Mani, a third-century preacher, healer and public sage from Sasanian Mesopotamia, lived at a pivotal time and place in the development of the major religions. He frequented the courts of the Persian Empire, debating with rivals from the Judaeo-Christian tradition, philosophers and gnostics, Zoroastrians from Iran and Buddhists from India. The community he founded spread from north Africa to south China and lasted for over a thousand years. Yet the genuine biography of its founder, his life and thought, was in good part lost until a series of spectacular discoveries have begun to transform our knowledge of Mani's crucial role in the spread of religious ideas and practices along the trade-routes of Eurasia. This book utilises the latest historical and textual research to examine how Mani was remembered by his followers, caricatured by his opponents, and has been invented and re-invented according to the vagaries of scholarly fashion.

Nine short essays exploring the K'iche' Maya story of creation, the Popol Vuh. Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world's creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth. Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh-while implicated in deep social crisis-nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.