To what extent was Machiavelli a "Machiavellian"? Was he an amoral adviser of tyranny or a stalwart partisan of liberty? A neutral technician of power politics or a devout Italian patriot? A reviver of pagan virtue or initiator of modern nihilism? Reading Machiavelli answers these questions through original interpretations of Niccolo Machiavelli's three major political works-The Prince, Discourses, and Florentine Histories-and demonstrates that a radically democratic populism seeded the Florentine's scandalous writings. John McCormick challenges the misguided understandings of Machiavelli set forth by prominent thinkers, including Jean-Jacques Rousseau and representatives of the Straussian and Cambridge schools. McCormick emphasizes the fundamental, often unacknowledged elements of a vibrant Machiavellian politics: the utility of vigorous class conflict between elites and common citizens for virtuous democratic republics, the necessity of political and economic equality for genuine civic liberty, and the indispensability of religious tropes for the exercise of effective popular judgment. Interrogating the established reception of Machiavelli's work by such readers as Rousseau, Leo Strauss, Quentin Skinner, and J.G.A. Pocock, McCormick exposes what was effectively an elite conspiracy to suppress the Florentine's contentious, egalitarian politics. In recovering the too-long-concealed quality of Machiavelli's populism, this book acts as a Machiavellian critique of Machiavelli scholarship. Advancing fresh renderings of works by Machiavelli while demonstrating how they have been misread previously, Reading Machiavelli presents a new outlook for how politics should be conceptualized and practiced.

Anselm of Canterbury (1033-1109), Benedictine monk and the second Norman archbishop of Canterbury, is regarded as one of the most important philosophers and theologians of the Middle Ages. The essays in this volume explore all of his major ideas both philosophical and theological, including his teachings on faith and reason, God's existence and nature, logic, freedom, truth, ethics, and key Christian doctrines. There is also discussion of his life, the sources of his thought, and his influence on other thinkers. New readers will find this the most convenient, accessible guide to Anselm currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Anselm.

One of the leading humanists of Quattrocento Italy, Lorenzo Valla (ca. 1406 1457) has been praised as a brilliant debunker of medieval scholastic philosophy. In this book Lodi Nauta seeks a more balanced assessment, presenting us with the first comprehensive analysis of the humanist s attempt at radical reform of Aristotelian scholasticism.

This study examines Valla s attack on major tenets of Aristotelian metaphysics, showing how Valla employed common sense and linguistic usage as his guides. It then explicates Valla s critique of Aristotelian psychology and natural philosophy and discusses his moral and religious views, including Valla s notorious identification of Christian beatitude with Epicurean pleasure and his daring views on the Trinity. Finally, it takes up Valla s humanist dialectic, which seeks to transform logic into a practical tool measured by persuasiveness and effectiveness.

Nauta firmly places Valla s arguments and ideas within the contexts of ancient and medieval philosophical traditions as well as renewed interest in ancient rhetoric in the Renaissance. He also demonstrates the relevance of Valla s conviction that the philosophical problems of the scholastics are rooted in a misunderstanding of language. Combining philosophical exegesis and historical scholarship, this book offers a new approach to a major Renaissance thinker.

'Montaigne is one of the great sages of that modern world which in a sense began with the Renaissance. He is the bridge linking the thought of pagan antiquity and of Christian antiquity with our own.' In 1572 Montaigne retired from public life and began the reading and writing which were to develop into 'assays' of his thoughts and opinions. Nobody in Western civilization had ever tried to do what Montaigne set out to do. In a vivid, contemporary style he surprises us with entertaining quotations; he moves swiftly from thought to thought, often digressing from an idea only to return to it triumphantly, having caught up with it elsewhere, and in so doing leads the reader along the criss-cross paths of a journey of discovery. Montaigne set out to discover himself. What he discovered instead was the human race.

Giovanni Pontano (1426-1503), whose academic name was Gioviano, was the most important Latin poet of the fifteenth century as well as a leading statesman who served as prime minister to the Aragonese kings of Naples. His Dialogues are our best source for the humanist academy of Naples which Pontano led for several decades. They provide a vivid picture of literary life in the capital of the Aragonese seaborne empire, based in southern Italy and the Western Mediterranean. This first volume contains the two earliest of Pontano's five dialogues. Charon, set in the underworld of classical mythology, illustrates humanist attitudes to a wide range of topics, satirizing the follies and superstitions of humanity. Antonius, a Menippean satire named for the founder of the Neapolitan Academy, Antonio Beccadelli, is set in the Portico Antoniano in downtown Naples, where the academicians commemorate and emulate their recently-deceased leader, conversing on favorite topics and stopping from time to time to interrogate passersby. This volume contains a freshly-edited Latin text of these dialogues and the first translation of them into English.

John Perry revisits the cast of characters of his classic A Dialogue on Personal Identity and Immortality in this absorbing dialogue on consciousness. Cartesian dualism, property dualism, materialism, the problem of other minds . . . Gretchen Weirob and her friends tackle these topics and more in a dialogue that exemplifies the subtleties and intricacies of philosophical reflection. Once again, Perry's ability to use straightforward language to discuss complex issues combines with his mastery of the dialogue form. A Bibliography lists relevant further readings keyed to topics discussed in the dialogue. A helpful Glossary provides a handy reference to terms used in the dialogue and an array of clarifying examples.

The Legacy of Aristotelian Enthymeme provides a historical-logical analysis of Aristotle's rhetorical syllogism, the enthymeme, through its Medieval and Renaissance interpretations. Bringing together notions of credibility and proof, an international team of scholars highlight the fierce debates around this form of argumentation during two key periods for Aristotle's beliefs. Reflecting on medieval and humanist thinkers, philosophers, poets and theologians, this volume joins up dialectical and rhetorical argumentation as key to the enthymeme's interpretation and shows how the enthymeme was the source of a major interpretive conflict. As a method for achieving the standards for proof and credibility that persist across diverse fields of study today including the law, politics, medicine and morality, this book takes in Latin and Persian interpretations of the enthymeme and casts contemporary argumentation in a new historical light.

Leo Strauss argued that the most visible fact about Machiavelli's doctrine is also the most useful one: Machiavelli seems to be a teacher of wickedness. Strauss sought to incorporate this idea in his interpretation without permitting it to overwhelm or exhaust his exegesis of "The Prince" and the "Discourses on the First Ten Books of Livy." "We are in sympathy," he writes, "with the simple opinion about Machiavelli [namely, the wickedness of his teaching], not only because it is wholesome, but above all because a failure to take that opinion seriously prevents one from doing justice to what is truly admirable in Machiavelli: the intrepidity of his thought, the grandeur of his vision, and the graceful subtlety of his speech." This critique of the founder of modern political philosophy by this prominent twentieth-century scholar is an essential text for students of both authors.

Robert Greystones on Certainty and Skepticism: Selections from His Works is a continuation of the volume previously published by Auctores Britannici Medii Aevi, Robert Greystones on the Freedom of the Will: Selections from His Commentary on the Sentences (edited by Mark Henninger, with Robert Andrews and Jennifer Ottman, 2017). In the course of preparation of the first volume, startling information arose concerning the nature and extent of Greystones' skepticism. Following draft editions of a number of Greystones' Sentences commentary questions, the most relevant five questions were selected for editing and translation. Greystones is in the tradition of Nicholas of Autrecourt, William Crathorn, Monachus Niger (the Black Monk), Nicholas Aston, and John Went, but the earliest of these figures. Building upon the 69th proposition of the Condemnation of 1277, Greystones concludes that God's unlimited power must lead to a radical skepticism about human knowledge. We cannot be certain whether we are in this life or the afterlife, in a body or not. We cannot be certain about the existence of any external object. We have no certain knowledge of cause and effect, the existence of substances, or of any contingent event. Like Descartes, Greystones held that we can be certain about our own existence (ego sum). But preempting Descartes' appeal to a beneficent, non-deceptive God, Greystones says: God does not deceive. But you deceive yourself if you insist on believing that something exists when you know that it might not! You know that God can intervene at any instant, and thus that you can never completely trust your senses. Greystones' skepticism is strikingly significant in light of the later historical development of philosophy. Recent researchers on medieval skepticism such as Henrik Lagerlund, Dominik Perler, and Jos e Luis Bermudez show no awareness of Greystones. Indeed, Bermudez claims that "the resources were not available in the thirteenth and fourteenth centuries to entertain those ... skeptical worries that were identified as distinctive of Cartesian skepticism." This edition of Greystones should prompt not just a footnote to, but a re-writing of, the history of philosophy.

This monograph is a critical and historical account of Aristotelian essentialism and modal logic. In Chapter One, ancient and contemporary interpretations and claims of inconsistency in Aristotle's modal syllogistic are examined. A more consistent model is developed through attention to Aristotle's comments on negation. In Chapter Two, proofs for each of the mixed apodictic syllogisms are analyzed and diagrammed. Chapter Three explores how Aristotle's modal metaphysics fits within the context of the Posterior Analytics. Chapter Four contrasts Aristotelian modal logic to contemporary modal metaphysics and argues for ways in which a return to Aristotle may spark intriguing thought in contemporary discussions of the philosophy of science and in debate over the metaphysics of identity.

The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy. Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.

Of the great philosophers of pagan antiquity, Marcus Tullius Cicero is the only one whose ideas were continuously accessible to the Christian West following the collapse of the Roman Empire. Yet, in marked contrast with other ancient philosophers, Cicero has largely been written out of the historical narrative on early European political thought, and the reception of his ideas has barely been studied. The Bonds of Humanity corrects this glaring oversight, arguing that the influence of Cicero's ideas in medieval and early modern Europe was far more pervasive than previously believed. In this book, Cary J. Nederman presents a persuasive counternarrative to the widely accepted belief in the dominance of Aristotelian thought. Surveying the work of a diverse range of thinkers from the twelfth to the sixteenth century, including John of Salisbury, Brunetto Latini, Marsiglio of Padua, Christine de Pizan, and Bartolome de Las Casas, Nederman shows that these men and women inherited, deployed, and adapted key Ciceronian themes. He argues that the rise of scholastic Aristotelianism in the thirteenth century did not supplant but rather supplemented and bolstered Ciceronian ideas, and he identifies the character and limits of Ciceronianism that distinguish it from other schools of philosophy. Highly original and compelling, this paradigm-shifting book will be greeted enthusiastically by students and scholars of early European political thought and intellectual history, particularly those engaged in the conversation about the role played by ancient and early Christian ideas in shaping the theories of later times.

This long-awaited reissue of the 1969 Cornell edition of Alfarabi's Philosophy of Plato and Aristotle contains Muhsin Mahdi's substantial original introduction and a new foreword by Charles E. Butterworth and Thomas L. Pangle. The three parts of the book, "Attainment of Happiness," "Philosophy of Plato," and "Philosophy of Aristotle," provide a philosophical foundation for Alfarabi's political works.

In the last fifty years the field of Late Antiquity has advanced significantly. Today we have a picture of this period that is more precise and accurate than before. However, the study of one of the most significant texts of this age, Boethius' Consolation of Philosophy, has not benefited enough from these advances in scholarship. Antonio Donato aims to fill this gap by investigating how the study of the Consolation can profit from the knowledge of Boethius' cultural, political and social background that is available today. The book focuses on three topics: Boethius' social/political background, his notion of philosophy and its sources, and his understanding of the relation between Christianity and classical culture. These topics deal with issues that are of crucial importance for the exegesis of the Consolation. The study of Boethius' social/political background allows us to gain a better understanding of the identity of the character Boethius and to recognize his role in the Consolation. Examination of the possible sources of Boethius' notion of philosophy and of their influence on the Consolation offers valuable instruments to evaluate the role of the text's philosophical discussions and their relation to its literary features. Finally, the long-standing problem of the lack of overt Christian elements in the Consolation can be enlightened by considering how Boethius relies on a peculiar understanding of philosophy's goal and its relation to Christianity that was common among some of his predecessors and contemporaries.

With a mix of both respectable and immoral advice, The Prince is a frank analysis on political power. Separated into four sections, The Prince is both a guide to obtain power and an explanation on the aspects that affect it. The first section discusses the types of principalities. According to Machiavelli, there are four different types-hereditary, mixed, new and ecclesiastical. While defining each type, Machiavelli also discusses the implications of each. Next, The Prince identifies types of armies. There are hired armies, which Machiavelli himself expressed distrust of, loaned troops (also known as auxiliaries), native, or a mix of the three. With intriguing contrasts, the next section reveals the most effective behavior and characteristics for a ruler. While it is advised to be stingy over generous, cruel over merciful, and champions dishonesty over inconvenience, The Prince also stresses the importance of being a well-like ruler with an enhanced reputation, creating a complex character to portray. Finally, to highlight why the aforementioned sections are necessary and accurate, the last section of The Prince discusses the political state of 16th century Italy. With examples of both effective and ineffective policies and rulers, The Prince provides intriguing philosophical and political discourse as well as a detailed look at the innerworkings of the Italian government during the Renaissance. The Prince by Niccolo Machiavelli introduces an unprecedented political analysis, creating a fascinating discussion on Renaissance politics while inviting readers to consider the evidence of Machiavelli's studies present in modern-day government. Machiavelli's work has paved the way for and shaped political parties that are still in practice even in a democratic society, consequently solidifying The Prince as an ever-present analysis of political science. This edition of Niccolo Machiavelli's The Prince is presented in a modern font and features a new, eye-catching cover design. Providing both a riveting look into Renaissance politics and a relevant analysis of power, The Prince by Machiavelli possess a duality that preserves its influence.

"Every page contains thought at a high level." -British Weekly Rudolf Steiner begins these three lectures by depicting the background of early Christian thought, from which scholastic philosophers arose. He focuses on the "unanswered question" of the scholastic movement: How can human thinking be made Christlike and develop toward a vision of the spiritual world? A study of subsequent European thought, especially that of Kant, leads to the possibility of deepening into spiritual perception the scientific thinking that arose from scholasticism. Steiner explains that, since the beginning of the twentieth century, this is true Christianity.

The second edition of the Encyclopedia of Medieval Philosophy is expanded and substantially revised. It is the largest reference work of medieval philosophy in English and it covers all the four language traditions, Latin, Arabic, Greek, and Hebrew, of western medieval philosophy. The Encyclopedia covers all areas of philosophy in the Middle Ages and part of the Renaissance, ranging from 500 to 1500 CE. It contains general entries on medieval philosophers and medieval philosophies and on the key terms and concepts in the subject area, but it also provides more in-depth details and analyses of particular theories. Furthermore, in order to gain an insight into the social and cultural context of the material, entries are included on the teaching of philosophy, the career of philosophers, and the place of philosophy within the universities. Complete with cross-references between key words and related essays to enable efficient searches, this Encyclopedia is exhaustive, unprecedented, and user-friendly. It is indispensable for scholars of medieval philosophy and Medieval Studies, and it is also useful for anyone interested in medieval ideas and thought.

All perfections of things pre-exist in the divine essence, yet it is entirely simple, without components. These seemingly opposed attributes of God are reconciled in Questions 3–6 of the First Part of the Summa theologiae, here newly translated and explained in line-by-line detail. Among topics receiving special attention are Aquinas’s doctrine of participation, his conception of God as a subsisting act of being, and the distinction and order of transcendentals such as being, goodness, and beauty. Intended for advanced undergraduates, graduate students, and teachers, Aquinas on God’s Simplicity and Perfection throws light on the order of Aquinas’s questions, addresses difficulties commonly encountered by modern readers, and includes an exhaustive glossary of all technical terms occurring in the Summa’s first six Questions.

The old humanistic model, aiming at universalism, ecumenism, and the globalization of various Western systems of values and beliefs, is no longer adequate - even if it pleads for an ever-wider inclusion of other cultural perspectives and for intercultural dialogue. In contrast, it would be wise to retain a number of its assumptions and practices - which it incidentally shares with humanistic models outside the Western world. We must now reconsider and remap it in terms of a larger, global reference frame. This anthology does just that, thus contributing to a new field of study and practice that could be called intercultural humanism.