An examination of the beliefs and history of the secretive Yezidi sect * Explains how the Yezidis worship Melek Ta'us, the Peacock Angel, an enigmatic figure often identified as "the devil" or Satan, yet who has been redeemed by God to rule a world of beauty and spiritual realization * Examines Yezidi antinomian doctrines of opposition, their cosmogony, their magical lore and taboos, the role of angels, ritual, and symbology, and how the Yezidi faith relates to other occult traditions such as alchemy * Presents the first English translation of the poetry of Caliph Yazid ibn Muawiya, venerated by the Yezidis as Sultan Ezi The Yezidis are an ancient people who live in the mountainous regions on the borders of Turkey, Syria, Iraq, and Iran. This secretive culture worships Melek Ta'us, the Peacock Angel, an enigmatic figure often identified as "the devil" or Satan, hence the sect is known as devil-worshippers and has long been persecuted. Presenting a study of the interior, esoteric dimensions of Yezidism, Peter Lamborn Wilson examines the sect's antinomian doctrines of opposition, its magical lore and taboos, and its relation to other occult traditions such as alchemy. He explains how the historical founder of this sect was a Sufi of Ummayad descent, Sheik Adi ibn Musafir, who settled in this remote region around 1111 AD and found a pre-Islamic sect already settled there. Sheik Adi was so influenced by the original sect that he departed from orthodox Islam, and by the 15th century the sect was known to worship the Peacock Angel, Melek Ta'us, with all its "Satanic" connotations. Revealing the spiritual flowering that occurs in an oral culture, the author examines Yezidi cosmogony, how they are descended from the androgynous Adam--before Eve was created--as well as the role of angels, ritual, alchemy, symbology, and color in Yezidi religion. He also presents the first English translation of the poetry of Caliph Yazid ibn Muawiya, venerated by the Yezidis as Sultan Ezi. Showing the Yezidi sect to be a syncretic faith of pre-Islamic, Zoroastrian, Christian, Pagan, Sufi, and other influences, Wilson reveals how these worshippers of the Peacock Angel do indeed worship "the Devil"--but the devil is not "evil." God has redeemed him, and he rules a world of beauty and spiritual realization.

The Book of the Twelve Prophets contains an abundance of passages that discuss ancient cities (Samaria, Bet-El, Jerusalem, Ninive, Babel, among others) and their identity. Wide in scope, this volume demonstrates the sensitivity and critical awareness shown by the prophetic tradition which observed processes of urbanization that were very much double-edged. In addition to historical analysis, the essays assembled here offer important perspectives for current theological research on urban studies.

'To read Ka is to experience a giddy invasion of stories - brilliant, enigmatic, troubling, outrageous, erotic, beautiful' The New York Times 'Who?' - or 'ka' - is the question that runs through Roberto Calasso's retelling of the stories of the minds and gods of India; the primordial question that continues to haunt human existence. From the Rigveda to the Upanishads, the Mahabharata to the life of Buddha, this book delves into the corpus of classical Sanskrit literature to re-imagine the ancient Indian myths and how they resonate through space and time. 'The very best book about Hindu mythology that anyone has ever written' Wendy Doniger 'Dazzling, complex, utterly original ... Ka is his masterpiece' Sunday Times

Anyone who has sampled even a few of the most commonly read Greek texts will have encountered pollution. The pollution of bloodshed is a frequent theme of tragedy: Orestes is driven mad; Oedipus brings plague upon all Thebes. In historical texts we find cities intervening in the internal affairs of others to `drive out the pollution', or making war on account of it. Political orators represent their opponents as polluting demons. Purity is a constant concern in ritual texts, and any Greek underwent many small purifications in his everyday life. Certain abnormal religious movements of the archaic age made `purification' the path to felicity in the afterlife. First published in hardback in 1983, Miasma is the first work in English to treat this theme in detail.

Mohism was an ancient Chinese philosophical movement founded in the fifth century BCE by the charismatic artisan Mozi, or "Master Mo." Its practitioners advanced a consequentialist ethics, along with fascinating political, logical, and epistemological theories, that set the terms of philosophical argumentation and reflection in China for generations to come. Mohism faded away in the imperial era, leaving the impression that it was not as vital as other Chinese philosophical traditions, yet a complete understanding of Confucianism or Daoism is impossible without appreciating the seminal contribution of Mohist thought. The Philosophy of the Mozi is an extensive study of Mohism, situating the movement's rise and decline within Chinese history. The book also emphasizes Mohism's relevance to modern systems of thought. Mohism anticipated Western utilitarianism by more than two thousand years. Its political theory is the earliest to outline a just war doctrine and locate the origins of government in a state of nature. Its epistemology, logic, and psychology provide compelling alternatives to contemporary Western mentalism. More than a straightforward account of Mohist principles and practice, this volume immerses readers in the Mohist mindset and clarifies its underpinning of Chinese philosophical discourse.

For much of the last half of the twentieth century, W. G. Lambert devoted much of his research energy and effort to the study of Babylonian texts dealing with Mesopotamian ideas regarding creation, including especially Enuma Elish. This volume, which appears almost exactly 2 years after Lambert's death, distills a lifetime of learning by the world's foremost expert on these texts. Lambert provides a full transliteration and translation of the 7 tablets of Enuma Elish, based on the known exemplars, as well as coverage of a number of other texts that bear on, or are thought to bear on, Mesopotamian notions of the origin of the world, mankind, and the gods. New editions of seventeen additional "creation tales" are provided, including "Enmesharra's Defeat," "Enki and Ninmah," "The Slaying of Labbu," and "The Theogony of Dunnu." Lambert pays special attention, of course, to the connection of the main epic, Enuma Elish, with the rise and place of Marduk in the Babylonian pantheon. He traces the development of this deity's origin and rise to prominence and elaborates the relationship of this text, and the others discussed, to the religious and political climate Babylonia. The volume includes 70 plates (primarily hand-copies of the various exemplars of Enuma Elish) and extensive indexes.

This volume makes available for the first time in English translation over a thousand texts written between the fifth century BC, and the fifth century AD, of curses inscribed on stone tablets from North Africa, to England, and Syria to Spain. A substantial introduction supplies the full cultural, social and historical context to the ancient Graeco-Roman practice of cursing enemies and rivals by writing an incantation on a tablet and dedicating it to a god or spirit. The selected translations, arranged thematically, are fully annotated and accompanied by extensive commentary.

'Charlotte Higgins's Red Thread is a masterwork' Ali Smith A thrillingly original, labyrinthine journey through myth, art, literature, history, archaeology and memoir. The tale of how the hero Theseus killed the Minotaur, finding his way out of the labyrinth using Ariadne's ball of red thread, is one of the most intriguing, suggestive and persistent of all myths, and the labyrinth - the beautiful, confounding and terrifying building created for the half-man, half-bull monster - is one of the foundational symbols of human ingenuity and artistry. Charlotte Higgins, author of the Baillie Gifford-shortlisted Under Another Sky, tracks the origins of the story of the labyrinth in the poems of Homer, Catullus, Virgil and Ovid, and with them builds an ingenious edifice of her own. Along the way, she traces the labyrinthine ideas of writers from Dante and Borges to George Eliot and Conan Doyle, and of artists from Titian and Velazquez to Picasso and Eva Hesse. Her intricately constructed narrative asks what it is to be lost, what it is to find one's way, and what it is to travel the confusing and circuitous path of a lived life. Red Thread is, above all, a winding and unpredictable route through the byways of the author's imagination - one that leads the reader on a strange and intriguing journey, full of unexpected connections and surprising pleasures.

Whether as muse, silver goddess, nourishing mother, priestess, maid, siren or witch, the influence of the Moon on our personality and perception is one of the least understood factors in our daily lives. Luna has fascinated, inspired, and frightened us since the dawn of human history yet She of the Three Faces is the clue to our most emotional and instinctive selves. This new work by Paul F. Newman probes the subtle meanings of habit and the irrational that the astrological Moon conveys and how we can comprehend it and make use of it for our benefit and security. The triple aspect of Luna is treated as paramount with examples of the effect of New Moon, Full Moon and Old Moon in the monthly round. There is also a new way of grasping the consequence of New and Full Moons according to their declinational hemisphere, and the difference between summer and winter moons. While all computational aspects of the Moon are covered (phases, cycles, moon mansions, progressed moons, magic squares etc.) along with the meaning of how these things affect us, it is the poetic side of Luna that equally informs our approach. A substantial part of the book also covers the Black Moon Lilith, (the Moon at apogee), with new insights into this lady of noire and her astrological resonance. From the fall of dew to the markings on a cheetah's eyes, there is more to the Moon than we know...

After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome's imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.

The Sanctuary of Eleusis, near Athens, was the center of a religious cult that endured for nearly two thousand years and whose initiates came from all parts of the civilized world. Looking at the tendency to "see visions," C. Kerenyi examines the Mysteries of Eleusis from the standpoint not only of Greek myth but also of human nature. Kerenyi holds that the yearly autumnal "mysteries" were based on the ancient myth of Demeter's search for her ravished daughter Persephone--a search that he equates not only with woman's quest for completion but also with every person's pursuit of identity. As he explores what the content of the mysteries may have been for those who experienced them, he draws on the study of archaeology, objects of art, and religious history, and suggests rich parallels from other mythologies.

This volume publishes in full for the first time all known cuneiform manuscripts of an Akkadian calendar treatise that is unified by the theme of Babylonia's invasion. It was composed in the milieu of Marduk's Esagil temple in Babylon, probably in the Hellenistic period before c. 170 BC. Esagil rituals are presented as essential to protect Babylonia, and specifically Marduk's principal cult statue, from foreign attack. The treatise builds the case by drawing on traditional and late Babylonian cuneiform scholarship, including astronomy-astrology, accounts of warfare with Elam and Assyria, battle myths of Marduk and Ninurta, and wordplay. Calendrical sections contain an amalgam of apotropaic ritual against invasion, astrological omens of invasion as ritual triggers, past conflicts as historical precedent, divine combatants representing human foes, and sophisticated exegesis. The work is partially preserved on damaged clay tablets in the British Museum's Babylonian collection and the volume presents hand-drawn cuneiform copies, a composite edition, and a manuscript score. A comprehensive contextualizing introduction provides readers in a range of fields - including Assyriology, classics and ancient history, ancient Iranian studies, Biblical studies, and ancient astronomy and astrology - with a key overview of topics in Mesopotamian scholarship, the manuscripts themselves, and their language and orthography. A detailed commentary explores how the treatise aims to demonstrate the critical importance of the traditional Esagil temple in Babylon for the security of Babylonia and its later imperial rulers.

For over four centuries the principal source of Christian European knowledge of Islam stemmed from a project sponsored by Peter the Venerable, ninth abbot of Cluny, in 1142. This consisted of Latin translations of five Arabic works, including the first translation of the Koran in a western language. Known as the Toledan Collection, it was eventually printed in 1543 with an introduction by Martin Luther. The abbot also completed a handbook of Islam beliefs and a major analytical and polemical work, Liber contra sectam Saracenorum; annotated editions of these texts are included in this book. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Odysseus-soldier, trickster, and everyman-is one of the most recognizable characters in world literature. His arduous, ten-year journey home after the Trojan War, the subject of Homer's The Odyssey, is the most accessible tale to survive from ancient Greece, and its impact is still felt today across many different cultures. Barry Powell's free verse translation preserves the clarity and simplicity of the original while conveying Odysseus' adventures in an energetic, modern idiom. By avoiding the stylistic formality of earlier translations, and the colloquial and sometimes exaggerated effects of recent attempts, his translation deftly captures the most essential truths of this vital text. Due to his thorough familiarity with the world of Homer and Homeric language, Powell's introduction provides rich historical and literary perspectives on the poem. This translation also includes illustrations from classical artwork, detailed maps, explanatory notes, a timeline, and a glossary. Modern and pleasing to the ear while accurately reflecting the meaning of the Greek, this Odyssey steers a middle path between the most well-known translations and adds something truly unique and contemporary to the canon.