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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions > General
Though many practitioners of yoga and meditation are familiar with
the Sri Cakra yantra, few fully understand the depth of meaning in
this representation of the cosmos. Even fewer have been exposed to
the practices of mantra and puja (worship) associated with it.
Andre Padoux, with Roger Orphe-Jeanty, offers the first English
translation of the Yoginihrdaya, a seminal Hindu tantric text
dating back to the 10th or 11th century CE. The Yoginihrdaya
discloses to initiates the secret of the Heart of the Yogini, or
the supreme Reality: the divine plane where the Goddess
(Tripurasundari, or Consciousness itself) manifests her power and
glory. As Padoux demonstrates, the Yoginihrdaya is not a
philosophical treatise aimed at expounding particular metaphysical
tenets. It aims to show a way towards liberation, or, more
precisely, to a tantric form of liberation in this
life--jivanmukti, which grants both liberation from the fetters of
the world and domination over it.
Originally published in 1899, this concise book provides a series
of essays on the Ancient Germanic cult of Woden. The text focuses
on the characteristics and rites associated with the cult, as
opposed to the more frequently discussed mythology associated with
Woden. Questions are posed regarding the organisational structure
of the cult and the places in which it was practiced. An authorial
introduction and extensive textual notes are also provided. This
book will be of value to anyone with an interest in Germanic
paganism and pre-Christian religion.
Originally published in 1937, this book was written to provide
young readers with an engaging introduction to the central
importance of mythology and religion in Ancient Greece. The text
takes the myth of Perseus as its basis, putting together a series
of passages from ancient writers dealing with it. Illustrative
figures are also presented, revealing a few of the great number of
artistic representations of the story. These representations are
arranged according to their place in the history of art, rather
than as illustrations to the literary story, so that equal
weighting is given to narrative and artistic representations of the
myth. This book will be of value to anyone with an interest in the
development of education and Greek mythology.
Various goddesses of the ancient Mediterranean world were once
understood to be Virgin Mothers--creators who birthed the entire
cosmos without need of a male consort. This is the first book to
explore evidence of the original parthenogenetic power of deities
such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, & the
Gnostic Sophia.
Who marched in religious processions and why? How were blood
sacrifice and communal feasting related to identities in the
ancient Greek city? With questions such as these, current
scholarship aims to demonstrate the ways in which religion maps on
to the socio-political structures of the Greek polis ('polis
religion'). In this book Dr Kindt explores a more comprehensive
conception of ancient Greek religion beyond this traditional
paradigm. Comparative in method and outlook, the book invites its
readers to embark on an interdisciplinary journey touching upon
such diverse topics as religious belief, personal religion, magic
and theology. Specific examples include the transformation of
tyrant property into ritual objects, the cultural practice of
setting up dedications at Olympia, and a man attempting to make
love to Praxiteles' famous statue of Aphrodite. The book will be
valuable for all students and scholars seeking to understand the
complex phenomenon of ancient Greek religion.
This interdisciplinary volume brings together 37 contributions,
most of them on the history of Ancient Nordic religion. In
addition, there are papers on later European and Mediterranean
religious history and investigations into Bahai'ism, Christianity,
Islam, Judaism, Zoroastrism, and the history of research in the
history of religion.
How did Christians in Classical Antiquity view history? How did
they apply and modify traditional biblical options - for example
the view of the apocalypse or salvation - in their interpretation
of contemporary times? What role did the "Imperial Crisis" in the
3rd century and the changes in the 4th century play for the
Christian's interpretation of history? Did Eusebius of Caesarea,
the first Christian historian, merely write a "collection of
materials" or was he guided by contemporary standards of academic
historiography?This study provides answers to these questions and
to other controversial issues in the discussion of Christian
historiography in Classical Antiquity.
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Pilgrimage Explored
(Hardcover)
J Stopford; Contributions by A. M. Koldeweij, Ben Nilson, Debra J. Birch, E.D. Hunt, …
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Discovery Miles 23 460
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The history and underlying ideology of pilgrimage examined, from
prehistory to the middle ages. The enduring importance of
pilgrimage as an expression of human longing is explored in this
volume through three major themes: the antiquity of pilgrimage in
what became the Christian world; the mechanisms of Christian
pilgrimage(particularly in relation to the practicalities of the
journey and the workings of the shrine); and the fluidity and
adaptability of pilgrimage ideology. In their examination of
pilgrimage as part of western culture from neolithictimes onwards,
the authors make use of a range of approaches, often combining
evidence from a number of sources, including anthropology,
archaeology, history, folklore, margin illustrations and wall
paintings; they suggest that it is the fluidity of pilgrimage
ideology, combined with an adherence to supposedly traditional
physical observances, which has succeeded in maintaining its
relevance and retaining its identity. They also look at the ways in
whichpilgrimage spilled into, or rather was part of, secular life
in the middle ages. Dr JENNIE STOPFORD teaches in the Centre for
Medieval Studies, University of York. Contributors: RICHARD
BRADLEY, E.D. HUNT, JULIEANN SMITH, SIMON BARTON, WENDY R. CHILDS,
BEN NILSON, KATHERINE J. LEWIS, DEBRA J. BIRCH, SIMON COLEMAN, JOHN
ELSNER, A. M. KOLDEWEIJ.
In The Revival of the Anu Cult and the Nocturnal Fire Ceremony at
Late Babylonian Uruk, Julia Krul offers a comprehensive study of
the rise of the sky god Anu as patron deity of Uruk in the Late
Babylonian period (ca. 480-100 B.C.). She reconstructs the
historical development of the Anu cult, its underlying theology,
and its daily rites of worship, with a particular focus on the
yearly nocturnal fire ceremony at the Anu temple, the Bit Res.
Providing the first in-depth analysis of the ceremony, Julia Krul
convincingly identifies it as a seasonal renewal festival with an
important exorcistic component, but also as a reinforcement of
local hierarchical relationships and the elite status of the Anu
priesthood. "With this study, Krul adds significantly to the
research on Babylonian temple rituals in general, providing a
useful methodology and survey of secondary sources....This book
offers an excellent in-depth analysis of the nocturnal fire
ceremony as it could have been celebrated at Hellenistic Uruk. It
forms a good starting-point for comparison with and further study
of other Late Babylonian rituals from both Uruk and Babylon." -
Celine Debourse, Vienna, in: Wiener Zeitschrift fur die Kunde des
Morgenlandes 109 (2019) "The book is essentially a commentary on a
late cuneiform text from 3rd-century BCE Uruk describing a
nocturnal sacrificial ritual held annually on the winter solstice
(16 Tevet). The text itself is well known, having first been
published by F. Thureau-Dangin in his classic work Rituels
accadiens (1921), but this book is the most comprehensive
far-reaching commentary on this important text, with valuable
extraneous information [...]. There is much valuable data in this
book regarding late Babylonian ritual practice, couched in an
informative narrative." -Markham J. Geller, Journal for the Study
of the Old Testament 43.5 (2019)
Landed wealth was crucial for the economies of all Greek
city-states and, despite its peculiarities, Athens was no exception
in that respect. This monograph is the first exhaustive treatment
of sacred and public - in other words the non-private - real
property in Athens. Following a survey of modern scholarship on the
topic, Papazarkadas scrutinizes literary, epigraphic, and
archaeological evidence in order to examine lands and other types
of realty administered by the polis of Athens and its
constitutional and semi-official subdivisions (such as tribes,
demes, and religious associations). Contrary to earlier
anachronistic models which saw sacred realty as a thinly disguised
form of state property, the author perceives the sanctity of temene
(sacred landholdings) as meaningful, both conceptually and
economically. In particular, he detects a seamless link between
sacred rentals and cultic activity. This link is markedly visible
in two distinctive cases: the border area known as Sacred Orgas, a
constant source of contention between Athens and Megara; and the
moriai, Athena's sacred olive-trees, whose crop was the coveted
prize of the Panathenaic games. Both topics are treated in separate
appendices as are several other problems, not least the
socio-economic profile of those involved in the leasing of sacred
property, emerging from a detailed prosopographical analysis.
However, certain non-private landholdings were secular and
alienable, and their exploitation was often based on financial
schemes different from those applied in the case of temene. This
gives the author the opportunity to analyze and elucidate ancient
notions of public and sacred ownership.
Byzantium has recently attracted much attention, principally among
cultural, social and economic historians. This book shifts the
focus to philosophy and intellectual history, exploring the
thought-world of visionary reformer Gemistos Plethon (c.1355-1452).
It argues that Plethon brought to their fulfilment latent
tendencies among Byzantine humanists towards a distinctive
anti-Christian and pagan outlook. His magnum opus, the pagan Nomoi,
was meant to provide an alternative to, and escape-route from, the
disputes over the Orthodoxy of Gregory Palamas and Thomism. It was
also a groundbreaking reaction to the bankruptcy of a pre-existing
humanist agenda and to aborted attempts at the secularisation of
the State, whose cause Plethon had himself championed in his two
utopian Memoranda. Inspired by Plato, Plethon's secular utopianism
and paganism emerge as the two sides of a single coin. On another
level, the book challenges anti-essentialist scholarship that views
paganism and Christianity as social and cultural constructions.
A book on the religious, mystic origins and substance of
philosophy. This is a critical survey of ancient and modern sources
and of scholarly works dealing with Orpheus and everything related
to this major figure of ancient Greek myth, religion and
philosophy. Here poetic madness meets religious initiation and
Platonic philosophy. This book contains fascinating insights into
the usually downplaid relations between Egyptian initiation, Greek
mysteries and Plato's philosophy and followers, right into
Hellenistic Neoplatonic and Hermetic developments.
Lewis Richard Farnell's five-volume The Cults of the Greek States,
first published between 1896 and 1909, disentangles classical Greek
mythology and religion, since the latter had often been overlooked
by nineteenth-century English scholars. Farnell describes the cults
of the most significant Greek gods in order to establish their
zones of influence, and outlines the personality, monuments, and
ideal types associated with each deity. He also resolutely avoids
the question of divine origins and focuses instead on the culture
surrounding each cult, a position which initially drew some
criticism, but which allowed him more space to analyse the
religious practices themselves. Written to facilitate a comparative
approach to Greek gods, his work is still regularly cited today for
its impressive collection of data about the worship of the most
popular deities. Volume 5 focuses on the cults of Hermes, Dionysos,
Hestia, Hephaistos, Ares and several minor figures.
The Odyssey's larger plot is composed of a number of distinct
genres of myth, all of which are extant in various Near Eastern
cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly,
the Near Eastern culture with which the Odyssey has the most
parallels is the Old Testament. Consideration of how much of the
Odyssey focuses on non-heroic episodes - hosts receiving guests, a
king disguised as a beggar, recognition scenes between
long-separated family members - reaffirms the Odyssey's parallels
with the Bible. In particular the book argues that the Odyssey is
in a dialogic relationship with Genesis, which features the same
three types of myth that comprise the majority of the Odyssey:
theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob
winning Rachel from Laban). The Odyssey also offers intriguing
parallels to the Book of Jonah, and Odysseus' treatment by the
suitors offers close parallels to the Gospels' depiction of Christ
in Jerusalem.
The renowned classical scholar and archaeologist A. B. Cook (1868
1952) published the second volume of his monumental Zeus: A Study
in Ancient Religion in two parts in 1925. The volume covers the
theme of Zeus as god of lightning and thunder, an idea that became
common during the classical period. Part II contains detailed
appendixes and a comprehensive index for the volume. It offers a
wealth of information, including primary sources, on Zeus'
relationship with the god Kairos; mountain-cults; folk-tales and
myths; and the various personas and manifestations of the god Zeus.
It is beautifully illustrated with maps, diagrams, photographs, and
engravings, including many images of pottery, statues, busts,
friezes and ancient coins. A treasure-trove of primary texts, both
Greek and Latin, epigraph material and archaeological data, this
magnificent work remains an indispensable tool for students and
scholars of classics, mythology and ancient religion.
The renowned classical scholar and archaeologist A. B. Cook
(1868-1952) published the final volume of his monumental Zeus: A
Study in Ancient Religion in two parts in 1940. The volume covers
the theme of Zeus as a weather-god - the god of earthquakes,
clouds, wind, dew, rain and meteorites - an idea that became common
during the classical period. Part 2 contains three detailed
appendixes on floating islands, the iconography of Eros and the
idea of hierogamy. It includes a comprehensive index for the volume
and addenda for all three volumes, and contains a rich selection of
illustrations: maps, diagrams, photographs, and engravings,
including many images of ancient pottery, statues, busts, friezes
and ancient coins. A treasure-trove of primary texts, both Greek
and Latin, epigraph material and archaeological data, this
magnificent work remains an indispensable tool for students and
scholars of classics, mythology and ancient religion.
In Myth, Ritual and the Oral Jack Goody, one of the world's most
distinguished anthropologists, returns to the related themes of
myth, orality and literacy, subjects that have long been a
touchstone in anthropological thinking. Combining classic papers
with recent unpublished work, this volume brings together some of
the most important essays written on these themes in the past half
century, representative of a lifetime of critical engagement and
research. In characteristically clear and accessible style, Jack
Goody addresses fundamental conceptual schemes underpinning modern
anthropology, providing potent critiques of current theoretical
trends. Drawing upon his highly influential work on the LoDagaa
myth of the Bagre, Goody challenges structuralist and functionalist
interpretations of oral 'literature', stressing the issues of
variation, imagination and creativity, and the problems of
methodology and analysis. These insightful, and at times
provocative, essays will stimulate fresh debate and prove
invaluable to students and teachers of social anthropology.
Lewis Richard Farnell's five-volume The Cults of the Greek States,
first published between 1896 and 1909, disentangles classical Greek
mythology and religion, since the latter had often been overlooked
by nineteenth-century English scholars. Farnell describes the cults
of the most significant Greek gods in order to establish their
zones of influence, and outlines the personality, monuments, and
ideal types associated with each deity. He also resolutely avoids
the question of divine origins and focuses instead on the culture
surrounding each cult, a position which initially drew some
criticism, but which allowed him more space to analyse the
religious practices themselves. Written to facilitate a comparative
approach to Greek gods, his work is still regularly cited today for
its impressive collection of data about the worship of the most
popular deities. Volume 4 focuses on the cults of Poseidon and
Apollo.
Lewis Richard Farnell's five-volume The Cults of the Greek States,
first published between 1896 and 1909, disentangles classical Greek
mythology and religion, since the latter had often been overlooked
by nineteenth-century English scholars. Farnell describes the cults
of the most significant Greek gods in order to establish their
zones of influence, and outlines the personality, monuments, and
ideal types associated with each deity. He also resolutely avoids
the question of divine origins and focuses instead on the culture
surrounding each cult, a position which initially drew some
criticism, but which allowed him more space to analyse the
religious practices themselves. Written to facilitate a comparative
approach to Greek gods, his work is still regularly cited today for
its impressive collection of data about the worship of the most
popular deities. Volume 2 focuses on the cults of Artemis,
Adrasteia, Hekate, Eileithyia, and Aphrodite.
By offering, for the first time in a single edition, complete
English translations of Apollodorus' Library and Hyginus' Fabulae
--the two most important surviving "handbooks" of classical
mythography--this volume enables readers to compare the two's
versions of the most important Greek and Roman myths. A General
Introduction sets the Library and Fabulae into the wider context of
ancient mythography; introductions to each text discuss in greater
detail issues of authorship, aim, and influence. A general index,
an index of people and geographic locations, and an index of
authors and works cited by the mythographers are also included.
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