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Books > Philosophy > Western philosophy > Western philosophy, c 500 to c 1600 > General
In his own day a center of controversy, in the four hundred years since his death known too often solely as an apostle of mockery and irreverence, Erasmus can be seen today in a new light--as a humanist whose concen is at once contemporary and Christian. The Essential Erasmus is the first single volume in English to show the full spectrum of this Renaissance man's thought, which is no less profound because it is expressed with the grace, wit, and ironic detachment only a great writer can achieve. Contains the full text of In Praise of Folly
Peter Adamson explores the rich intellectual history of the Byzantine Empire and the Italian Renaissance. Peter Adamson presents an engaging and wide-ranging introduction to the thinkers and movements of two great intellectual cultures: Byzantium and the Italian Renaissance. First he traces the development of philosophy in the Eastern Christian world, from such early figures as John of Damascus in the eighth century to the late Byzantine scholars of the fifteenth century. He introduces major figures like Michael Psellos, Anna Komnene, and Gregory Palamas, and examines the philosophical significance of such cultural phenomena as iconoclasm and conceptions of gender. We discover the little-known traditions of philosophy in Syriac, Armenian, and Georgian. These chapters also explore the scientific, political, and historical literature of Byzantium. There is a close connection to the second half of the book, since thinkers of the Greek East helped to spark the humanist movement in Italy. Adamson tells the story of the rebirth of philosophy in Italy in the fifteenth and sixteenth centuries. We encounter such famous names as Christine de Pizan, Niccolo Machiavelli, Giordano Bruno, and Galileo, but as always in this book series such major figures are read alongside contemporaries who are not so well known, including such fascinating figures as Lorenzo Valla, Girolamo Savonarola, and Bernardino Telesio. Major historical themes include the humanist engagement with ancient literature, the emergence of women humanists, the flowering of Republican government in Renaissance Italy, the continuation of Aristotelian and scholastic philosophy alongside humanism, and breakthroughs in science. All areas of philosophy, from theories of economics and aesthetics to accounts of the human mind, are featured. This is the sixth volume of Adamson's History of Philosophy Without Any Gaps, taking us to the threshold of the early modern era.
Ever want to have a bagel with Hegel? Eggs with Bacon? Or spend a day with Socrates, Mill, Herodotus, or Kant, able to pick their brains about the most mundane moments of your life? Former Oxford Philosophy Fellow Robert Rowland Smith thought he would, and so with dry wit and marvelous invention, Smith whisks you through a typical day, injecting a little philosophy into it at every turn. Wake up with Descartes, go to work with Plato and Nietzsche, visit the gym with Kant, have sex with Ovid (or Simone de Beauvoir). As the day unfolds, Smith grounds complex, abstract ideas in concrete experience, giving you an informal introduction to applying philosophy to everyday life. Not only does "Breakfast with Socrates "cover the basic arguments of philosophy, it brings an irresistible, insouciant charm to its big questions, waking us up to the richest possible range of ideas on how to live. Neither breakfast, lunch, nor dinner will ever be the same again.
aspirations, the rise of western monasticism was the most note worthy event of the early centuries. The importance of monasteries cannot be overstressed as sources of spirituality, learning and auto nomy in the intensely masculinized, militarized feudal period. Drawing their members from the highest levels of society, women's monasteries provided an outlet for the energy and ambition of strong-willed women, as well as positions of considerable authority. Even from periods relatively inhospitable to learning of all kinds, the memory has been preserved of a good number of women of education. Their often considerable achievements and influence, however, generally lie outside even an expanded definition of philo sophy. Among the most notable foremothers of this early period were several whose efforts signal the possibility of later philosophical work. Radegund, in the sixth century, established one of the first Frankish convents, thereby laying the foundations for women's spiritual and intellectual development. From these beginnings, women's monasteries increased rapidly in both number and in fluence both on the continent and in Anglo-Saxon England. Hilda (d. 680) is well known as the powerful abbsess of the double monastery of Whitby. She was eager for knowledge, and five Eng lish bishops were educated under her tutelage. She is also accounted the patron of Caedmon, the first Anglo-Saxon poet of religious verse. The Anglo-Saxon nun Lioba was versed in the liberal arts as well as Scripture and canon law."
Finocchiaro's new and revised translations have done what the Inquisition could not: they have captured an exceptional range of Galileo's career while also letting him speak--in clear English. No other volume offers more convenient or more reliable access to Galileo's own words, whether on the telescope, the Dialogue, the trial, or the mature theory of motion. --Michael H. Shank, Professor of the History of Science, University of Wisconsin--Madison
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist's approach to disegno during and following his formative Roman period (1600-08), this volume highlights Rubens's high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters - the humanist activity then described as a cognate activity to the practice of drawing - a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens's early practice of drawing. Focusing on Rubens's Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens's commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens's intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.
The last twenty years have seen remarkable developments in our understanding of how the ancient Greek thinkers handled the general concept of being and its several varieties. The most general examination of the meaning of the Greek verb 'esti'/'einai'/'on' both in common usage and in the philosophical literature has been presented by Charles H. Kahn, most extensively in his 1973 book The Verb 'Be' in Ancient Greek. These discussions are summarized in Kahn's contribution to this volume. By and large, they show that conceptual schemes by means of which philosophers have recently approached Greek thought have not been very well suited to the way the concept of being was actually used by the ancients. For one thing, being in the sense of existence played a very small role in Greek thinking according to Kahn. Even more importantly, Kahn has argued that Frege and Russell's thesis that verbs for being, such as 'esti', are multiply ambiguous is ill suited for the purpose of appreciating the actual conceptual assumptions of the Greek thinkers. Frege and Russell claimed that a verb like 'is' or'esti' is ambiguous between the 'is' of identity, the 'is' of existence, the copulative 'is', and the generic 'is' (the 'is' of class-inclusion). At least a couple of generations of scholars have relied on this thesis and fre quently criticized sundry ancients for confusing these different senses of 'esti' with each other."
Lorenzo Valla (1407-1457) was the most important theorist of the humanist movement. He wrote a major work on Latin style, "On Elegance in the Latin Language," which became a battle-standard in the struggle for the reform of Latin across Europe, and "Dialectical Disputations," a wide-ranging attack on scholastic logic. His most famous work is "On the Donation of Constantine," an oration in which Valla uses new philological methods to attack the authenticity of the most important document justifying the papacy's claims to temporal rule. It appears here in a new translation with introduction and notes by G. W. Bowersock, based on the critical text of Wolfram Setz (1976). This volume also includes a text and translation of the "Constitutum Constantini," commonly known as the "Donation of Constantine."
Translated into English for the first time, the writings of the twentieth-century scholar Annelise Maier on late medieval natural philosophy are here made accessible to a broader audience. The seven selections represent both Maier's earlier and later works. Her perceptions as a trained philosopher, coupled with her familiarity with the full range of primary source material, result in these rare insights into the historical importance of medieval science.
Copleston, an Oxford Jesuit and specialist in the history of philosophy, first created his history as an introduction for Catholic ecclesiastical seminaries. However, since its first publication (the last volume appearing in the mid-1970s) the series has become the classic account for all philosophy scholars and students. The 11-volume series gives an accessible account of each philosopher's work, but also explains their relationship to the work of other philosophers.
This study began as a paper. It got out of hand. It had help doing that. Oswaldo Chateaubriand, Ronald Haver, Paul Horwich, Bernie Katz, Norman Kretzmann, Stanley Martens, Stephen Pink, Michael Stokes, Eleanor Stump, Bill Ulrich, Celia Wolf, and a lot of other people questioned or criticized or helped reformulate one or another of the arguments and interpretations along the way. In spite of (maybe partly because of) their efforts, the book is full of mistakes. At least, induction over previous drafts indicates that irresistibly. But I do not, right now, know of any particular mistakes. All but a couple of the translations are mine (the exceptions are noted). That is not because existing translations are bad, but because some uniformity was essential. The translations often make unpleasant reading. So, often, does Aristotle; I have tried to be literal. A text and translation of the passage on which the book centers is in Appendix III. Footnotes cite literature by author and (sometimes abbreviated) title. Details are in the bibliography. I do not profess to have covered all the literature. An enormous amount of editorial work was done by Margaret Mundy. She was not able to undo the errors that remain. In particular, the footnotes are often numbered oddly: '4', '4a', '4b', etc.
Marsilio Ficino (1433-99) directed the Platonic Academy in Florence, and it was the work of this Academy that gave the Renaissance in the 15th century its impulse and direction. During his childhood Ficino was selected by Cosimo de' Medici for an education in the humanities. Later Cosimo directed him to learn Greek and then to translate all the works of Plato into Latin. This enormous task he completed in about five years. He then wrote two important books, "The Platonic Theology" and "The Christian Religion", showing how the Christian religion and Platonic philosophy were proclaiming the same message. The extraordinary influence the Platonic Academy came to exercise over the age arose from the fact that its leading spirits were already seeking fresh inspiration from the ideals of the civilizations of Greece and Rome,and especially from the literary and philosophical sources of those ideals. Florence was the cultural and artistic centre of Europe at the time and leading men in so many fields were drawn to the Academy: Lorenzo de' Medici (Florence's ruler), Alberti (the architect) and Poliziano (the poet). Moreover, Ficino bound together an enormous circle of correspondents throughout Europe, from the Pope in Rome to John Colet in London, from Reuchlin in Germany to de Ganay in France. Published during his lifetime, "The Letters" have not previously been translated into English. This third volume consists of the 39 letters Ficino published in his book IV, which he dedicated to Matthias Corvinus, King of Hungary. During the period covered by the letters in this volume, Ficino was working on a revision of his translations of Plato's dialogues and his commentaries on them. Some of the letters consist largely of passages taken from the dialogues, for example, those in praise of matrimony, medicine and philosophy. the largest single letter is a life of Plato which furnishes some interesting parallels with Ficino's own life, as described in a near contemporary biography by Giovanni Corsi which is included, partly for this reason, at the end of the volume. Corsi comments - "The first thing which encouraged me to write about this man was that he himself not only investigated the precepts and mysteries (of the Platonic Academy) but also penetrated, laid open and expounded them to others. This was something which no one else for the previous thousand years so much as attempted, let alone accomplished."
An inquiry into the origins, dissemination, and consequences of the modern belief that humans can solve any problem and overcome any difficulty, given time and resources enough.
This book provides translations of and extensive commentary on John Peckham's Summa de Esse et Essentia and a selection of his Quodlibetal Questions. The book shows the original character of Peckham's thought by exploring central themes in his metaphysics, such as universal hylomorphism, seminal reasons, individuation, and the ontological status of universals.
There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out.            Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,†but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines. Â
The gradual secularization of European society and culture is often said to characterize the development of the modern world, and the early Italian humanists played a pioneering role in this process. Here Benjamin G. Kohl and Ronald G. Witt, with Elizabeth B. Welles, have edited and translated seven primary texts that shed important light on the subject of "civic humanism" in the Renaissance.Included is a treatise of Francesco Petrarca on government, two representative letters from Coluccio Salutati, Leonardo Bruni's panegyric to Florence, Francesco Barbaro's letter on "wifely" duty, Poggio Bracciolini's dialogue on avarice, and Angelo Poliziano's vivid history of the Pazzi conspiracy. Each translation is prefaced by an essay on the author and a short bibliography. The substantial introductory essay offers a concise, balanced summary of the historiographcal issues connected with the period.
This collection of readings with extensive editorial commentary
brings together key texts of the most influential philosophers of
the medieval era to provide a comprehensive introduction for
students of philosophy.
The French author Michel de Montaigne is widely regarded as the founder and greatest practitioner of the personal essay. A member of the minor aristocracy, he worked as a judicial investigator, served as mayor of Bordeaux, and sought to bring stability to his war-torn country during the latter half of the sixteenth century. He is best known today, however, as the author of the Essays, a vast collection of meditations on topics ranging from love and sexuality to freedom, learning, doubt, self-scrutiny, and peace of mind. One of the most original books ever to emerge from Europe, Montaigne's masterpiece has been continuously and powerfully influential among writers and philosophers from its first appearance down to the present day. His extraordinary curiosity and discernment, combined with his ability to mix thoughtful judgment with revealing anecdote, make him one of the most readable of all writers. In Montaigne: A Very Short Introduction, William M. Hamlin provides an overview of Montaigne's life, thought, and writing, situating the Essays within the arc of Montaigne's lived experience and focusing on themes of particular interest for contemporary readers. Designed for a broad audience, this introduction will appeal to first-time students of Montaigne as well as to seasoned experts and admirers. Well-informed and lucidly written, Hamlin's book offers an ideal point of entry into the life and work of the world's first and most extraordinary essayist.
This volume is based on an international colloquium held at the Warburg Institute, London, on 21-2 June 2013, and entitled `Philosophy and Knowledge in the Renaissance: Interpreting Aristotle in the Vernacular'. It situates and explores vernacular Aristotelianism in a broad chronological context, with a geographical focus on Italy. The disciplines covered include political thought, ethics, poetics, rhetoric, logic, natural philosophy, cosmology, meteorology and metaphysics; and among the genres considered are translations, popularizing commentaries, dialogues and works targeted at women. The wide-ranging and rich material presented in the volume is intended to stimulate scholars to develop this promising area of research still further. Table of Contents: Preface (pp. ix-x) Introduction (pp. 1-5) Luca Bianchi, Simon Gilson and Jill Kraye Giles of Rome's De regimine principum and the Vernacular Translations: The Reception of the Aristotelian Tradition and the Problem of Courtesy (pp. 7-29) Fiammetta Papi Uses of Latin Sources in Renaissance Vernacularization of Aristotle: The Case of Galeazzo Florimonte, Francesco Venier and Francesco Pona (pp. 31-55) Luca Bianchi Alessandro Piccolomini's Mission: Philosophy for Men and Women in their Mother Tongue (pp. 57-73) Letizia Panizza Francesco Robortello on Popularizing Knowledge (75-92) Marco Sgarbi Aristotelian Commentaries and the Dialogue Form in Cinquecento Italy (pp. 93-107) Eugenio Refini Aristotle's Politics in the Dialogi della morale filosofia of Antonio Brucioli (pp. 109-122) Grace Allen `The best works of Aristotle': Antonio Brucioli as a Translator of Natural Philosophy (pp. 123-138) Eva Del Soldato Vernacular Meteorology and the Antiquity of the Earth in Medieval and Renaissance Italy (pp. 139-159) Ivano Dal Prete Vernacularizing Meteorology: Benedetto Varchi's Comento sopra il primo libro delle Meteore d'Aristotile (pp. 161-181) Simon Gilson Bartolomeo Beverini (1629-1686) e una versione inedita della Metafisica di Aristotele (pp. 183-208) Corinna Onelli Index of Manuscripts and Incunables (p. 209) Index of Names (pp. 210-216) |
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