Die Bettelorden der Franziskaner und Dominikaner sahen sich ab 1250 gezwungen, ihre Existenz und ihre Aktivitaten in Predigt und Theologie zu rechtfertigen. In diesen auf hohem intellektuellen Niveau ausgefochtenen Kontroversen spielte der 1252 von Koln nach Paris berufene Thomas von Aquin eine herausragende Rolle, die in der hier vorgestellten Studie im einzelnen untersucht wird. Das zentrale Dokument ist die vom Autor analysierte Schrift des Aquinaten Contra impugnantes (1255), die zugleich Apologie und Programm ist, in dem sich das Selbstverstandnis einer neuen Elite mit neuen Aufgaben in der Kirche artikuliert. Das Buch ist zunachst ein Beitrag zu einem wichtigen Thema der Frommigkeitsgeschichte, dann aber auch eine Untersuchung zu den Fundamenten der uberaus folgenreichen Armuts- und Bettelordensbewegung. Entstanden ist eine genetische Darstellung aller mit der Existenz und der Funktion des Dominikanerordens verbundenen Themen, wie es sie bisher noch nicht gab."

Die Frage nach der Eigenstandigkeit des AEsthetischen ist ein Schlusselproblem in der aktuellen Debatte. Ein wichtiger Referenzpunkt bleibt dabei die "Kritik der Urteilskraft", gilt doch Kant bis heute als einer der entschiedensten Gegner einer Vereinnahmung des AEsthetischen durch Theorie. Mit dem Bild eines freien Spiels der Erkenntnisvermoegen macht er einen Vorschlag, der durch seine intuitive Plausibilitat besticht. Dieses Buch fragt nach der argumentativen Berechtigung fur den Spielbegriff und unternimmt eine Auseinandersetzung mit Kant, die uber die Bruche seines Texts nicht hinweggeht. Was das Spiel in der AEsthetik soll, so die These der Interpretation, kann sich erst in einem groesseren systematischen Rahmen, unter voller Berucksichtigung der praktizistischen Tendenz in Kants Ansatz klaren.

"Codices Boethiani" is a catalogue of all the Latin manuscripts of the works of Boethius, including his translations of Aristotle and Porphyry. When completed, it is expected to comprise seven volumes arranged geographically, and a general index (although each volume will also be indexed separately). The conspectus includes fragmentary texts, as witnesses to once-complete versions, but not excerpts, abbreviations and vernacular translations. Each entry comprises a short physical description of the manuscript, a complete list of contents, a note of any glosses present, a brief summary of any decoration, the provenance of the manuscript and a select bibliography. Particular attention is paid to the use of the manuscripts. Since Boethius was a pillar of artes teaching, these manuscripts give a particularly interesting insight into who was taught what, where, to what level, and in what way. The three volumes published so far are: "I Great Britain and the Republic of Ireland (WI Surveys & Texts 25)"; "II Austria, Belgium, Denmark, Luxembourg, the Netherlands, Sweden and Switzerland (WI Surveys & Texts 27)"; and, "III Italy and the Vatican City (WI Surveys & Texts 28)". The number of Boethian manuscripts in the Iberian Peninsula is modest compared with those in the British Isles and Italy, partly, perhaps, because of the Arab domination there; the oldest manuscripts come from Ripoll in Catalonia, which was always under Christian control. The Portuguese manuscripts contain 5 Boethian items, the Spanish, 153, of which the De Consolatione Philosophiae occurs most often. Some of these manuscripts are of exceptional quality, and many of them include extensive glosses.

This comprehensive reference volume features essays by some of the most distinguished scholars in the field.
Provides a comprehensive "who's who" guide to medieval philosophers.
Offers a refreshing mix of essays providing historical context followed by 140 alphabetically arranged entries on individual thinkers.
Constitutes an extensively cross-referenced and indexed source.
Written by a distinguished cast of philosophers.
Spans the history of medieval philosophy from the fourth century AD to the fifteenth century.

John Duns Scotus is commonly recognized as one of the most original thinkers of medieval philosophy. His influence on subsequent philosophers and theologians is enormous and extends well beyond the limits of the Middle Ages. His thought, however, might be intimidating for the non-initiated, because of the sheer number of topics he touched on and the difficulty of his style. The eleven essays collected here, especially written for this volume by some of the leading scholars in the field, take the reader through various topics, including Duns Scotus's intellectual environment, his argument for the existence of God, and his conceptions of modality, order, causality, freedom, and human nature. This volume provides a reliable point of entrance to the thought of Duns Scotus while giving a snapshot of some of the best research that is now being done on this difficult but intellectually rewarding thinker.

Nicholas of Cusa (1401-1464), widely considered the most important original philosopher of the Renaissance, was born in Kues on the Moselle River. A polymath who studied canon law and became a cardinal of the Roman Catholic Church, he wrote principally on speculative theology, philosophy, and church politics. As a political thinker he is best known for "De concordantia catholica," which presented a blueprint for peace in an age of ecclesiastical discord.

This volume makes most of Nicholas's other writings on Church and reform available in English for the first time, including legal tracts arguing the case of Pope Eugenius IV against the conciliarists, theological examinations of the nature of the Church, and writings on reform of the papacy and curia. Among the works translated are an early draft of "De concordantia catholica" and the "Letter to Rodrigo Sanchez de Arevalo," which discusses the Church in light of the Cusan idea of "learned ignorance."

Fifteen of these essays by one of the leading authorities on Renaissance Platonism explore the complex philosophical, hermeneutical, and mythological issues addressed by the Florentine, Marsilio Ficino (1433-99). Ficino was the pre-eminent Platonist of his time and a distinguished philosopher, scholar and magus who had an enormous influence on the intellectual and cultural life of two and a half centuries, and who is one of the most important witnesses to the preoccupations of his age, above all to its fascination with ancient poetry and philosophy and their uneasy accommodation as an ancient "theology" with Christianity. Two further essays treat of cognate themes taken up by Ficino's younger friend and rival, the dazzling prince of Concordia, Giovanni Pico della Mirandola (1463-94), who was fascinated by Platonism in his youth but also by other philosophical legacies from the past, including Cabala and the Scholastic Aristotelianism of the Middle Ages. This volume's initial essay serves as an introduction to the comprehensive phenomenon of Renaissance Platonism.

Francesco Filelfo's philosophical dialogue On Exile (ca. 1440) depicts a prominent group of Florentine noblemen and humanists, driven from their city by Cosimo de' Medici, discussing the sufferings imposed by exile such as poverty and loss of reputation, and the best way to endure and even profit from them. This volume contains the first complete edition of the Latin text and the first complete translation into any modern language.

The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century.

Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or "visio," and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.

Too often the study of philosophical texts is carried out in ways that do not pay significant attention to how the ideas contained within them are presented, articulated, and developed. This was not always the case. The contributors to this collected work consider Jewish philosophy in the medieval period, when new genres and forms of written expression were flourishing in the wake of renewed interest in ancient philosophy. Many medieval Jewish philosophers were highly accomplished poets, for example, and made conscious efforts to write in a poetic style. This volume turns attention to the connections that medieval Jewish thinkers made between the literary, the exegetical, the philosophical, and the mystical to shed light on the creativity and diversity of medieval thought. As they broaden the scope of what counts as medieval Jewish philosophy, the essays collected here consider questions about how an argument is formed, how text is put into the service of philosophy, and the social and intellectual environment in which philosophical texts were produced.

Janet Coleman's two volume history of European political theorizing, from the ancient Greeks to the Renaissance is the introduction which many have been waiting for. It treats some of the most influential writers who have been considered by educated Europeans down the centuries to have helped to construct their identity, their shared "languages of politics" about the principles and practices of good government, and the history of European philosophy. It seeks to uncover and reconstruct the emergence of the "state" and the various European political theories which justified it.

This volume continues the story by focusing on medieval and Renaissance thinkers and includes extensive discussion of the practices that underpinned medieval political theories and which continued to play crucial roles in the eventual development of early-modern political institutions and debates. Throughout the author draws on recent scholarly commentaries written by specialists in philosophy, contemporary political theory, and on medieval and Renaissance history and theology. She shows that the medieval and Renaissance theorists' arguments can be seen as logical and coherent if we can grasp the questions they thought it important to answer. Janet Coleman strikes a balance between trying to understand the philosophical cogency of medieval and Renaissance arguments on the one hand, and on the other, elucidating why historically-situated medieval and Renaissance thinkers, respectively, thought the ways they did about politics; and why we often think otherwise.

The volume will meet the needs of students of philosophy, history and politics, proving to be an indispensable secondary source which aims tosituate, explain, and provoke thought about the major works of political theory likely to be encountered by students of this period and beyond.

"Johnson After Three Centuries: New Light on Texts and Contexts" examines several aspects of Johnson's career through fresh perspectives and original interpretations by some of the best-known and widely-repsected scholars of our time. Included are essays by James Basker, James Engell, Nicholas Hudson, Jack Lynch, and Allen Reddick.

T. M. Rudavsky presents a new account of the development of Jewish philosophy from the tenth century to Spinoza in the seventeenth, viewed as part of an ongoing dialogue with medieval Christian and Islamic thought. Her aim is to provide a broad historical survey of major figures and schools within the medieval Jewish tradition, focusing on the tensions between Judaism and rational thought. This is reflected in particular philosophical controversies across a wide range of issues in metaphysics, language, cosmology, and philosophical theology. The book illuminates our understanding of medieval thought by offering a much richer view of the Jewish philosophical tradition, informed by the considerable recent research that has been done in this area.

A User's Guide to Melancholy takes Robert Burton's encyclopaedic masterpiece The Anatomy of Melancholy (first published in 1621) as a guide to one of the most perplexing, elusive, attractive, and afflicting diseases of the Renaissance. Burton's Anatomy is perhaps the largest, strangest, and most unwieldy self-help book ever written. Engaging with the rich cultural and literary framework of melancholy, this book traces its causes, symptoms, and cures through Burton's writing. Each chapter starts with a case study of melancholy - from the man who was afraid to urinate in case he drowned his town to the girl who purged a live eel - as a way into exploring the many facets of this mental affliction. A User's Guide to Melancholy presents in an accessible and illustrated format the colourful variety of Renaissance melancholy, and contributes to contemporary discussions about wellbeing by revealing the earlier history of mental health conditions.

The Old English Boethius boldly refashions in Anglo-Saxon guise a great literary monument of the late-antique world, The Consolation of Philosophy. Condemned to death for treason around 525 ce, the Roman scholar Boethius turned to philosophy to transform his personal distress into a powerful meditation on fate, free will, and the human capacity for virtue in a flawed, fallen world. Boethius's Latin dialogues found a receptive audience in Anglo-Saxon England, where they were translated into Old English some time around 900. The translator (traditionally identified with King Alfred) freely adapts the Latin for a new audience: the Roman Fabricius, for example, becomes the Germanic weapon-smith Weland. The translation replicates Boethius's alternation of prose and verse-only in this case Old English prose alternates with alliterative verse. In later centuries Chaucer and Queen Elizabeth each turned The Consolation of Philosophy into English, but the Old English translation was the first to bring it to a wider vernacular audience. Verse prologues and epilogues for works traditionally associated with King Alfred fill out the volume, offering readers a fascinating glimpse of the moment when English confidently claimed its birthright as a literature capable of anything, from sublime ideas to subtle poetry.

Bonaventure of Bagnoregio's 'The Soul's Journey into God' is a masterpiece of thirteenth-century Scholasticism. In his thoughtful and illuminating commentary, Peter Dillard engages with the text to introduce some of the perennial issues and characteristic methods of Scholasticism to a contemporary audience. Dillard addresses the sophisticated speculative system underlying Bonaventure's writing, bringing the reader to a number of fundamental questions in epistemology, metaphysics, the philosophy of mind, dogmatic theology, and contemplative mysticism. A richness of conceptual resources and perspective that spans Platonic, Neoplatonic, and Aristotelian thought, and the thought of Pseudo-Dionysius the Areopagite, are also revealed. Dillard offers his own highly engaging speculations on the treatise, developing the "Seraphic Doctor's" insights into lines of thought for further consideration by the reader. 'A Way into Scholasticism' combines academic rigour with accessible clarity. Peter S. Dillard is the author of 'Heidegger and Philosophical Atheology: A Neo-Scholastic Critique' (2008) and 'The Truth about Mary: A Theological and Philosophical Evaluation of the Proposed Fifth Marian Dogma' (2009). 'This commentary will be of great importance to anyone interested in understanding the way in which Scholastic philosophical theology illuminates Christian belief and intellectual tradition.This is a powerful reading and appreciation of Bonaventure's most famous work, "The Soul's Journey into God...". In a spare, precise, and occasionally elegant prose, Dillard brings a contemporary mentality to bear on Bonaventure's project and every step involved in the progress through six stages of spiritual growth leading to the possibility of mystical contemplation or ecstasy.' Patrick Padigan, Heythrop Journal.

Since its publication in 1677, Spinoza s Ethics has fascinated philosophers, novelists, and scientists alike. It is undoubtedly one of the most exciting and contested works of Western philosophy. Written in an austere, geometrical fashion, the work teaches us how we should live, ending with an ethics in which the only thing good in itself is understanding. Spinoza argues that only that which hinders us from understanding is bad and shows that those endowed with a human mind should devote themselves, as much as they can, to a contemplative life. This Companion volume provides a detailed, accessible exposition of the Ethics. Written by an internationally known team of scholars, it is the first anthology to treat the whole of the Ethics and is written in an accessible style.

This Element provides an account of Thomas Aquinas's moral philosophy that emphasizes the intrinsic connection between happiness and the human good, human virtue, and the precepts of practical reason. Human beings by nature have an end to which they are directed and concerning which they do not deliberate, namely happiness. Humans achieve this end by performing good human acts, which are produced by the intellect and the will, and perfected by the relevant virtues. These virtuous acts require that the agent grasps the relevant moral principles and uses them in particular cases.

Giordano Bruno (1548-1600) is one of the great figures of early modern Europe, and one of the least understood. Ingrid D. Rowland's biography establishes him once and for all as a peer of Erasmus, Shakespeare, and Galileo--a thinker whose vision of the world prefigures ours.
Writing with great verve and erudition, Rowland traces Bruno's wanderings through a sixteenth-century Europe where every certainty of religion and philosophy has been called into question, and reveals how he valiantly defended his ideas to the very end, when he was burned at the stake as a heretic on Rome's Campo de' Fiori.

"A loving and thoughtful account of Bruno's] life and thought, satires and sonnets, dialogues and lesson plans, vagabond days and star-spangled nights. . . . Ingrid D. Rowland has her reasons for preferring Bruno to Copernicus, Tycho Brahe, Johannes Kepler, even Galileo and Leonardo, and they're good ones."--John Leonard, "Harper's
""Whatever else Bruno was, he was wild-minded and extreme, and Rowland communicates this, together with a sense of the excitement that his ideas gave him. . . . It's that feeling for the explosiveness of the period, and Rowland's] admiration of Bruno for participating in it--indeed, dying for it--that is the central and most cherishable quality of the biography."--Joan Acocella, "New Yorker
""Rowland tells this great story in moving, vivid prose, concentrating as much on Bruno's thought as on his life. . . . His restless mind, as she makes clear, not only explored but transformed the heavens."--Anthony Grafton, "New York Review of Books
"" Bruno] seems to have been an unclassifiable mixture of foul-mouthed Neapolitan mountebank, loquacious poet, religious reformer, scholastic philosopher, and slightly wacky astronomer."--Anthony Gottlieb, "New York Times Book Review
""A marvelous feat of scholarship. . . . This is intellectual biography at its best."--Peter N. Miller, "New Republic
""An excellent starting point for anyone who wants to rediscover the historical figure concealed beneath the cowl on Campo de' Fiori."--Paula Findlen, "Nation"

The Vatican Mythographers offers the first complete English translation of three important sources of knowledge about the survival of classical mythology from the Carolingian era to the High Middle Ages and beyond. The Latin texts were discovered in manuscripts in the Vatican library and published together in the nineteenth century. The three so-called Vatican Mythographers compiled, analyzed, interpreted, and transmitted a vast collection of myths for use by students, poets, and artists. In terms consonant with Christian purposes, they elucidated the fabulous narratives and underlying themes in the works of Ovid, Virgil, Statius, and other poets of antiquity. In so doing, the Vatican Mythographers provided handbooks that included descriptions of ancient rites and customs, curious etymologies, and, above all, moral allegories. Thus we learn that Bacchus is a naked youth who rides a tiger because drunkenness is never mature, denudes us of possessions, and begets ferocity; or that Ulysses, husband of Penelope, passed by the monstrous Scylla unharmed because a wise man bound to chastity overcomes lust. The extensive collection of myths illustrates how this material was used for moral lessons. To date, the works of the Vatican Mythographers have remained inaccessible to scholars and students without a good working knowledge of Latin. The translation thus fulfills a scholarly void. It is prefaced by an introduction that discusses the purposes of the Vatican Mythographers, the influences on them, and their place in medieval and Renaissance mythography. Of course, it also entertains with a host of stories whose undying appeal captivates, charms, inspires, instructs, and sometimes horrifiesus.The book should have wide appeal for a whole range of university courses involving myth.

Michael Clanchy introduces the reader to medieval life through the experience of Peter Abelard, the master of the Paris schools whose career included seducing Heloise (his student), being castrated, accused of treason, condemned as a heretic (twice) as well as writing his memoirs - his "story of calamities."

Because Abelard touched so many aspects of life, this book is structured naturally around the roles he played. The author describes in vivid and concrete terms what it meant in the twelfth century to be a famous scientist (the master of Latin, logic and philosophy), then a dedicated monk and pioneer of the discipline of theology - and yet one who was at various times a wandering scholar, courtier and jester. The author's many new findings include the discovery that it was Heloise who inspired many of Abelard's most profound ideas. "She" educated "him: " up to now historians have assumed it to be the other way round.

This, the first biography of Abelard for over 30 years, combines the most recent international research with a re-reading of the sources line by line.