In the Spring of 1975 the film director Richard Pearce approached Cormac McCarthy with the idea of writing a screenplay. Though already a widely acclaimed novelist, the author of such modern classics as The Orchard Keeper and Child of God, McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished The Gardener's Son, a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, The Gardener's Son recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.

Set in Graniteville, South Carolina, The Gardener's Son is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family.

Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

The kids are in bed, you've had a good meal and enough to drink. What now? You and your friends don't want to play Scrabble or Trivial Pursuit and you certainly don't want to watch television. So why not make your own fun by acting out these small and amusing plays? They will round off your evening nicely...Oh no they won't! Oh yes they will!

Documentary films have become an exciting and popular genre. Worldwide, the attractiveness and appeal of documentaries have increased tremendously. More newcomers are now able to enter this genre, because with an affordable digital video camera and PC editing system, a good story, common sense and enthusiasm, anyone can be a documentary producer. Moreover, we are surrounded by amazing true stories, waiting to be told. Producing documentaries will be of interest to existing documentary producers and film or journalism students, but its primary purpose is to prepare the first-time documentary producer to make good documentaries on an affordable, shoestring budget. With the minimum of theory and a wealth of practical tips, it provides step-by-step and practical instructions on how to create exciting and well-structured documentary films, even if you do not have a big budget behind you. This accessible, understandable and practical guide explains all the principles, production processes and elements of documentary film-making. The rest is only a matter of dedication, enthusiasm and practice, practice, practice Good luck!

The Clangers memorably spoke in a language played on swannee whistles. No one expected them to have scripts. But they did. Within an ancient barn nestled in the heart of the Kent countryside, Smallfilms founders Oliver Postgate and Peter Firmin created one of the most beloved BBC children's series of the twentieth century: Clangers. Clangers: The Complete Scripts 1969-1974 is the ultimate compendium of scripts from the original two series of the show in one lavishly illustrated volume. These previously unseen scripts sit alongside original writing from Daniel Postgate - son of the original creator Oliver Postgate - exploring the inspiration for and lasting cultural impact of the show, new and historical photographs, Peter's original illustrations, Oliver's handwritten musical notations and more. The joyful revelation that the Clangers' often colourful words were scripted in English brings an exciting new dimension to the Smallfilms legacy.

n Interstellar a group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. The screenplay of Interstellar is written by Christopher Nolan and his frequent collaborator, Jonathan Nolan. The film stars Matthew McConaughey, Jessica Chastain, Anne Hathaway and Michael Caine, and looks set to surpass the visions of Stanley Kubrick and the technical achievment of Gravity. In addition to the screenplay, this book also contains over 200 pages of storyboards and an Introduction featuring a conversation about the film with Christopher Nolan and Jonathan Nolan. Christopher Nolan's other films include Momento, Insomnia, The Dark Knight Trilogy and most recently Inception which starred Leonardo DiCaprio, Tom Hardy, Ellen Page, Marion Cotillard and Michael Caine.

A wonderful South African resource, still as fresh and absorbing as when it was first written. Perfectly scripted, and with Gcina Mhlophe's sure instinct for stagecraft, it recounts the very personal story of Zandile, who is snatched away from her grandmother's loving care and taken to live with her matriarchal family in rural Transkei.

Moving, funny and convincing, full of Zandile's shrewd, youthful insights, the play offers an illuminating window into the 1960s world that it depicts, with its issues of white dominance, rural hardship and black female repression.

Have You Seen Zandile? is already an established favorite in performance circles, and is fast becoming a South African classic.

Breaking and Entering is a modern drama which revolves around a series of thefts - some criminal, some emotional - set against a backdrop of London's changing geographical and cultural landscape. Will (Jude Law)) is a partner in a thriving landscape architecture firm which he runs with his friend, Sandy (Martin Freeman). Professionally, things could not be better but Will spends less and less time at home with his beautiful, melancholy partner, Liv (Robin Wright Penn) and her troubled 12 year-old daughter, Bea. Will's office has recently relocated to King's Cross, the centre of Europe's most ambitious urban regeneration site and their state-of-the-art studio repeatedly attracts the attention of a local gang of thieves. After one of the break-ins, Will follows teenaged freerunner Miro (Rafi Gavron) back to the apartment he shares with his mother, Amira (Juliette Binoche), a Bosnian refugee. With his relationship already in crisis, Will embarks on a passionate journey into both the wilder side of himself and the city in which he lives.

Hail, Caesar! is the story of Eddie Mannix, tireless pursuer of the interests of fictional Capitol Pictures, circa 1951. He is the ultimate studio fixer and---since the studio is his world---the ultimate earthly one. There is no star scandal he cannot cover up, no studio misstep he cannot repair, no sin he cannot make right. His powers are tested, though, when production on the studio's most expensive picture ever---biblical epic Hail, Caesar!---is halted by the kidnapping of its star. The kidnappers are a mysterious gaggle seeking not just ransom but the destruction of everything Eddie Mannix lives for, and everything he lives by. . .