Many scholars today believe that early Greek literature, as represented by the great poems of Homer and Hesiod, was to some extent inspired by texts from the neighbouring civilizations of the ancient Near East, especially Mesopotamia. It is true that, in the case of religious poetry, early Greek poets sang about their gods in ways that resemble those of Sumerian or Akkadian hymns from Mesopotamia, but does this mean that the latter influenced the former, and if so, how? This volume is the first to attempt an answer to these questions by undertaking a detailed study of the ancient texts in their original languages, from Sumerian poetry in the 20th century BC to Greek sources from the times of Homer, Hesiod, Pindar, and Aeschylus. The Gods Rich in Praise presents the core groups of sources from the ancient Near East, describing the main features of style and content of Sumerian and Akkadian religious poetry, and showing how certain compositions were translated and adapted beyond Mesopotamia. It proceeds by comparing selected elements of form and content: hymnic openings, negative predication, the birth of Aphrodite in the Theogony of Hesiod, and the origins and development of a phrase in Hittite prayers and the Iliad of Homer. The volume concludes that, in terms of form and style, early Greek religious poetry was probably not indebted to ancient Near Eastern models, but also argues that such influence may nevertheless be perceived in certain closely defined instances, particularly where supplementary evidence from other ancient sources is available, and where the extant sources permit a reconstruction of the process of translation and adaptation.

In Ancient Egypt: State and Society, Alan B. Lloyd attempts to define, analyse, and evaluate the institutional and ideological systems which empowered and sustained one of the most successful civilizations of the ancient world for a period in excess of three and a half millennia. The volume adopts the premise that all societies are the product of a continuous dialogue with their physical context - understood in the broadest sense - and that, in order to achieve a successful symbiosis with this context, they develop an interlocking set of systems, defined by historians, archaeologists, and anthropologists as culture. Culture, therefore, can be described as the sum total of the methods employed by a group of human beings to achieve some measure of control over their environment. Covering the entirety of the civilization, and featuring a large number of up-to-date translations of original Egyptian texts, Ancient Egypt focuses on the main aspects of Egyptian culture which gave the society its particular character, and endeavours to establish what allowed the Egyptians to maintain that character for an extraordinary length of time, despite enduring cultural shock of many different kinds.

At the heart of the mythology of the Anglo-Scandinavian-Germanic North is the evergreen Yggdrasil, the tree of life believed to hold up the skies and unite and separate three worlds: Asgard, high in the tree, where the gods dwelled in their great halls; Middlegard, where human beings lived; and the dark underground world of Hel, home to the monstrous goddess of death. With the advent of Christianity in the North around the year 1000, Yggdrasil was recast as the cross on which Christ sacrificed himself. G. Ronald Murphy offers an insightful examination of the lasting significance of Yggdrasil in northern Europe, showing that the tree's image persisted not simply through its absorption into descriptions of Christ's crucifix, but through recognition by the newly converted Christians of the truth of their new religion in the images and narratives of their older faith.
Rather than dwelling on theological and cultural differences between Christianity and older Anglo-Scandinavian beliefs, Murphy makes an argument internal to the culture, showing how the new dispensation was a realization of the old. He shows how architectural and literary works, including the Jelling stone in Denmark, the stave churches in Norway, The Dream of the Rood, the runes of the futhark, the round churches on Bornholm, the Viking crosses at Middleton in Yorkshire and even the Christmas tree, are all indebted to the cultural interweaving of cross and tree in the North. Tree ofSalvation demonstrates that both Christian and older Northern symbols can be read as a single story of salvation.

From the turn of the fifth century to the beginning of the eighteenth, Christian writers were fascinated and troubled by the "Problem of Paganism," which this book identifies and examines for the first time. How could the wisdom and virtue of the great thinkers of antiquity be reconciled with the fact that they were pagans and, many thought, damned? Related questions were raised by encounters with contemporary pagans in northern Europe, Mongolia, and, later, America and China. Pagans and Philosophers explores how writers--philosophers and theologians, but also poets such as Dante, Chaucer, and Langland, and travelers such as Las Casas and Ricci--tackled the Problem of Paganism. Augustine and Boethius set its terms, while Peter Abelard and John of Salisbury were important early advocates of pagan wisdom and virtue. University theologians such as Aquinas, Scotus, Ockham, and Bradwardine, and later thinkers such as Ficino, Valla, More, Bayle, and Leibniz, explored the difficulty in depth. Meanwhile, Albert the Great inspired Boethius of Dacia and others to create a relativist conception of scientific knowledge that allowed Christian teachers to remain faithful Aristotelians. At the same time, early anthropologists such as John of Piano Carpini, John Mandeville, and Montaigne developed other sorts of relativism in response to the issue. A sweeping and original account of an important but neglected chapter in Western intellectual history, Pagans and Philosophers provides a new perspective on nothing less than the entire period between the classical and the modern world.

This book focuses primarily on the end of the pagan religious tradition and the dismantling of its material form in North Africa (modern Algeria, Tunisia, and Libya) from the 4th to the 6th centuries AD. Leone considers how urban communities changed, why some traditions were lost and some others continued, and whether these carried the same value and meaning upon doing so. Addressing two main issues, mainly from an archaeological perspective, the volume explores the change in religious habits and practices, and the consequent recycling and reuse of pagan monuments and materials, and investigates to what extent these physical processes were driven by religious motivations and contrasts, or were merely stimulated by economic issues.

This is a comprehensive reference source to the ancient world's most fascinating mythologies. It is a visual dictionary with 1000 entries and more than 600 fine-art images. It covers every aspect of Classical, Celtic and Norse mythology, folklore and legend, bringing the past to life. It is a lively and informed narrative by one of the world's leading authorities on the subject. Special spreads compare and contrast key mythological and archetypal themes in the different cultures. Hundreds of beautiful images highlight every aspect of these heroic characters and their tales, from the Olympian Gods to the Nordic warriors and nature gods of the Celts. This encyclopedia of mythology brings together the three outstanding traditions of Europe: the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants. They form the core of European mythological thought, revealing the power of love in Helen of Troy, the mystery of death in the tale of King Arthur and the challenge of the unknown in the voyages of Brendan the Navigator. Pictorial features focus on recurring mythological themes, such as Oracles, Magic, Voyages, Heroes, and Spells, making this book universal in theme and timeless in appeal. The A-Z structure of the book makes it easy to find hundreds of characters, significant events, locations and sites of interest, stories and symbols.

In this study of the ritual of animal sacrifice in ancient Greek religion, Judaism, and Christianity in the period between 100 BC and AD 200, Maria-Zoe Petropoulou explores the attitudes of early Christians towards the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70). Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.

Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

Brittany has long been famous for its Neolithic monuments, which include the largest prehistoric standing stone ever to have been erected in Western Europe, and the spectacular Carnac alignments. How and by whom were they built? This fully illustrated study aims to answer those questions using the results of recent French research on these sites, along with the insights provided by the author's own field studies. The emphasis is on the landscape setting of these monuments, and how that landscape may have influenced or inspired the construction of megalithic tombs and settings of standing stones. The development of the monuments is set within a chronological narrative, from the last hunter-gatherers of the late 6th millennium BC and the arrival of the first farmers, down to the end of the Neolithic period 3000 years later.

Pindar and the Cult of Heroes combines a study of Greek culture and religion (hero cult) with a literary-critical study of Pindar's epinician poetry. It looks at hero cult generally, but focuses especially on heroization in the 5th century BC. There are individual chapters on the heroization of war dead, of athletes, and on the religious treatment of the living in the 5th century. Hero cult, Bruno Currie argues, could be anticipated, in different ways, in a person's lifetime. Epinician poetry too should be interpreted in the light of this cultural context; fundamentally, this genre explores the patron's religious status. The book features extensive studies of Pindar's Pythians 2, 3, 5, Isthmian 7, and Nemean 7.

Hekate Her Sacred Fires is an exceptional book for an extraordinary, eternal and universal Goddess. It brings together essays, prose and artwork from more than fifty remarkable contributors from all over the world. Their stories and revelations are challenging, their visions and determination in exploring the mysteries are inspirational, and their enthusiasm for the Goddess of the Crossroads is truly entrancing and sometimes highly infectious. Hekate is a Goddess of great antiquity. She is primordial, powerful and sometimes animalistic - and yet, she is also sophisticated, modern and capable of adapting to different cultures. She is the Torchbearer, the Cosmic World Soul, the Guide and Companion. She is Mistress of the Restless Dead, who rules over the Heavens Earth and Sea. She is the Keybearer and so much more. Her devotees today, as throughout the ages, include philosophers, poets, sorcerers, theurgists, witches, root-cutters, enchantresses and ordinary people. In her introduction, the author and priestess Sorita d'Este brings together an exciting wealth of material on the history and development of how the goddess Hekate has been seen through the ages. As well as a fascinating discussion of her possible origins and mythological connections, the introduction also includes a timeline providing glimpses into her portrayal through the ages, with extracts from literature and examples of amulets, coins and art. The spectrum of material covered in this anthology is as diverse as the forms of Hekate herself, emphasising her role as lightbearer, keybearer, initiatrix, world soul, child's nurse, mistress of crossroads and serpent mysteries. Her devotees describe her role in traditional witchcraft and initiatory Wicca, healing and paganism, her approachability through her angels and trance oracles, her assistance in overcoming traumas and helping the dead continue their journeys. From the reestablishment of the ancient worship of the great mother goddess as Hekate in Thrace (Bulgaria) to meteorites and pilgrimages, Hekate's presence around the world and beyond is vividly described and illustrated by her torchbearers.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.

Winner of The PEN Hessell-Tiltman Prize 2022 Shortlisted for The Wolfson History Prize 2022 A The Times Books of the Year 2022 Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions. But as Professor Francesca Stavrakopoulou reveals, God's cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God's body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture. Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale. 'Rivetingly fresh and stunning' - Sunday Times 'One of the most remarkable historians and communicators working today' - Dan Snow

In this definitive assessment of the various representations and approaches to Athena, Susan Deacy does what no other has done before and brings all the aspects of this legendary figure into one, outstanding study.

A survey of one of the most enduringly popular of ancient deities, the book introduces Athena's myth, cult and reception, while directing the reader to detailed discussion as and when it is appropriate.

Students will find it a great help in their studies, and for the general reader with an interest in the ancient world and for those from related disciplines such as literature, art history and religion, it provides a mine of information and insight into this fascinating classical figure.

Book 18 of the Iliad is an outstanding example of the range and power of Homeric epic. It describes the reaction of the hero Achilles to the death of his closest friend, and his decision to re-enter the conflict even though it means he will lose his own life. The book also includes the forging of the marvellous shield for the hero by the smith-god Hephaestus: the images on the shield are described by the poet in detail, and this description forms the archetypal ecphrasis, influential on many later writers. In an extensive introduction, R. B. Rutherford discusses the themes, style and legacy of the book. The commentary provides line-by-line guidance for readers at all levels, addressing linguistic detail and larger questions of interpretation. A substantial appendix considers the relation between Iliad 18 and the Babylonian Epic of Gilgamesh, which has been prominent in much recent discussion.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. During the height of Muslim power in Mughal South Asia, Hindu and Muslim scholars worked collaboratively to translate a large body of Hindu Sanskrit texts into the Persian language. Translating Wisdom reconstructs the intellectual processes and exchanges that underlay these translations. Using as a case study the 1597 Persian rendition of the Yoga-Vasistha-an influential Sanskrit philosophical tale whose popularity stretched across the subcontinent-Shankar Nair illustrates how these early modern Muslim and Hindu scholars drew upon their respective religious, philosophical, and literary traditions to forge a common vocabulary through which to understand one another. These scholars thus achieved, Nair argues, a nuanced cultural exchange and interreligious and cross-philosophical dialogue significant not only to South Asia's past but also its present.

While Roman religion worshipped a number of gods, one kind in particular aroused the fury of early Christians and the wonder of scholars: the cult of Roman emperors alive or dead. Was the divinity of emperors a glue that held the Empire together? Were rulers such as Julius Caesar and Caligula simply mad to expect such worship of themselves? Or was it rather a phenomenon which has only been rendered incomprehensible by modern and monotheistic ideas of what religion is--or should be--all about?
This book presents the first study of emperor worship among the Romans themselves, both in Rome and in its heartland Italy. It argues that emperor worship was indeed perfectly in keeping with Roman religious tradition, which has been generally misunderstood by a posterity imbued with radically different notions of the relationship between humans and the divine.

In antiquity, the Mediterranean region was linked by sea and land routes that facilitated the spread of religious beliefs and practices among the civilizations of the ancient world. The Cambridge Companion to Ancient Mediterranean Religions provides an introduction to the major religions of this area and explores current research regarding the similarities and differences among them. The period covered is from the prehistoric period to late antiquity, that is, ca.4000 BCE to 600 CE. The first nine essays in the volume provide an overview of the characteristics and historical developments of the major religions of the region, including those of Egypt, Mesopotamia, Syria-Canaan, Israel, Anatolia, Iran, Greece, Rome, and early Christianity. The last five essays deal with key topics in current research on these religions, including violence, identity, the body, gender and visuality, taking an explicitly comparative approach and presenting recent theoretical and methodological advances in contemporary scholarship.

A history of holy wells from the pagan cult of water to the Christian wells of the middle ages, and including a full gazetteer. The holy well is the absolute combination of mystery and utility. There are hundreds of them still to be found, some easily, others with good maps. This useful book lists them all, and in so doing takes us into the realm of a still little-known spiritual area... It also leads us through many exceedingly interesting though remote areas of Celtic and English Christian history. RONALD BLYTHE [TABLET] Holy wells are an ancient and mysterious part of the landscape, yet have been the subject of little serious study. James Rattue has been fascinated by them for many years, and has now written the first general history of wells and their religious and cultural associations. He begins the story in the ancient world, exploring the archetypal motifs present in the cult of water, then traces the distinctive development of the holy well in England, examining pagan wells and their Christianisation, the role played byecclesiastical history and institutions, the importance of saints' cults, and the social functions of wells in the middle ages.

Daniel McCool not only chronicles the history of water development agencies in America and the way in which special interests have abused rather than preserved the country's rivers, he also narrates the second, brighter act in this ongoing story: the surging, grassroots movement to bring these rivers back to life and ensure they remain pristine for future generations.

The culmination of ten years of research and observation, McCool's book confirms the surprising news that America's rivers are indeed returning to a healthier, free-flowing condition. The politics of river restoration demonstrates how strong grassroots movements can challenge entrenched powers and win. Through passion and dedication, ordinary people are reclaiming the American landscape, forming a "river republic" of concerned citizens from all backgrounds and sectors of society. As McCool shows, the history, culture, and fate of America is tied to its rivers, and their restoration is a microcosm mirroring American beliefs, livelihoods, and an increasing awareness of what two hundred years of environmental degradation can do.

McCool profiles the individuals he calls "instigators," who initiated the fight for these waterways and, despite enormous odds, have succeeded in the near-impossible task of challenging and changing the status quo. Part I of the volume recounts the history of America's relationship to its rivers; part II describes how and why Americans "parted" them out, destroying their essence and diminishing their value; and part III shows how society can live in harmony with its waterways while restoring their well-being -- and, by extension, the well-being of those who depend on them.