapable consequences. With an eye-catching new cover, and professionally typeset manuscript, this edition of Othello is both modern and readable.

What is he, twelve? Why doesn't he want to be friends with you no more? 1923. As shots ring out from the warring mainland, on the island of Inisherin it's the rift between old drinking pals Padraic and Colm that leads both men to ever more alarming action. Winner: Best Screenplay, Venice Film Festival 2022. Nominated: Best Screenplay, Golden Globe Awards 2023.

Inspired by Dostoyevsky's short story, The Double tells the story of Simon, a timid man, scratching out an isolated existence in an indifferent world. He is overlooked at work, scorned by his mother, and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker, James, serves to upset the balance. James is both Simon's exact physical double and his opposite - confident, charismatic and good with women. To Simon's horror, James slowly starts taking over his life.

This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.

For the first time, Lucasfilm has opened its Archives to present the complete storyboards for the original Star Wars trilogy-the world-changing A New Hope and its operatic sequels, The Empire Strikes Back and Return of the Jedi-as well as never-before-published art from early conceptual and deleted scenes. From the opening chase above Tatooine in A New Hope to the Battle of Endor in Jedi, this book presents the visual inspiration behind now-iconic moments. Readers can finally see a full set of storyboards by legendary artist Joe Johnston, as well as early boards for Episode IV by Alex Tavoularis and for Episode V by Ivor Beddoes, rarely seen Episode VI boards by Roy Carnon, and Ralph McQuarrie's never-before-seen storyboards for Episode V.

This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production-from conceptualizing ideas and developing them, to realizing and then distributing them-across all forms and formats, including fiction and non-fiction for cinema, television, gallery spaces and the web. With chapters by practitioners, scholars and educators from around the world, the book provides a comprehensive collection of approaches for those studying and teaching the development and production of screen content. With college and university students in mind, the volume purposely combines theory and practice to offer a critically informed and intellectually rich guide to screen production, shaped by the needs of those working in education environments where 'doing' and 'thinking' must co-exist. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.

'I'm listening.' For 11 seasons, that's how Dr. Frasier Crane answered the callers to his radio show, and viewers all around the world. Dr. Crane may not have been the most popular character on Cheers, nor would Kelsey Grammer have been the most likely of the show's stars to get his own series, yet between 1993 and 2004, Frasier was one of the most successful sitcoms in an era of all-time great shows. Frasier is still beloved by millions today, whether they're just discovering the radio shrink, his snooty brother, cranky father, kooky housekeeper, and sassy producer on streaming services, or whether they've tuned in to the Crane family's Shakespearean mayhem for the best part of almost 30 years. SAMPLE QUOTES: 'It may be an unwise man who doesn't learn from his own mistakes, but it's an absolute idiot that doesn't learn from other people's.' Frasier dispenses his best advice in 11 years while off the air. 'I used to think there was some sort of mix-up at the hospital when Frasier was born. Of course, when Niles came along, it shot that theory all to hell.' - Martin Crane.

Mike Bartlett's complete scripts for the award-winning first series of his superlative television drama, winner of Best New Drama at the 2016 National Television Awards and Best TV Drama at the South Bank Sky Arts Awards. Doctor Gemma Foster is a woman seemingly in control: a trusted GP, the heart of her town, a woman people can trust. But her life is about to explode. Suspecting her husband of having an affair, Gemma throws herself into an investigation that will propel her, her family, and even her patients into chaos. Bit by bit, Doctor Foster uncovers secrets that shock her to the core. Now she has to choose how to react. One thing is certain - she is going to behave in ways she could never have imagined. Doctor Foster: The Scripts contains the complete scripts to all five episodes of the first series, plus exclusive bonus material. Doctor Foster premiered on BBC One in September 2015, starring Suranne Jones and Bertie Carvel. The series drew a weekly audience of over 8.2 million viewers, peaking at over 10 million for the finale, and was the BBC's highest-rating new drama of the year. It won two prizes at the National Television Awards 2016, including Best New Drama.

Georgetown, Washington D.C., 1973. Actress and divorced mother Chris MacNeil starts to experience 'difficulties' with her usually sweet-natured eleven-year-old daughter Regan. The child becomes afflicted by spasms, convulsions and unsettling amnesiac episodes; these abruptly worsen into violent fits of appalling foul-mouthed curses, accompanied by physical mutation. Medical science is baffled by Regan's plight and, in her increasing despair, Chris turns to troubled priest and psychiatrist Damien Karras, who immediately recognises something profoundly malevolent in Regan's distorted fetures and speech. On Karras's recommendation, the Church summons Father Merrin, a specialist in the exorcism of demons . . . William Peter Blatty scripted this version of his own best-selling novel for director William Friedkin, and was rewarded with an Oscar for Best Adapted Screenplay of 1973. This publication also includes the texts of the film's legendary 'lost scenes' and excised dialogue which shed additional light on The Exorcist's profound darkness.

Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.

Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.

Professor Albus Dumbledore knows the powerful Dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander to lead an intrepid team of wizards, witches, and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?

The official screenplay of Fantastic Beasts: The Secrets of Dumbledore is the ultimate companion to the film, and invites readers to explore every scene of the complete script penned by J.K. Rowling & Steve Kloves. Special features include behind-the-scenes content and commentary from David Yates, David Heyman, Jude Law, Eddie Redmayne, Colleen Atwood and more.

This book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films. Filmmaker and academic, Professor Erik Knudsen, uses a combination of autoethnographic experience derived from his own filmmaking practice and new insights gained from a series of ethnomediaological StoryLab workshops with independent filmmakers in Malaysia, Ghana and Colombia to drive this innovative examination. The book contextualises this practice exploration within an eclectic psychological and philosophical framework that ranges from Jungian psychological theories of the collective unconscious to Sheldrakian scientific theories of morphic resonance, from Christian mystical ideas about creative motivation to structuralist theories that underpin our linguistic understanding of story and narrative. Why should we create? What is a creative act? This in-depth study tackles these questions by examining the early ideation stages of cinematic expression and ultimately seeks to understand the practical ways in which ideas are shaped into stories and narratives.

In 2010, The Walking Dead premiered on AMC and has since become the most watched scripted program in the history of basic cable. Based on the graphic novel series by Robert Kirkman, The Walking Dead provides a stark, metaphoric preview of what the end of civilization might look like: the collapse of infrastructure and central government, savage tribal anarchy, and purposeless hordes of the wandering wounded. While the representation of zombies has been a staple of the horror genre for more than half a century, the unprecedented popularity of The Walking Dead reflects an increased identification with uncertain times. In The Walking Dead Live! Essays on the Television Show, Philip L. Simpson and Marcus Mallard have compiled essays that examine the show as a cultural text. Contributors to this volume consider how the show engages with our own social practices-from theology and leadership to gender, race, and politics-as well as how the show reflects matters of masculinity, memory, and survivor's guilt. As a product of anxious times, The Walking Dead gives the audience an idea of what the future may hold and what popular interest in the zombie genre means. Providing insight into the broader significance of the zombie apocalypse story, The Walking Dead Live! will be of interest to scholars of sociology, cultural history, and television, as well as to fans of the show.

From film-maker Christopher Nolan ("Memento," "Batman Begins") and writer Jonathan Nolan (whose original short story 'Memento Mori' was the basis of "Memento") comes a mysterious tale of two magicians whose intense rivalry erupts into a life-long battle lethally fueled by obsession, deceit, and jealousy. In late nineteenth-century England, two stage illusionists are drawn into a match of wits, each desiring to annihilate the reputation of the other. Upper-class Robert Angier (Hugh Jackman) enjoys worldwide fame, while cockney Alfred Borden (Christian Bale) is his most ardent rival. Their antagonism is also a mutual fascination, but the competition between them leads to evermore dangerous acts of conjuring. When Angier raises the stakes by consulting scientist Nikola Tesla (David Bowie), the potential for a deadly reckoning draws near. This volume contains an Introduction by Jonathan Nolan and Christopher Nolan. From film-maker Christopher Nolan ("Memento," "Batman Begins") and writer Jonathan Nolan (whose original short story 'Memento Mori' was the basis of "Memento") comes a mysterious tale of two magicians whose intense rivalry erupts into a life-long battle lethally fueled by obsession, deceit, and jealousy. In late nineteenth-century England, two stage illusionists are drawn into a match of wits, each desiring to annihilate the reputation of the other. Upper-class Robert Angier (Hugh Jackman) enjoys worldwide fame, while cockney Alfred Borden (Christian Bale) is his most ardent rival. Their antagonism is also a mutual fascination, but the competition between them leads to evermore dangerous acts of conjuring. When Angier raises the stakes by consulting scientist Nikola Tesla (David Bowie), the potential for a deadly reckoning draws near. This volume contains an Introduction by Jonathan Nolan and Christopher Nolan.

Have you written the script for the next box office blockbuster or hit TV show and just need the right agent to sell it? Not sure whether to accept an if-come deal or a script commitment? Debating which manager is the right choice to steer your career? Well, worry no more... How to Manage Your Agent is a fun, friendly guide to the world of literary representation. Enter the inner sanctums of Hollywood's power-brokers and learn how they influence what pitches get bought, what projects get sold, and which writers get hired. Find tips from top-level executives, agents, managers, producers, and writers to help you maximize your own representation and kick your career into overdrive! You'll learn: * How agents prioritize their client list... and ways to guarantee you're at the top * When to approach new representation... and what you need to capture their interest * Hollywood's secret buying schedule... and how to ensure you're on it * The truth about packaging... where it helps and when it hurts * Which agents are best for you... and where to find them * Advice on acing your first agent meeting... and why so many writers blow it * Managers' tricks for creating buzz... and when to use them yourself * How to fire your agent... without killing your career * When you don't need representation... and how to succeed without it The value of good representation is undeniable-especially in a world where agents and managers control which projects (and careers) live or die. How to Manage Your Agent puts you on the inside track to get your work the attention it deserves!