The New York Times bestseller and inspiration for the Oscar-winning movie, The Social Network Eduardo Saverin and Mark Zuckerberg - an awkward maths prodigy and a painfully shy computer genius - were never going to fit in at elite, polished Harvard. Yet that all changed when master-hacker Mark crashed the university's entire computer system by creating a rateable database of female students. Narrowly escaping expulsion, the two misfits refocused the site into something less controversial - 'The Facebook' - and watched as it spread like wildfire across campuses around the country, and their popularity exploded in the process. Yet amidst the dizzying levels of cash and glamour, as Silicon Valley, venture capitalists and reams of girls beckoned, the first cracks in their friendship started to appear. And what began as a simple argument spiralled into an out-and-out war. As Facebook rose to stratospheric heights by bringing people together - its very success tore two best friends apart.

A Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing-and rewriting-a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting-from character development to story templates-and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting-the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the "Do It Yourself" attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.

In "Ecstasy Unlimited", Laura Kipnis provides a collection of essays on popular culture, politics, aesthetics, feminism, and postmodernism, along with complete scripts from three of her videotapes. These essays, written from her perspective as a practising artist, in tandem with her videoscripts, are singular in bringing a wide range of theoretical sophistication to film and video studies. Kipnis challenges political and aesthetic orthodoxies. Her interpretations take risks at a number of levels, and do not easily fit into established disciplines and categories. Extensively illustrated with stills from her videotapes, "Ecstasy Unlimited" examines everyday life and popular culture produced by consumer capitalism in ironic - and, at times, very funny - ways. Laura Kipnis is a video artist and theorist whose work has been shown widely in the United States and Europe. Her latest video production is "Marx: the Video". She has written extensively on the politics and aesthetics of postmodernism, feminism, and popular culture. This book is intended for students and academics of media studies, cultural politics.