THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Lea Seydoux, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.

The development of a film screenplay is a complex and collaborative process, beginning with an initial story and continuing through drafting and financing to the start of the shoot. And yet the best ways of understanding and managing this process have never been properly studied. The Screenplay Business is the first book to do exactly that, addressing such questions as:

• How do film scripts get written, and what are the tensions between creativity and business?
• How can the team of the writer, producer, director and development executive work together most effectively?

The Screenplay Business presents a theoretical and practical framework for understanding the business of independent script development, and encompasses ideas about creativity, motivation, managing creative people, value chains, and MBA leadership theories.

This book will help producers and writers to nurture their stories through the long development process to the screen. It explains the international film business, and contains new research and extensive interviews with leading industry figures, including practical advice on how to run script meetings and handle notes; how to build a sustainable business; and how to understand what "really" happens when a script is written.

The Screenplay Business is a new key text for academics and students researching film and media, and indispensable reading for anyone working in film screenplay development today.

Klick's book reveals the 120 minute-by-minute story genome that unites all successful films. In other words, it shows filmmakers what makes a great movie tick--like no other book has done before. 250 pp.

AMC's episodic drama Mad Men has become a cultural phenomenon, detailing America's preoccupation with commercialism and image in the Camelot of 1960s Kennedy-era America, while self-consciously exploring current preoccupations. The 12 critical essays in this collection offer a broad, interdisciplinary approach to this highly relevant television show, examining Mad Men as a cultural barometer for contemporary concerns with consumerism, capitalism and sexism. Topics covered include New Historicist parallels between the 1960s and the present day, psychoanalytical approaches to the show, the self as commodity, and the "Age of Camelot" as an "Age of Anxiety," among others. A detailed cast list and episode guide are included.

Inside Llewyn Davis chronicles a struggling young folk singer, played by Oscar Isaacs, who arrives in Manhattan in 1961 and tries to navigate the treacherous waters of the the Greenwich Village coffeehouse scene, as well as having to deal with a disaffected girlfriend, his father's dementia, the suicide of his musical partner, and the loss of his friend's cat . . . Suffused with the music of the time, the film is an emotional journey inside the soul of Llewyn Davis.

Lost has received widespread acclaim as one of the most innovative, intelligent, and influential dramatic series in television history. Central to Lost's success has been its capacity to evoke audience's interpretations of its mysteries, undiminished even with the series' definitive conclusion. This collection of fifteen essays by critics, academics, and philosophers examines the complete series from a diverse but interconnected array of perspectives. Complementary and occasionally conflicting interpretations of the show's major themes are presented, including the role of time, fate and determinism, masculinity, parenthood and the threat of environmental apocalypse.

Though innumerable biographies have been written about novelists, playwrights, and poets, screenwriters are rarely granted this distinction, even ones as prolific and successful as Richard Matheson. Beginning with The Incredible Shrinking Man in 1957, Matheson has occupied a unique position in writing for television and cinema for more than fifty years. This biography documents his rise to prominence, his literary influences, and the role he played in the horror and science fiction renaissance. The narrative examines each of Matheson's works in chronological order with an index indicating where each can be found, from his early work in the 1950's through I Am Legend in 2007.

The Hours is David Hare's screen adaptation of Michael Cunningham's Pulitzer Prize-winning novel. In Richmond, England in 1923, Virginia Woolf is setting out to write the first words of her new book. In Los Angeles in 1951, a housewife, Laura Brown, is contemplating suicide. And in present-day New York, a hostess, Clarissa Vaughan, is planning a party for her friends. In extraordinary and ingenious ways, the film shows how a single day - and the novel Mrs Dalloway - inextricably link the lives of three very different women.

The 1938 Orson Welles broadcast of ""The War of the Worlds"" was a landmark in the history of entertainment, sparking a public hysteria in America and a series of subsequent broadcasts around the world that elicited similar responses. This book examines the historic broadcast indepth. It covers all aspects of the phenomenon including fascination with Mars; H.G. Wells' novel; Orson Welles and the making of the broadcast; initial reactions and the resulting 'fog of war'; anxieties underlying the panic; and the aftermath. Chapters also look at later broadcasts in the United States, Latin America, Brazil and Portugal, and address the likelihood that a similar panic could happen again. The original script of the 1938 ""The War of the Worlds"" radio broadcast, written by Howard Koch, is included.

The official screenplay book tie-in to the highly acclaimed movie from Fox Searchlight Pictures, written by Diablo Cody (author of "Candy Girl") and directed by Jason Reitman ("Thank You for Smoking"), tells the story of a confidently frank teenage girl who calls the shots with a nonchalant cool and an effortless attitude as she journeys through an emotional nine-month adventure into adulthood.
While most girls at Dancing Elk are updating their MySpace page or shopping at the mall, Juno is a whip-smart Minnesota teen living by her own rules. A typically boring afternoon becomes anything but when Juno decides to have sex with the charmingly unassuming Bleeker (Michael Cera). Faced with an unplanned pregnancy, she and best friend Leah (Olivia Thirlby) hatch a plan to find Juno's unborn baby the perfect set of parents courtesy of the local Penny Saver. They set their sights on Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple who are longing to adopt their first child. Luckily, Juno has the support of her dad and stepmother (J.K. Simmons and Allison Janney). After the initial shock that their daughter has been sexually active with the unlikely "virile" Bleeker, the family bands together to help Juno. Dad Mac accompanies Juno to size up the prospective adoptive parents to make sure they are not a couple of "wing nuts" while stepmother Bren provides emotional support as Juno fights the prejudices of underage pregnancy. As Juno moves closer and closer to her due date, the veneer of Mark and Vanessa's idyllic life starts to show signs of cracking. While fall becomes winter and winter turns to spring, Juno's physical changes mirror her personal growth.With a fearless intellect far removed from the usual teen angst, Juno conquers her problems head-on, displaying a youthful exuberance both smart and unexpected.
In addition to the complete script, this Newmarket Shooting Scrip(R) book includes a foreword by director Jason Reitman, an exclusive introduction by Diablo Cody, a color photo section, and the complete cast and crew credits.

The screenplay of the 1987 movie, as written by Charles Bukowski.

Paring a novel into a two-hour film is an arduous task for even the best screenwriters and directors. Often the resulting movies are far removed from the novel, sometimes to the point of being unrecognizable. Stanley Kubrick's adaptations have consistently been among the best Hollywood has to offer. Kubrick's film adaptations of three novels - ""Lolita"", ""The Shining"" and ""Full Metal Jacket"" - are analyzed in this work. The primary focus is on the alterations in the characters and narrative structure, with additional attention to style, scope, pace, mood and meaning. Kubrick's adaptations simplify, impose a new visuality, reduce violence, and render the moral slant more conventional.

In this revised and updated edition of the StoryCenter's popular guide to digital storytelling, StoryCenter founder Joe Lambert offers budding storytellers the skills and tools they need to craft compelling digital stories. Using a "Seven Steps" approach, Lambert helps storytellers identify the fundamentals of dynamic digital storytelling - from conceiving a story, to seeing, assembling, and sharing it. Readers will also find new explorations of the global applications of digital storytelling in education and other fields, as well as additional information about copyright, ethics, and distribution. The book is filled with resources about past and present projects on the grassroots and institutional level, including new chapters specifically for students and a discussion of the latest tools and projects in mobile device-based media. This accessible guide's meaningful examples and inviting tone makes this an essential for any student learning the steps toward digital storytelling.

Scriptwriting for Web Series: Writing for the Digital Age offers aspiring writers a comprehensive how-to guide to scriptwriting for web series in the digital age. Containing in-depth advice on writing both short- and long-form webisodes as part of a series, as well as standalone pieces, it goes beyond the screenwriting process to discuss production, promotion and copyright in order to offer a well-rounded guide to creating and distributing a successful web series. Written in a friendly, readable and jargon-free style by an experienced scriptwriting professor and two award-winning web series creators, it offers invaluable professional insights, as well as examples from successful series, sample scripts and interviews with key series creators, writers and industry professionals.

The Unfilmed Original Screenplay of an American classic.
This is a landmark volume of the epic, original film script written by Lorraine Hansberry, adapted from her stage play. But movie audiences did not know that nearly a third of her powerful screenplay had been cut. This edition restores all of these deletions and delivers the screenplay that is true to Hansberry's vision.

Once you understand the basics of screenwriting, ideas for your next screenplay are everywhere. Whether it comes from a favorite children's book, a summer novel you discover accidentally, a news story that catches your imagination, or a chapter from your own life - advanced screenwriting strategies should now guide you through your first adaptation. In Screen Adaptation: Beyond the Basics, award-winning screenwriter Eric Williams uses examples from award-winning screenplays to explain new storytelling techniques. His real-world examples illustrate a range of advanced approaches - including new ways to identify and craft tension, how to reimagine structure and character, and how to strengthen emotional depth in your characters and in the audience. Screen Adaptation: Beyond the Basics teaches readers new ways to engage with source material in order to make successful adaptation decisions, regardless of the source material. The book offers: Three detailed examples of award-winning adaptations by the author, including the complete short story and final scripts used in the Voices From the Heartland project; Breakout boxes highlighting modern and historical adaptations and providing examples for each concept discussed in the book; More than fifty charts providing easy-to-use visual representations of complex concepts; New screenwriting techniques developed by the author, including the Triangle of Knowledge, the Storyteller's Parallax, and the idea of Super Genres as part of a Screenwriters Taxonomy.

In the early 1970s Harold Pinter joined forces with director Joseph Losey and Proust scholar Barbara Bray to develop a screenplay of Proust's masterpiece, Remembrance of Things Past. Pinter took more than a year to conceive and write the screenplay and called the experience "the best working year of my life." Although never produced, Harold Pinter's The Proust Screenplay is considered one of the greatest adaptations for the cinema ever written.

With fidelity to Proust's text, the screenplay is an extraordinary re-creation by one of the leading playwrights of our time. It is, in its way, a unique collaboration between two extraordinary writers united across more than half a century and two different cultures by a special concern for time and memory.

Considering that he worked a stint as a screen writer, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner's novels were produced in the same high period as the films of classical Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner's novels--or the ways in which they ask readers to see as well as feel his world--have much in common with film. That Faulkner was aware of film, and that his novels' own "thinking" betrays his profound sense of the medium and its effects, broadens the contexts in which he can be considered.

In a range of approaches, the contributors consider Faulkner's career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner's craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema.

Drawing on film history, critical theory, archival studies of Faulkner's screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.

Full Length, Musical / Characters: 9m, 8f Here is Rydell High's senior class of 1959: duck-tailed, hot-rodding Burger Palace Boys and their gum-snapping, hip-shaking Pink Ladies in bobby sox and pedal pushers, evoking the look and sound of the 1950s in this rollicking musical. Head greaser Danny Zuko and new (good) girl Sandy Dumbrowski try to relive the high romance of their Summer Nights as the rest of the gang sings and dances its way through such songs as Greased Lightnin', It's Raining on Prom Night, Alone at the Drive-In Movie recalling the music of Buddy Holly, Little Richard and Elvis Presley that became the soundtrack of a generation. An 8-year run on Broadway and two subsequent revivals along with innumerable school and community productions place Grease among the world's most popular musicals. A lively and funny musical--as well as the dancingest one in town...it's a winner...the songs are dandies that portray] the early rockers with zip and charm...the sheer energy of Grease carries all before it. - N.Y. Daily News

'Behind the clownish make-up, Steve Martin gives a sweet and serious performance as a latter-day Cyrano de Bergerac in Roxanne. It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

First there is an opportunity, then there is a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him, of course: Spud, Sick Boy, and Frank Begbie. But they are not alone. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Mark Renton returns, to the chaos of life and death.

Now in the acclaimed Newmarket Shooting Script(R) series, the Oscar(R)-winning screenplay by Emma Thompson based on the beloved classic by Jane Austen, with Thompson's candid and detailed behind-the-scenes diaries.
Bringing Jane Austen's "Sense and Sensibility" to the screen was a labor of love for writer/actress Emma Thompson. The highly acclaimed film, nominated for seven Academy Awards(R) (winning Best Adapted Screenplay), appeared on more than 100 Top 10 lists across the country.
Featuring the complete award-winning script, "Sense and Sensibility: The Screenplay and Diaries" also showcases Thompson's unreserved, often hilarious diaries that capture the unique experience of making this landmark film. In addition, the book includes an introduction by producer Lindsay Doran; over fifty photos; cast and crew credits; and Thompson's sparkling Austen-like acceptance speech at the Golden Globe awards ceremony. Thompson's rare and personal perspective makes Sense and Sensibility: The Screenplay and Diaries an irresistible book for students of film and Austen devotees, as well as for everyone who loved this extraordinary movie. More than 50 black-and-white photos.

Klima, a celebrated jazz trumpeter, receives a phone call announcing that a young nurse with whom he spent a brief night at a fertility spa is pregnant. She has decided he is the father. And so begins a comedy which, during five madcap days, unfolds with ever-increasing speed. Klima's beautiful, jealous wife, the nurse's equally jealous boyfriend, a fanatical gynaecologist, a rich American, at once Don Juan and saint, and an elderly political prisoner who, just before his emigration, is holding a farewell party at the spa are all drawn into this black comedy, as in A Midsummer Night's Dream. As usual, Milan Kundera poses serious questions with a blasphemous lightness which makes us understand that the modern world has taken away our right to tragedy.

Following the death of her mother, nineteen-year-old Lucy Harmon is sent by her father to Italy to stay with old family friends and to have her portrait done. She is eager to renew her acquaintance with Niccolo Donati, the handsome young boy from a neighboring family with whom she shared her first kiss on a visit four years earlier, and anxious to solve a riddle left in her mother's diary--the answer to which may change Lucy's life forever.

Indigenous Cultural Translation is about the process that made it possible to film the 2011 Taiwanese blockbuster Seediq Bale in Seediq, an endangered indigenous language. Seediq Bale celebrates the headhunters who rebelled against or collaborated with the Japanese colonizers at or around a hill station called Musha starting on October 27, 1930, while this book celebrates the grandchildren of headhunters, rebels, and collaborators who translated the Mandarin-language screenplay into Seediq in central Taiwan nearly eighty years later. As a "thick description" of Seediq Bale, this book describes the translation process in detail, showing how the screenwriter included Mandarin translations of Seediq texts recorded during the Japanese era in his screenplay, and then how the Seediq translators backtranslated these texts into Seediq, changing them significantly. It argues that the translators made significant changes to these texts according to the consensus about traditional Seediq culture they have been building in modern Taiwan, and that this same consensus informs the interpretation of the Musha Incident and of Seediq culture that they articulated in their Mandarin-Seediq translation of the screenplay as a whole. The argument more generally is that in building cultural consensus, indigenous peoples like the Seediq are "translating" their traditions into alternative modernities in settler states around the world.