This title contains a selection of papers by leading scholars which were presented at a two-day conference at the British Museum in November 2010. The breadth of coverage across archaeology, anthropology, history and geo-archaeology makes this book an important source for readers seeking to understand Andean concepts of the sacred and how they were, and are, present within the landscape, at particular sites and through ritual performance. The papers focus on one of the most significant manifestations of Inca sacred space - the ushnu - a place of sacrifice, ritual and celebration, reviewing its concept from pre-Inca origins through interpretation in Tawantinsuyu, the Inca empire into its current Andean cultural context. The authors in this book examine the practical and symbolic principles underlying the construction of ushnus, the rationale for their placement, their function within the landscape and the activities that took place on them.

In the centuries following the conquests of Alexander the Great the dramatic unification of the Mediterranean world created exceptionally fertile soil for the growth of new religions. Christianity, for example, was one of the innovative religious movements that arose during this time. However, Christianity had many competitors, and one of the most remarkable of these was the ancient Roman "mystery religion" of Mithraism.
Like the other "mystery cults" of antiquity, Mithraism kept its beliefs strictly secret, revealing them only to initiates. As a result, the cult's teachings were never written down. However, the Mithraists filled their temples with an enigmatic iconography, an abundance of which has been unearthed by archaeologists. Until now, all attempts to decipher this iconography have proven fruitless. Most experts have been content with a vague hypothesis that the iconography somehow derived from ancient Iranian religion.
In this groundbreaking work, David Ulansey offers a radically different theory. He argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery. As his investigation proceeds, Ulansey penetrates step by step the mysteries concealed in Mithraic iconography, until finally he is able to reveal the central secret of the cult: a secret consisting of an ancient vision of the ultimate nature of the universe.
Brimming with the excitement of discovery--and reading like an intellectual detective story--Ulansey's compelling book will intrigue scholars and general readers alike.

"Handfasting and Wedding Rituals" has everything you need to plan the perfect Pagan wedding. You'll find advice and examples to help you with basic wedding planning, writing vows, and ritual construction, along with practical tips and great ideas about everything from low-cost wedding favors to candle and bonfire safety.
"Handfasting and Wedding Rituals" also includes sixteen full rites honoring a wide variety of Pagan traditions. Rituals in their full form can be used exactly as printed or modified to fit your needs. Each rite is categorized as level one, two, or three depending on their level of overt Pagan content and degree of participation expected from your guests.

Christian Reading shifts the assumption that study of the Bible must be about the content of the Bible or aimed at confessional projects of religious instruction. Blossom Stefaniw focuses on the lesson transcripts from the Tura papyri, which reveal verbatim oral classroom discourse, to show how biblical texts were used as an exhibition space for the traditional canon of general knowledge about the world. Stefaniw demonstrates that the work of Didymus the Blind in the lessons reflected in the Tura papyri was similar to that of other grammarians in late antiquity: articulating the students' place in time, their position in the world, and their connection to their heritage. But whereas other grammarians used revered texts like Homer and Menander, Didymus curated the cultural patrimony using biblical texts: namely, the Psalms and Ecclesiastes. By examining this routine epistemological and pedagogical work carried out through the Bible, Christian Reading generates a new model of the relationship of Christian scholarship to the pagan past.

Throughout history, the relationship between Jews and their land has been a vibrant, much-debated topic within the Jewish world and in international political discourse. Identity and Territory explores how ancient conceptions of Israel-of both the land itself and its shifting frontiers and borders-have played a decisive role in forming national and religious identities across the millennia. Through the works of Second Temple period Jews and rabbinic literature, Eyal Ben-Eliyahu examines the role of territorial status, boundaries, mental maps, and holy sites, drawing comparisons to popular Jewish and Christian perceptions of space. Showing how space defines nationhood and how Jewish identity influences perceptions of space, Ben-Eliyahu uncovers varied understandings of the land that resonate with contemporary views of the relationship between territory and ideology.

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.

Jane Harrison examines the festivals of ancient Greek religion to identify the primitive "substratum" of ritual and its persistence in the realm of classical religious observance and literature. In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.