It is about a young Marine being sent to Vietnam and my experiences in the infantry. Assign to the 1st Battalion 9th Marines, Charlie Company 2nd Platoon. Just before I get to my new outfit, a Marine that has been in Vietnam for a while come up to us and tells us that we're going to a badass outfit.

I joined the 2nd platoon of Charlie Company with 46 men in March of 1967 and ended up with only four men left in Dec. pf 1967. During that time with the 1st Battalion 9th Marines other Marines outfits called us "the Walking Dead." From the time I was with them the N.V.A. have hit us with mortars, artillery, human wave attacks, flamethrowers, and ambushes. The only people that help us were artillery from both the Army and Marines and F-4 Phantom aircrafts.

On Dec. 16, 1967 I transferred over to a new Recon outfit being for in the 3rd Marines Division called "E" Echo Company. The last time this company was formed was back in World War II. When back to Okinawa for thirty days to be trained as Recon and then sent back to Vietnam to finish my tour. I stayed with this outfit until I rotated back home which was April 1, 1968.

He always wondered what war would be like. "So This is War": a collage of emotions and events featuring the triumphs, defeats, hardships, humor, discomforts, and boredom of war as the author's Cavalry Squadron journeys around Iraq in an attempt to fight an invisible enemy, find a peace, and build a country. Combat has eluded the author since his initial enlistment in the Army during the Cold War in 1985. After leaving the service and living a cushy life as a finance executive in Arizona, Captain Olson returned to active duty following the attack on America on 9/11 and soon found himself fighting in Iraq with the legendary 3rd Armored Cavalry Regiment. Follow the adventures and thoughts of this Intelligence Officer as he endures a year of the triumphs, defeats, hardships, humor, discomforts, and boredom of war while his Cavalry Squadron moves through Kuwait to the Triangle of Death south of Baghdad and on to Northwest Iraq to tame the volatile city of Tal Afar and secure the vast and porous Syrian border from invading Jihadists. As Captain Olson soon learns, his visions of a glamorous, dangerous, and exhilarating war are quickly crushed as the officers and soldiers in the unit do their best to find and fight an invisible enemy, rebuild a once-great Iraqi Army, and attempt to gain the trust and cooperation of the Shia, Sunni, and Kurdish populace who are largely against the U.S. occupation. He always wondered what war would be like. So This is War.

New York Times 10 Best Books of 2020 Sunday Times best books for Autumn 2020 Guardian critics' pick for Autumn 2020 Wall Street Journal notable book of 2020 The time since the Second World War has been seen by some as the longest uninterrupted period of harmony in human history: the 'long peace', as Stephen Pinker called it. But despite this, there has been a military conflict ongoing every year since 1945. The same can be said for every century of recorded history. Is war, therefore, an essential part of being human? In War, Professor Margaret MacMillan explores the deep links between society and war and the questions they raise. We learn when war began - whether among early homo sapiens or later, as we began to organise ourselves into tribes and settle in communities. We see the ways in which war reflects changing societies and how war has brought change - for better and worse. Economies, science, technology, medicine, culture: all are instrumental in war and have been shaped by it - without conflict it we might not have had penicillin, female emancipation, radar or rockets. Throughout history, writers, artists, film-makers, playwrights, and composers have been inspired by war - whether to condemn, exalt or simply puzzle about it. If we are never to be rid of war, how should we think about it and what does that mean for peace?

A multitude of literary and cinematic works were spawned by the Vietnam war, but this is a unique book, combining moving prose with powerful illustrations created by combat artists in the U.S. military. Dr. Noble has assembled a remarkable collection of 153 reproductions printed in black and white, arranged with oral histories, letters and other commentaries to give the reader a more intimate understanding of the combat soldier who served in Vietnam and what he had to endure. Forgotten Warriors is not intended to argue the merits of U.S. involvement in Southeast Asia. Rather, through the visual impact of the illustrations, the soldiers themselves express what the Vietnam experience was like in a way that is different and more profound than perhaps any other work on the subject.

The main focus of the book is on the way artists saw the world of the grunt: patrols, life in the rear, fighting the terrain and weather, tests of endurance, the machines of war and the effects of combat and its aftermath. The reader is also given a sense of how some writers and artists felt about the country and the people of South Vietnam. To date, our perceptions of the Vietnam war have been influenced largely by movies, television and novels. Recognizing this, Dr. Noble enlisted Professor William J. Palmer, a noted authority on the media and their reportage fo the war, to provide an essay that allows the reader to compare his or her past impressions with the art works contained in this book. A moving collection, "Forgotten WarriorS" offers the truest picture of the Vietnam war in human terms.

As a Confederate Soldier, John Fulton Brown opposed all things pointing to a division of the United States. He felt he was helping to establish a cause that he did not want established. His heart was not in it and it didn't reflect his interests. He was half-starved all the time and was plagued by the horrid, hungry insects that sucked out what little beef and rice he didn't get at suppertime. Who wouldn't move, influenced by a variety of facts such as these?

In "The Bushwhackers," he recounts how, while traveling in the high, craggy mountains of Tennessee, they discovered the area had been overrun by both Yanks and Rebs. Barns and corncribs were empty with no men in sight, except every now and then a very old man would wander out of hiding. Women with long, peaked faces peeped out through cracks in their huts, looking as scared to death as they undoubtedly were. Children with woolly heads and prominent eyeballs, pale from lack of sufficient food-skedaddled in all directions. Real pretty girls, or those who would have been pretty if there were peace and plenty, looked as though they had never had a full meal in their lives.

Confronting Sukarno examines the regional and international implications of the Malaysian-Indonesian Confrontation, a crisis more popularly known as Konfrontasi. By doing so, fundamental themes concerning the Asian Cold War are discussed. In particular, the concern of western policy makers with an increasingly belligerent communist China, the importance of Konfrontasi to the war in Vietnam and the British 'role' east of Suez, are all examined in detail. Being a work of international history, the book draws extensively from recently de-classified documents in the United States, Britain, Australia and New Zealand.

From the invasion of Zululand & Isandhlwana to Rorke's Drift & Ulundi-the Zulu War freshly related. Zulu:1879 is an unusual book. It brings to life a war - nearly 130 years in the past - almost as though it was a modern conflict. We hear the voices of the time speaking with the immediacy of recent recollection. Here are officers, newspaper reporters, teamsters, ordinary soldiers and even the Zulu warriors themselves recounting their experiences of this remarkable conflict. D.C.F Moodie's selection has been refined and enhanced by the Leonaur Editors with 3 additional engaging accounts of Zulu Warfare together with a special bonus account from the ranks of the Buffs selected from Leonaur's book "Tommy Atkins' War Stories"

George Luther Stearns became John Brown's single most important financial backer. He personally owned the 200 Sharps rifles Brown brought to Harper's Ferry. Massachusetts Governor John Andrew asked Stearns to recruit the first northern state African-American regiment, the 54th Massachusetts Infantry, recently made famous by the Hollywood movie Glory. Stearns was made a major and made Assistant Adjutant General for the Recruitment of Coloured Troops. He recruited over 13,000 African-Americans and established schools for their children and found work for their families. After Emancipation, he worked tirelessly for African-American civil rights. Friends and associates included the Emersons and the Alcotts, Thoreau, Lydia Maria Child, Charles Sumner, Andrew Johnson, and Frederick Douglass.

Twelve experts analyze existing threats to American security, problems of defense, the prospects of limited and total wars, and possible strategies to meet the crisis in light of the stresses and strengths of NATO.

Mockaitis begins by providing a working definition of counterinsurgency that distinguishes it from conventional war while discussing the insurgents' uses of terror as a method to support their broader strategy of gaining control of a country. Insurgent movements, he notes, use terror far more selectively than do terrorist organizations like al-Qaeda, which kills indiscriminately and is more than willing to produce mass casualties. Such methods stand in stark contrast to the American approach to armed conflict, which is more ideally suited to pragmatic culture leery of involvement in protracted foreign wars and demands immediate results. Within this context, Mocktaitis examines the conflict in Iraq, from post conflict troubles with Saddam in the early 1990s, to pre-invasion planning in 2003. He then moves into a discussion of the rise of insurgent movements and the challenges they posed in the aftermath of the fighting, tracing the ongoing efforts to shape a doctrine that allows US forces to successfully deal with the growing insurgency The U.S. military in Iraq faces the most complex counterinsurgency campaign in its history and perhaps the history of modern warfare. At the outset, it confronted as many as 22 different domestic insurgent and foreign terrorist groups in an environment made more difficult by thousands of criminals released by Saddam Hussein. Over the past three years, the conflict has evolved with growing ethnic violence complicating an already difficult security situation. Even the most optimistic assessments predict a continued deployment of significant U.S. forces for at least five years for the country to be stabilized. It remains to be seen whether public opinionwill support such a deployment. Mockaitis situates the Iraq War in its broad historical and cultural context. He argues that failure to prepare for counterinsurgency in the decades following the end of the Vietnam War left the U.S. military ill equipped to handle irregular warfare in the streets of Baghdad. Lack of preparation and inadequate troop strength led American forces to adopt a conventional approach to unconventional war. Over-reliance on firepower combined with cultural insensitivity to alienate many Iraqis. However, during the first frustrating year of occupation, U.S. forces revised their approach, relearning lessons from past counterinsurgency campaigns and adapting them to the new situation. By the end of 2004, they had developed an effective strategy and tactics but continued to be hampered by troop shortages, compounded by the unreliability of many Iraqi police and military units. The Army's new doctrine, embodied in FM 3-24 Counterinsurgency, outlines the correct approach to winning Iraq. However, three years of desultory conflict amid ongoing revelations that the premises upon which the administration argued the need for invading Iraq may be false have eroded support for the war. The American armed forces may soon find themselves in the unfortunate situation of having found a formula for success at almost the same time the voters demand withdrawal.