Melania the Younger: From Rome to Jerusalem explores the richly detailed story of Melania, an early fifth-century Roman Christian aristocrat who renounced her staggering wealth to lead a life of ascetic renunciation. Hers is a tale of "riches to rags." Born to high Roman aristocracy in the late fourth century, Melania encountered numerous difficulties posed by family members, Roman officials, and historical circumstances in disposing of her wealth, property (spread across at least eight Roman provinces), and thousands of slaves. Leaving Rome with her entourage a few years before Alaric the Goth's sack of Rome in 410, she journeyed to Sicily, then to North Africa, finally settling in Jerusalem-all while founding monasteries along the way. Towards the end of her life, she traveled to Constantinople (present-day Istanbul) in an attempt to convert to Christianity her still-pagan uncle, who was on a state mission to the eastern Roman court. Throughout her life, she was accustomed to meet and be assisted by emperors and empresses, bishops, and other high dignitaries. Embracing a fairly extreme asceticism, Melania died in Jerusalem in 439. A new English translation of her Life, composed by a long-time assistant who succeeded her in the direction of the male and female monasteries in Jerusalem, accompanies this biographical study.

This revised translation of Fritz Graf's highly acclaimed introduction to Greek mythology offers a chronological account of the principal Greek myths that appear in the surviving literary and artistic sources and concurrently documents the history of interpretation of Greek mythology from the 17th century to the present. First surveying the various definitions of myth that have been advanced, Graf proceeds to examine topics such as the relationship between Greek myths and epic poetry, the connection between particular myths and shrines or holy festivals, the use of myth in Greek song and tragedy, and the uses and interpretations of myth by philosophers and allegorists.

The fascinating untold story of how the ancients imagined robots and other forms of artificial life-and even invented real automated machines The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, Greek mythology was exploring ideas about creating artificial life-and grappling with still-unresolved ethical concerns about biotechne, "life through craft." In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements-and how these visions relate to and reflect the ancient invention of real animated machines. Revealing how science has always been driven by imagination, and how some of today's most advanced tech innovations were foreshadowed in ancient myth, Gods and Robots is a gripping new story of mythology for the age of AI.

Epiphanius, Bishop of Constantia on Cyprus from 367 to 403 CE, was incredibly influential in the last decades of the fourth century. Whereas his major surviving text-the Panarion, an encyclopedia of heresies-is studied for lost sources, Epiphanius himself is often dismissed as an anti-intellectual eccentric, a marginal figure of late antiquity. In this book, Andrew S. Jacobs moves Epiphanius from the margin back toward the center and proposes we view major cultural themes of late antiquity in a new light altogether. Through an examination of the key cultural concepts of celebrity, conversion, discipline, scripture, and salvation, Jacobs shifts our understanding of late antiquity from a transformational period open to new ideas and peoples toward a Christian Empire that posited a troubling, but ever-present, otherness at the center of its cultural production.

Appearing earlier in the multivolume series "A History of Private Life", this text is a history of the Roman Empire in pagan times. It is an interpretation of the universal civilization of the Romans, so much of it Hellenic, that later gave way to Christianity. The civilization, culture, literature, art, and even religion of Rome are discussed in this work.

Throughout time, trees have stood as sentinels, wise yet silent, patiently accumulating their rings while the storms of history have raged around them. Trees and humankind have always had a symbiotic relationship. Throughout the centuries trees have offered us shelter from the cold and the heat. They have provided us with a multitude of nutritious fruits, leaves, flowers and roots for food and medicine. They have given us wood with which to make our tools, weapons and toys, not to mention timber for houses, fences, boats and bridges. But perhaps most significant of all, trees have provided us with fuel for fire, which, once it was tamed hundreds of thousands of years ago became the engine of civilization. Trees are our strongest allies. The Living Wisdom of Trees is a richly illustrated guide to the cultural significance of 55 trees, from Acacia to Yew, looking in particular at their botanical characteristics; their place in world myth, magic and folklore; their healing properties; and their practical contribution to society. Featuring beautiful hand-drawn evocative illustrations, The Living Wisdom of Treesis for all who seek acquaintance with the fascinating lore and the profound spiritual wisdom of trees.

AUFSTIEG UND NIEDERGANG DER ROEMISCHEN WELT (ANRW) is a work of international cooperation in the field of historical scholarship. Its aim is to present all important aspects of the ancient Roman world, as well as its legacy and continued influence in medieval and modern times. Subjects are dealt with in individual articles written in the light of present day research. The work is divided into three parts: I. From the Origins of Rome to the End of the Republic II. The Principate III. Late Antiquity Each part consists of six systematic sections, which occasionally overlap: 1. Political History, 2. Law, 3. Religion, 4. Language and Literature, 5. Philosophy and the Sciences, 6. The Arts. ANRW is organized as a handbook. It is a survey of Roman Studies in the broadest sense, and includes the history of the reception and influence of Roman Culture up to the present time. The individual contributions are, depending on the nature of the subject, either concise presentations with bibliography, problem and research reports, or representative investigations covering broad areas of subjects. Approximately one thousand scholars from thirty-five nations are collaborating on this work. The articles appear in German, English, French or Italian. As a work for study and reference, ANRW is an indispensable tool for research and academic teaching in the following disciplines: Ancient, Medieval and Modern History; Byzantine and Slavonic Studies; Classical, Medieval Latin Romance and Oriental Philology; Classical, Oriental and Christian Archaeology and History of Art; Legal Studies; Religion and Theology, especially Church History and Patristics. In preparation: Part II, Vol. 26,4: Religion - Vorkonstantinisches Christentum: Neues Testament - Sachthemen, Fortsetzung Part II, Vol. 37,4: Wissenschaften: Medizin und Biologie, Fortsetzung. For further information about the project and to view the table of contents of earlier volumes please visit http://www.bu.edu/ict/anrw/index.html To search key words in the table of contents of all published volumes please refer to the search engine at http://www.uky.edu/ArtsSciences/Classics/biblio/anrw.html

Routledge Library Editions: Myth reissues four out-of-print classics that touch on various aspects of mythology. One book looks at the work of Martin Buber on myth, and another on the school of Gernet classicists. Another book studies comparative mythology and the work of Joseph Campbell, and the last book in the set looks at the role of the gods and their stories in Indo-European mythology. 1. Martin Buber on Myth S. Daniel Breslauer (1990) 2. The Methods of the Gernet Classicists: The Structuralists on Myth Roland A. Champagne (1992) 3. The Uses of Comparative Mythology Kenneth L. Golden (1992) 4. The War of the Gods Jarich G. Oosten (1985)

How did an ancient mythological figure who stole fire from the gods become a face of the modern, lending his name to trailblazing spaceships and radical publishing outfits alike? How did Prometheus come to represent a notion of civilizational progress through revolution-scientific, political, and spiritual-and thereby to center nothing less than a myth of modernity itself ? The answer Black Prometheus gives is that certain features of the myth-its geographical associations, iconography of bodily suffering, and function as a limit case in a long tradition of absolutist political theology-made it ripe for revival and reinvention in a historical moment in which freedom itself was racialized, in what was the Age both of Atlantic revolution and Atlantic slavery. Contained in the various incarnations of the modern Prometheus-whether in Mary Shelley's esoteric novel, Frankenstein, Denmark Vesey's real-world recruitment of slave rebels, or popular travelogues representing Muslim jihadists against the Russian empire in the Caucasus- is a profound debate about the means and ends of liberation in our globalized world. Tracing the titan's rehabilitation and unprecedented exaltation in the eighteenth and nineteenth centuries across a range of genres and geographies turns out to provide a way to rethink the relationship between race, religion, and modernity and to interrogate the Eurocentric and secularist assumptions of our deepest intellectual traditions of critique.