More Audio Drama is the second collection of plays by Neville Teller, intended both for lovers of radio drama and for podcast producers who specialise in audio drama. Neville is a veteran radio dramatist, with more than 50 BBC radio plays under his belt and scores more produced and broadcast across America by the San Francisco-based Shoestring Radio Theatre. Back in 2019 he published his first collection of ten radio plays, Audio Drama. They have been so welcomed that he decided to make another ten available. Here they are - 10 more of Neville's plays for radio and podcast, all of which have been produced and broadcast. As in his first book, these scripts are offered to podcast producers with no strings attached. The books on which they are based are all literary classics in the public domain. No performance rights are required. Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind's eye, More Audio Drama is a book to treasure and enjoy.

This book seeks to reshape the way that writers think about constructing their story, looking at the subject from the inside out. Often practitioners and theorists examine work through the separate lenses of character and/or structure and then bring them together. Within this book, authors Hughes and Wilkes argue that character is structure and one without the other makes for a dissatisfying narrative. Through detailed case studies on films that span all genres, from mainstream franchises like The Hunger Games (2012-2015) and Shrek (2001-2010) to art house films such as Toto Le Heros (1991) and Eraserhead (1977), the authors reveal the dramatic imperative behind the central choices or dilemmas faced by every protagonist in every classic feature length narrative. They argue there is only one of five choices that any writer must make in inventing that key transition from the protagonist's ordinary world into the adventure that will form the heart of their story. Using the universal language of folk and fairy stories, this book gives writers and students a clear framework through which they can reference and improve their own storytelling. In doing so, it enables both the novice and experienced screenwriter to tell their story in the most authentic and impactful way, while keeping their protagonist at the heart of the narrative.

The most popular series of movies in the history of cinema, the Star Wars trilogy altered forever our notion of what the movies could do. Return of the Jedi is the trilogy's concluding section. With its myriad peculiar creatures, it seems, at first, to be a lighter film than the others. However, as its subtle narrative unfolds, it becomes apparent that the centre of the trilogy is not Luke Skywalker but Darth Vader, and it is his redemption that forms the culmination of this epic story. The power of this conclusion excites curiosity about how someone who began so idealistically could have turned to the dark side of the Force - the story of which will be revealed in the next three instalments to the Star Wars saga . . .

It is a near-future world, and in many ways London is the same bustling metropolis it has been for centuries; but look a little closer and Viral Inspectors roam public places delivering fines and forced immunisation against Avian Flu, and an organisation called the Genetic Protection Authority has been established with unnerving oversight. It is the role of the GPA to oversee the genetic future of mankind: a noble mission to protect humanity from the worst genetic diseases and impairments, but one that seems increasingly liable to abuse, using its vague definitions of eradicating anything more than 'three standard variations from the human norm'. When Sandra Small becomes pregnant with a child that has the same strain of achondroplasia dwarfism as her husband, Ivan Henry, an ugly domestic dispute escalates to a legal battle with the GPA and the High Court. What could have been a marital issue becomes a challenge to the GPA's authority and jurisdiction, in a test case that could set an alarming precedent for the whole country, redefining the very definition of what is, and isn't, human. The stakes for Ivan, dwarfs, and anyone else with a genetic condition, become increasingly larger threatening to engulf London and beyond. This ambitious and provocative script is a faithful recreation of Ross Martyn's original vision, looking at ethics, science, and society; a story of how small actions can lead to catastrophic consequences.