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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions > General
In many of the world's religions, both polytheistic and
monotheistic, a seemingly enigmatic and paradoxical image is
found--that of the god who worships. Various interpretations of
this seeming paradox have been advanced. Some suggest that it
represents sacrifice to a higher deity. Proponents of
anthropomorphic projection say that the gods are just "big people"
and that images of human religious action are simply projected onto
the deities. However, such explanations do not do justice to the
complexity and diversity of this phenomenon.
In Religion of the Gods, Kimberley C. Patton uses a comparative
approach to take up anew a longstanding challenge in ancient Greek
religious iconography: why are the Olympian gods depicted on
classical pottery making libations? The sacrificing gods in ancient
Greece are compared to gods who perform rituals in six other
religious traditions: the Vedic gods, the heterodox god Zurvan of
early Zoroastrianism, the Old Norse god Odin, the Christian God and
Christ, the God of Judaism, and Islam's Allah. Patton examines the
comparative evidence from a cultural and historical perspective,
uncovering deep structural resonances while also revealing crucial
differences.
Instead of looking for invisible recipients or lost myths, Patton
proposes the new category of "divine reflexivity." Divinely
performed ritual is a self-reflexive, self-expressive action that
signals the origin of ritual in the divine and not the human realm.
Above all, divine ritual is generative, both instigating and
inspiring human religious activity. The religion practiced by the
gods is both like and unlike human religious action. Seen from
within the religious tradition, gods are not "big people," but
other than human. Human ritual is directed outward to a divine
being, but the gods practice ritual on their own behalf. "Cultic
time," the symbiotic performance of ritual both in heaven and on
earth, collapses the distinction between cult and theology each
time ritual is performed. Offering the first comprehensive study
and a new theory of this fascinating phenomenon, Religion ofthe
Gods is a significant contribution to the fields of classics and
comparative religion. Patton shows that the god who performs
religious action is not an anomaly, but holds a meaningful place in
the category of ritual and points to a phenomenologically universal
structure within religion itself.
Just as we speak of "dead" languages, we say that religions "die
out." Yet sometimes, people try to revive them, today more than
ever. New Antiquities addresses this phenomenon through critical
examination of how individuals and groups appeal to,
reconceptualize, and reinvent the religious world of the ancient
Mediterranean as they attempt to legitimize developments in
contemporary religious culture and associated activity. Drawing
from the disciplines of religious studies, archaeology, history,
philology, and anthropology, New Antiquities explores a diversity
of cultic and geographic milieus, ranging from Goddess Spirituality
to Neo-Gnosticism, from rural Oregon to the former Yugoslavia. As a
survey of the reception of ancient religious works, figures, and
ideas in later twentieth-century and contemporary alternative
religious practice, New Antiquities will interest classicists,
Egyptologists, and historians of religion of many stripes,
particularly those focused on modern Theosophy, Gnosticism,
Neopaganism, New Religious Movements, Magick, and Occulture. The
book is written in a lively and engaging style that will appeal to
professional scholars and advanced undergraduates as well as lay
scholars.
This is a reference guide to the mythology of the native North
American, Maya, Aztec, Inca and earlier civilizations and cultures
of the Americas. It includes more than 900 entries, arranged
alphabetically and packed with information on the central mythical
figures of each culture. It features special illustrated spreads on
unifying mythological themes such as Creation & the Universe,
Ordering the World, and Death & Sacrifice. It is fully
cross-referenced and comprehensively indexed. It is illustrated
with over 500 images, this book depicts the central features and
characters of the myths, and explores the impact of these
enthralling stories. Here is a rich source of information for any
reader who wants to understand the myths and religions of the
indigenous inhabitants of America. The book is divided into three
sections, each focusing on the mythology of distinct civilizations
and regions. North American Mythology explores the universal themes
of creation and the mythical living landscape. Mesoamerican
Mythology explores the culture and beliefs of the Maya and Aztecs.
South American Mythology focuses on the immense Inca empire. An
instantly accessible A-to-Z format provides concise, easy-to-locate
entries on more than 900 key characters, enabling the reader to
discover who is who in the mythology of the Americas.
Cassiodorus-famed throughout history as one of the great Christian
exegetes of antiquity-spent most of his life as a high-ranking
public official under the Ostrogothic King Theoderic and his heirs.
He produced the Variae, a unique letter collection that gave
witness to the sixth-century Mediterranean, as late antiquity gave
way to the early middle ages. The Variae represents thirty years of
Cassiodorus's work in civil, legal, and financial administration,
revealing his interactions with emperors and kings, bishops and
military commanders, private citizens, and even criminals. Thus,
the Variae remains among the most important sources for the history
of this pivotal period and is an indispensable resource for
understanding political and diplomatic culture, economic and legal
structure, intellectual heritage, urban landscapes, religious
worldview, and the evolution of social relations at all levels of
society during the twilight of the late-Roman state. This is the
first full translation of this masterwork into English.
Monsters. Real or imagined, literal or metaphorical, they have
exerted a dread fascination on the human mind for many centuries.
They attract and repel us, intrigue and terrify us, and in the
process reveal something deeply important about the darker recesses
of our collective psyche. Stephen Asma's On Monsters is a
wide-ranging cultural and conceptual history of monsters-how they
have evolved over time, what functions they have served for us, and
what shapes they are likely to take in the future. Asma begins with
a letter from Alexander the Great in 326 B.C. detailing an
encounter in India with an "enormous beast-larger than an
elephantthree ominous horns on its forehead." From there the
monsters come fast and furious-Behemoth and Leviathan, Gog and
Magog, the leopard-bear-lion beast of Revelation, Satan and his
demons, Grendel and Frankenstein, circus freaks and headless
children, right up to the serial killers and terrorists of today
and the post-human cyborgs of tomorrow. Monsters embody our deepest
anxieties and vulnerabilities, Asma argues, but they also symbolize
the mysterious and incoherent territory just beyond the safe
enclosures of rational thought. Exploring philosophical treatises,
theological tracts, newspapers, pamphlets, films, scientific
notebooks, and novels, Asma unpacks traditional monster stories for
the clues they offer about the inner logic of an era's fears and
fascinations. In doing so, he illuminates the many ways monsters
have become repositories for those human qualities that must be
repudiated, externalized, and defeated. Asma suggests that how we
handle monsters reflects how we handle uncertainty, ambiguity,
insecurity. And in a world that is daily becoming less secure and
more ambiguous, he shows how we might learn to better live with
monsters-and thereby avoid becoming one.
The religion of the Greeks and Romans in the period before and
after the invention of Christianity provides a special kind of foil
to our understanding of modern world religions. Firstly, it
provides the religious background against which Judaism,
Christianity and eventually Islam first arose and it deeply
influenced their development. Secondly, in the period before these
religions developed, it provides us with a model of a sophisticated
society that had no such autonomous religions at work in it at all.
All too often books have been constructed on the assumption that
religion was a marginal part of life, interesting perhaps in an
antiquarian way, but scarcely needing to be placed at the centre of
our understanding. But the fact is that religious activity formed
part of every other activity in the ancient world; and so far from
placing it in the margin of our accounts, it needs to be assessed
at every point, in every transaction. This work offers a picture of
Roman religion and of some of the current debates about its
character and development. The focus of the survey is the religious
experience of the Roman people from about the third century BC to
the second.
An unparalleled exploration of magic in the Greco-Roman world What
did magic mean to the people of ancient Greece and Rome? How did
Greeks and Romans not only imagine what magic could do, but also
use it to try to influence the world around them? In Drawing Down
the Moon, Radcliffe Edmonds, one of the foremost experts on magic,
religion, and the occult in the ancient world, provides the most
comprehensive account of the varieties of phenomena labeled as
magic in classical antiquity. Exploring why certain practices,
images, and ideas were labeled as "magic" and set apart from
"normal" kinds of practices, Edmonds gives insight into the
shifting ideas of religion and the divine in the ancient past and
later Western tradition. Using fresh approaches to the history of
religions and the social contexts in which magic was exercised,
Edmonds delves into the archaeological record and classical
literary traditions to examine images of witches, ghosts, and
demons as well as the fantastic powers of metamorphosis, erotic
attraction, and reversals of nature, such as the famous trick of
drawing down the moon. From prayer and divination to astrology and
alchemy, Edmonds journeys through all manner of ancient magical
rituals and paraphernalia-ancient tablets, spell books, bindings
and curses, love charms and healing potions, and amulets and
talismans. He considers the ways in which the Greco-Roman discourse
of magic was formed amid the cultures of the ancient Mediterranean,
including Egypt and the Near East. An investigation of the mystical
and marvelous, Drawing Down the Moon offers an unparalleled record
of the origins, nature, and functions of ancient magic.
This book offers a fresh and challenging multi-disciplinary interpretation of Aristophanes' Frogs. Drawing on a wide range of literary and anthropological approaches, it seeks to explore how membership of Greek fifth-century society would have shaped one's understanding of the play, and, more specifically, of Dionysus as a dramatic figure.
What is so special about spring water? How are wells holy? Why are
so many known for 'the healing of eyes'? The ancient holy wells of
the British Isles are amongst the most beautiful and magical places
anyone can visit. Often untouched by all but the most delicate
hands, and located in some of the most secret nooks and crannies of
the country, their stories evoke a lost world of pagan gods,
healing forces, second sight and holy visions. This beautiful book,
beautifully illustrated throughout by the author, tells the story
of the holy waters of the British Isles through hand-picked
examples. A useful gazetteer at the back of the book catalogues
further rewarding sites to visit. WOODEN BOOKS are small but packed
with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON
REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely
mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST.
"Stunning" NEW YORK TIMES. Small books, big ideas.
Das biblische Buch Esther erzahlt den Aufstieg des judischen
Waisenkindes zur Koenigin Persiens und die Erhebung des loyalen
Juden Mordechai zum zweiten Mann nach dem Koenig sowie die
gleichsam wunderbare Errettung des Gottesvolkes Israel, dessen
Existenz durch den perfiden Statthalter Haman bedroht ist. Mit der
Auslegung des vorliegenden Stoffes, der in einer hebraischen
Fassung und zwei griechischen, unterschiedlich gestalteten
Fassungen vorliegt, sind basale linguistische, literarische,
redaktionsgeschichtliche, theologische und hermeneutische
Fragestellungen verbunden, die innerhalb der hebraischen Bibel
singular sind. Die Auslegung der Megilla nimmt das Gesprach mit den
griechischen UEberlieferungen sowie der zeitgenoessischen Literatur
und altesten rabbinischen Exegese auf. Einleitend werden die
wesentlichen Fragestellungen der Auslegung dargestellt.
The Book of the Twelve Prophets contains an abundance of passages
that discuss ancient cities (Samaria, Bet-El, Jerusalem, Ninive,
Babel, among others) and their identity. Wide in scope, this volume
demonstrates the sensitivity and critical awareness shown by the
prophetic tradition which observed processes of urbanization that
were very much double-edged. In addition to historical analysis,
the essays assembled here offer important perspectives for current
theological research on urban studies.
Women and Religion in the First Christian Centuries focuses on religion during the period of Roman imperial rule and its significance in women's lives. It discusses the rich variety of religious expression, from pagan cults and classical mythology to ancient Judaism and early Christianity, and the wide array of religious functions fulfilled by women. The author analyses key examples from each context, creating a vivid image of this crucial period which laid the foundations of western civilization.
Barsauma was a fifth-century Syrian ascetic, archimandrite, and
leader of monks, notorious for his extreme asceticism and violent
anti-Jewish campaigns across the Holy Land. Although Barsauma was a
powerful and revered figure in the Eastern church, modern
scholarship has widely dismissed him as a thug of peripheral
interest. Until now, only the most salacious bits of the Life of
Barsauma-a fascinating collection of miracles that Barsauma
undertook across the Near East-had been translated. This pioneering
study includes the first full translation of the Life and a series
of studies by scholars employing a range of methods to illuminate
the text from different angles and contexts. This is the
authoritative source on this influential figure in the history of
the church and his life, travels, and relations with other
religious groups.
The Arthasastra is the foundational text of Indic political thought
and ancient India's most important treatise on statecraft and
governance. It is traditionally believed that politics in ancient
India was ruled by religion; that kings strove to fulfil their
sacred duty; and that sovereignty was circumscribed by the sacred
law of dharma. Mark McClish's systematic and thorough evaluation of
the Arthasastra's early history shows that these ideas only came to
prominence in the statecraft tradition late in the classical
period. With a thorough chronological exploration, he demonstrates
that the text originally espoused a political philosophy
characterized by empiricism and pragmatism, ignoring the mandate of
dharma altogether. The political theology of dharma was
incorporated when the text was redacted in the late classical
period, which obscured the existence of an independent political
tradition in ancient India altogether and reinforced the erroneous
notion that ancient India was ruled by religion, not politics.
A comprehensive treatment of the significant symbols and
institutions of Roman religion, this companion places the various
religious symbols, discourses, and practices, including Judaism and
Christianity, into a larger framework to reveal the sprawling
landscape of the Roman religion. An innovative introduction to
Roman religion Approaches the field with a focus on the
human-figures instead of the gods Analyzes religious changes from
the eighth century BC to the fourth century AD Offers the first
history of religious motifs on coins and household/everyday
utensils Presents Roman religion within its cultural, social, and
historical contexts
Private associations abounded in the ancient Greek world and
beyond, and this volume provides the first large-scale study of the
strategies of governance which they employed. Emphasis is placed on
the values fostered by the regulations of associations, the
complexities of the private-public divide (and that divide's impact
on polis institutions) and the dynamics of regional and global
networks and group identity. The attested links between rules and
religious sanctions also illuminate the relationship between legal
history and religion. Moreover, possible links between ancient
associations and the early Christian churches will prove
particularly valuable for scholars of the New Testament. The book
concludes by using the regulations of associations to explore a
novel and revealing aspect of the interaction between the
Mediterranean world, India and China.
The goddess Hera is represented in mythology as an irascible wife
and imperfect mother in the face of a frivolous Zeus. Beginning
with the Iliad, many narrative traditions depict her wrath, the
infidelities of her royal husband and the persecutions to which she
subjects his illegitimate offspring. But how to relate this image
to the cults of the sovereign goddess in her sanctuaries across
Greece? This book uses the Hera of Zeus to open up new perspectives
for understanding the society of the gods, the fate of heroes and
the lives of men. As the intimate enemy of Zeus but also the fierce
guardian of the legitimacy and integrity of the Olympian family,
she takes shape in more subtle and complex ways that make it
possible to rethink the configuration of power in ancient Greece,
with the tensions that inhabited it, and thus how polytheism works.
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