For 35 years, Edwin Barlow taught mathematics at his beloved Horace Greeley High School in Upstate New York. For 35 years, thousands of students passed through his classroom. Yet when he died, he remained as much an enigma as the day he arrived, for he deliberately shrouded his life in rumor and mystery.

As Americans moved from farms and small towns to large cities, they tended to lose a hallmark of their earlier life: comparatively direct participation in the discourse of pragmatic affairs. The ubiquitous radio, which became a primary medium of communication during the Great Depression, tended to make Americans listeners more than speakers about important issues. Nevertheless, as the economic catastrophe of the time evoked desires in people to express their hopes and fears for the future, Americans nevertheless tended to be reticent. They instead bestowed leadership on speakers who articulated those hopes and fears on their behalf--particularly orators who effectively utilized radio. Possessed with the ability to deliver speeches exceptionally well and to phrase ideas so eloquently as to be admired by listeners, Father Charles E. Coughlin emerged as that surrogate spokesperson for many Americans. Moreover, because the medium of radio endowed his discourse with a credibility enhanced by his own ethos, he emerged as a persuader who fulfilled the mass media role known as opinion leadership. He also capitalized on the inherent advantages of orality as a significant factor that influenced how people responded to the myriad messages of the vast communication mosaic in which Americans lived at the onset of the electronic age. Father Coughlin exemplifies that speaker who achieves the role of an opinion leader in contemporary society.

Saints and Signs analyzes a corpus of hagiographies, paintings, and other materials related to four of the most prominent saints of early modern Catholicism: Ignatius of Loyola, Philip Neri, Francis Xavier, and Therese of Avila. Verbal and visual documents - produced between the end of the Council of Trent (1563) and the beginning of the pontificate of Urban VIII (1623) - are placed in their historical context and analyzed through semiotics - the discipline that studies signification and communication - in order to answer the following questions: How did these four saints become signs of the renewal of Catholic spirituality after the Reformation? How did their verbal and visual representations promote new Catholic models of religious conversion? How did this huge effort of spiritual propaganda change the modern idea of communication? The book is divided into four sections, focusing on the four saints and on the particular topics related to their hagiologic identity: early modern theological debates on grace (Ignatius of Loyola); cultural contaminations between Catholic internal and external missions (Philip Neri); the Christian identity in relation to non-Christian territories (Francis Xavier); the status of women in early modern Catholicism (Therese of Avila).

Science has now demonstrated without a doubt that we live in an "unfinished universe." Discoveries in geology, biology, cosmology and other fields of scientific inquiry have shown that the cosmos has a narrative character and that the story is far from over. The sense of a universe that is still coming into being provides a fertile new framework for thinking about the relationship of faith to science. John F. Haught argues that if we take seriously the fact that the universe is a drama still unfolding, we can think new thoughts about God, and indeed about all the perennial themes of theology. Science's recent realization that the universe is dramatic, however, has yet to penetrate deeply into either spiritual or intellectual life. Most Christian thought and spirituality still presuppose an essentially static universe while influential academic and intellectual culture remains stuck in a stagnant materialist naturalism and cosmic pessimism. Resting on the Future asks about the meaning of an unfinished universe from the point of view of both Christian theology and contemporary intellectual life. Each chapter covers a distinct aspect of what Haught takes to be an essential transition to a new age in Catholic life and thought. Biology, cosmology, and other fields of science now provide the setting for a wholesome transformation of Catholic thought from a still predominantly pre-scientific to a more hopeful and scientifically informed vision of God, humanity and the natural world.

"Benedict's Rule: A Translation and Commentary" is the first line-by-line exegesis of the entire Rule of Benedict written originally in English. This full commentary - predominately a literary and historical criticism - is based on and includes a new translation, and is accompanied by essays on Benedict's spiritual doctrine.

A monk who has striven to live according to the Rule of Benedict for thirty-five years, Father Kardong relates it to modern monastic life while examining the sources (Cassian, Augustine, and Basil) Benedict used to establish his Rule. Overviews - summaries of notes, source criticism, or structural criticism - follow some chapters, and a large bibliography of the current scholarship and source references are also included. "Benedict's Rule: A Translation and Commentary" also includes the Latin text of the "Regula Benedicti."This reference work is invaluable to libraries and to those who are called to interpret the Rule. It will be opened again and again. Indexed.

What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.

Our home, our duties and routines, our relationships, and the way we use our time, are the monasteries of our lives. It is through these practices that we build our relationship with God, that we find opportunities for contemplation, and deserts for reflection. In this beautiful little book Ronald Rolheiser turns on its head the idea that religious life is the preserve of monks and nuns. Our cloisters are the walls of our home and our work, the streets we walk, and the people with whom we share our lives. The domestic is the monastic. Chapters include: Monasticism and Family Life; The Domestic Monastery; Real Friendship; Lessons from the Monastic Cell; Ritual for Sustaining Prayer; Tensions within Spirituality; A Spirituality of Parenting; Spirituality and the Seasons of Our Lives; The Sacredness of Time; Life's Key Question.

John Henry Newman is often described as 'the Father of the Second Vatican Council'. He anticipated most of the Council's major documents, as well as being an inspiration to the theologians who were behind them. His writings offer an illuminating commentary both on the teachings of the Council and the way these have been implemented and interpreted in the post-conciliar period. This book is the first sustained attempt to consider what Newman's reaction to Vatican II would have been. As a theologian who on his own admission fought throughout his life against theological liberalism, yet who pioneered many of the themes of the Council in his own day, Newman is best described as a conservative radical who cannot be classed simply as either a conservative or liberal Catholic. At the time of the First Vatican Council, Newman adumbrated in his private letters a mini-theology of Councils, which casts much light on Vatican II and its aftermath. Noted Newman scholar, Ian Ker, argues that Newman would have greatly welcomed the reforms of the Council, but would have seen them in the light of his theory of doctrinal development, insisting that they must certainly be understood as changes but changes in continuity rather than discontinuity with the Church's tradition and past teachings. He would therefore have endorsed the so-called 'hermeneutic of reform in continuity' in regard to Vatican II, a hermeneutic first formulated by Pope Benedict XVI and subsequently confirmed by his successor, Pope Francis, and rejected both 'progressive' and ultra-conservative interpretations of the Council as a revolutionary event. Newman believed that what Councils fail to speak of is of great importance, and so a final chapter considers the kind of evangelization - a topic notably absent from the documents of Vatican II - Newman thought appropriate in the face of secularization.

Since 1965 there has been an explosion of fiction about being Catholic, clearly a result of confusions in the post-Vatican II church. American Catholic culture has suffered severe dislocations, and fiction has provided one way of coping with those dislocations. In Testing the Faith, Anita Gandolfo provides an overview of fiction about the American Catholic experience. The book considers emerging novelists such as Mary Gordon and Valerie Sayers and established writers like Paul Theroux. Among the popular writers covered are Andrew Greeley and William X. Keinzle. The volume also considers the emergence of new, young writers, such as Jeanne Schinto, Sheila O'Connor, and Philip Deaver. By analyzing patterns in contemporary Catholic fiction, Gandolfo shows both the shared interest these writers have in the Catholic experience and their individual perspectives on that experience. The book is the first to consider post-Vatican II Catholic literature, and will be of interest to those concerned with both the Catholic experience and current literature.

What Catholic social thought can teach thinkers of all faiths and backgrounds about equitable economics Inequality is skyrocketing. In a world of vast riches, millions of people live in extreme poverty, barely surviving from day to day. All over the world, the wealthy's increasing political power is biasing policy away from the public interest toward the financial interests of the rich. At the same time, many countries are facing financial fragility and diminished well-being. On top of it all, a global economy driven by fossil fuels has proven to be a collective act of self-sabotage with the poor on the front lines. A growing chorus of economists and politicians is demanding a new paradigm to create a global economy for the common good. In Cathonomics, Anthony M. Annett unites insights in economics with those from theology, philosophy, climate science, and psychology, exposing the failures of neoliberalism while offering us a new model rooted in the wisdom of Catholic social teaching and classical ethical traditions. Drawing from the work of Pope Leo XIII, Pope Francis, Thomas Aquinas, and Aristotle, Annett applies these teachings to discuss current economic challenges such as inequality, unemployment and underemployment, climate change, and the roles of business and finance. Cathonomics is an ethical and practical guide to readers of all faiths and backgrounds seeking to create a world economy that is more prosperous, inclusive, and sustainable for all.

The Gouda Windows (1552-1572): Art and Catholic Renewal on the Eve of the Dutch Revolt offers the first complete analysis of the cycle of monumental Renaissance stained-glass windows donated to the Sint Janskerk in Gouda, after a fire gutted it in 1552. Central among the donors were King Philip II of Spain and Joris van Egmond, Bishop of Utrecht, who worked together to reform the Church. The inventor of the iconographic program, a close associate to the bishop as well as the king, strove to renew Catholic art by taking the words of Jesus as a starting point. Defining Catholic religion based on widely accepted biblical truths, the ensemble shows that the Mother Church can accommodate all true Christians.

Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scene of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the manner in which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses.