Byzantium has recently attracted much attention, principally among cultural, social and economic historians. This book shifts the focus to philosophy and intellectual history, exploring the thought-world of visionary reformer Gemistos Plethon (c.1355-1452). It argues that Plethon brought to their fulfilment latent tendencies among Byzantine humanists towards a distinctive anti-Christian and pagan outlook. His magnum opus, the pagan Nomoi, was meant to provide an alternative to, and escape-route from, the disputes over the Orthodoxy of Gregory Palamas and Thomism. It was also a groundbreaking reaction to the bankruptcy of a pre-existing humanist agenda and to aborted attempts at the secularisation of the State, whose cause Plethon had himself championed in his two utopian Memoranda. Inspired by Plato, Plethon's secular utopianism and paganism emerge as the two sides of a single coin. On another level, the book challenges anti-essentialist scholarship that views paganism and Christianity as social and cultural constructions.

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

The renowned classical scholar and archaeologist A. B. Cook (1868-1952) published the final volume of his monumental Zeus: A Study in Ancient Religion in two parts in 1940. The volume covers the theme of Zeus as a weather-god - the god of earthquakes, clouds, wind, dew, rain and meteorites - an idea that became common during the classical period. Part 2 contains three detailed appendixes on floating islands, the iconography of Eros and the idea of hierogamy. It includes a comprehensive index for the volume and addenda for all three volumes, and contains a rich selection of illustrations: maps, diagrams, photographs, and engravings, including many images of ancient pottery, statues, busts, friezes and ancient coins. A treasure-trove of primary texts, both Greek and Latin, epigraph material and archaeological data, this magnificent work remains an indispensable tool for students and scholars of classics, mythology and ancient religion.

The renowned classical scholar and archaeologist A. B. Cook (1868 1952) published the second volume of his monumental Zeus: A Study in Ancient Religion in two parts in 1925. The volume covers the theme of Zeus as god of lightning and thunder, an idea that became common during the classical period. Part II contains detailed appendixes and a comprehensive index for the volume. It offers a wealth of information, including primary sources, on Zeus' relationship with the god Kairos; mountain-cults; folk-tales and myths; and the various personas and manifestations of the god Zeus. It is beautifully illustrated with maps, diagrams, photographs, and engravings, including many images of pottery, statues, busts, friezes and ancient coins. A treasure-trove of primary texts, both Greek and Latin, epigraph material and archaeological data, this magnificent work remains an indispensable tool for students and scholars of classics, mythology and ancient religion.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 2 focuses on the cults of Artemis, Adrasteia, Hekate, Eileithyia, and Aphrodite.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 4 focuses on the cults of Poseidon and Apollo.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 5 focuses on the cults of Hermes, Dionysos, Hestia, Hephaistos, Ares and several minor figures.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. This volume sets out to re-examine what ancient people - primarily those in ancient Greek and Roman communities, but also Mesopotamian and Chinese cultures - thought they were doing through divination, and what this can tell us about the religions and cultures in which divination was practised. The chapters, authored by a range of established experts and upcoming early-career scholars, engage with four shared questions: What kinds of gods do ancient forms of divination presuppose? What beliefs, anxieties, and hopes did divination seek to address? What were the limits of human 'control' of divination? What kinds of human-divine relationships did divination create/sustain? The volume as a whole seeks to move beyond functionalist approaches to divination in order to identify and elucidate previously understudied aspects of ancient divinatory experience and practice. Special attention is paid to the experiences of non-elites, the perception of divine presence, the ways in which divinatory techniques could surprise their users by yielding unexpected or unwanted results, the difficulties of interpretation with which divinatory experts were thought to contend, and the possibility that divination could not just ease, but also exacerbate, anxiety in practitioners and consultants.

This title deals with the myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East. It is a comprehensive A to Z of the classic stories of gods and goddesses, heroes, warriors and mythical beasts, with copious cross-references. Over 1000 alphabetical entries describe the central mythical figures of each culture and their importance to the ancient civilizations of their day. It is beautifully illustrated with over 1000 images spanning fifteen centuries of fine art, from the ancient world to the present, including specially commissioned artworks. It presents superb pictorial spreads on the mythical themes and symbols central to each culture. Timeless in scope and appeal, it is a classic and enduring reference work by two expert authorities. In this important volume, the mythologies of the ancient world are brought to life. In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt, through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive guide to the myths and legends of two great continents is timeless in its universal appeal.

Heirs to the Punic and Berber traditions, the North Africans, once conquered by the Romans and willing to show respect for their new masters' gods, did not want to forsake their beloved ancestral deities and solved this dilemma by giving Roman names to their traditional gods, who nevertheless kept most of their former natures. This phenomenon, known as interpretatio romana, resulted in an interpenetration of both religious universes, each being enriched in the process. Roman African gods thus conceal dual personalities within themselves, which this book tries to investigate through all available sources (epigraphy, literature, numismatic and archaeology), unveiling many unsuspected aspects of great deities like Saturn/Baal Hammon, Astarte/Venus or Mercury/Baal Addir. If those gods of Roman Africa have inspired many individual studies, there was still a need for a book examining them all together within their interrelations. Here is then at last a real global study of the Roman-African pantheon. *** Heritiers des traditions puniques et berberes, les Nord-africains, a l'arrivee du conquerant romain, voulurent conserver leurs divinites ancestrales tout en respectant les dieux de leur nouveau maitre. Ils affublerent donc de noms romains leurs dieux traditionnels tout en leur conservant l'essentiel de leur personnalite d'origine. Ce phenomene, connu sous le terme d'interpretatio romana, resulta en une interpenetration des deux univers religieux, qui s'enrichirent ainsi mutuellement. Les dieux de l'Afrique romaine cachent donc des personnalites multiples que cet ouvrage tente de devoiler en mettant a profit toutes les sources disponibles : epigraphie, litterature, numismatique et archeologie. Ces grandes divinites, telles que Saturne/Baal Hammon, Venus/Astarte ou Mercure/Baal Addir livrent ainsi tour a tour des aspects insoupconnes de leurs personnalites. Si les dieux d'Afrique romaine ont suscite diverses etudes individuelles, il manquait encore un ouvrage qui les examinerait tous ensemble et dans leurs rapports entre eux. Voici donc enfin une veritable etude globale du pantheon romano-africain.

In her latest book, Ross Shepard Kraemer shows how her mind has changed or remained the same since the publication of her ground-breaking study, Her Share of the Blessings: Women's Religions Among Pagans, Jews and Christians in the Greco-Roman World (OUP 1992). Unreliable Witnesses scrutinizes more closely how ancient constructions of gender undergird accounts of women's religious practices in the Greco-Roman Mediterranean. Kraemer analyzes how gender provides the historically obfuscating substructure of diverse texts: Livy's account of the origins of the Roman Bacchanalia; Philo of Alexandria's envisioning of idealized, masculinized women philosophers; rabbinic debates about women studying Torah; Justin Martyr's depiction of an elite Roman matron who adopts chaste Christian philosophical discipline; the similar representation of Paul's fictive disciple, Thecla, in the anonymous Acts of (Paul and) Thecla; Severus of Minorca's depiction of Jewish women as the last hold-outs against Christian pressures to convert, and others. While attentive to arguments that women are largely fictive proxies in elite male contestations over masculinity, authority, and power, Kraemer retains her focus on redescribing and explaining women's religious practices. She argues that - gender-specific or not - religious practices in the ancient Mediterranean routinely encoded and affirmed ideas about gender. As in many cultures, women's devotion to the divine was both acceptable and encouraged, only so long as it conformed to pervasive constructions of femininity as passive, embodied, emotive, insufficiently controlled and subordinated to masculinity. Extending her findings beyond the ancient Mediterranean, Kraemer proposes that, more generally, religion is among the many human social practices that are both gendered and gendering, constructing and inscribing gender on human beings and on human actions and ideas. Her study thus poses significant questions about the relationships between religions and gender in the modern world.

In this unique survey of the indigenous pre-Christian and pre-Muslim religions of Central Asia, Julian Baldick-one of the foremost authorities on global comparative religion-describes a common inheritance among the beliefs of the various peoples who have lived in central Asia.

In ancient times these peoples shared remarkable commonalities in forms of worship and spiritual expression, all largely based on the role of animals in their lives. The harsh physical climate of the region led to an emphasis on hunting and animals, and shamans relied heavily on animal sacrifices to create spiritual purity. As a result, animals and spirituality became intertwined.

The animal focused characteristics of the region's forms of worship have not only survived in the legends of the area but have found their way into the mythologies of the West. Baldick proposes that the myths and rituals of Central Asia served as possible foundations for such great works as the Odyssey, the Gospels, and Beowulf.

This classic work surveying ancient pagan religion is now available in paperback with a new afterword offering fresh insights on the field. It will fascinate readers with interests ranging from Asian Studies and anthropology to religion and literary studies.

This book explores the way in which three ancient historians, writing in Latin, embedded the gods into their accounts of the past. Although previous scholarship has generally portrayed these writers as somewhat dismissive of traditional Roman religion, it is argued here that Livy, Tacitus and Ammianus saw themselves as being very close to the centre of those traditions. The gods are presented as a potent historical force, and a close reading of the historians' texts easily bears out this conclusion. Their treatment of the gods is not limited to portraying the role and power of the divine in the unfolding of the past: equally prominent is the negotiation with the reader concerning what constituted a 'proper' religious system. Priests and other religious experts function as an index of the decline (or restoration) of Rome and each writer formulates a sophisticated position on the practical and social aspects of Roman religion.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or "Recognition of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijna text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all."

This is a comprehensive study of the Derveni Papyrus. The papyrus, found in 1962 near Thessaloniki, is not only one of the oldest surviving Greek papyri but is also considered by scholars as a document of primary importance for a better understanding of the religious and philosophical developments in the fifth and fourth centuries BC. Gabor Betegh aims to reconstruct and systematically analyse the different strata of the text and their interrelation by exploring the archaeological context; the interpretation of rituals in the first columns of the text; the Orphic poem commented on by the author of the papyrus; and the cosmological and theological doctrines which emerge from the Derveni author's exegesis of the poem. Betegh discusses the place of the text in the context of late Presocratic philosophy and offers an important preliminary edition of the text of the papyrus with critical apparatus and English translation.

This collection of papers, many of them either published here in English for the first time or previously available only in specialist libraries, deals with the religious history of the Roman Empire. Written by leading scholars, the essays have contributed to a revolutionary change in our understanding of the religious situation of the time, and illuminate both the world religions of Christianity and Judaism and the religious life of the pagan Empire in which these developed and which deeply influenced their characters. No knowledge of ancient languages is presupposed, so the book is accessible to all who are interested in the history of this crucial period.

This collection of papers, many of them either published here in English for the first time or previously available only in specialist libraries, deals with the religious history of the Roman Empire. Written by leading scholars, the essays have contributed to a revolutionary change in our understanding of the religious situation of the time, and illuminate both the world religions of Christianity and Judaism and the religious life of the pagan Empire in which these developed and which deeply influenced their characters. No knowledge of ancient languages is presupposed, so the book is accessible to all who are interested in the history of this crucial period.

In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena's story through her life's peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena's life course and in her commemoration-disruptions that were created by her nearest male relatives. Hillner shows that Helena's story was not just determined by the love of a son or the rise of Christianity. It was also-like that of many other late Roman women-defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.