Winter is coming. Every Sunday night, millions of fans gather around their televisions to take in the spectacle that is a new episode of Game of Thrones. Much is made of who will be gruesomely murdered each week on the hit show, though sometimes the question really is who won't die a fiery death. The show, based on the Song of Fire and Ice series written by George R. R. Martin, is a truly global phenomenon. With the seventh season of the HBO series in production, Game of Thrones has been nominated for multiple awards, its cast has been catapulted to celebrity and references to it proliferate throughout popular culture. Often positioned as the grittier antithesis to J. R. R. Tolkien's Lord of the Rings, Martin's narrative focuses on the darker side of chivalry and heroism, stripping away these higher ideals to reveal the greed, amorality and lust for power underpinning them. Fan Phenomena: Game of Thrones is an exciting new addition to the Intellect series, bringing together academics and fans of Martin's universe to consider not just the content of the books and HBO series, but fan responses to both. From trivia nights dedicated to minutiae to forums speculating on plot twists to academics trying to make sense of the bizarre climate of Westeros, everyone is talking about Game of Thrones. Edited by Kavita Mudan Finn, the book focuses on the communities created by the books and television series and how these communities envision themselves as consumers, critics and even creators of fanworks in a wide variety of media, including fiction, art, fancasting and cosplay.

The Unfilmed Original Screenplay of an American classic.
This is a landmark volume of the epic, original film script written by Lorraine Hansberry, adapted from her stage play. But movie audiences did not know that nearly a third of her powerful screenplay had been cut. This edition restores all of these deletions and delivers the screenplay that is true to Hansberry's vision.

The full scripts of award-winning Downton Abbey, season two including previously unseen commentary from Julian FellowesOpening in 1916, as the First World War rages across Europe, Season Two is the next dramatic installment of the much-loved, award-winning drama. The Crawley family and their servants play their parts on the front line and back at home as their lives are intensified by the strains of war.The shooting scripts give a fascinating view of how Julian Fellowes weaves his storylines of love, loss, and betrayal to captivate the audience. With key insights into the research and creative processes, this will appeal to fans and students alike.

In this amply illustrated book, Hellman and Rogachevskii tell the fascinating story behind the screen adaptation of one of the most impactful novels of all times. Despite its huge global success, Aleksandr Solzhenitsyn refused all offers to have his One Day in the Life of Ivan Denisovich turned into a movie for many years for artistic reasons. It took the full resolve and commitment of the Finnish director Caspar Wrede to bring this challenging project to fruition, eight years after the novel had been published. This second, expanded edition offers an all-encompassing account of the movie's production, reception and impact. Filled with little-known facts, it also gives unique and valuable insights into Solzhenitsyn's complex relationship with the art of film-making.

When Women Wrote Hollywood is a collection of 23 essays on the lives of female screenwriters from early Hollywood, whose bold, brash, brilliant words have enhanced our film experiences, but whose names have been left out of most film history textbooks. These essays explore the themes of their writing and the trajectories of each woman's career. From the more famous Anita Loos, Adela Rogers St. Johns and Lillian Hellman to the more obscure Gene Gauntier, Eve Unsell and Ida May Park, female screenwriters have created the stories we have loved for generation to generation including Gentlemen Prefer Blondes, Ben Hur, and It's a Wonderful Life.

In this revised and updated edition of the StoryCenter's popular guide to digital storytelling, StoryCenter founder Joe Lambert offers budding storytellers the skills and tools they need to craft compelling digital stories. Using a "Seven Steps" approach, Lambert helps storytellers identify the fundamentals of dynamic digital storytelling - from conceiving a story, to seeing, assembling, and sharing it. Readers will also find new explorations of the global applications of digital storytelling in education and other fields, as well as additional information about copyright, ethics, and distribution. The book is filled with resources about past and present projects on the grassroots and institutional level, including new chapters specifically for students and a discussion of the latest tools and projects in mobile device-based media. This accessible guide's meaningful examples and inviting tone makes this an essential for any student learning the steps toward digital storytelling.

Jungian Theory for Storytellers is a toolkit for anyone using Jungian archetypes to create stories in fiction, TV, film, video games, documentaries, poetry, and many other media. It contains a detailed classification of the archetypes, with relevant examples, and explains how they work in different types of narratives. Importantly, Bassil-Morozow explores archetypes and their significance in characterization, individuation, plot and story-building. Bassil-Morozow also presents an overview of Jung's thoughts on creativity and other Jungian concepts, including the unconscious, ego, persona and self and the individuation process, and shows how they are linked to conflict. The book provides an explanation of relevant Jungian terms for a non-Jungian audience and introduces the idea of the hero's journey, with examples included throughout. Accessibly written yet academic, both practical and engaging, and written with a non-Jungian audience in mind, Jungian Theory for Storytellers is an ideal source for writers and screenwriters of all backgrounds, including academics and teachers, who want to use Jungian theory in their work or are seeking to understand relevant Jungian ideas.

This volume presents eleven radio scripts written and produced by the poet and writer Louis MacNeice (1907-1963) over the span of his twenty-year career at the BBC, during which he wrote and produced well over a hundred radio scripts on an impressively wide variety of subjects. This volume's selection of scripts, all but one of which is published for the first time, illustrates the various ways that MacNeice re-worked one particular and recurrent source of material for radio broadcast - ancient Greek and Roman history and literature. The volume thus seeks to explore MacNeice's literary relationship with classical antiquity, including engagements with authors such as Homer, Thucydides, Aristophanes, Xenophon, Petronius, Apuleius, and Horace, in a variety of types of programmes from wartime propaganda work, which used ancient Greek history to comment on the international situation, to lighter entertainment programmes drawing on the Roman novel. MacNeice's educational background in classics, combined with his skill as a writer and his ability in exploring radio's potential for creative work, resulted in programmes which brought the ancient world imaginatively alive for a massive, popular audience at home and abroad. Each script is prefaced by an individual introduction, written by the editors and guest contributor Gonda Van Steen, detailing the political and broadcasting contexts, the relationship of the script with classical antiquity, notes on cast and credits, and the reception of each script's radio performance amongst contemporary listeners. The volume opens with a general introduction which seeks to contextualise the scripts in MacNeice's wider life and work for radio, and it includes an appendix of extant MacNeicean scripts and recordings.

Wildly charismatic, impossibly brilliant, totally rebellious - Will Hunting is a mathematical genius who lives on the fringes of society, refusing to accept the talent that he has for maths and taking, instead, a job as a cleaner in a university. A psychologist takes him under his wing and tries to help Hunting resolve the traumas that beset him. Matt Damon and Ben Affleck - lifelong friends and two of the best actors of their generation - have written a film that is funny, ironic and profoundly moving; one that is filled with empathy for society's outsiders and their struggle to fight their way through life.

Toe Eugene Marais deurtrek van malaria en morfien by 'n vreemde plaashuis in die Waterberg ingeneem word, verander daardie huishouding heeltemal. Twee vroue ding mee om sy aandag - Maria, die huisvrou, en Jane, 'n jong meisie onder die gesin se sorg. En op hulle beurt is daar twee jaloerse mans - Gys, die eggenoot, en hul seun, Adderjan. Oor die maande waarin Marais onder die sorg van die twee vroue herstel, verrig hy wat vir die plaasmense en hul bure na wonderwerke lyk. Hy versamel en ondersoek byna alles, maak diere mak en bring hulle in sy kamer in, genees besoekers. Hy "mesmeraais" mense en hou hom besig met dinge wat soos toordery lyk. Algaande bring sy teenwoordigheid in almal die verlange na iets onbereikbaars na vore, maar dis Marais se verlange na die jongmeisie, en hare na hom en na 'n ander lewe, wat al die verswee konflikte op die spits dryf.

Klick's book reveals the 120 minute-by-minute story genome that unites all successful films. In other words, it shows filmmakers what makes a great movie tick--like no other book has done before. 250 pp.

The original screenplay, The Gardener's Son, is the tale of two families: the wealthy Greggs, who own the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. Two years ago, Robert McEvoy was involved in an accident that led to the amputation of his leg. Consumed by bitterness and anger, he quit his job at the mill and fled. Now, news of his mother's terminal illness brings Robert home. What he finds on his return stokes the slow burning rage he carries within him, a fury that ultimately consumes both the McEvoys and the Greggs. This taut, riveting drama was Cormac McCarthy's first written screenplay. Directed by Richard Pearce, it was produced as a two-hour film in 1976 and received two Emmy Award nominations. This is the first UK publication of the film script in book form.

""Stuff happens . . . And it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things.""
Such was Donald Rumsfeld's response on April 11, 2003, following the infamous looting and pillaging of Baghdad. In David Hare's powerful new play chronicling the extraordinary process leading to the American invasion of Iraq, this statement provides entree into the melee of diplomacy, political power, and terrorist vendetta still making headlines around the world. Using direct quotes meticulously culled from interviews and public appearances, combined with the playwright's nuanced reimagining of what went on behind closed doors, Hare has fashioned a historical narrative and human drama that presents the Iraqi conflict in all of its
haphazard notoriety. "Stuff Happens" uses a uniquely evenhanded approach to a deeply contested invasion--seen from the perspective of international leaders and journalists, as well as Iraqi refugees--and raises a series of provocative questions regarding the most heartfelt and manipulative machinations of domestic and international politik.

The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers' room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles - including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production.

Jim Carrey is Truman Burbank, the most famous face on television, only he doesn't know it. He is the unwitting star of a nonstop, 24-hour-a-day documentary soap opera called The Truman Show, with every moment of his life broadcast to a worldwide audience. Everyone around him is an actor. He is a prisoner in a made-for-TV paradise. This is the story of his escape.

Rarely has a first-time collaboration between a writer and director produced such a stunning result. In this book, both Niccol and Weir's lively talents and creative force come to light, as each contributes some highly original material to amplify the brilliant107-page shooting script, reproduced here in facsimile. Niccol has given us another version of The Truman Show, in photos and captions--in effect, our very own photo album. For his contribution, Peter Weir chose to let us in on the intricately detailed, often hilarious "backstory," which he wrote as part of his preparation, and eventually shared with the cast and crew during production. Also included are complete cast and crew credits.

This collection consists of one-act plays which include stage, television and radio dramas, translated from the original isiZulu. The differences between these three types of plays are made apparent in the way they have been written.

A collection of plays previously broadcast on SABC radio. The dramas have been carefully selected to meet the needs of those who settle for nothing but the best in literature.

A collection of the screenplays of Paddy Chayefsky which is part of a four-volume set of his work. The screenplays contained in this volume are Marty, The Goddess and The Americanization of Emily.

This multi-ethnic volume of five plays looks at the many problems facing South Africa. The stories include Anthony Akerman's "Somewhere on the Border", an anti-war play dealing with the invasion of Angola; "The Hungry Earth" by Maishe Maponya, which dramatises black disabilities and the will to liberation; Susan Pam's "Curl Up and Dye", a story about five women in a hair salon who find the divisions of apartheid stronger than their common interests; Paul Slabolepsky's "Over the Hill" which uses sporting metaphor to anatomize the white middle class and "Just Like Home", a mediation on exile.

Now in the acclaimed Newmarket Shooting Script(R) series, the Oscar(R)-winning screenplay by Emma Thompson based on the beloved classic by Jane Austen, with Thompson's candid and detailed behind-the-scenes diaries.
Bringing Jane Austen's "Sense and Sensibility" to the screen was a labor of love for writer/actress Emma Thompson. The highly acclaimed film, nominated for seven Academy Awards(R) (winning Best Adapted Screenplay), appeared on more than 100 Top 10 lists across the country.
Featuring the complete award-winning script, "Sense and Sensibility: The Screenplay and Diaries" also showcases Thompson's unreserved, often hilarious diaries that capture the unique experience of making this landmark film. In addition, the book includes an introduction by producer Lindsay Doran; over fifty photos; cast and crew credits; and Thompson's sparkling Austen-like acceptance speech at the Golden Globe awards ceremony. Thompson's rare and personal perspective makes Sense and Sensibility: The Screenplay and Diaries an irresistible book for students of film and Austen devotees, as well as for everyone who loved this extraordinary movie. More than 50 black-and-white photos.

This play was written in 1956 but was not produced until 1980. Set in what turns out to be a government-run mental home this play is a black comedy which examines bureaucratic power. This edition includes the revisions made by the author following his own production of the play in Hampstead and the West End. Other plays by this author include "The Caretaker", "The Birthday Party", "No Man's Land" and "Old Times" and his screenplays include "The Servant", "Accident" and "The Go-Between".