Michael Rice's bold and original work evokes the fascination and wonder of the most ancient period of Egypt's history, from c.5000 to 2000 BC. It draws on Jungian theory to explore the psychological forces that contributed to the nation's special character, and which also account for Egypt's continuing allure up to the present day. The author covers a huge range of topics, including formative influences in the political and social organisation and art of Egypt, the origins of kingship, the age of pyramids, the nature of Egypt's contact with the lands around the Arabian Gulf, and the earliest identifiable developments of the historic Egyptian personality. Wholly revised and updated in the light of the many discoveries made since its first publication, Egypt's Making is a scholarly yet readable and imaginative approach to this compelling ancient civilization.

From 1927-1948, the Universal Ethiopian Students' Association (UESA) mobilized the African diaspora to fight against imperialism and fascist Italy. Formed by a group of educated Africans, African-Americans, and West Indians based in Harlem and shaped by the ideals of Ethiopianism, communism, Pan-Africanism, Black Nationalism, Garveyism, and the New Negro Movement, the UESA sought to educate the diaspora about its glorious African past and advocate for anti-imperialism and independence. This book focuses on the UESA's literary organ, The African, mapping a constellation of understudied activists and their contributions to the fight for Black liberation in the twentieth century.

Swaziland-recently renamed Eswatini-is the only nation-state in Africa with a functioning indigenous political system. Elsewhere on the continent, most departing colonial administrators were succeeded by Western-educated elites. In Swaziland, traditional Swazi leaders managed to establish an absolute monarchy instead, qualified by the author as benevolent and people-centred, a system which they have successfully defended from competing political forces since the 1970s. This book is the first to study the constitutional history of this monarchy. It examines its origins in the colonial era, the financial support it received from white settlers and apartheid South Africa, and the challenges it faced from political parties and the judiciary, before King Sobhuza II finally consolidated power in 1978 with an auto-coup d'etat. As Hlengiwe Dlamini shows, the history of constitution-making in Swaziland is rich, complex, and full of overlooked insight for historians of Africa.

Of all the countries in North Africa and the Middle East, Libya has long been is the one which the least is known. Only recently have we begun to appreciate the complexity of Libya's turbulent past, including the revolution in 2011 in which demands for better living conditions and more job opportunities led to widespread protests. When the Muammar al-Qaddafi regime responded with force to these peaceful protests, killing scores of unarmed civilians, the protesters called for regime change. In what came to be known as the February 17 Revolution, the 42-year-old Qaddafi regime was overthrown, and Qaddafi was killed in October 2011. Over the next decade, Libya endured a series of interim, transitional governments in a prolonged struggle to draft a new constitution and to elect a democratic national government. Historical Dictionary of Libya, Sixth Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on important personalities as well as aspects of the country's politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Libya.

International scholars explore one of the most important postcolonial novels of African literature. Joint winner of Best Non-Fiction Biography, Humanities and Social Sciences Awards 2020 Sol Plaatje's Mhudi is the first full-length novel in English to have been written by a black South African and is widely regarded as one of Africa's most important literary works. Drawing upon both oral and literary traditions, Plaatje uses the form of the historical novel, and romance genre, to explore the 19th-century dispossession of his people, to provide a novel black perspective on their history. It is a book that speaks to present-day concerns, to do with land, language, history and decolonisation. Today the novel has iconic status, not only in South Africa, but worldwide - it has been translated into a number of languages - and its impact on other writers has been profound. The novelist Bessie Head described it as "more than a classic; there is just no other book on earth like it. All the stature and grandeur of the author are in it." A century after its writing in London in 1920 [it was published in South Africa in 1930, for reasons explained in the book], and at a time of intellectual ferment, with debates on decolonisation to the fore, in popular culture as much as in the academy, this book celebrates Mhudi's place in African literature, reviews its critical reception, and offers fresh perspectives. The contributors discuss Mhudis genesis, writing and publication; its reception by literary critics from the 1930s to thepresent; Mhudi as a feminist novel; Mhudis use of oral tradition; issues of translation; Mhudi in the context of African literature and history, and the decolonisation of the curriculum. An authoritative listing of all editions of Mhudi, translations as well as in English completes the book. SABATA MOKAE is a novelist and lecturer in creative writing at Sol Plaatje University, Kimberley, and the author of The Story of Sol T. Plaatje (2010). BRIAN WILLAN is Senior Research Fellow at Rhodes University, Extraordinary Professor at Sol Plaatje and North West Universities. He is the author of Sol Plaatje: a life of Solomon Tshekisho Plaatje,1876-1932 (2018), and co-editor (with Janet Remmington and Bheki Peterson) of Sol Plaatje's Native Life in South Africa: Past and Present (2016). Africa: Jacana

What were the origins of British ideas on rural poverty, and how did they shape development practice in Malawi? How did the international development narrative influence the poverty discourse in postcolonial Malawi from the 1960s onwards? In The State and the Legacies of British Colonial Development in Malawi: Confronting Poverty, 1939-1983, Gift Wasambo Kayira addresses these questions. Although by no means rehabilitating colonialism, the book argues that the intentions of officials and agencies charged with delivering economic development programs were never as ill-informed or wicked as some theorists have contended. Raising rural populations from poverty was on the agenda before and after independence. How to reconcile the pressing demand of stabilizing the country's economy and alleviating rural poverty within the context of limited resources proved an impossible task to achieve. Also difficult was how to reconcile the interests of outside experts influenced by international geopolitics and theories of economic development and those of local personnel and politicians,. As a result, development efforts always fell short of their goals. Through a meticulous search of the archive on rural and industrial development projects, Kayira presents a development history that displays the shortfalls of existing works on development inadequately grounded in historical study.

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

This volume calls attention to the worst massacre of Christians that has occurred on the African continent, a 1937 attack on the monastic village of Debre Libanos that has previously been hidden from public knowledge. Between 20 and 29 May 1937, about 2000 monks and pilgrims, considered "conniving" in the attack on the fascist Italian viceroy Rodolfo Graziani, were killed in Ethiopia. The attack on Debre Libanos, the most famous sanctuary of Ethiopian Christianity, far exceeded the logic of a strictly military operation. It represented the apex of wide-ranging repressive action, aimed at crushing the Ethiopian resistance and striking at the heart of the Christian tradition for its historical link with the imperial power of the Negus. Although known to scholars, the episode was totally removed from national historical memory. Now available in English, this book's analysis of the events culminating in the massacre, including the cover-up afterward, is a necessary record for scholars of European colonialism, Christian history, and colonial Africa.

We all know the colonial and stereotypical images of the African continent and of the people living there. Especially older comics such as The Adventures of Tintin or Mickey Mouse have taken up the image of the “untamed” continent with its “wild” inhabitants. Moreover, modern superhero comics mirror the western view of Africa.

What about the African point of view, though? The true African comic?

The editors of this catalogue present a wide range of African comics: superhero and underground comics as well as comics with propaganda content or an educational focus.

This book traces the emergence of wildlife policy in colonial eastern and central Africa over the course of a century. Spanning from imperial conquest through the consolidation of colonial rule, the rise of nationalism, and the emergence of neocolonial and neoliberal institutions, this book shows how these fundamental themes of the twentieth century shaped the relationships between humans and animals in what are today Kenya, Tanzania, Uganda, Zambia, and Malawi. A set of key themes emerges-changing administrative forms, militarization, nationalism, science, and a relentlessly broadening constituency for wildlife. Jeff Schauer illuminates how each of these developments were contingent upon the colonial experience, and how they fashioned a web of structures for understanding and governing wildlife in Africa-one which has lasted into the twenty-first century.

The book offers a history of the discourses and diplomacies of Sudan's civil wars. It explores the battle for legitimacy between the Sudanese state and Southern rebels. In particular, it examines how racial thought and rhetoric were used in international debates about the political destiny of the South. By placing the state and rebels within the same frame, the book uncovers the competition for Sudan's reputation. It reveals the discursive techniques both sides employed to elicit support from diverse audiences, amidst the intellectual ferment of Pan-Africanism, the Cold War, and Black liberation politics. It maintains that the interplay of silences and articulations in both the rebels' and the state's texts concealed and complicated aspects of the country's political conflict. In sum, the book demonstrates that the war of words waged abroad represents a strategic, but often overlooked, aspect of the Sudanese civil wars.

In Poverty and Wealth in East Africa Rhiannon Stephens offers a conceptual history of how people living in eastern Uganda have sustained and changed their ways of thinking about wealth and poverty over the past two thousand years. This history serves as a powerful reminder that colonialism and capitalism did not introduce economic thought to this region and demonstrates that even in contexts of relative material equality between households, people invested intellectual energy in creating new ways to talk about the poor and the rich. Stephens uses an interdisciplinary approach to write this history for societies without written records before the nineteenth century. She reconstructs the words people spoke in different eras using the methods of comparative historical linguistics, overlaid with evidence from archaeology, climate science, oral traditions, and ethnography. Demonstrating the dynamism of people's thinking about poverty and wealth in East Africa long before colonial conquest, Stephens challenges much of the received wisdom about the nature and existence of economic and social inequality in the region's deeper past.

In a lucidly argued revisionist study of Ottoman Egypt, first published in 1996, Jane Hathaway challenges the traditional view that Egypt's military elite constituted a revival of the institutions of the Mamluk sultanate. The author contends that the framework within which this elite operated was the household, a conglomerate of patron-client ties that took various forms. In this respect, she argues, Egypt's elite represented a provincial variation on an empire-wide, household-based political culture. The study focuses on the Qazdagli household. Originally, a largely Anatolian contingent within Egypt's Janissary regiment, the Qazdaglis dominated Egypt by the late eighteenth century. Using Turkish and Arabic archival sources, Jane Hathaway sheds light on the manner in which the Qazdaglis exploited the Janissary rank hierarchy, while forming strategic alliances through marriage, commercial partnerships and the patronage of palace eunuchs.

Global Medieval Contexts 500-1500: Connections and Comparisons provides a unique wide-lens introduction to world history during this period. Designed for students new to the subject, this textbook explores vital networks and relationships among geographies and cultures that shaped medieval societies. The expert author team aims to advance a global view of the period and introduce the reader to histories and narratives beyond an exclusively European context. Key Features: Divided into chronological sections, chapters are organized by four key themes: Religion, Economics, Politics, and Society. This framework enables students to connect wider ideas and debates across 500 to 1500. Individual chapters address current theoretical discussions, including issues around gender, migration, and sustainable environments. The authors' combined teaching experience and subject specialties ensure an engaging and accessible overview for students of history, literature, and those undertaking general studies courses. Theory boxes and end-of-chapter questions provide a basis for group discussion and research. Full-color maps and images illustrate chapter content and support understanding. As a result, this text is essential reading for all those interested in learning more about the histories and cultures of the period, as well as their relevance to our own contemporary experiences and perspectives. This textbook is supported by a companion website providing core resources for students and lecturers.

This handbook generates new insights that enrich our understanding of the history of Islam in Africa and the diverse experiences and expressions of the faith on the continent. The chapters in the volume cover key themes that reflect the preoccupations and realities of many African Muslims. They provide readers access to a comprehensive treatment of the past and current traditions of Muslims in Africa, offering insights on different forms of Islamization that have taken place in several regions, local responses to Islamization, Islam in colonial and post-colonial Africa, and the varied forms of Jihad movements that have occurred on the continent. The handbook provides updated knowledge on various social, cultural, linguistic, political, artistic, educational, and intellectual aspects of the encounter between Islam and African societies reflected in the lived experiences of African Muslims and the corpus of African Islamic texts.

In the midst of apartheid in South Africa, journalist Maurice Hommel documented the cruel injustices and tensions running rampant within the country. What he saw forever impacted his life.

"Conversations and Soliloquies" presents a collection of Hommel's essays and articles from the last fifty-five years, documenting and analyzing South African history during and after apartheid. Over time, the essays illuminate, in sometimes graphic detail, the anti-apartheid struggle that defined South Africa for decades.

Beginning with the Sharpeville Massacre of 1960, Hommel delves into the bloody history of apartheid and traces how it pervaded every segment of society. His interviews with prominent South Africans, including Desmond Tutu and Neville Alexander, offer intimate glimpses into the thoughts of those working for change. In addition, stark photographs capture the emotions of the time.

In its breadth of historical perspectives, this collection is a significant contribution to an understanding of South Africa's evolution to a nonracial, nonsexist, democratic country. Although lingering prejudices and smoldering resentments remain, Hommel carries an unshakable optimism of South Africa's enormous potential. "Conversations and Soliloquies" captures that hope.

Never before has such damning evidence of war crimes and crimes against humanity been revealed in the midst of a conflict. As civil war raged in Syria, we owe the disclosure of this evidence to one man. He goes under the codename of Caesar. This military police photographer was required to document the murder and torture of thousands of Syrian civilians in the custody of the Assad regime. Over the course of two years he used a police computer to copy the photos, and in 2013 he risked his life to smuggle out 53,000 photos and documents that show prisoners tortured, starved and burned to death. In January 2015, in the American magazine Foreign Affairs, President Bashar al-Assad claimed that this military photographer didn't exist. "Who took the pictures? Who is he? Nobody knows. There is no verification of any of this evidence, so it's all allegations without evidence." Caesar exists. The author of this book has spent dozens of hours with him. His testimony is extraordinary, his photos shocking. The uncovering of the workings of the Syrian death machine that underpins his account is a descent into the unspeakable. In 2014 Caesar testified before the House Foreign Affairs Committee and his testimony provided crucial evidence for a bipartisan bill, the Caesar Syria Civilian Protection Act, that was presented to Congress in 2016. Caesar's photos have also been shown in the United Nations Headquarters in New York and at the Holocaust Memorial Museum in Washington D.C. For the first time, this book tells Caesar's story.

This book focuses on the significant role of West African consumers in the development of the global economy. It explores their demand for Indian cotton textiles and how their consumption shaped patterns of global trade, influencing economies and businesses from Western Europe to South Asia. In turn, the book examines how cotton textile production in southern India responded to this demand. Through this perspective of a south-south economic history, the study foregrounds African agency and considers the lasting impact on production and exports in South Asia. It also considers how European commercial and imperial expansion provided a complex web of networks, linking West African consumers and Indian weavers. Crucially, it demonstrates the emergence of the modern global economy.

Applies new approaches to the study of a small, densely populated region of West Africa, integrating them into a regional history that analyzes interactions between localities and the modern state. Constructions of Belonging provides a history of local communities living in Southeastern Nigeria since the late nineteenth century, examining the processes that have defined, changed, and re-produced these communities. Harneit-Sievers explores both the meanings and the uses that the community members have given to their particular areas, while also looking at the processes that have shaped local communities, and have made them work and continue tobe relevant, in a world dominated by the modern territorial state and by worldwide flows of people, goods, and ideas. Axel Harneit-Sievers is a Research Fellow at the Center for Modern Oriental Studies, and Director ofthe Nigeria Office of the Heinrich Boell Foundation in Lagos.

During the past five decades, sub-Saharan Africa has received more foreign aid than has any other region of the world, and yet poverty remains endemic throughout the region. As Kenneth Kalu argues, this does not mean that foreign aid has failed; rather, it means that foreign aid in its current form does not have the capacity to procure development or eradicate poverty. This is because since colonialism, the average African state has remained an instrument of exploitation, and economic and political institutions continue to block a majority of citizens from meaningful participation in the economy. Drawing upon case studies of Angola, Cameroon, Chad, Equatorial Guinea, Democratic Republic of the Congo, and Nigeria, this book makes the case for redesigning development assistance in order to strike at the root of poverty and transform the African state and its institutions into agents of development.

As soon as Europeans set foot on African soil, they looked for the equivalents of their kings - and found them. The resulting misunderstandings have lasted until this day. Based on ethnography-driven regional comparison and a critical re-examination of classic monographs on some forty cultural groups, this volume makes the arresting claim that across equatorial Africa the model of rule has been medicine - and not the colonizer's despotic administrator, the missionary's divine king, or Vansina's big man. In a wide area populated by speakers of Bantu and other languages of the Niger-Congo cluster, both cult and dynastic clan draw on the fertility shrine, rainmaking charm and drum they inherit.

Museums and Atlantic Slavery explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas. Divided into four chapters, the book addresses four recurrent themes: wealth and luxury; victimhood and victimization; resistance and rebellion; and resilience and achievement. Considering the roles of various social actors who have contributed to the introduction of slavery in the museum in the last thirty years, the analysis draws on selected exhibitions, and institutions entirely dedicated to slavery, as well as national, community, plantation, and house museums in the United States, England, France, and Brazil. Engaging with literature from a range of disciplines, including history, anthropology, sociology, art history, tourism and museum studies, Araujo provides an overview of a topic that has not yet been adequately discussed and analysed within the museum studies field. Museums and Atlantic Slavery encourages scholars, students, and museum professionals to critically engage with representations of slavery in museums. The book will help readers to recognize how depictions of human bondage in museums and exhibitions often fail to challenge racism and white supremacy inherited from the period of slavery.

In the second half of the nineteenth century, the Zanzibar Sultanate became the focal point of European imperial and humanitarian policies, most notably Britain, France, and Germany. In fact, the Sultanate was one of the few places in the world where humanitarianism and imperialism met in the most obvious fashion. This crucial encounter was perfectly embodied by the iconic meeting of Dr. Livingstone and Henry Morton Stanley in 1871. This book challenges the common presumption that those humanitarian concerns only served to conceal vile colonial interests. It brings the repression of the East African slave trade at sea and the expansion of empires into a new light in comparing French and British archives for the first time.