This volume examines the state ideology of Assyria in the Early Neo-Assyrian period (934-745 BCE) focusing on how power relations between the Mesopotamian deities, the Assyrian king, and foreign lands are described and depicted. It undertakes a close reading of delimited royal inscriptions and iconography making use of postcolonial and gender theory, and addresses such topics as royal deification, "religious imperialism", ethnicity and empire, and gendered imagery. The important contribution of this study lies especially in its identification of patterns of ideological continuity and variation within the reigns of individual rulers, between various localities, and between the different rulers of this period, and in its discussion of the place of Early Neo-Assyrian state ideology in the overall development of Assyrian propaganda. It includes several indexed appendices, which list all primary sources, present all divine and royal epithets, and provide all of the "royal visual representations," and incorporates numerous illustrations, such as maps, plans, and royal iconography.

Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.

Death and immortality played a central role in Greek and Roman thought, from Homer and early Greek philosophy to Marcus Aurelius. In this book A. G. Long explains the significance of death and immortality in ancient ethics, particularly Plato's dialogues, Stoicism and Epicureanism; he also shows how philosophical cosmology and theology caused immortality to be re-imagined. Ancient arguments and theories are related both to the original literary and theological contexts and to contemporary debates on the philosophy of death. The book will be of major interest to scholars and students working on Greek and Roman philosophy, and to those wishing to explore ancient precursors of contemporary debates about death and its outcomes.

Andrew N. Palmer's vivid translation of the Syriac Life of Barsauma opens a fascinating window onto the ancient Middle East, seen through the life and actions of one of its most dramatic and ambiguous characters: the monk Barsauma, ascetic hero to some, religious terrorist to others. The Life takes us into the eye of the storm that raged around Christian attempts to define the nature of Christ in the great Council of Chalcedon, the effect of which was to split the growing Church irrevocably, with the Oriental Orthodox on one side and Greek Orthodox and Roman Catholic on the other. Previously known only in extracts, this ancient text is now finally brought to readers in its entirety, casting dramatic new light on the relations among pagans, Jews, and Christians in the Holy Land and on the role of religious violence, real or imagined, in the mental world of a Middle East as shot through with conflict as it is today.

For over four centuries the principal source of Christian European knowledge of Islam stemmed from a project sponsored by Peter the Venerable, ninth abbot of Cluny, in 1142. This consisted of Latin translations of five Arabic works, including the first translation of the Koran in a western language. Known as the Toledan Collection, it was eventually printed in 1543 with an introduction by Martin Luther. The abbot also completed a handbook of Islam beliefs and a major analytical and polemical work, Liber contra sectam Saracenorum; annotated editions of these texts are included in this book. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A free open access ebook is upon publication. Learn more at www.luminosoa.org. Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were considered cowards or, worse yet, heretics. On the face, flight meant denial of Christ and thus betrayal of faith and community. But by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth, even when their exiles appeared to condemn them. Their stories illuminate how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.

Winner of the 2008 Nobel Prize for Literature, J. M. G. Le Clezio here conjures the consciousness of Mexico, powerfully evoking the dreams that made and unmade an ancient culture. Le Clezio's haunting book takes us into the dream that was the religion of the Aztecs, a religion whose own apocalyptic visions anticipated the coming of the Spanish conquerors. Here the dream of the conquistadores rises before us, too, the glimmering idea of gold drawing Europe into the Mexican dream. Against the religion and thought of the Aztecs and the Tarascans and the Europeans in Mexico, Le Clezio also shows us those of the "barbarians" of the north, the nomadic Indians beyond the pale of the Aztec frontier.

Finally, Le Clezio's book is a dream of the present, a meditation on what in Amerindian civilizations--in their language, in their way of telling tales, of wanting to survive their own destruction--moved the poet, playwright, and actor Antonin Artaud and motivates Le Clezio in this book. His own deep identification with pre-Columbian cultures, whose faith told them the wheel of time would bring their gods and their beliefs back to them, finds fitting expression in this extraordinary book, which brings the dream around.
"We are lucky to have in Le Clezio a writer of great quality who brings his particular sensibility and talent here to remind us of the very nature of the rituals and myths of the civilizations of ancient Mexico; he provides us with descriptions as precise as they are mysterious.""--Le Figaro"

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Inadequately documented, ancient Greek religion can all too easily be reduced to the dry analysis of archaeological remains and so-called `ritual objects'. This authoritative new work attempts to bridge the gap that usually divides Greek religion from Greek history, setting it firmly in the thick of contemporary events and politics. How did people actually worship the gods? Was Socrates's trial a crisis for religion or the state, or both? These are among the key issues addressed in what promises to be the definitive work on the subject for many years to come.

Prometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic poetry. Kerenyi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley; he moves on to consider the myth from the perspective of Jungian psychology, as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice."

In antiquity, the Mediterranean region was linked by sea and land routes that facilitated the spread of religious beliefs and practices among the civilizations of the ancient world. The Cambridge Companion to Ancient Mediterranean Religions provides an introduction to the major religions of this area and explores current research regarding the similarities and differences among them. The period covered is from the prehistoric period to late antiquity, that is, ca.4000 BCE to 600 CE. The first nine essays in the volume provide an overview of the characteristics and historical developments of the major religions of the region, including those of Egypt, Mesopotamia, Syria-Canaan, Israel, Anatolia, Iran, Greece, Rome, and early Christianity. The last five essays deal with key topics in current research on these religions, including violence, identity, the body, gender and visuality, taking an explicitly comparative approach and presenting recent theoretical and methodological advances in contemporary scholarship.

Devotion to religion was the distinguishing characteristic of the Etruscan people, the most powerful civilization of Italy in the Archaic period. From a very early date, Etruscan religion spread its influence into Roman society, especially with the practice of divination. The Etruscan priest Spurinna, to give a well-known example, warned Caesar to beware the Ides of March. Yet despite the importance of religion in Etruscan life, there are relatively few modern comprehensive studies of Etruscan religion, and none in English. This volume seeks to fill that deficiency by bringing together essays by leading scholars that collectively provide a state-of-the-art overview of religion in ancient Etruria.

The eight essays in this book cover all of the most important topics in Etruscan religion, including the Etruscan pantheon and the roles of the gods, the roles of priests and divinatory practices, votive rituals, liturgical literature, sacred spaces and temples, and burial and the afterlife. In addition to the essays, the book contains valuable supporting materials, including the first English translation of an Etruscan Brontoscopic Calendar (which guided priests in making divinations), Greek and Latin sources about Etruscan religion (in the original language and English translation), and a glossary. Nearly 150 black and white photographs and drawings illustrate surviving Etruscan artifacts and inscriptions, as well as temple floor plans and reconstructions.

Who marched in religious processions and why? How were blood sacrifice and communal feasting related to identities in the ancient Greek city? With questions such as these, current scholarship aims to demonstrate the ways in which religion maps on to the socio-political structures of the Greek polis ('polis religion'). In this book Dr Kindt explores a more comprehensive conception of ancient Greek religion beyond this traditional paradigm. Comparative in method and outlook, the book invites its readers to embark on an interdisciplinary journey touching upon such diverse topics as religious belief, personal religion, magic and theology. Specific examples include the transformation of tyrant property into ritual objects, the cultural practice of setting up dedications at Olympia, and a man attempting to make love to Praxiteles' famous statue of Aphrodite. The book will be valuable for all students and scholars seeking to understand the complex phenomenon of ancient Greek religion.

The tales told of Orpheus are legion. He is said to have been an Argonaut--and to have saved Jason's life. Rivers are reported to have stopped their flow to listen to the sounds of his lyre and his voice. Plato cites his poetry and Herodotus refers to "practices that are called Orphic." Did Orpheus, in fact, exist? His influence on Greek thought is undeniable, but his disciples left little of substance behind them. Indeed, their Orphic precepts have been lost to time.

W.K.C. Guthrie attempts to uncover and define Orphism by following its circuitous path through ancient history. He tackles this daunting task with the determination of a detective and the analytical rigor of a classical scholar. He ferries his readers with him on a singular voyage of discovery.

The interpretation of animal sacrifice, now considered the most important ancient Greek and Roman religious ritual, has long been dominated by the views of Walter Burkert, the late J.-P. Vernant, and Marcel Detienne. No penetrating and general critique of their views has appeared and, in particular, no critique of the application of these views to Roman religion. Nor has any critique dealt with the use of literary and visual sources by these writers. This book, a collection of essays by leading scholars, incorporates all these subjects and provides a theoretical background for the study of animal sacrifice in an ancient context.

The Divine Aspect of History by J. R. Mozley was originally published by Cambridge University Press in 1916. Drawing from the history of Christianity and other world religions, Mozley intended his study to provide reasons for the belief that a spiritual force in life issued from God and that there was some element of the divine inherent in human experience. The work is issued in two volumes. The first volume examines the history of ancient religions and the Old Testament, whilst the second volume considers the life of Christ and the history of Christianity.

Ready-to-color illustrations, each accompanied by a page of descriptive text, depict Atlas holding up the heavens; Hermes slaying the many-eyed Argus; Aphrodite weeping over the body of Adonis; and 19 other exciting illustrations. A great way to introduce youngsters to Greek mythology. 22 b/w illus.