"Yeats Annual" is an established research-level publication for current thought and documentation upon the life and work of "the greatest poet in the English tongue of this century" (Dame Helen Gardner). The focus in this sixth number is on Yeats at work on various manuscripts and on his tours of America.;Almost every contributor draws on unpublished material and the items contained in this work included the complete surviving archive of letters to Yeats from Olivia Shakespear published for the first time, the earliest surviving manuscripts of "Cathleen ni Houlihan" by Lady Gregory and Yeats, an examination of the manuscripts of "Deirdre" and Yeats' interest in Arthurianism, plus an account of his first tour of California in 1904 and a re-examination of several of Yeats' works such as "Responsiblities". The volume also includes a number of reviews on works written about Yeats.

The book arose from several years of research on Akhmatova. Her career falls into two distinct periods, an 'earlier' and a 'later', the dividing line being her period of relative silence between 1925 and 1940. As is often observed, her return to poetry brings with it a sudden and dramatic shift away from a relatively homogenous body of early lyric miniatures to a more diverse and complex style. One of the major unresolved problems in Akhmatova scholarship is that of how the poetics of the two phases are related. Previous attempts to plot her creative trajectory contain internal inconsistencies and are in conflict with one another, often serving to confuse rather than clarify the debate. This book outlines a fresh and coherent framework for the apprehension of Akhmatova's oeuvre in its totality, seeing her as a poet who moves beyond modernism in her later period.

The interpretation of Paradise Lost has undergone remarkable changes in the last twenty years. This new collection of essays maps these changes, showing how they have been achieved by the combined discourses of Marxism, feminism, psychoanalysis, and poststructuralism. The essays are by writers working at the forefront of current criticism, and not only provide an overview of contemporary readings of one of the seminal works of English literature, but also indicate the range and subtlety of the revolution in English studies that has taken place in the past two decades. Paradise Lost is revealed as a work of immediate and challenging relevance.

First published in 1988, this annotated selection of Wilfred Owen's poetry and prose provides a comprehensive one-volume text of his best work. As well as the war poems, it includes illuminating early pieces such as 'Impressionist' and 'Little Claus and Big Claus', which illustrate Owen's early command of satire and narrative. The prose includes Owen's well-known draft Preface and a wide range of his letters, showing the devotion he felt for his mother, his poetic development after meeting Siegfried Sassoon, and, above all, his war experiences. With a detailed introduction and helpful commentary, this timely reissue will be of particular value to A-Level and undergraduate students with an interest in the work of Wilfred Owen, his contemporaries, and the context of the First World War.

A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart's membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.

Product information not available.

Examining how labouring-class poets constructed themselves and were constructed by critics as part of a canon, and how they situated their work in relation to contemporaries and poets from earlier periods, this book highlights the complexities of labouring-class poetic identities in the period from Burns to mid-late century Victorian dialect poets.

Reissuing works originally published between 1958 and 1993, this five-volume set offers a selection of scholarship on the greatest classical poet, whose two monumental epics, the Iliad and the Odyssey, remain foundational to the Western cultural tradition. Routledge Library Editions: Homer helps to situate this immense artistic achievement in its historical and cultural context, considering issues such as the relationship between the Homeric epics and the Mycenaean civilisation which preceded them, the importance of Homer for the flowering of Greek tragedy, and the reception of Homer during and after the Enlightenment.

"Over the last decade, Romanticism and queer theory have been mutually illuminating and incredibly productive, but this canonical 'queering' has somehow veered away from William Blake. This collection looks anew at Blake's celebrated sexual visions, to see how they might appear once compulsory heterosex has been ditched as an interpretative norm"--Provided by publisher.

HarperCollins is proud to present its new range of best-loved, essential classics. 'There is no greater sorrow then to recall our times of joy in wretchedness.' Considered one of the greatest medieval poems written in the common vernacular of the time, Dante's Inferno begins on Good Friday in the year 1300. As he wanders through a dark forest, Dante loses his way and stumbles across the ghost of the poet Virgil. Virgil promises to lead him back to the top of the mountain, but to do so, they must pass through Hell, encountering all manner of shocking horrors, sins and evil torments along the way, evoking questions about God's justice, human behaviour and Christianity.

In this critical and historical interpretation of Petrarch's major Italian work, the collection of poems he called the Rerum vulgarium fagmenta, Peter Hainsworth presents Petrarch as a poet of outstanding sophistication and seriousness, occupied with issues which are still central to debates about poetry and language. In the Rerum vulgarium fragmenta Petrarch reformed the received Italian tradition, creating a new kind of lyric poetry. In particular, he found solutions to the intellectual, linguistic and imaginative problems which Dante's Divine Comedy posed for the succeeding generation of poets. Petrarch the Poet illumines the complexities of Petrarch's poetic vision, which is simultaneously a form of autobiographical narrative, a poetic encyclopaedia and a meditation on the nature of poetry. The book will appeal to Italian specialists, to those interested in European poetry of the Middle Ages and the Renaissance, and also to readers interested generally in the nature and function of poetry.

A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina. Since Carajicomedia was published in 1519, it has been largely ignored by critics because of its strong sexual content. The author of Carajicomedia: Parody and Satire in Early Modern Spain believes that it is a sophisticated and complex composition that provides as good a vantage point from which to examine the ideology of the period as does La Celestina. In their poems, the writers of Carajicomedia inadvertently reveal thedeep worries of the knights and nobles who opposed the regencies of Ferdinand the Catholic and Francisco Jimenez de Cisneros pending the arrival of Charles V. Carajicomedia is therefore a harbinger of the War of the Comuneros, the great popular revolt that convulsed Spain in 1520. In this book's chapters, the author examines the parodic relationship between the text of Juan de Mena's El Laberinto de Fortuna, the glosses of Hernan Nunez's Las Trezientas, and Carajicomedia. He then turns to its actual writers and their settings, and shows how their satirical attitudes towards males, females, and conversos reveals the failure of the societal mechanisms in place to control desire and miscegenation. Carajicomedia: Parody and Satire in Early Modern Spain concludes with a paleographic edition of the text and appendices that contain a modern Spanish version and its Englishtranslation, as well as examine Carajicomedia's language. Frank A. Dominguez is a professor of medieval Spanish literature and culture at the University of North Carolina at Chapel Hill.

These essays extend an ongoing conversation on dialogic qualities of poetry by positing various foundations, practices, and purposes of poetic dialogism. The authors enrich and diversify the theoretical discourse on dialogic poetry and connect it to fertile critical fields like ethnic studies, translation studies, and ethics and literature.

Romantics and Renegades examines the abiding crux of romantic criticism: the political apostasies of the Lake poets (Wordsworth, Coleridge, and Southey) as they renounced the revolutionary Jacobinism of their youth in the 1790s in order to claim the high ground of Regency Toryism in the 1810s. Central to this scandal is the figure of William Hazlitt, the literary critic who policed their betrayals in his vigilant exposure of their political and poetical inconsistencies. Mahoney's analysis provides new insight into this abiding critical riddle through close historical and figural readings of the rhetoric of romantic apostasy.

Known as "the Theologian", St Gregory of Nazianzus (in the eastern part of Turkey) is, with St Basil and St Gregory of Nyssa, one of the celebrated Cappadocian Fathers of the fourth-century Christian Church. Highly educated in both Christian theology and classical Greek literature, he found himself torn between a solitary, contemplative life and the reluctantly accepted, though in actuality relished, public figure of bishop, vigorous in defence of orthodoxy against the attacks of the Arians. He was even, briefly, Bishop of Constantinople and chairman of the Council in 381 which produced what we now know as the Nicene Creed. This edition of his poems brings together his theological acumen in a formative period and shows his ability to operate in the genre of didactic verse going back to the eighth century BC. The poems cover a range of topics, from the strictly theological to others dealing more broadly with the creation of the world, providence, the world of spiritual beings, and the human soul. They give a unique new insight both on the theological ideas of the period and on the uneasy emergence of Christian culture from the pagan past.

Die bundel, wat in P.J. Philander se nege-en-tagtigste jaar verskyn het, is geskryf terwyl hy in New York gewoon het. Ten spyte van die afstand tussen die digter en sy geboorteland, spreek die gedigte in die bundel steeds van 'n intieme verbintenis tussen hom en sy land van herkoms. In die middel van die winter word Miem Fischer saam met haar enigste seun en ander familielede weggevoer van hulle plaas naby Ermelo: eers na die konsentrasiekamp by Standerton en daarna na die kamp by Merebank naby Durban. In haar dagboekinskrywings ontvou dag na dag die aangrypende verhaal van hoe sy die haglike realiteit van lewe in ’n konsentrasiekamp moet verduur. Tant Miem Fischer se kampdagboek is een van maar ’n handjievol dagboeke wat die lyding van Boerevroue en -kinders van dag tot dag weergee en wat na die oorlog behoue gebly het.

William Blake and the Body re-evaluates Blake's central image: the human form. In Blake's designs, transparent-skinned bodies passionately contort; in his verse, metamorphic bodies burst from each other in gory, gender-bending births. The culmination is an ideal body uniting form and freedom. Connolly explores romantic-era contexts like anatomical art, embryology, miscarriage, and 20th century theorists like those of Kristeva, Douglas, and Girard to provide an innovative new analysis of Blake's transformations of body and identity.

For centuries, spoken Arabic was kept separate from the language of literary expression, with poetry exclusively the domain of the latter. Today, modern Egyptian colloquial poetry is a robust, sophisticated, and versatile genre, enjoyed by millions. After the eruption of the revolutionary youth movement in Egypt on January 25th, 2011, this genre became one of the vehicles for revolutionary communications. However, it has long been neglected in the critical space. Here, Noha Radwan offers the first book-length study of the emergence, context, and development of modern Egyptian colloquial poetry and situates in among modernist Arab poetry.

Against a historical backdrop that includes eighteenth-century language theory, children's literature and education, debates on the French Revolution, Biblical interpretation, and print culture, "Blake on Language, Power, and Self-Annihilation" breaks new ground in the study of William Blake. This book analyzes the concept of self-annihilation in Blake’s work, using the language theories of Mikhail Bakhtin to elucidate the ways in which his discourse was open to the viewpoints of others, undermines institutional authority, and restores dialogue. This book not only uncovers the importance of self-annihilation to Blake's thinking about language and communication, but it also develops its centrality to Blake's poetic practice.

Edward Thomas and World Literary Studies offers a revelatory re-reading of Edward Thomas. Adapting Pascale Casanova's vision of 'world literature' as a system of competing national traditions, this study analyses Thomas's appropriation of Anglocentric British literary culture at key moments of historical crisis in the twentieth century: after the First World War, either side of the Second World War, and with the resumption of war in Ireland in the 1970s. It shows how the dominant assumptions underpinning the discipline of English Literature marginalise the Welshness of Thomas's work, before combining this revised 'world literature' model with fresh archival research to reveal how Thomas's reading of Welsh culture - its barddas, folk and literary traditions - is central both to his creation of an innovative body of poetry and to his extensive, and relatively neglected, prose. This study is groundbreaking in its contribution to recent debates about devolution and independence for Britain's constituent nations.

The real test of Abram s historical explanations is of course whether or not they work whether, when we apply the criteria of correspondence and coherence (Just as in interpreting a poem), they make sense out of the particulars at hand and produce useful generalizations even in the face of competing historical interpretations. Abrams work continues to hold up. Jack Stillinger"

New Perspectives on Thomas Hardy is a lively and varied collection of new essays on Thomas Hardy, contributed by some of the world's leading Hardy scholars. The essays range widely over Hardy's work, thought, creative methods and life, and show a variety of critical approaches. The essays collected here will appeal equally to scholars, students and non-academic Hardy enthusiasts.

Against the backdrop of Britain’s underground 18th and early-19th century homosexual culture, mob persecutions, and executions of homosexuals, Hobson shows how Blake's hatred of sexual and religious hypocrisy and state repression, and his revolutionary social vision, led him gradually to accept homosexuality as an integral part of human sexuality. In the process, Blake rejected the antihomosexual bias of British radical tradition, revised his idealization of aggressive male heterosexuality and his male-centered view of gender, and refined his conception of the cooperative commonwealth.

Here are dozens of surprising aspects of the life and writings of C. S. Lewis, George MacDonald, and Dante. (George MacDonald loved the writings of Dante, and C. S. Lewis loved the writings of both Dante and MacDonald.) Contents range from the quick, surprising fun of "Who Is This Man?" to the practical, down-to-earth instruction of "C. S. Lewis's Free Advice to Hopeful Writers" and the adventurous scholarship of "Spring in Purgatory" and "Mining Dante".