In this book, Tyson Putthoff explores the relationship between gods and humans, and between divine nature and human nature, in the Ancient Near East. In this world, gods lived among humans. The two groups shared the world with one another, each playing a special role in maintaining order in the cosmos. Humans also shared aspects of a godlike nature. Even in their natural condition, humans enjoyed a taste of the divine state. Indeed, gods not only lived among humans, but also they lived inside them, taking up residence in the physical body. As such, human nature was actually a composite of humanity and divinity. Putthoff offers new insights into the ancients' understanding of humanity's relationship with the gods, providing a comparative study of this phenomenon from the third millennium BCE to the first century CE.

Much like our world today, Late Antiquity (fourth-seventh centuries CE) is often seen as a period rife with religious violence, not least because the literary sources are full of stories of Christians attacking temples, statues and 'pagans'. However, using insights from Religious Studies, recent studies have demonstrated that the Late Antique sources disguise a much more intricate reality. The present volume builds on this recent cutting-edge scholarship on religious violence in Late Antiquity in order to come to more nuanced judgments about the nature of the violence. At the same time, the focus on Late Antiquity has taken away from the fact that the phenomenon was no less prevalent in the earlier Graeco-Roman world. This book is therefore the first to bring together scholars with expertise ranging from classical Athens to Late Antiquity to examine the phenomenon in all its complexity and diversity throughout Antiquity.

The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.

As long as we have been human, we have been mythmakers. In A Short History of Myth, Karen Armstrong holds up the mirror of mythology to show us the history of ourselves, and embarks on a journey that begins at a Neanderthal graveside and ends buried in the heart of the modern novel. Surprising, powerful and profound, A Short History of Myth examines the world's most ancient art form - the making and telling of stories - and why we still need it. The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.

Revisiting Delphi speaks to all admirers of Delphi and its famous prophecies, be they experts on ancient Greek religion, students of the ancient world, or just lovers of a good story. It invites readers to revisit the famous Oracle of Apollo at Delphi, along with Herodotus, Euripides, Socrates, Pausanias and Athenaeus, offering the first comparative and extended enquiry into the way these and other authors force us to move the link between religion and narrative centre stage. Their accounts of Delphi and its prophecies reflect a world in which the gods frequently remain baffling and elusive despite every human effort to make sense of the signs they give.

In 2010, Richard Merrick took a family trip to Scotland's Rosslyn chapel--the enigmatic fifteenth-century temple made famous by Dan Brown's "The Da Vinci Code." Little did he know he was about to embark upon an intellectual and personal journey that would lead to the discovery of a real-life lost symbol--one that reveals the connection between the world's most sacred temples and opens up a treasure trove of lost science and ancient secrets.
The symbol he discovers--the Venus Blueprint--is based on that planet's orbital pattern, which takes the shape of a five-pointed star when seen from Earth. As Merrick digs deeper, he realizes the Venus Blueprint was an integral part of the design template of some of the most significant religious architecture around the world--including St. Peter's Basilica in the Vatican, the Roman Pantheon, the Greek Parthenon, the Temple of Jerusalem, and the Great Pyramid of Giza, as well as many buildings designed by the secretive Freemason society.
Upon further examination, Merrick is astounded to discover that temples designed using the Venus Blueprint are endowed with extraordinary acoustics that, when supplied with the right tones and frequencies, are capable of harmonizing with Earth's resonant frequencies and evoking altered states of consciousness. He then proposes a fascinating idea: Could it be that the ancients used these harmonics to enhance entheogenically induced visions--to commune with the divine and liberate the gods within?
Supported by an impressive array of historical research and scientific analysis, "The Venus Blueprint" offers compelling evidence of an ancient lost culture that was both spiritually and scientifically advanced.

In November 1519, Hernando Cortes walked along a causeway leading to the capital of the Aztec kingdom and came face to face with Moctezuma. That story-and the story of what happened afterwards-has been told many times, but always following the narrative offered by the Spaniards. After all, we have been taught, it was the Europeans who held the pens. But the Native Americans were intrigued by the Roman alphabet and, unbeknownst to the newcomers, they used it to write detailed histories in their own language of Nahuatl. Until recently, these sources remained obscure, only partially translated, and rarely consulted by scholars. For the first time, in Fifth Sun, the history of the Aztecs is offered in all its complexity based solely on the texts written by the indigenous people themselves. Camilla Townsend presents an accessible and humanized depiction of these native Mexicans, rather than seeing them as the exotic, bloody figures of European stereotypes. The conquest, in this work, is neither an apocalyptic moment, nor an origin story launching Mexicans into existence. The Mexica people had a history of their own long before the Europeans arrived and did not simply capitulate to Spanish culture and colonization. Instead, they realigned their political allegiances, accommodated new obligations, adopted new technologies, and endured. This engaging revisionist history of the Aztecs, told through their own words, explores the experience of a once-powerful people facing the trauma of conquest and finding ways to survive, offering an empathetic interpretation for experts and non-specialists alike.

A philosopher, mathematician, and martyr, Hypatia is one of antiquity's best known female intellectuals. During the sixteen centuries following her murder, by a mob of Christians, Hypatia has been remembered in books, poems, plays, paintings, and films as a victim of religious intolerance whose death symbolized the end of the Classical world. But Hypatia was a person before she was a symbol. Her great skill in mathematics and philosophy redefined the intellectual life of her home city of Alexandria. Her talent as a teacher enabled her to assemble a circle of dedicated male students. Her devotion to public service made her a force for peace and good government in a city that struggled to maintain trust and cooperation between pagans and Christians. Despite these successes, Hypatia fought countless small battles to live the public and intellectual life that she wanted. This book rediscovers the life Hypatia led, the unique challenges she faced as a woman who succeeded spectacularly in a man's world, and the tragic story of the events that led to her tragic murder.

Ready-to-color illustrations, each accompanied by a page of descriptive text, depict Atlas holding up the heavens; Hermes slaying the many-eyed Argus; Aphrodite weeping over the body of Adonis; and 19 other exciting illustrations. A great way to introduce youngsters to Greek mythology. 22 b/w illus.

Full of giants, trolls, heroes, and beautiful princesses, these 42 folktales include such favorites as "Dapplegrim," "Tatterhood," "Katie Woodencloak," and "Soria Moria Castle," plus many less known, such as "The Werewolf," "Such Women Are," "The Three Dogs," "Temptations," "King Gram," "The Magician's Pupil," "Legend of Tannhauser," "The Outlaw," "Toller's Neighbors," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the origin of Washington Irving's story of Rip van Winkle). The volume also includes instructive variants of the same story, such as "The Blue Belt" and "The Blue Riband," and "The Seven Ravens" and "The Twelve White Peacocks." Another plus is a substantial critical introduction by the author.

The basis of Chinese religious culture, and with that many aspects of daily life, was the threat and fear of demonic attacks. These were inherently violent and could only be counteracted by violence as well - even if this reactive violence was masked by euphemisms such as execution, expulsion, exorcisms and so on. At the same time, violence was a crucial dimension of the maintenance of norms and values, for instance in sworn agreements or in beliefs about underworld punishment. Violence was also an essential aspect of expressing respect through sacrificial gifts of meat (and in an earlier stage of Chinese culture also human flesh) and through a culture of auto-mutilation and ritual suicide. At the same time, conventional indigenous terms for violence such as bao were not used for most of these practices since they were not experienced as such, but rather justified as positive uses of physical force.

This book addresses a particular and little-known form of writing, the prose dialogue, during the Late Antique period, when Christian authors adopted and transformed the dialogue form to suit the new needs of religious debate. Connected to, but departing from, the dialogues of Classical Antiquity, these new forms staged encounters between Christians and pagans, Jews, Manichaeans, and "heretical" fellow Christians. At times fiction, at others records of, or scripts for, actual debates, the dialogues give us a glimpse of Late Antique rhetoric as it was practiced and tell us about the theological arguments underpinning religious differences. By offering the first comprehensive analysis of Christian dialogues in Greek and Syriac from the earliest examples to the end of the sixth century CE, the present volume shows that Christian authors saw the dialogue form as a suitable vehicle for argument and apologetic in the context of religious controversy and argues that dialogues were intended as effective tools of opinion formation in Late Antique society. Most Christian dialogues are little studied, and often in isolation, but they vividly evoke the religious debates of the time and they embody the cultural conventions and refinements that Late Antique men and women expected from such debates.

The Bible, Homer, and the Search for Meaning in Ancient Myths explores and compares the most influential sets of divine myths in Western culture: the Homeric pantheon and Yahweh, the God of the Old Testament. Heath argues that not only does the God of the Old Testament bear a striking resemblance to the Olympians, but also that the Homeric system rejected by the Judeo-Christian tradition offers a better model for the human condition. The universe depicted by Homer and populated by his gods is one that creates a unique and powerful responsibility - almost directly counter to that evoked by the Bible-for humans to discover ethical norms, accept death as a necessary human limit, develop compassion to mitigate a tragic existence, appreciate frankly both the glory and dangers of sex, and embrace and respond courageously to an indifferent universe that was clearly not designed for human dominion. Heath builds on recent work in biblical and classical studies to examine the contemporary value of mythical deities. Judeo-Christian theologians over the millennia have tried to explain away Yahweh's Olympian nature while dismissing the Homeric deities for the same reason Greek philosophers abandoned them: they don't live up to preconceptions of what a deity should be. In particular, the Homeric gods are disappointingly plural, anthropomorphic, and amoral (at best). But Heath argues that Homer's polytheistic apparatus challenges us to live meaningfully without any help from the divine. In other words, to live well in Homer's tragic world - an insight gleaned by Achilles, the hero of the Iliad - one must live as if there were no gods at all. The Bible, Homer, and the Search for Meaning in Ancient Myths should change the conversation academics in classics, biblical studies, theology and philosophy have - especially between disciplines - about the gods of early Greek epic, while reframing on a more popular level the discussion of the role of ancient myth in shaping a thoughtful life.

This book examines the fragmentary and contradictory evidence for Orpheus as the author of rites and poems to redefine Orphism as a label applied polemically to extra-ordinary religious phenomena. Replacing older models of an Orphic religion, this richer and more complex model provides insight into the boundaries of normal and abnormal Greek religion. The study traces the construction of the category of 'Orphic' from its first appearances in the Classical period, through the centuries of philosophical and religious polemics, especially in the formation of early Christianity and again in the debates over the origins of Christianity in the nineteenth and twentieth centuries. A paradigm shift in the study of Greek religion, this study provides scholars of classics, early Christianity, ancient religion and philosophy with a new model for understanding the nature of ancient Orphism, including ideas of afterlife, cosmogony, sacred scriptures, rituals of purification and initiation, and exotic mythology.

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

Book 18 of the Iliad is an outstanding example of the range and power of Homeric epic. It describes the reaction of the hero Achilles to the death of his closest friend, and his decision to re-enter the conflict even though it means he will lose his own life. The book also includes the forging of the marvellous shield for the hero by the smith-god Hephaestus: the images on the shield are described by the poet in detail, and this description forms the archetypal ecphrasis, influential on many later writers. In an extensive introduction, R. B. Rutherford discusses the themes, style and legacy of the book. The commentary provides line-by-line guidance for readers at all levels, addressing linguistic detail and larger questions of interpretation. A substantial appendix considers the relation between Iliad 18 and the Babylonian Epic of Gilgamesh, which has been prominent in much recent discussion.

This volume examines the state ideology of Assyria in the Early Neo-Assyrian period (934-745 BCE) focusing on how power relations between the Mesopotamian deities, the Assyrian king, and foreign lands are described and depicted. It undertakes a close reading of delimited royal inscriptions and iconography making use of postcolonial and gender theory, and addresses such topics as royal deification, "religious imperialism", ethnicity and empire, and gendered imagery. The important contribution of this study lies especially in its identification of patterns of ideological continuity and variation within the reigns of individual rulers, between various localities, and between the different rulers of this period, and in its discussion of the place of Early Neo-Assyrian state ideology in the overall development of Assyrian propaganda. It includes several indexed appendices, which list all primary sources, present all divine and royal epithets, and provide all of the "royal visual representations," and incorporates numerous illustrations, such as maps, plans, and royal iconography.

This book examines the collection of prayers known as the Qumran Hodayot (= Thanksgiving Hymns) in light of ancient visionary traditions, new developments in neuropsychology, and post-structuralist understandings of the embodied subject. The thesis of this book is that the ritualized reading of reports describing visionary experiences written in the first person "I" had the potential to create within the ancient reader the subjectivity of a visionary which can then predispose him to have a religious experience. This study examines how references to the body and the strategic arousal of emotions could have functioned within a practice of performative reading to engender a religious experience of ascent. In so doing, this book offers new interdisciplinary insights into meditative ritual reading as a religious practice for transformation in antiquity.

The interpretation of animal sacrifice, now considered the most important ancient Greek and Roman religious ritual, has long been dominated by the views of Walter Burkert, the late J.-P. Vernant, and Marcel Detienne. No penetrating and general critique of their views has appeared and, in particular, no critique of the application of these views to Roman religion. Nor has any critique dealt with the use of literary and visual sources by these writers. This book, a collection of essays by leading scholars, incorporates all these subjects and provides a theoretical background for the study of animal sacrifice in an ancient context.

'Lots of ideas for making gifts and decorations but not spending tons of money buying them' Jenni Murray Celebrating midwinter is not about what you buy or how much you spend - it's about your attitude to life. Turn away from the frenetic consumerism of Christmas and rediscover the authentic and meaningful realities of this, the oldest and most precious celebration of the year. The true significance of midwinter is not found in any individual spiritual or religious belief or practice. Instead, the winter solstice provides an opportunity to celebrate what we as humans share; to set aside our differences and come together with a sense of community and cheer. Merry Midwinter is a cornucopia of ideas for how to make your own decorations (kissing boughs, advent wreaths, crackers, stockings and more); your own alternative gifts which cost nothing except your time and thought; your own entertainments and games; and simple, seasonal recipes from years gone by.